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Authors: Dean Koontz

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The Husband

BOOK: The Husband
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THE HUSBAND

A Bantam Book

PUBLISHING HISTORY

Bantam hardcover edition published June 2006

Bantam international mass market edition / January 2007

Published by Bantam Dell

A Division of Random House, Inc.

New York, New York

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

All rights reserved

Copyright © 2006 by Dean Koontz

Excerpt from
Odd Apocalypse
copyright © 2012 by Dean Koontz.

Title page art from an original photograph by Nathalie Dulex

Cover art by Tom Hallman

A signed, limited hardcover edition has been privately published by Charnel House

Charnelhouse.com

Library of Congress Catalog Card Number: 2006042696

Bantam Books and the rooster colophon are registered trademarks of Random House, Inc.

www.bantamdell.com

This book contains an excerpt from
Odd Apocalypse
by Dean Koontz. This excerpt has been set for this edition and may not reflect the final content of the book.

eISBN: 978-0-307-41432-8

v3.0_r2

Contents

Title Page

Copyright

Epigraph

Part One What Would You Do for Love?

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Part Two Would You Die for Love? Would You Kill?

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Part Three Until Death Us Do Part.

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Dedication

Also by Dean Koontz

About the Author

Excerpt from Odd Apocalypse

Courage is grace under pressure.

—Ernest Hemingway

That Love is all there is,
Is all we know of Love….

—Emily Dickinson

1

A
man begins dying at the moment of his birth. Most people live in denial of Death’s patient courtship until, late in life and deep in sickness, they become aware of him sitting bedside.

Eventually, Mitchell Rafferty would be able to cite the minute that he began to recognize the inevitability of his death: Monday, May 14, 11:43 in the morning—three weeks short of his twenty-eighth birthday.

Until then, he had rarely thought of dying. A born optimist, charmed by nature’s beauty and amused by humanity, he had no cause or inclination to wonder when and how his mortality would be proven.

When the call came, he was on his knees.

Thirty flats of red and purple impatiens remained to be planted. The flowers produced no fragrance, but the fertile smell of the soil pleased him.

His clients, these particular homeowners, liked saturated colors: red, purple, deep yellow, hot pink. They would not accept white blooms or pastels.

Mitch understood them. Raised poor, they had built a successful business by working hard and taking risks. To them, life was intense, and saturated colors reflected the truth of nature’s vehemence.

This apparently ordinary but in fact momentous morning, the California sun was a buttery ball. The sky had a basted sheen.

Pleasantly warm, not searing, the day nevertheless left a greasy sweat on Ignatius Barnes. His brow glistened. His chin dripped.

At work in the same bed of flowers, ten feet from Mitch, Iggy looked boiled. From May until July, his skin responded to the sun not with melanin but with a fierce blush. For one-sixth of the year, before he finally tanned, he appeared to be perpetually embarrassed.

Iggy did not possess an understanding of symmetry and harmony in landscape design, and he couldn’t be trusted to trim roses properly. He was a hard worker, however, and good if not intellectually bracing company.

“You hear what happened to Ralph Gandhi?” Iggy asked.

“Who’s Ralph Gandhi?”

“Mickey’s brother.”

“Mickey Gandhi? I don’t know him, either.”

“Sure you do,” Iggy said. “Mickey, he hangs out sometimes at Rolling Thunder.”

Rolling Thunder was a surfers’ bar.

“I haven’t been there in years,” Mitch said.

“Years? Are you serious?”

“Entirely.”

“I thought you still dropped in sometimes.”

“So I’ve really been missed, huh?”

“I’ll admit, nobody’s named a bar stool after you. What—did you find someplace better than Rolling Thunder?”

“Remember coming to my wedding three years ago?” Mitch asked.

“Sure. You had great seafood tacos, but the band was woofy.”

“They weren’t woofy.”

“Man, they had
tambourines
.”

“We were on a budget. At least they didn’t have an accordion.”

“Because playing an accordion exceeded their skill level.”

Mitch troweled a cavity in the loose soil. “They didn’t have finger bells, either.”

Wiping his brow with one forearm, Iggy complained: “I must have Eskimo genes. I break a sweat at fifty degrees.”

Mitch said, “I don’t do bars anymore. I do marriage.”

“Yeah, but can’t you do marriage
and
Rolling Thunder?”

“I’d just rather be home than anywhere else.”

“Oh, boss, that’s sad,” said Iggy.

“It’s not sad. It’s the best.”

“If you put a lion in a zoo three years, six years, he never forgets what freedom was like.”

Planting purple impatiens, Mitch said, “How would you know? You ever asked a lion?”

“I don’t have to ask one. I
am
a lion.”

“You’re a hopeless boardhead.”

“And proud of it. I’m glad you found Holly. She’s a great lady. But
I’ve
got my freedom.”

“Good for you, Iggy. And what do you do with it?”

“Do with what?”

“Your freedom. What do you do with your freedom?”

“Anything I want.”

“Like, for example?”

“Anything. Like, if I want sausage pizza for dinner, I don’t have to ask anyone what
she
wants.”

“Radical.”

“If I want to go to Rolling Thunder for a few beers, there’s nobody to bitch at me.”

“Holly doesn’t bitch.”

“I can get beer-slammed every night if I want, and nobody’s gonna be calling to ask when am I coming home.”

Mitch began to whistle “Born Free.”

“Some wahine comes on to me,” Iggy said, “I’m free to rock and roll.”

“They’re coming on to you all the time—are they?—those sexy wahines?”

“Women are bold these days, boss. They see what they want, they just take it.”

Mitch said, “Iggy, the last time you got laid, John Kerry thought he was going to be president.”

“That’s not so long ago.”

“So what happened to Ralph?”

“Ralph who?”

“Mickey Gandhi’s brother.”

“Oh, yeah. An iguana bit off his nose.”

“Nasty.”

“Some fully macking ten-footers were breaking, so Ralph and some guys went night-riding at the Wedge.”

The Wedge was a famous surfing spot at the end of the Balboa Peninsula, in Newport Beach.

Iggy said, “They packed coolers full of submarine sandwiches and beer, and one of them brought Ming.”

“Ming?”

“That’s the iguana.”

“So it was a pet?”

“Ming, he’d always been sweet before.”

“I’d expect iguanas to be moody.”

“No, they’re affectionate. What happened was some wanker, not even a surfer, just a wannabe tagalong, slipped Ming a quarter-dose of meth in a piece of salami.”

“Reptiles on speed,” Mitch said, “is a bad idea.”

“Meth Ming was a whole different animal from clean-and-sober Ming,” Iggy confirmed.

Putting down his trowel, sitting back on the heels of his work shoes, Mitch said, “So now Ralph Gandhi is noseless?”

“Ming didn’t eat the nose. He just bit it off and spit it out.”

“Maybe he didn’t like Indian food.”

“They had a big cooler full of ice water and beer. They put the nose in the cooler and rushed it to the hospital.”

“Did they take Ralph, too?”

“They had to take Ralph. It was his nose.”

“Well,” Mitch said, “we
are
talking about boardheads.”

“They said it was kinda blue when they fished it out of the ice water, but a plastic surgeon sewed it back on, and now it’s not blue anymore.”

“What happened to Ming?”

“He crashed. He was totally amped-out for a day. Now he’s his old self.”

“That’s good. It’s probably hard to find a clinic that’ll do iguana rehab.”

Mitch got to his feet and retrieved three dozen empty plastic plant pots. He carried them to his extended-bed pickup.

The truck stood at the curb, in the shade of an Indian laurel. Although the neighborhood had been built-out only five years earlier, the big tree had already lifted the sidewalk. Eventually the insistent roots would block lawn drains and invade the sewer system.

The developer’s decision to save one hundred dollars by not installing a root barrier would produce tens of thousands in repair work for plumbers, landscapers, and concrete contractors.

When Mitch planted an Indian laurel, he always used a root barrier. He didn’t need to make future work for himself. Green growing Nature would keep him busy.

The street lay silent, without traffic. Not the barest breath of a breeze stirred the trees.

From a block away, on the farther side of the street, a man and a dog approached. The dog, a retriever, spent less time walking than it did sniffing messages left by others of its kind.

The stillness pooled so deep that Mitch almost believed he could hear the panting of the distant canine.

Golden: the sun and the dog, the air and the promise of the day, the beautiful houses behind deep lawns.

Mitch Rafferty could not afford a home in this neighborhood. He was satisfied just to be able to work here.

You could love great art but have no desire to live in a museum.

He noticed a damaged sprinkler head where lawn met sidewalk. He got his tools from the truck and knelt on the grass, taking a break from the impatiens.

His cell phone rang. He unclipped it from his belt, flipped it open. The time was displayed—11:43—but no caller’s number showed on the screen. He took the call anyway.

“Big Green,” he said, which was the name he’d given his two-man business nine years ago, though he no longer remembered why.

“Mitch, I love you,” Holly said.

“Hey, sweetie.”

“Whatever happens, I love you.”

She cried out in pain. A clatter and crash suggested a struggle.

Alarmed, Mitch rose to his feet. “Holly?”

Some guy said something, some guy who now had the phone. Mitch didn’t hear the words because he was focused on the background noise.

Holly squealed. He’d never heard such a sound from her, such fear.


Sonofabitch,
” she said, and was silenced by a sharp crack, as though she’d been slapped.

The stranger on the phone said, “You hear me, Rafferty?”

“Holly? Where’s Holly?”

Now the guy was talking away from the phone, not to Mitch: “Don’t be stupid. Stay on the floor.”

Another man spoke in the background, his words unclear.

The one with the phone said, “She gets up,
punch
her. You want to lose some teeth, honey?”

She was with two men. One of them had hit her.
Hit
her.

Mitch couldn’t get his mind around the situation. Reality suddenly seemed as slippery as the narrative of a nightmare.

A meth-crazed iguana was more real than this.

Near the house, Iggy planted impatiens. Sweating, red from the sun, as solid as ever.

“That’s better, honey. That’s a good girl.”

Mitch couldn’t draw breath. A great weight pressed on his lungs. He tried to speak but couldn’t find his voice, didn’t know what to say. Here in bright sun, he felt casketed, buried alive.

“We have your wife,” said the guy on the phone.

Mitch heard himself ask, “Why?”

“Why do you think, asshole?”

Mitch didn’t know why. He didn’t want to know. He didn’t want to reason through to an answer because every possible answer would be a horror.

“I’m planting flowers.”

“What’s wrong with you, Rafferty?”

“That’s what I do. Plant flowers. Repair sprinklers.”

“Are you buzzed or something?”

“I’m just a gardener.”

“So we have your wife. You get her back for two million cash.”

Mitch knew it wasn’t a joke. If it were a joke, Holly would have to be in on it, but her sense of humor was not cruel.

“You’ve made a mistake.”

“You hear what I said? Two million.”

“Man, you aren’t listening. I’m a
gardener
.”

“We know.”

“I have like eleven thousand bucks in the bank.”

“We know.”

Brimming with fear and confusion, Mitch had no room for anger. Compelled to clarify, perhaps more for himself than for the caller, he said, “I just run a little two-man operation.”

“You’ve got until midnight Wednesday. Sixty hours. We’ll be in touch about the details.”

Mitch was sweating. “This is nuts. Where would I get two million bucks?”

“You’ll find a way.”

The stranger’s voice was hard, implacable. In a movie, Death might sound like this.

“It isn’t possible,” Mitch said.

“You want to hear her scream again?”

“No. Don’t.”

“Do you love her?”

“Yes.”

“Really love her?”

“She’s everything to me.”

How peculiar, that he should be sweating yet feel so cold.

“If she’s everything to you,” said the stranger, “then you’ll find a way.”

“There
isn’t
a way.”

“If you go to the cops, we’ll cut her fingers off one by one, and cauterize them as we go. We’ll cut her tongue out. And her eyes. Then we’ll leave her alone to die as fast or slow as she wants.”

The stranger spoke without menace, in a matter-of-fact tone, as if he were not making a threat but were instead merely explaining the details of his business model.

Mitchell Rafferty had no experience of such men. He might as well have been talking to a visitor from the far end of the galaxy.

He could not speak because suddenly it seemed that he might so easily, unwittingly say the wrong thing and ensure Holly’s death sooner rather than later.

The kidnapper said, “Just so you’ll know we’re serious…”

After a silence, Mitch asked, “What?”

“See that guy across the street?”

Mitch turned and saw a single pedestrian, the man walking the slow dog. They had progressed half a block.

The sunny day had a porcelain glaze. Rifle fire shattered the stillness, and the dogwalker went down, shot in the head.

“Midnight Wednesday,” said the man on the phone. “We’re damn serious.”

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