The Joy Luck Club (39 page)

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Authors: Amy Tan

BOOK: The Joy Luck Club
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And when she said this, I saw myself transforming like a werewolf, a mutant tag of DNA suddenly triggered, replicating itself insidiously into a
syndrome
, a cluster of telltale Chinese behaviors, all those things my mother did to embarrass me—haggling with store owners, pecking her mouth with a toothpick in public, being color-blind to the fact that lemon yellow and pale pink are not good combinations for winter clothes.
But today I realize I've never really known what it means to be Chinese. I am thirty-six years old. My mother is dead and I am on a train, carrying with me her dreams of coming home. I am going to China.
We are first going to Guangzhou, my seventy-two-year-old father, Canning Woo, and I, where we will visit his aunt, whom he has not seen since he was ten years old. And I don't know whether it's the prospect of seeing his aunt or if it's because he's back in China, but now he looks like he's a young boy, so innocent and happy I want to button his sweater and pat his head. We are sitting across from each other, separated by a little table with two cold cups of tea. For the first time I can ever remember, my father has tears in his eyes, and all he is seeing out the train window is a sectioned field of yellow, green, and brown, a narrow canal flanking the tracks, low rising hills, and three people in blue jackets riding an ox-driven cart on this early October morning. And I can't help myself. I also have misty eyes, as if I had seen this a long, long time ago, and had almost forgotten.
In less than three hours, we will be in Guangzhou, which my guidebook tells me is how one properly refers to Canton these days. It seems all the cities I have heard of, except Shanghai, have changed their spellings. I think they are saying China has changed in other ways as well. Chungking is Chongqing. And Kweilin is Guilin. I have looked these names up, because after we see my father's aunt in Guangzhou, we will catch a plane to Shanghai, where I will meet my two half-sisters for the first time.
They are my mother's twin daughters from her first marriage, little babies she was forced to abandon on a road as she was fleeing Kweilin for Chungking in 1944. That was all my mother had told me about these daughters, so they had remained babies in my mind, all these years, sitting on the side of a road, listening to bombs whistling in the distance while sucking their patient red thumbs.
And it was only this year that someone found them and wrote with this joyful news. A letter came from Shanghai, addressed to my mother. When I first heard about this, that they were alive, I imagined my identical sisters transforming from little babies into six-year-old girls. In my mind, they were seated next to each other at a table, taking turns with the fountain pen. One would write a neat row of characters:
Dearest Mama. We are alive
. She would brush back her wispy bangs and hand the other sister the pen, and she would write:
Come get us. Please hurry
.
Of course they could not know that my mother had died three months before, suddenly, when a blood vessel in her brain burst. One minute she was talking to my father, complaining about the tenants upstairs, scheming how to evict them under the pretense that relatives from China were moving in. The next minute she was holding her head, her eyes squeezed shut, groping for the sofa, and then crumpling softly to the floor with fluttering hands.
So my father had been the first one to open the letter, a long letter it turned out. And they did call her Mama. They said they always revered her as their true mother. They kept a framed picture of her. They told her about their life, from the time my mother last saw them on the road leaving Kweilin to when they were finally found.
And the letter had broken my father's heart so much—these daughters calling my mother from another life he never knew—that he gave the letter to my mother's old friend Auntie Lindo and asked her to write back and tell my sisters, in the gentlest way possible, that my mother was dead.
But instead Auntie Lindo took the letter to the Joy Luck Club and discussed with Auntie Ying and Auntie An-mei what should be done, because they had known for many years about my mother's search for her twin daughters, her endless hope. Auntie Lindo and the others cried over this double tragedy, of losing my mother three months before, and now again. And so they couldn't help but think of some miracle, some possible way of reviving her from the dead, so my mother could fulfill her dream.
So this is what they wrote to my sisters in Shanghai: "Dearest Daughters, I too have never forgotten you in my memory or in my heart. I never gave up hope that we would see each other again in a joyous reunion. I am only sorry it has been too long. I want to tell you everything about my life since I last saw you. I want to tell you this when our family comes to see you in China…." They signed it with my mother's name.
It wasn't until all this had been done that they first told me about my sisters, the letter they received, the one they wrote back.
"They'll think she's coming, then," I murmured. And I had imagined my sisters now being ten or eleven, jumping up and down, holding hands, their pigtails bouncing, excited that their mother—
their
mother—was coming, whereas my mother was dead.
"How can you say she is not coming in a letter?" said Auntie Lindo. "She is their mother. She is your mother. You must be the one to tell them. All these years, they have been dreaming of her." And I thought she was right.
But then I started dreaming, too, of my mother and my sisters and how it would be if I arrived in Shanghai. All these years, while they waited to be found, I had lived with my mother and then had lost her. I imagined seeing my sisters at the airport. They would be standing on their tiptoes, looking anxiously, scanning from one dark head to another as we got off the plane. And I would recognize them instantly, their faces with the identical worried look.
"
Jyejye, Jyejye
. Sister, Sister. We are here," I saw myself saying in my poor version of Chinese.
"Where is Mama?" they would say, and look around, still smiling, two flushed and eager faces. "Is she hiding?" And this would have been like my mother, to stand behind just a bit, to tease a little and make people's patience pull a little on their hearts. I would shake my head and tell my sisters she was not hiding.
"Oh, that must be Mama, no?" one of my sisters would whisper excitedly, pointing to another small woman completely engulfed in a tower of presents. And that, too, would have been like my mother, to bring mountains of gifts, food, and toys for children—all bought on sale—shunning thanks, saying the gifts were nothing, and later turning the labels over to show my sisters, "Calvin Klein, 100% wool."
I imagined myself starting to say, "Sisters, I am sorry, I have come alone…" and before I could tell them—they could see it in my face—they were wailing, pulling their hair, their lips twisted in pain, as they ran away from me. And then I saw myself getting back on the plane and coming home.
After I had dreamed this scene many times—watching their despair turn from horror into anger—I begged Auntie Lindo to write another letter. And at first she refused.
"How can I say she is dead? I cannot write this," said Auntie Lindo with a stubborn look.
"But it's cruel to have them believe she's coming on the plane," I said. "When they see it's just me, they'll hate me."
"Hate you? Cannot be." She was scowling. "You are their own sister, their only family."
"You don't understand," I protested.
"What I don't understand?" she said.
And I whispered, "They'll think I'm responsible, that she died because I didn't appreciate her."
And Auntie Lindo looked satisfied and sad at the same time, as if this were true and I had finally realized it. She sat down for an hour, and when she stood up she handed me a two-page letter. She had tears in her eyes. I realized that the very thing I had feared, she had done. So even if she had written the news of my mother's death in English, I wouldn't have had the heart to read it.
"Thank you," I whispered.
The landscape has become gray, filled with low flat cement buildings, old factories, and then tracks and more tracks filled with trains like ours passing by in the opposite direction. I see platforms crowded with people wearing drab Western clothes, with spots of bright colors: little children wearing pink and yellow, red and peach. And there are soldiers in olive green and red, and old ladies in gray tops and pants that stop mid-calf. We are in Guangzhou.
Before the train even comes to a stop, people are bringing down their belongings from above their seats. For a moment there is a dangerous shower of heavy suitcases laden with gifts to relatives, half-broken boxes wrapped in miles of string to keep the contents from spilling out, plastic bags filled with yarn and vegetables and packages of dried mushrooms, and camera cases. And then we are caught in a stream of people rushing, shoving, pushing us along, until we find ourselves in one of a dozen lines waiting to go through customs. I feel as if I were getting on the number 30 Stockton bus in San Francisco. I am in China, I remind myself. And somehow the crowds don't bother me. It feels right. I start pushing too.
I take out the declaration forms and my passport. "Woo," it says at the top, and below that, "June May," who was born in "California, U.S.A.," in 1951. I wonder if the customs people will question whether I'm the same person as in the passport photo. In this picture, my chin-length hair is swept back and artfully styled. I am wearing false eyelashes, eye shadow, and lip liner. My cheeks are hollowed out by bronze blusher. But I had not expected the heat in October. And now my hair hangs limp with the humidity. I wear no makeup; in Hong Kong my mascara had melted into dark circles and everything else had felt like layers of grease. So today my face is plain, unadorned except for a thin mist of shiny sweat on my forehead and nose.
Even without makeup, I could never pass for true Chinese. I stand five-foot-six, and my head pokes above the crowd so that I am eye level only with other tourists. My mother once told me my height came from my grandfather, who was a northerner, and may have even had some Mongol blood. "This is what your grandmother once told me," explained my mother. "But now it is too late to ask her. They are all dead, your grandparents, your uncles, and their wives and children, all killed in the war, when a bomb fell on our house. So many generations in one instant."
She had said this so matter-of-factly that I thought she had long since gotten over any grief she had. And then I wondered how she knew they were all dead.
"Maybe they left the house before the bomb fell," I suggested.
"No," said my mother. "Our whole family is gone. It is just you and I."
"But how do you know? Some of them could have escaped."
"Cannot be," said my mother, this time almost angrily. And then her frown was washed over by a puzzled blank look, and she began to talk as if she were trying to remember where she had misplaced something. "I went back to that house. I kept looking up to where the house used to be. And it wasn't a house, just the sky. And below, underneath my feet, were four stories of burnt bricks and wood, all the life of our house. Then off to the side I saw things blown into the yard, nothing valuable. There was a bed someone used to sleep in, really just a metal frame twisted up at one corner. And a book, I don't know what kind, because every page had turned black. And I saw a teacup which was unbroken but filled with ashes. And then I found my doll, with her hands and legs broken, her hair burned off….When I was a little girl, I had cried for that doll, seeing it all alone in the store window, and my mother had bought it for me. It was an American doll with yellow hair. It could turn its legs and arms. The eyes moved up and down. And when I married and left my family home, I gave the doll to my youngest niece, because she was like me. She cried if that doll was not with her always. Do you see? If she was in the house with that doll, her parents were there, and so everybody was there, waiting together, because that's how our family was."
The woman in the customs booth stares at my documents, then glances at me briefly, and with two quick movements stamps everything and sternly nods me along. And soon my father and I find ourselves in a large area filled with thousands of people and suitcases. I feel lost and my father looks helpless.
"Excuse me," I say to a man who looks like an American. "Can you tell me where I can get a taxi?" He mumbles something that sounds Swedish or Dutch.
"Syau Yen! Syau Yen!" I hear a piercing voice shout from behind me. An old woman in a yellow knit beret is holding up a pink plastic bag filled with wrapped trinkets. I guess she is trying to sell us something. But my father is staring down at this tiny sparrow of a woman, squinting into her eyes. And then his eyes widen, his face opens up and he smiles like a pleased little boy.

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