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Authors: Håkan Nesser

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BOOK: The Living and the Dead in Winsford
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‘Is it about . . . ?’

‘Yes, it’s about your husband, fru Holinek.’

I show him into the living room and we each sit down in an armchair.

‘Would you like anything?’

‘No thank you.’

He takes out a small notebook and leafs through it for a moment.

‘So your husband, Martin Holinek, disappeared from the ferry between Puttgarden and Rødby on the evening of the thirtieth of January, is that correct?’

‘Yes . . . Yes, that’s true. Why are you asking about that? I’ve already spoken several times to both the Danish and the Swedish police—’

He holds up his hand and I break off.

‘The fact is that we might have found his body, fru Holinek.’

‘You might have . . . ?’

For a brief moment my brain blows a fuse. I stare at him and try to remember what he said his name was.

‘It’s a possibility at least,’ he adds. ‘There are quite a lot of bewildering circumstances.’

‘I’m sorry, what did you say your name was?’

‘Simonsson. Chief Inspector Simonsson.’

‘Thank you. I don’t really understand . . . Bewildering circumstances?’

He clears his throat and looks at his notebook.

‘I can’t think of a better way of putting it. But maybe you can put us on the right track. Your husband is supposed to have jumped overboard from the ferry more or less halfway between Puttgarden and Rødby about . . . well, just over two weeks ago. And now a body has been found that might possibly be his.’

‘What do you mean by “possibly”?’

He nods a few times and looks around the room before saying anything more. As if he were looking for an answer in the bookcase or up near the ceiling.

‘In the first place we are wondering about the spot where he was found. It’s quite a long way from where he is supposed to have jumped overboard.’

‘I . . . I’ve been told that there are strong sea currents down there. That’s what the Danish police said, at least.’

He nodded. ‘That’s true. But this body was found rather a long way to the east of Fehmarn . . . In Poland, in fact.’

‘Poland?’

‘Yes. That’s one of the circumstances. The other one is the time aspect. The human body they’ve found has evidently been dead for several months . . . It’s been very badly mauled, and to complicate matters further was discovered inside a bunker.’

‘A bunker?’

‘Yes. An old abandoned remnant from the last war . . .’

‘But then it can’t possibly be my husband. How . . . how on earth could he have ended up inside a bunker?’

I don’t know where I got my neutral, almost slightly irritated tone of voice from.

Chief Inspector Simonsson sits up a little straighter in the armchair and leans towards me. ‘That’s a question we are also asking ourselves, fru Holinek. This body has been with the Polish police for quite some time, but they haven’t managed to identify it because it is so badly mauled. As far as they can see the man must have died inside that bunker, but before he did so he might possibly have written something on the wall.’

‘Written something . . . Now you said “possibly” again.’

‘Yes. There are quite a lot of scribbles on those walls, it seems. Names and suchlike. But when the Polish police failed to get anywhere with identifying the body they sent out a list to police forces in other countries. That was about a month ago . . . Eleven names in all, and one of them might have been scratched in by this man before he died – that’s what they are suggesting in any case.’

‘Really? I don’t think I . . .’

‘Anyway, one of the names is Holinek. One of my younger colleagues happened to notice it and recognized it from that Rødby report. He’s the one sitting out there in the car, incidentally. Stensson – a promising young detective officer.’

I swallow and try to think of something to say, but I can’t find any words. Instead I look at the police officer with a calm and tolerant television smile.

‘It’s a pretty long shot, of course,’ he says, closing his notebook. ‘But we need to turn over every stone – that’s the way we work . . .’

‘I still don’t understand. Of course it’s not him. How could it possibly be?’

He raises his hand again. ‘I agree that it sounds out of the question. But we thought we ought to look into it even so. After all, there are not many people around called Holinek. So we thought we’d investigate so that we could exclude the possibility – can I assume that’s all right with you?’

‘Of course. Naturally there’s nothing I’d like more than Martin’s body being found, so that . . . well, so that we know for certain. Are you intending . . . ?’

‘Intending what?’

‘Are you intending to test DNA and that kind of thing?’

He puts his notebook back in his jacket pocket and nods. ‘That would be one method, of course. But maybe there’s a shortcut in this case.’

‘A shortcut?’

He stands up. Looks thoughtfully around the room again. ‘Apparently there’s not much left of that corpse in the bunker. Neither the body itself nor the clothes he was wearing. But there’s one little thing that has survived intact. I had it delivered to my desk a couple of hours ago.’

‘What’s that?’

‘A car key. He had a car key with him, and it seems the rats didn’t find it edible. Forgive me . . . That’s probably what he used to scratch things on the wall with. I take it that’s your Audi parked out there on the drive?’

He has walked over to the window and I can see that he is giving some sort of signal to his colleague. Stensson.

‘Come here, let’s see what happens.’

I walk to the window and stand beside him. I watch as Stensson – a tall, well-built young man of about thirty – has got out of the car he’s been sitting in while Chief Inspector Simonsson and I have been talking.

It strikes me . . . Yes, it suddenly strikes me that I am standing exactly where I stood that winter evening so long ago. Just as cold or even colder than this one: I’m standing here beside Martin and watching as his sister comes walking up to the house with her secret lover. Our children are small and we have all our lives ahead of us: there are so many wonderful opportunities open to us, so many days, but we don’t think about that; we just stand here, in exactly the same place as Chief Inspector Simonsson and I are standing twenty-seven years later, Martin and I, trying to imagine who that man in the ordinary shoes and with his jumper pulled up over his head might be – and it occurs to me that life passes so quickly that one can remain standing there in the same spot and not notice that it’s already too late. You can sail without any wind for years, and believe all the time that you are on the way to somewhere.

And then I come back down to earth and watch the young police officer open the front door of my car – as usual I haven’t locked it – and see how he settles down behind the steering wheel and waves to us – possibly slightly embarrassed, it seems to me – before leaning forward and inserting the key in the ignition.

The ponies, I think. The pheasants.
The Protection
. . .

The headlights come on, and it starts at the first attempt.

‘How about that?’ says Chief Inspector Simonsson. ‘It started. How do you explain that?’

I don’t answer.

‘Ah well, I think I must ask you to come with us, fru Holinek, so that we can continue our conversation in another place.’

I say nothing. Stand still and watch my car with its engine still running out there in the cold. Castor comes and sits down next to me. My mobile phone rings, I know who it is and don’t need to check.

‘I must just switch off the oven first,’ I say.

NOTE

 

This novel is an imaginative creation of the author. This applies to Swedish professors and slim government ministers, it applies to English and American authors and it applies to people living in and around the village of Winsford in the county of Somerset, England. However, the Exmoor environment has been meticulously described in accordance with reality.

THE LIVING AND THE DEAD IN WINSFORD

 

Håkan Nesser is one of Sweden’s most popular crime writers, receiving numerous awards for his novels, including the European Crime Fiction Star Award (Ripper Award) 2010/11, the Swedish Crime Writers’ Academy Prize (three times) and Scandinavia’s Glass Key Award. His Van Veeteren series is published in over 25 countries and has sold over 10 million copies worldwide.
The Living and the Dead in Winsford
has been awarded the Rosenkrantz Award for Best Thriller of the Year. Håkan Nesser lives in Gotland with his wife, and spends part of each year in the UK.

Also by Håkan Nesser

The Van Veeteren series

THE MIND’S EYE

BORKMANN’S POINT

THE RETURN

WOMAN WITH A BIRTHMARK

THE INSPECTOR AND SILENCE

THE UNLUCKY LOTTERY

HOUR OF THE WOLF

THE WEEPING GIRL

THE STRANGLER’S HONEYMOON

THE G FILE

First published 2015 by Mantle

This electronic edition published 2015 by Mantle
an imprint of Pan Macmillan
20 New Wharf Road, London N1 9RR
Associated companies throughout the world
www.panmacmillan.com

ISBN 978-1-4472-7193-2

Copyright © Håkan Nesser, 2013
English translation copyright © Laurie Thompson, 2015

Figure © Christie Goodwin / Arcangel Images,
other cover images © Shutterstock
Author photograph © Cato Lein

The right of Håkan Nesser to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

The extract from
Amulet
by Roberto Bolaño
here
is reproduced with kind permission of Picador. Copyright © 1999 by the Heirs of Roberto Bolaño. The extract from
The Invention of Solitude
by Paul Auster
here
is reproduced with kind permission of Faber and Faber Ltd.

Originally published in 2013 as
Levande och döda i Winsford
by Albert Bonniers förlag, Stockholm

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the publisher.

Pan Macmillan does not have any control over, or any responsibility for, any author or third party websites referred to in or on this book.

You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

A CIP catalogue record for this book is available from the British Library.

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Table of Contents

One

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Two

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Three

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Four

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

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