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Authors: Nelson Algren

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The Man With the Golden Arm (37 page)

BOOK: The Man With the Golden Arm
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‘Oh, don’t always pertend you don’t know what I’m talkin’ about,’ she persisted, ‘a woman is the downfall of every man ’n a man is the downfall of every woman. You’re my downfall ’n I’m yours.’

‘Quit fallin’ down ’n say what you’re tryin’ to say,’ he urged her irritably, ‘quit beatin’ around the bushes.’

‘What I mean is there’s nuttin’ deader’n a dead love,’ she told him sternly, ‘nuttin’ deader.’

‘Sure there is,’ he assured her lightly, ‘dead people. They’re deader’n anybody.’

Her reply was simply to weave her hands in front of her face like a Hawaiian dancer and to sing saucily:

‘Hello, Aloha, how are you?

I’m bringin’ you kisses

From over the sea.’

She watched him slyly while they ate a cold-cut supper out of paper plates. There wasn’t enough strength left in her wrists, she claimed, to slice bread or cut sausage. She watched while he cut everything into small cubes for her and then sat weaving her hands instead of eating.

‘Others you’ve met

May call you coquette
…’

‘Quit yawpin’ ’n scoff,’ he told her, ‘you sound like a lost orphan in a rain barrel.’

For now she fancied herself a vocalist with an all-girl band. Over the sausage she smiled faintly at the unseen players, encouraging one with a nod here and another with a nod there. There was something really distracted about her smile.

‘What the hell are you – a bird?’ But his eyes were clouded with concern for her.

‘Evelyn ’n her magic violin,’ Sophie explained easily. ‘I can do magic too.’

‘Well,’ he sighed, realizing he was in for a long, long night, ‘here we go again.’

‘… mean to me’

she sang,

‘Why must you be mean to me?’

and broke off abruptly to ask directly, ‘What do you think of the A. F. of L.?’

Frankie looked up, genuinely startled. ‘What the hell – you don’t even know what the A. F. of L. is. I think you’re tryin’ to act crazier just ’cause I’m back. If nobody was here you’d have more sense. Quit disguisin’ your eyes. Quit showin’ off.’

But whether she was just showing off or not he couldn’t be certain. Half an hour later she overdid herself. He was dozing and wakened to see her tracing, with one forefinger upon the dust of the unwashed pane, the single word:
Perdition
. Just as she finished tracing it the sirens sounded, the hook-and-ladder pulled past and patrol cars, insurance cars and all the frantic traffic of a 4–11 alarm came crashing by with a sense of imminent doom. She wheeled to the door and shrieked up the stairwell to Violet, ‘It’s goin’ up! Loop ’n all! It’s all goin’ up!’

Violet came down the stairs at a gallop; she had to phone the papers to learn what was burning, how far it was spreading, and a kind of elation seized Sophie while Vi was at the phone behind Jailer’s desk.

‘It’s just a short circuit by Fish Furniture’s basement,’ Vi reported dryly from the doorway. ‘All under control.’

But Sophie herself stayed out of control the rest of the evening. Neither magazines nor scrapbook nor the promise
of beer could give her consolation. Just to realize that that was all it had come to, that that was all anything could ever come to. Just the way Vi had said that – it made a person want to cry, that was all.

‘The whole fire was in my head,’ she mourned.

He left for Schwiefka’s toward eleven o’clock. There was no other way to make the long night pass.

And wondering, the minute he sat down in the slot, how in the name of sweet Jesus Christ he was going to make it without a charge till morning.

   

Solly Saltskin wasn’t as happy, sleeping in the late Stash Koskozka’s bed, as he’d once thought he’d be. If he could, occasionally, have slept there alone it might have been endurable. Sneaking in for an hour of fast woo a couple times a week when Old Husband had still been padding about had been one thing: being tied down to these same four bedposts all night long, night after night, was strictly something else. Of late the bedposts had taken to leaning together with a faintly disapproving air. They’d seen them come and they’d seen them go: this one wouldn’t last as long as some of the others, they calculated, the reckless way he was going about things. A cooler head was what was needed; a cooler head, an older hand, a bit more restraint and snatches of sleep between rounds.

But Vi was so hothanded he didn’t get a chance either to sleep or even to cool off between rounds. Once he evaded her senseless stroking with some such thin excuse as, ‘I’m just gonna have a fast cup of coffee in the kitchen – you go to sleep, you need your rest, you’re gettin’ to look like a wornout movie actor.’

But just as he was putting the cup to his lips her fingers encompassed his throat from behind and he squawked like a strangling duck.

‘Don’t
do
that when you see I’m swallerin’,’ he protested.

‘That’s when it’s most fun, when you’re not expectin’ – you didn’t even hear me creepin’ up, did you, Goosey? Still love me, Goosey-Goo?’

And crushed down upon his lap to feed him coffee from a Pixley & Ehlers spoon, howling with joy at his every wretched gulp.

‘You look
so
unhappy, Goosey.’ She never ran out of new nicknames for him, each more revolting than the last. ‘Ain’t there enough sugar in it? Now tell me I’m sweet enough for you, you don’t need sugar with me settin’ here.’

All Sparrow had heart enough left to say was, ‘Let me up, Vi. I don’t know what’s gettin’ into you lately, you didn’t use to be like this
all
the time.’

She didn’t give him time to figure out a thing. She chirped kisses upon him instead. In time to the coffee’s steady perking.

‘The coffee’s perkin’
over
, Vi.’

He never remembered for a moment that the Jailer had never once scolded Widow Koskozka for leaving
her
door a bit ajar.

She let him up at last and, as he turned, shaken, to the percolator, goosed him with a single loonlike warning –
whoop!
He went clean off the floor on the point of her thumb, half a foot into the air, staggered hysterically into the wall and wheeled like a wounded rabbit to get his back up against something solid and looked at her in a panting despair, awaiting some final blow.


Never
do that,’ he warned her weakly, hysteria darkening his eyes. ‘
Never
do that ’n never
call
me that.’

‘Wait’ll I get you in bed,’ she consoled him. ‘I’ll make it all up to you, Goosey-joosey.’ And followed him mercilessly all the way back to the bedroom, breathing on his neck and tossing her flaming henna helmet about like a conquering
lion’s mane. He had been an entertaining toy in his time – but how could a girl afford a toy that never brought in a dime and drank up every stray nickel left lying loosely about? He wasn’t weakening nearly as fast as had Old Husband, who’d given out entirely at the end of the first week. Sparrow only seemed to be a bit frayed around the edges. And the rent three weeks overdue.

Somebody had to go.

And she didn’t mean Rumdum.

‘You don’t know how I miss Old Man, now he’s gone,’ she tried for some reason to convince the punk, ‘you don’t have no idea how sweet that old man could be when he wanted.’

‘Don’t come on with the cheap romance,’ the punk scolded her. ‘You married him for his fifty a week ’n all you miss is that fifty.’

‘Well,’ she admitted,’ he wasn’t as much
fun
as you. You’re the most fun I ever had with pants on,’ she flattered him with a knowing nudge. ‘You ’n your bedroom eyes.’

‘I think I’m the most fun you ever had with ’em off,’ he agreed dismally.

‘’N just to think,’ she went on breathlessly, ‘I’m
all
yours, Goosey Lover.’

‘Don’t
call
me that, it sounds like goosey liver.’ But what he really felt was that she wasn’t all his so much as he was all hers and that there was no rest for the weary. It wasn’t just coincidence that her favorite tune about the house, day after day, began to be:

‘All of me,

Why not take all of me?’

He devised a more subtle means of evading her than that of the midnight snack. It was too easy for her to seduce him

right there on the kitchen floor to the tune of the percolator’s perking. He took to heading for the bathroom.

‘Don’t, Vi,’ he’d plead, as she’d drag him off the bed’s edge down into the sweaty sheets.
‘Don’t
– I got to go by the bat’room.’ From beneath the bed Rumdum listened with sympathy; and a dull foreboding.

She’d relent then. For five minutes. Then he’d hear her making for the bathroom door; he’d grasp the knob firmly – there was no lock – and haul back like a crazed paralytic while she’d pull, shrieking at her discovery of this new game, on the other side of the knob.

Once, drowsing contentedly on the can beside the little five-watt bulb glimmering above the paper holder in the tiny darkened cavern, he understood, dreamily, Old Husband’s love of the broom closet and failed to hear her tiptoed approach – when she rattled the board above his head he almost went into shock.

‘Go back to bed,’ he begged, ‘for
God’s
sake,’ but she fetched him in an iron grip, pants dragging and the plumbing’s antique roar in his ears, flat down upon the cold linoleum.

While Rumdum galloped excitedly about them, nipping their heels.

Ten minutes later he rolled over, panting, wishing he had a pillow under his head. ‘Pull up the shade, Goosey,’ she ordered him, ‘let’s see if it’s gettin’ light.’

‘If I pull up the shade I’ll go up with it,’ he recalled the ancestral burlesque retort without humor. ‘I know now what they mean by “mortal coil,”’ he decided to himself, ‘’cause I got one I got to shuffle off before they haul me out of here with my toes turned up.’

Twelve weeks of their hot-breathed union and the mornings were finding him faint. The punk woke to his ninetieth common-law dawn, on the first day of December, feeling he’d never make the ninety-first. He rose like a haunted
ghost, washed in cold water and took one last fond look at the friendly percolator: that had revived him many an ardent midnight and now would revive him no more.

Beneath the sink Rumdum slept with one ear alert for the coffeepot’s first perk. Vi was trying to wean him off beer with coffee.

Sparrow couldn’t take the chance, even now, of putting the pot on the stove. She wakened to its contented perking as to some slow aphrodisiac and the time was come to go. He found three halves, wrapped in a ten-dollar bill, in her apron. The last of Old Husband’s insurance money, and a pang of conscience flicked him. ‘So long as she don’t shoot herself when she finds out I ducked on her,’ he hoped anxiously. ‘Maybe she’ll get over the shock some day.’ And left as if it had been the percolator he had loved here so long and so well; it was all he truly regretted leaving.

He could not know that even then Violet lay wide awake and listening to his every secret move, scarcely daring to breathe for fear he might change his mind. ‘If he decides to hang on any longer I’ll have to hurt his feelin’s, that’s all,’ she determined firmly. ‘I’ll have to tell him right out I can’t afford him no more.’

She heard the door shut ever so softly and turned over on her side with the sighing relief of a job well done.

‘I always wanted to get out of this crummy neighborhood anyhow,’ Sparrow rationalized going downstairs. ‘One more winter with Vi ’n I’d be tearin’ all my pieces off the calendar too.’

He went past Frankie’s door noiselessly these days; there was no use trying to talk to the dealer any more. ‘When a Polak gets an idea in his head you can’t get it out wit’ a crowbar,’ Sparrow decided ruefully.

And so returned, with the city a golden roar in his ears,
to the horse-and-wagon alleys of his childhood; with a rueful renascence in his heart.

For the alleys never changed. It was as though no time had passed since he had first escaped down them: playing hooky from that first truant officer as he was on the hook from Violet now. It seemed the same morning of golden escape.

The alleys had always been his sanctuary; they had been kinder to him than the streets. He had spent those long-ago days searching the ashcans for the tinfoil in discarded cigarette packs. Though the boulevard gutters had been better for tinfoil prospecting, the alleys had always been safer.

The tinfoil racket had been abandoned for the pursuit of beer corks. A still on Blackhawk Street had paid a dime a hundred for them in those days.

Beer corks were money: they were lagged, in lieu of pennies, along the sidewalk cracks. One red beer cork was worth five of the common brown-and-white rootbeer variety, and once Sparrow had hoarded a pearl beyond price: an orange-and-green job with an owl engraved upon it. No one in the neighborhood had ever seen one like it, he was offered as high as a hundred to one, in rootbeer tops, for it. Then he’d lost it out of a hole in his pocket and it had left a ragged little hole in his heart.

‘Five up!’ He recalled how the lagger’s single toss had represented a gamble of five corks and the lagger nearest the line had gotten first toss – five from each player – and could keep all that turned up heads. He could then toss them one at a time or all at once just as the whim took him. Then the runner-up got second toss and by the time tossings came around to Solly Saltskin there was usually only one left anyhow and that was his by default, there were no other tossers. But he’d toss it anyhow, just because the others had; it wasn’t often there was anyone farther off the line than Solly.

Even then he had always been last. The decisive crack in the sidewalk had always, somehow, seemed farther away to him than it had to the other alley stubs. Even then he had blinked and goggled and furrowed his forehead and bit his tongue in tossing while those who lagged easily did the winning. Twenty years – and he still put his face too close to others when he spoke, still peered hopefully through double-lensed glasses as if trying to see whether there’d be a beer cork or two left for Solly.

Still sauntered down the one-way alleys between Division Street and the Armitage Avenue carbarns with some forgotten eye of childhood alert for anything that might be turned into a spot of cash.

BOOK: The Man With the Golden Arm
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