The King's Evil (23 page)

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Authors: Edward Marston

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The
body was floating in mid-stream. It had lain beneath the water for some time
before bobbing back to the surface in so bloated a condition that it was
hideous to behold. The passengers in the boat turned away in disgust but the
watermen were used to such sights. One of them shipped his oars and uncoiled
the rope which lay at his feet. When he and the others resumed their journey
across the Thames, the boat was towing the dead man by his ankle.

An
hour later, the corpse was lifted on to a slab at the morgue to be examined by
a surgeon. It was a gruesome task. Even though the chamber was sweetened by
herbs, the stink was nauseating. The man's face was swollen to twice its
original size and so distorted that his closest friends would never recognise
him. Birds had started to peck at his face, rendering it even more repulsive.
The trunk and limbs were also grotesquely inflated, splitting open his apparel
in several places. Spewed up by the River Thames, he was one huge ball of
putrefaction.

The
surgeon turned to his assistant with a sigh.

'Cut
off his clothes and we will make a start.'

'Do
not prevaricate!' warned Christopher. 'Tell me where he is.'

'I
do not know, sir. That is the truth.'

'You
must know. You are Mr Creech's clerk.'

'He
simply told me that he was going away for a few days.'

'To
hide from me.'

'Your
name was not mentioned, Mr Redmayne.'

'What
of the name of Sir Ambrose Northcott?'

'That
was at the forefront of his mind,' admitted the other. 'The last thing he said
was that he would have to go aboard Sir Ambrose's ship to transact some
business with the captain.'

'What
was the nature of that business?'

'I
can but guess.'

Christopher
saw that no purpose would be served by haranguing the clerk. Geoffrey Anger was
a harmless individual, loyal to his employer but quite unable to lie
convincingly on his behalf. He cowered before the interrogation which his
visitor inflicted on him and Christopher felt a twinge of guilt. He adopted a
softer tone.

'I
am sorry to make demands which you cannot meet, Mr Anger,' he said quietly,
'but you must understand my position. Mr Creech is in possession of certain
facts which will help me track down the man who killed Sir Ambrose.

That
is why I must speak to him. Urgently.'

'I
would value some urgent conference with him myself,' bleated the other. 'I need
his approval on a dozen matters.'

'How
long have you been his clerk?'

'Seven
and a half years, sir.'

'Do
you like the work?'

Geoffrey
Anger was cautious. 'I find it very rewarding, sir.'

'Mr
Creech has a high reputation.'

'He
has more than earned it.'

'You
must have made some contribution towards it.'

'I,
sir?'

'Come,
Mr Anger. I have dealt with many lawyers. They are only as good as the clerks
who toil at their elbow. If you have been here so long, you must have a good
insight into Mr Creech's business.'

'I
like to think so.'

'Then
answer me this,' said Christopher. 'Does the name of Marie Louise Oilier strike
a chord in your mind?'

'I
am not at liberty to discuss our clients, sir.'

'Then
the lady is a client?'

'I
did not say that, Mr Redmayne.'

'Then
what are you saying?' pressed Christopher, reverting to a more combative
approach. 'Are you telling me that you do not wish the man who murdered Sir
Ambrose to be caught? Are you deliberately holding back crucial facts from me?
I can see from your expression that you recognised the name. You
knew
that Mademoiselle Oilier was linked to the new house which was being built.
Well? Did you not?'

'Yes,
sir,' came the faint reply.

'And
you also knew that Sir Ambrose's ship bears her name.'

'That
is true.'

'Then
it follows that you were privy to the relationship between this lady and your
client. I have seen the letters which she wrote to him and they leave no room
for doubt. The lady was his mistress.'

The
clerk was shocked. 'No, sir!'

'Those
missives were not penned by a nun, Mr Anger.'

'I
have not seen them,' said the other. 'Nor do I wish to, sir. The fact that a
lady's name is conjoined to a particular property does not of itself mean that
there is some liaison between her and Sir Ambrose. He owned another house
occupied by a lady yet I have heard no suggestion of impropriety between them.'

'Another
house?' Christopher was intrigued. 'Do you refer to the residence in
Westminster?'

'No,
sir. In Lincoln's Inn Fields.'

'Sir
Ambrose owned a property there? Why did he need to build a third house when he
already owned two? Surely, he could have installed Mademoiselle Oilier in
Lincoln's Inn Fields?'

'It
was leased out to someone else.'

'Who
is it?'

'Mrs
Mandrake.'

'Molly
Mandrake?'

'That
is the lady, sir.'

Christopher
needed a moment to take in the information and to remind himself that he was
dealing with a man of remarkable naivety. The name of Molly Mandrake had passed
across the desk of Geoffrey Anger on many occasions but he had no idea who she
was or what sort of a house she kept. His blinkered life protected him from the
darker pleasures of the city. The fact that someone was a client of Mr Creech
was enough for him. Their character was never suspect.

Christopher
marvelled at his innocence and treated him gently.

'How
many other properties did Sir Ambrose own?' he said.

'Just
these two, sir.'

'One
in Westminster, one in Lincoln's Inn Fields.'

'And
a third that was never built.'

'As
I know to my cost, Mr Anger!' said Christopher ruefully. 'Did Mademoiselle Oilier
ever visit this office?' 'No, sir.'

'Was
Sir Ambrose a frequent caller?'

'Mr
Creech always met him away from here.'

'Why
was that?'

'You
will have to ask him yourself, sir.'

'I
intend to. What do you know of the
Marie Louise!’

'Little
beyond the fact that it was owned by a client of ours.'

'All
of his commercial transactions must have gone through his lawyer. Were you not
handling contracts for him all the time?'

'Mr
Creech took care of those himself,' explained the other. 'I had no direct
contact with Sir Ambrose's business affairs.'

'Was
Mr Creech in the habit of keeping things from you?'

'No,
sir.'

'So
why was he so secretive about Sir Ambrose Northcott?'

'It
is not my place to say.'

'You
must have had some idea.'

'I
assure you, sir, I did not.'

'Where
does Mr Creech keep his papers?'

'Locked
up in his office, sir.'

'Do
you have a key to it?'

'No,'
said the clerk. 'And even if I did, I would permit nobody to go in there
without Mr Creech's express permission.'

'But
there are important documents in there which I need to see,' said Christopher
with irritation. 'What is to stop me breaking in now and looking for them?'

'Oh,
sir! You would never do that.'

'Why
not?'

Geoffrey
Anger's quiet reply had a devastating power.

'You
are a
gentleman,
sir.'

When
he cut open the stomach with his scalpel, the surgeon turned away as the
noisome contents poured out.

The
dead man had eaten a hearty meal before he drowned and its remains were now
scattered all over the stone slab on which he now lay. When the surgeon and his
assistant looked back at the glutinous mess, they saw something which glinted
in the light of the candles. The surgeon reached down to pick it up. After
dipping it into the basin of water, he held it up to examine it.

'What
was a gold ring doing in there?' he wondered.

Chapter
Twelve

 

'Woe
into the bloody city of London! It is full of sinful and ungodly men!'

Jesus-Died-To-Save-Me
Thorpe was preaching to a small, hostile congregation from an unlikely pulpit.
Head and hands trapped in the pillory, he was a target both for the cheerful
abuse of the onlookers and the various missiles which they threw at him for
sport. A rotten tomato struck him on the forehead and bled profusely down his
face but it did not interrupt the torrent of words which flowed from his mouth.
Being locked in the pillory was a hazardous punishment. It exposed the victim
to vile taunts and, in some cases, vicious behaviour by spectators. More than
one person had been stoned to death while immobilised by the rough, chafing
wood. Thorpe was more fortunate. The worst blow that he had to suffer came when
a dead cat was hurled at him and split open to dribble with gore.

'Turn
to God in truth and humility or ye are all doomed!'

His
denunciation continued unchecked until someone pulled away the box on which he
was standing and almost broke his neck. Thorpe's head was suddenly jerked backwards
and he had to stretch hard in order to touch the ground with his toes. The pain
was agonising. Without a box to stand on, he was virtually dangling from the
pillory. All the breath was knocked out of him and the crowd bayed in triumph.
Too proud to beg mercy from them, the little Quaker closed his eyes in prayer.

It
was soon answered. He heard a grating noise as the box was put back in position
beneath his feet and his pain eased at once. The jeers of the crowd also
subsided and most people began to drift away. When he opened his eyes, Thorpe
saw the solid figure of Jonathan Bale standing between him and further
humiliation. Only when the audience had largely dispersed did the constable
step out from in front of the pillory and turn to his neighbour. He used a
handkerchief to wipe the worst of the mess from the Quaker's face.

'Thank
ye, Mr Bale,' said Thorpe. 'It is a strange world indeed. One constable puts me
in the pillory and another comes to my aid.'

'You
have only yourself to blame for being here.'

'I
suffer my punishment willingly.'

'You
need not have suffered it at all,' said Jonathan. 'Your offence was to be
caught working on a Sunday. Had you expressed remorse, you might have got away
with a fine. But you were too truculent. According to Tom Warburton, you more
or less challenged the Justice of the Peace to pillory you. From what I hear,
you were lucky that he did not order your ears to be nailed to the wood.'

'I
do not respect corrupt justice.'

'Then
try to avoid it, Mr Thorpe.'

He
retrieved his neighbour's hat from the ground and set it on the man's head to
shade his eyes from the late afternoon sun. Jonathan had sympathy for any man
imprisoned in the pillory but it was difficult to feel sorry for someone who
actively gloried in suffering. The constable's real sympathy was reserved for
Hail-Mary Thorpe and her children. He was just about to remind the Quaker of
his family responsibilities when the approaching clatter of hooves made him
swing round.

Christopher
Redmayne was in a hurry. As he pulled his horse to a halt, he dropped from the
saddle and beckoned Jonathan across to him. They stepped into the privacy of an
alley to converse.

'I
thought we arranged to meet this evening, sir,' said Jonathan.

'My
news would not wait that long.'

'Then
tell it me straight.'

'Solomon
Creech is dead,' said Christopher. 'Murdered.'

'How?'

'First
bludgeoned then flung into the Thames to drown. They found the body this
morning. It had been in the water for days.'

'Then
it must have been in a sorry state,' said Jonathan. 'The river changes a man
beyond all recognition. How did they identify Mr Creech?'

'From
his clothing. The name of his tailor was in his coat and the fellow remembered
for whom he made the garment. Corroboration came from a gold ring they found in
the dead man's stomach.'

'His
stomach?'

'That
is why his clerk was so certain it must be him.'

The
constable blinked. 'Mr Creech swallowed a gold ring?'

'Deliberately,
it seems,' explained Christopher. 'The ring was a wedding gift from his late
wife and he treasured it above all else. He told his clerk that he would sooner
part with his life than with that ring and that, if ever he were set upon by
robbers, he would swallow the token of his wife's love.' He shook his head
sadly. 'I wronged Mr Creech. I never took him for a married man, still less for
one with such a romantic streak. His clerk recognised the ring at once. It was inscribed
with his employer's initials. That put the identity of the body beyond all
question.'

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