The Love She Left Behind (16 page)

BOOK: The Love She Left Behind
10.97Mb size Format: txt, pdf, ePub

She may as well have doused Patrick in petrol and put a match to him.

‘Patrick—'

‘
Entitled
, Christ! Where did that come from, a fucking Christmas cracker? Jesus. You're entitled to have a brain in your little head, that's the only entitlement you have, love, and that's an obligation as well—and don't tell me what you believe because you and the lumpen majority don't have beliefs, you have fucking badges, little badges you sport instead of troubling yourself with any act of moral imagination—“Ban the Bomb”—that'll do, pin that one on, job done!'

A tough-faced waitress stopped to pick up the napkin that Patrick had dropped on the carpet and place it back on his plate. He didn't recognise the warning.

‘Those aren't beliefs, love, they're fucking
mottos
. “Burn your bra”—ooh, how clever! You know, a bit of alliteration doesn't make something the sodding truth—'

Her mother put her hand on his. ‘Enough.'

It was more than she usually had to do. Mum gave the waitress a settling look—
I'll deal with it
.

‘If you don't start using this'—Patrick jabbed a finger over the table at her head; Louise flinched back—‘you'll never be anything but a third-rate provincial little slapper, if you ever manage to find some gormless bastard desperate enough to give you a seeing to in the first place—'

Mum was standing, wrangling her coat across her shoulders, bending to pull her purse from her handbag. She nodded at the waitress. ‘We'd like to pay.' She started to pull out five-pound notes that looked fresh from the bank. Her purse was swollen with them, the clasp strained.

Louise also stood. Suddenly, Patrick was alone. He stirred him
self to catch up with them. As soon as he flailed an arm behind him, Mum was there to help him eel it into his raincoat, the maroon one he'd always worn. She didn't want him to strain his bad back. Louise saw Patrick look at Mum, but her concentration on his coat gave nothing away. She smoothed it over his shoulders, dusting away a little dandruff. He faltered.

‘None of my business anyway,' he concluded. ‘Thank God. No spawn of mine . . . You do what you like—good luck to you!'

With a terminating shovel of his arms, this sign-off finally acknowledged the audience gawping from the tables around them and put the blame on Louise. They manoeuvred to look.

‘Need a slash.'

As Patrick stalked out, Louise fingered her jaw. She was memorising the carpet, the interlocking edges of its baronial crests in soiled autumn shades. Gradually, she felt the attention of the room leave her. She dared a glance at Mum, who, intent on a nonexistent horizon, was vaguely teasing her fingers through the ends of her hair.

‘Why do you put up with him?'

It was worse than anything she'd said about meditation, but perhaps she hadn't said it out loud. Mum gazed, unhearing. Louise didn't repeat herself.

In the car, Mum and Patrick discussed the building work that had started on the outskirts of Chapeltown. Patrick thought it was pointless, because all the Common Market incentives in the world wouldn't attract thinking human beings to a shithole like this. Mum directed a few comments into the back, about how much Louise would love Cornwall. Louise allowed herself to drift away, down at the bottom with her mental bubbles. She just wanted it to be over, and soon enough it was. Mum and Patrick had had their cup of tea with Auntie B when they arrived to pick her up, so she ran by herself from the idling car into the house. Mum,
already shifting into gear, bipped the horn in a final salute as Louise opened the front door with her Yale key. She was shouting something that Louise didn't catch properly at first.

‘Christmas!'

Back in her bedroom, Louise squeezed the unready spot until it bled. She didn't care about bloody Christmas. Weighing Mum's refusal to meet Patrick's eye as she dealt with his coat, she knew Mum had been as angry as Patrick, but whether it was at Patrick for his outburst or Louise for provoking it, she couldn't tell. She shifted the weight of this apprehension, trying to clear the ocean floor, back up to the surface where it could pop and disappear, but it kept getting stuck, somewhere near her stomach. Maybe it had been her fault. Mum and Patrick, Patrick and Mum. Cornwall. Nigel. Eventually, inevitably, she fell asleep.

Part Three

 

Now

SPRING AGAIN

M
IA'S CALL
was put through to Nigel at work. There had been a merciful hiatus in communication from what he and Sophie had taken to calling ‘Down There', so his assistant was still, at his irritable request, establishing exactly who Mia was when Nigel himself realised and jumped on to the line, dismissing Diane and saying it was fine, he'd take the call.

He put aside the M & S duck wrap he was halfway through eating, while noting Mia's consideration in ringing him at lunchtime.

‘Mia, what can I do for you?'

Nigel maintained a briskly professional tone. She was just about young enough to be his daughter, had his sexual history been altogether different.

‘Are you around tomorrow? I
'm coming to London. There's something I need to talk to you about.'

Nigel failed in his attempt to find this unexciting. He suggested lunch at a café near, but not incriminatingly close to, his office, as though he was doing something to be ashamed of. He hoped she would be wearing the boots.

He believed the expression to be that the gods laugh when men make plans, because he certainly wasn't the one laughing when, well into the first-coffee-and-emails stage of the next morning,
Nigel got the call from Sophie, full of ambient noise and panic, to say that she'd totally forgotten, hadn't she, Albie'
s bloody nursery was
shut
because of a bloody training day, and it bloody would be—yes sweetheart, just talking to Daddy—wouldn't it be the day she'd got theatre tickets for her and her mother, didn't he remember, she'd said at breakfast—Mum'
s birthday present, the matinee, they'd had a whole conversation about her and Nigel travelling back together (of course he remembered
now
, poor
her)—
so she was sorry, honey, she couldn't see any way round it because she'd rung round absolutely everyone, Jill was down with a stomach thing and she couldn't get hold of Tig—she'
d just have to bring Albie into town with her and drop him at Nigel's office for a couple of hours, surely that was all right, wasn't it, couldn't the girls look after him if Nigel had to see clients? He was so sweet, they'd probably enjoy it, it would only be for a couple of hours, it was the thing at the Donmar, there wasn't even an interval, she'd checked.

So it was that Sophie arrived at the office just as Diane was doing the sandwich round Nigel had opted out of, hectic with makeup and jollying along a sceptical Albie and his accompanying Albie-sized bag of possible amusements. Diane and the office girls swooped. Nigel noted the reticence of Tamara Browning, their most recent graduate recruit, who had not only reassured him and the other partners interviewing her of her single status, but declared an unsolicited dislike of children. The firmness with which she closed her blond-wood office door against the cooings of welcome suggested this hadn't been said for effect, which augured well for the firm'
s investment.

Nigel had tried to warn Mia about the change of plan, but her phone seemed to have been switched off.

‘I was in a quiet coach.'

She unwound lengths of scarf from her slender neck as he settled Albie next to him, facing Mia in the booth seats they'd man
aged to claim. Nigel pinioned Albie into the wall side so that he couldn't toddle out and create mayhem in the heaving, cramped space. Nigel had chosen the café at the recommendation of one of the younger partners, keen to avoid the more formal restaurants where he lunched clients and was likely to run into someone he knew. Looking around at the effortfully utilitarian décor, he wondered if he had got the right establishment.
The clientele seemed very young, with odd bits of their hair shaved off and extensive beards on the men, and they were all dressed like extras from a period drama set in the American Depression.
There was only one other man apart from himself in what he considered normal clothes.

The waitress recited the menu, which was unavailable in print, and involved lots of barbecued meat. Dirty food, the partner had called it—in itself an enticement. Sophie had fed Albie his lunch on the train, so he was interested in the chips Nigel ordered for him mainly as a medium for self-expression. Messy play, they called it at nursery. Mia showed about as much interest in the little boy as Tamara Browning had, which Nigel didn't hold against her. He made a half-joke about her liking children but not being able to manage a whole one.

‘Excuse me?'

Mia's face was dead of amusement; she simply hadn'
t understood. Nigel shrugged a ‘never mind' and tried to corral Albie's gargantuan chips into their side of the table surface. The waitress brought the adults their pulled-pork sandwiches, her miniature biceps bulging against the weight of the mounded platters. He had done the ordering, at Mia's suggestion; he saw her flinch as her portion was placed in front of her.

‘So, Mia, what can uncle Nigel do for you?'

Mia considered her meat, glistening with rendered fat.

‘Don't tell me—
it's Louise.' He hadn't heard anything from
Louise in weeks, since she had told him Holly would soon be discharged from hospital. About bloody time. The girl had even spent Christmas in there, with Louise trekking up to share the festivities; what a day that must have been. He wondered if Mia had spent the holiday with her family.

‘No, actually, it isn't Louise.' Mia took a sip of sparkling water. He'd ordered a Diet Coke, which he was keeping well clear of Albie'
s busy elbows.

‘Then it must be Patrick.'

‘In a way.' Mia smoothed her hair. Nigel noticed her nails: very short and clean, subtly manicured.

‘He's asked me to marry him.'

The pork dried in his mouth. Of course, it was what he had been expecting. Why did it matter?

‘I see.'

And then, in the afterwash of his disappointment, came a different swell. The house. Mia's eyes flicked away, as though in prescient distaste.

‘I thought it was a good idea to talk to you about it, in case it's a problem.'

‘Are you asking my permission?'

Mia put down her fork. Resmoothed her hair.

‘I know there's still stuff to sort out about—your mum, and her will. And obviously it's all a bit soon.'

‘Drawin'?' asked Albie.

‘In a minute,' Nigel promised.

Mia looked at him properly. ‘I mean, I'd wait, but Patrick says he's not getting any younger.'

This punched a laugh out of him. ‘A whirlwind romance.'

‘Is it a problem?'

Albie was pulling at his cuff. Nigel winkled down into the
backpack jammed by his legs for the notebook and pens Sophie had provided.

‘I don't understand what you're asking me, Mia. You'll have to be more direct.'

Clearing a chip-free space, he settled Albie to work. Mia forked apart sticky strands of meat without lifting any to her mouth.

‘I'm not sure exactly what's supposed to be happening with the house . . . and if Patrick getting married again—if that affects anything.'

Nigel savoured a heady moment of withheld knowledge. Why should he tell her? Now that the legalities had all been disentangled, with no small thanks to him, Patrick would be getting a letter. Let her find out everything she needed to know from her husband-to-be. By agreeing to marry the old bastard, Mia had forfeited the right to any favours from him.

Other books

Out of the Shoebox by Yaron Reshef
Changeling by FEASEY, Steve
Freak of Nature by Crane, Julia
Ghost Dance by Mark T. Sullivan
The Art of Losing Yourself by Katie Ganshert
Everything You Need: Short Stories by Michael Marshall Smith
All Bones and Lies by Anne Fine
Seduction by Velvet