M
ost people would wonder at this man who sits before her. Lily and Saro wouldn’t approve; the children would. And Giri? He would dismiss him as a no-good poseur. But Giri isn’t here. So she will watch and wait.
Meera studies him carefully as he talks into the phone. She rather likes what she sees. He is not Giri with his carefully brushed hair, Mont Blanc pen in his breast pocket and gleaming brogues; the Rolex Oyster and pin stripes for workdays and studied casuals for weekends. Giri was always living up to an image of himself and he wanted her to do the same. It is a relief that he is nothing like Giri, this big man with his firm stubbled jaw and twinkling eyes behind narrow spectacle frames in a bright shade of blue. She sees the bracelets on his forearm, the gold amulet strung around his neck on a leather thong and the diamond ear stud.
She can’t see him in a suit, hemmed behind a table laden with corporate-alia. Nor can she see him in a classroom. What does he do, this Professor Krishnamurthy?
She teases the image of him this way and that. A smile escapes her.
She feels his eyes on her as she pretends to toy with the mutton cutlet he insisted on ordering, saying, ‘Sheela recommended it highly and I want to try it now that we are here.’
Meera smiles and says, ‘She is right. It is rather delicious.’
She is hungry and has to control herself from eating it all up in one gulp. And then a little thought on mice feet scuttles through her mind. What does he see when he scrutinizes her?
What do I see when I look at myself? Meera peers at the face in the glass pane. She has always seen herself with other people’s eyes. Lily’s serious granddaughter. Saro’s fussy daughter. Giri’s elegant wife. Nikhil and Nayantara’s dependable mother.
What does he see? A silly cookbook writer. A pathetic, abandoned wife. A desperate, no skills employee.
She looks around Koshy’s. She sees a woman she recognizes and smiles at her. The woman throws a languid wave at her. She must be wondering about Professor Krishnamurthy, Meera tells herself, matching indolence with a careless toss of her wrist as acknowledgement of the wave. ‘Hi. Hi. Now get the fuck out of my face!’ Meera grimaces.
He snaps shut the phone and says softly, ‘It doesn’t matter if you haven’t done this kind of thing before. You will learn as you go along. All I ask is that you keep an open mind and make a sincere effort. The rest will follow naturally. I really would be very happy if you could take it up.’
Meera’s eyes widen. No small talk. No checking up on qualifications or credentials. Is he always as impetuous as this? Her eyes widen some more when he mentions the terms.
The wolves will stop baying at her door. For three months at least. That is the trial period he mentions.
Meera wonders at the state of the car. How can anyone have such a messy car? He drives well and expertly. Giri is a good driver, too, but he prefers to sit in the back and have the driver deal with the traffic, the bad roads, the beggar children and eunuchs at the intersection, while he reads the
Economic Times
. He doesn’t want to be bothered. Professor Krishnamurthy, it occurs to her, can’t
be bothered either. But in a different way. Perhaps I ought to first clean his car for him, she tells herself and then catches the thought in time. What am I thinking? I am his research assistant, not his wife.
‘I thought I’d show you where my house is before I drive you home. It’s not too far from yours. Just a couple of streets away,’ he says, turning into Wheeler Road at Thom’s Café junction.
The breeze blows Meera’s hair into her face. ‘Have you always lived in Bangalore?’ she asks, filling yet another silence between them.
‘Grew up in Madras. Then the US. I’ve been in Bangalore for about eight months now. I am still finding my way around.’
‘So how come you chose Bangalore? Are you in the IT industry? This is ridiculous, I know Professor, but I haven’t even asked you what I am to help research.’
He smiles. ‘I know. We both seem to be novices at this. And no, I have nothing to do with the IT world. I am a weather expert; a cyclone specialist, to be specific. I am working on a book on cyclones. There is a lot of data to wade through, a lot of information to source and collate, and I need help. Which is where you come in.
‘As for Bangalore, my wife made me buy this house some years ago. And my daughter chose to go to college here. So when I needed to be in India, it seemed perfect!’
Wife. There is a woman in the house. Meera is nervous. A little. He seems eminently respectable but there is no telling. A wife makes everything so much easier.
‘Ex-wife, I should say. We have been divorced for a while now.’
Meera’s heart sinks. Oh no! What is she getting into?
‘But it is a full household! You will see! I have had to carve out a work space for myself…’ His voice trails away and Meera wonders at the composite of bitterness and sorrow that underlines his voice.
It is a nondescript house on Graham Road. Rectangular and low, it echoes the aspirations of a time when people weary of worrying about rafters and tiles switched to concrete roofs. A flat roof where you could lay things out to dry and even string a clothesline if necessary. There is a circular driveway from the gate and the porch stands at its apex. To the left of the house, away from the building, is the garage, abutting the corner. A late sixties’ style, low bungalow shorn of the steep gables and monkey tops of her own house. Less pretty, but so much easier to keep clean. Meera thinks with a shudder of her monthly foray with a long-handled cobweb duster.
‘Nina wanted an old bungalow. One of those real Bangalore houses. But I thought it would be too much trouble. I am glad that we chose this house. It’s not pretty but it’s functional,’ he says, stopping the car in the porch.
Meera says nothing. Does he read minds? She looks at him sidelong.
She runs a quick eye over the garden. A giant old avocado tree stands to a side, casting dense green shadow and spangles of light onto the side of the house. Bougainvillea trail over the porch roof, the gnarled old stem climbing the porch pillars. At the farther corner is a patch of wilderness. Heliconia droop flowers amidst a pool of ferns. A stunted frangipani stands in the middle of what was once a lawn. The crazy paving is broken in parts but here and there where the sun thrusts its way in, geraniums flourish. Pink, red and white blossoms standing tall and healthy.
Someone is making an effort, or wanting to. A row of terracotta pots wait beneath the avocado tree, and a small cluster of plants in plastic bags.
‘I hope to do some work on the garden when I can.’ He shrugs.
Again. He is doing it again, Meera thinks. Is he one of those people with a sixth sense or whatever?
Meera gathers her sari pallu around her.
The house is quiet. Meera hesitates at the door. She watches him slide his key in. Didn’t he say there were other people in the house? What is she thinking of? Walking into the house of a strange man.
He opens the door and steps in. ‘Kala Chithi,’ he calls softly.
Meera exhales. There are other people here. Why didn’t he ring the bell then?
An elderly lady in a grey sari emerges from an inner room. Meera tries not to stare at the woman’s head, the grey stubble that is the grey of her sari.
‘This is my aunt,’ he says softly. ‘This is Meera,’ he says, turning to the elderly lady. ‘She’s going to work for me.’ He speaks in Tamil.
The elderly lady folds her hands in a namaste. Meera does the same. Then she says in her best Tamil, ‘I live just two streets away. On Bailey Road, next to D’Costa Square.’
He raises an eyebrow at her. ‘Tamil, too! So no secrets in this house, I see!’
Meera smiles. ‘I grew up in Ooty,’ she offers in explanation.
‘Sit down, I’ll bring some coffee,’ the elderly lady says.
‘Is it just the two of you who live here?’ Meera asks. The room is tidy but spartan, the newspaper neatly arranged on a glass coffee table, cushions stacked on the cane sofas. The TV in its corner. Coasters on side tables.
He looks away. ‘No, my daughter is here too. That’s why I chose to live in Bangalore. Because of my daughter.’ He pauses and begins again, ‘I met your son. Is he your only child?’
Meera smiles. ‘No, I have a daughter. Nayantara. She is nineteen and is at IIT Chennai.’
‘Must be a brilliant girl! You must be proud of her.’
Meera feels a queer sadness wash over her. I must be proud of my daughter, you say. I am. Nayantara. The star of my eye.
But I have also been wounded by her. That is the thing about daughters, you see. Their mothers have to bear the brunt of it all.
Tell me, how old is your daughter? Like mine, did she choose you rather than her mother when it came to aligning herself? Where is this girl child of yours who has appointed herself your confidante, ally and daddy’s best friend?
‘Smriti. She is nineteen, too.’ He rises abruptly. ‘Come, we might as well get this over with,’ he says, breaking into her thoughts.
And so Meera sees Smriti.
Meera stands at the door trying to assimilate all that lies before her in the room. From the window, a filtered green light of sun trapped through leaves. In the dark corners, an underwater green cast by the constantly moving image of the sea. On the wall opposite the bed, a projector beams a continuous roll of waves. Speakers echo their rise and flop; the sound of water again and again.
A few shelves hold books. The rest of the room is crammed with dolls of every material, organic and man-made; precious and ordinary.
But it is the girl on the bed who causes Meera to grip her bag even more tightly. Her eyes crinkle. Is that a girl? She hasn’t seen anything like this creature. Not even in her disaster documentaries. A wave of revulsion washes over her.
It lies poleaxed. Legs separate and hands flung wide apart. Swathed in a blouse and pyjamas of fine cotton, its hair razed to a stubble. Thin as paper and almost as pale, the skin stretched across the bones, causing the cheeks to hollow inwards. The eyes wide open, cast of glass. The mouth askew. A face stricken in a permanent leer. Something about the hardness of the stare and the grim mouth gives it an evil cunning.
I am watching you.
Meera knows fear. What monstrous creature is this?
‘Meera, this is my daughter, Smriti. Nineteen, that’s how old
she is. And condemned for life to be this monster who causes you to flinch each time you look at her,’ Jak says.
Meera is ashamed. She raises her eyes and meets his gaze.
‘Nina and I couldn’t at first forget home. We lived in the States. Our bodies did, that is. But our minds sought the India we had left behind. That was what brought us together. Bound us. And so, when she was born, we decided to name her Smriti. What was remembered. Now that is all there is to her.’
He is slowly unclenching its fists. ‘In a little while, her fingers will curl inwards again. We do this every hour so that she doesn’t lose the mobility of her fingers.’
One by one he straightens each finger, smoothening the stiffness out, rubbing gently. He squeezes hand lotion from a tube and rubs it in. Meera swallows, the leap of saliva in her throat absurdly loud.
She doesn’t speak. She doesn’t know how to respond. With comfort or curiosity.
Meera walks home. ‘It’s just a few minutes away,’ she says, closing the door behind her. As she turns the corner, she can’t stop the question in her head. How does he bear it? How can he see her like this and be sane?
‘What happened?’ she had asked. ‘How did she…?’ Her words trailed off.
He put down the hand lotion and wiped his fingers. ‘I don’t know. There are so many versions. The doctor’s version. The police version. All I know is, she went on a trip with some friends of hers. And there was a freak accident, so they say.’
Meera let her fingers slide towards the creature’s. As she slowly straightened the curling fingers, it felt strangely as it used to when she slid her fingers into Nayantara’s when she was a baby. They were warm, fragile, and bereft of a will of their own.
‘Nayantara,’ Meera says urgently into the phone.
‘Hi Mom,’ a tinny voice trills in her ear. ‘How did the interview go?’
‘It was fine. I got the job,’ Meera says. ‘His name is Professor Krishnamurthy.’
Meera rambles. Anything to keep Nayantara on the other end. Anything for a few moments of reprieve. Of knowing that as long as her child is talking to her, she is safe.
‘Mom, I have to go,’ Nayantara breaks in.
‘Yes, yes. Nayantara, baby, you will be careful, won’t you?’