The Minstrel's Melody (4 page)

Orphelia let Clementine, a tall, thin, brown-skinned, pigeon-toed girl with moles on her face, take her arm. Silently they walked over to the hollyhocks, away from the other girls. In tonight's talent show Clementine was going to give an interpretive dance to “Swing Low, Sweet Chariot” while her younger brother Ambrose played the song on his cornet. Orphelia had always wondered why Clementine didn't dance pigeon-toed like she walked.

“All right, what'd Pearl do this time?” asked Clementine. “You look like you're gonna bust out bawling. Seems like Pearl's always doing some kind of devilishness to take the strut out of your step.”

“Pearl had something to do with it,” Orphelia said, “but not like what you think.” She usually felt safe sharing her problems with Clementine. This time, though, telling Clementine that they had been in the Stone Shed would bring up more questions and might even lead to bigger-problems if the wrong grown-ups found out.

Orphelia breathed in deep and blew out her breath hard. “I'm so mad at Momma and Pearl I could spit fire! I was so mad last night that I called Pearl a liar to her face, and Momma about had a hissy fit. But at least she's letting me come to watch the show tonight. Maybe Madame Meritta will sign my program and give me her address and let me write to her.”

“But what did Pearl do?”

“Doesn't matter. It's done now.”

“All right, then don't tell me.” For a moment Clementine sounded hurt. “Well, maybe Madame Meritta will have another talent show come through next year, and you can try then.”

Miz Rutherford came to the school door and began ringing her handbell, signaling the start of school. Orphelia freed her arm from Clementine's.

“I'm not waiting until next year. I don't know exactly when and I don't know what, but I'm gonna do something about this—soon. You just watch me, Clementine.”

C
HAPTER
3

M
ARVELOUS
M
ADAME
M
ERITTA

From a distance, Orphelia could see that Calico Creek's church and school yard were already crowded with people. It was barely six o'clock in the evening, and most of the pews and chairs brought outside from the church were full. The talent show was not scheduled to start until six-thirty. The stage—a platform of boards assembled by Reverend Rutherford, pastor of Calico Creek Missionary Baptist Church and Miz Rutherford's husband—was at one side of the building. On the stage sat a trio of musicians on banjo, drums, and piano. They began playing “Jesus Loves Me,” and Orphelia hummed along.

“Slow down and walk ladylike, Orphelia,” Momma called out behind her. “And straighten your bonnet before it slips off your head.”

Orphelia slowed down a little without answering. She didn't care if the bonnet fell completely off and got trampled in the dust. Having to wear a hot bonnet was like having to wear a padlock around her head. And being forced out of the talent show was like having a padlock around her heart.

As she neared the yard she saw boys and girls wearing their best suits and dresses, carrying musical instruments and recital books. A boy she didn't recognize wore a gray beard and a top hat. She guessed he was portraying Abraham Lincoln and would recite the Emancipation Proclamation or the Gettysburg Address. Somebody usually did in programs like these.

When they found seats in a pew near the back of the seating section, Orphelia made sure to settle herself on the end by Poppa, with Momma and Pearl on the other side of him. That way she wouldn't have to hear much of Momma's criticisms of the show, or listen to Pearl's chatter. Orphelia had hardly said a word to either one of them since last night.

She patted sweat off her face with her bonnet strap and strained to see around the people sitting in front of her.

Behind the stage, school, and church, Orphelia spied three horse-drawn wooden coaches painted blazing red and yellow. Written on each coach in black curlicue lettering was “Madame Meritta and Her Marvelous Traveling Troubadours.” Horses? No motorcar or rail? All of the newspaper stories Orphelia had read said that the entertainer had private railroad cars for her troupe of twenty musicians and assistants to eat and sleep in.

Miz Rutherford stood by one of the coaches, talking to a tall, pretty, dark-skinned woman in a plain brown dress. That couldn't be Madame Meritta, could it? Where were her boas and fancy gowns? Where was the rest of her show?

Momma was wondering the same thing. “Is that all there is?” she asked Poppa. “The way some folks talk, you'd think this woman's foot never touched the ground. Where's all these fine musicians she's supposed to have?”

A man in the next pew turned around and frowned a little at Momma. He pointed to the stage. “She has a huge entourage and a string of boxcars—I've seen 'em—but they say she's sent most of them on to St. Louis to get ready for the fair. I doubt if
she'll
perform tonight. It's a talent show for the kids, remember?”

Momma said, “Oh,” and sniffed.

Orphelia looked around for Clementine. She was standing by the stage with the other competitors, including the boy in the Lincoln clothes. He had removed his top hat and was fanning himself with it. A boy who had supposedly rode his pet mule all the way from Canton with a big cello was drinking water. She didn't see Cap. When she had told him this morning that they'd been withdrawn, he'd just shrugged and said that Pearl needed to control her mouth better.

A barefoot boy in a straw hat and denim overalls held a paintbrush and bucket. Orphelia figured he was portraying a character from one of the books by that Hannibal writer, Mark Twain.

Momma had forbidden Orphelia and Pearl to read any of the man's books because she said the language in his books was not morally uplifting. But one night when Orphelia had slept over at Clementine's, they had read several chapters of one of his books that had been serialized in the Hannibal newspaper. The story did have disgusting words in it. Other parts were funny Orphelia and Clementine wondered if that man Jim in the book ever got free.

Orphelia recognized two girls in matching green dresses and pompadour hairstyles, plucking violins. They had participated in Hannibal's Emancipation Celebration festivities, billing themselves as “The Hannibal Twins, Prodigies on Violins.”

The audience included white people, too. Orphelia didn't recognize a lot of people. They must have been from outside the county.

Miz Rutherford stepped upon the platform and rang her school bell for silence. “Ladies and gentlemen and little gentlemen and little ladies. What a momentous occasion it is for us to be so very privileged to have among us the marvelous Madame Meritta of St. Louis, Missouri. Madame Meritta, as you know, is the owner of Madame Meritta's Marvelous Traveling Troubadours. She is here with us tonight seeking Missouri's most talented young artists. Of course, she'll find them right here in Lewis County, won't she?”

Everybody applauded. Some of the boys stamped their feet and whistled. Miz Rutherford went on. “Madame Meritta has traveled and performed around the world and before all of the royal families of Europe. She is among Missouri's most popular Negro musicians and is one of the state's and country's few minstrel show owners of feminine persuasion. We thank her deeply for giving of her precious time to visit our humble county and to give our children an opportunity to exhibit their talents here tonight.”

Miz Rutherford went on talking like that until Orphelia wanted to shout, “Please, please, please get on with the show!”

Finally she left the stage. Orphelia leaned forward in anticipation. Then Reverend Rutherford came on and asked them to close their eyes and bow their heads. He offered up a prayer thanking God for bringing Madame Meritta to their school and church, and he asked God to continue to watch over everybody and to give special guidance to the young competitors who represented the cream of Lewis County.

Or most of it,
Orphelia whispered to herself. The pain of being left out twisted at her heart.

As soon as he said amen, people around her gasped and began to applaud. Orphelia opened her eyes. Standing on the platform was the famous Madame Meritta at last. She wore a sleeveless turquoise silk gown, covered with a sparkly goldlike dust. A filmy white shawl lay lightly around her shoulders and hung down to the floor. On her head was a turquoise turban, one tail of which trailed down her right cheek. The turban was highlighted by a gold feather that also sparkled in the early evening sun. A diamond necklace twinkled at her throat. She lifted one arm—covered by a golden glove up to her elbow—and waved and smiled. When she smiled, Orphelia saw that her two front teeth were gold, too.

Poppa nudged Orphelia. “Close your mouth, girl! You'll let in flies,” he said, smiling.

“Oh, Poppa, she's beautiful,” Orphelia whispered. She stood up and waved back until Momma tapped her on the arm.

Without speaking, Madame Meritta floated across the platform to a white-draped table and sat down at it. As she did, a man in a white formal suit and derby strode out onto the stage.

“That's Mr. Interlocutor from her show,” the man in front of Orphelia whispered to everybody. “Every minstrel show has someone they call Mr. Interlocutor. He plays the main man in charge of everything, and other performers tease and poke fun at him during the show. It's part of their act.”

The man on stage, however, announced that he was the Grand Master Roberts, master of ceremonies. Orphelia wondered what the difference was between Grand Master and Mr. Interlocutor.

Grand Master Roberts sang the praises of Madame Meritta and the Rutherfords and then announced the prizes to be given out. Third prize was a large framed portrait of Madame Meritta with her signature, which he held up.

“I wouldn't mind having one of those,” Orphelia told Poppa.

Second place was a trophy to be engraved with the winner's name. First place, of course, meant that you advanced to the finals and would appear with the other winners during the entertainer's performance at the St. Louis World's Fair next Saturday. The show was only a little over a week away!

Orphelia joined the rest of the audience in clapping, but her heart was not in it. Darn that Pearl and her big mouth!

The acts were called and the children performed. After reciting the Emancipation Proclamation, the boy playing Abe Lincoln dropped his top hat when he bowed. The Hannibal Twins, however, were perfect in their rendition of “Flight of the Bumblebee,” one of Orphelia's favorite pieces, too. But she didn't need the music to play it, like they did. “They'll be hard to beat tonight,” she said to Poppa.

“You could have beat them,” Poppa whispered back.

“Really?” Orphelia smiled wider than she had since Momma's devastating words the night before. Then she frowned. “But why didn't you say something to Momma?”

“I did.”

She looked up at him, but Poppa kept his eyes on the stage. She sighed. She wiggled her fingers, which itched to play, then pressed them down in her lap.

At intermission, Orphelia slipped away from Momma and Pearl and stepped inside the church. The outside sounds of the trio music and of people talking and laughing were muffled in the cool solitude of the sanctuary. Orphelia went over to her old friend the church piano and sat down. She pulled off her bonnet and dropped it on the floor.

She began softly with “Amazing Grace,” one of her favorite religious songs, and followed it with “Listen to the Mockingbird.” When she was not struck down by God for singing a secular song in church—again—she moved into “Drink to Me Only with Thine Eyes,” her mind and fingers finding comfort in the touch of the keys and the sound of her own voice.

Orphelia knew she could have won the talent show and gone on to perform at the St. Louis World's Fair, but now nobody would ever know.

“You sing and play superbly,” said a strange voice behind her.

Orphelia jumped off the piano stool, her heart pounding. Her mouth went as dry as a dirt road. She pressed her hands to her chest. Madame Meritta!

“I was showing Madame Meritta around and she heard the piano,” Miz Rutherford said, beaming. “I knew it could have been only you. Madame Meritta, this is my little star, Orphelia Bruce. Orphelia has been an admirer of yours for quite some time.”

Madame Meritta held out her golden-gloved hand. Orphelia stared at it until Miz Rutherford cleared her throat. Taking a deep breath, Orphelia took the entertainer's hand in both of hers and shook it vigorously.

“I am Orphelia Bruce,” she said slowly, “and I have the ut-ut-utmost pleasure of … of making your acquaintance. And I thank you for honoring us with … with your presence. I love your music and you're so beautiful and I want to be just like you,” she finished in a rush. “And I hope you won't get mad because I was playing secular music in church, Miz Rutherford.”