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Blunden, Edmund,
Shelley: A Life Story
(New York: Viking, 1947).

Bowla, C. M.,
The Romantic Imagination
(London: Oxford University Press, 1961).

Braudy, Leo,
The Frenzy of Renown: Fame and Its History
(New York: Oxford University Press, 1986).

Brennan, Matthew, “The Landscape of Grief in Mary Shelley’s
Frankenstein,

Studies in the Humanities
15 (1988), pp. 33-44.

Brewer, William D.,
The Mental Anatomies of William Godwin and Mary Shelley
(Teaneck, NJ: Fairleigh Dickinson University Press, 2001).

———,
The Shelley-Byron Conversation
(Gainesville: University Press of Florida, 1994).

Brown, Ford K.,
The Life of William Godwin
(New York: E. P. Dutton, 1926).

Bryant, Arthur,
The Age of Elegance,
1812
-
1822
(London: The Reprint Society, 1954).

Bunson, Matthew,
The Vampire Encyclopedia
(New York: Gramercy Books, 1993).

Burton, Anthony, and John Murdoch,
Byron: Catalogue for an exhibition . . .
(London: Victoria and Albert Museum, 1974).

Byrne, Richard B., ed.,
Films of Tyranny: Short Analyses of
The Cabinet of Dr. Caligari, The Golem [and] Nosferatu (Madison, WI: College Printing & Typing Co., 1966).

Cameron, Kenneth Neill,
Shelley: The Golden Years
(Cambridge, MA: Harvard University Press, 1974).

———,
The Young Shelley
(New York: Octagon Books, 1973).

Cameron, Kenneth Neill, Donald H. Reiman, Stephen Wagner, Doucet Devin Fischer, eds.,
Shelley and His Circle
(Cambridge, MA: Harvard University Press, 1961-96).

Carson, James P., “Bringing the Author Forward:
Frankenstein
Through Mary Shelley’s Letters,”
Criticism
30:4 (Fall 1988), pp. 431-53.

Clubbe, John, “The Tempest-toss’d Summer of 1816: Mary Shelley’s
Frankenstein,

Byron Journal
19 (1991), pp. 26-40.

Cochran, Peter, “Trelawny, Edward John,” in
Dictionary of National Biography,
vol. 55, pp. 272-75 (London: Oxford University Press, 2004).

Copper, Basil,
The Vampire in Legend, Fact, and Art
(London: Robert Hale, 1973).

Cracium, Adriana and Kari E. Lokke, eds.,
Rebellious Hearts: British Women Writers and the French Revolution
(Albany: State University of New York Press, 2001).

Crump, Thomas,
A Brief History of Science as Seen Through the Development of Scientific Instruments
(London: Constable, 2001).

Dabundo, Laura, ed.,
Jane Austen and Mary Shelley and Their Sisters
(Lanham, NY: University Press of America, 2000).

Daiches, David, and John Flower,
Literary Landscapes of the British Isles: A Narrative Atlas
(New York: Paddington Press, 1979).

Eisler, Benita,
Byron: Child of Passion, Fool of Fame
(New York: Knopf, 1999).

Erickson, Carolly,
Our Tempestuous Day: A History of Regency England
(New York: William Morrow, 1986).

Feldman, Paula R., “Mary Shelley and the Genesis of Moore’s
Life
of Byron,”
Studies in English Literature
20 (Autumn 1980), pp. 611-20.

Florescu, Radu,
In Search of Frankenstein
(Boston: New York Graphic Society, 1975).

Florry, Steven Earl,
Hideous Progenies
(Philadelphia: University of Pennsylvania Press, 1990).

Foreman, Amanda,
Georgiana: Duchess of Devonshire
(New York: Modern Library, 2001).

Franklin, Caroline,
Byron: A Literary Life
(New York: St. Martin’s Press, 2000).

Frayling, Christopher,
Nightmare: The Birth of Horror
(London: BBC Books, 1996).

Frost, Brian J.,
The Monster with a Thousand Faces
(Bowling Green, OH: Bowling Green University Popular Press, 1989).

Frost, R. J., “‘It’s Alive!’
Frankenstein:
The Film, the Feminist Novel and Science Fiction,”
Foundation
7 (1996), pp. 75-93.

Garrett, Martin,
George Gordon, Lord Byron
(New York: Oxford University Press, 2000).

Gelpi, Barbara Charlesworth,
Shelley’s Goddess: Maternity, Language, Subjectivity
(New York: Oxford University Press, 1992).

Gilbert, Sandra, and Susan Gubar,
The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination,
2nd ed. (New Haven: Yale University Press, 2000).

Gillespie, Charles, ed.,
Dictionary of Scientific Biography
(New York: Scribner’s, 1970).

Gilmour, Ian,
Byron and Shelley in Their Time: The Making of the Poets
(New York: Carroll & Graf, 2003).

Gittings, Robert, and J. Manton,
Claire Clairmont and the Shelleys
(New York: Oxford University Press, 1992).

Goetsch, Paul,
Monsters in English Literature: From the Romantic Age to the First World War
(Frankfurt-am-Main: Peter Lane, 2002).

Goldberg, M. A., “Moral and Myth in Mrs. Shelley’s
Frankenstein,

Keats-Shelley Journal
8 (1959), pp. 27-38.

Gordon, Lyndall,
Mary Wollstonecraft: A New Genus
(New York: Little, Brown, 2005).

Grebanier, Bernard D. N., et al.,
English Literature and Its Backgrounds
(Holt, Rinehart, and Winston, 1967).

———,
The Uninhibited Byron: An Account of His Sexual Confusion
(New York: Crown, 1970).

Grosskurth, Phyllis,
Byron: The Flawed Angel
(London: Hodder & Stoughton, 1997).

Grylls, Rosalie Glynn,
Claire Clairmont
(London: John Murray, 1939).

———,
Mary Shelley
(New York: Haskell House, 1969).

———,
William Godwin and His World
(London: Odhams Press, 1953).

Haining, Peter,
The Man Who Was Frankenstein
(London: Frederick Muller, 1979).

Harris, Janet,
The Woman Who Created Frankenstein: A Portrait of Mary Shelley
(New York: Harper & Row, 1979).

Hibbert, Christopher,
The Court at Windsor: A Domestic History
(New York: Harper & Row, 1964).

Hodgart, Patricia,
A Preface to Shelley
(London: Longman, 1985).

Hoeveler, Diane Long,
Romantic Androgyny
(University Park: Pennsylvania State University Press, 1990).

Holland, Tom, “Undead Byron,” in
Byromania,
ed. Frances Wilson (New York: St. Martin’s Press, 1999).

Holmes, Richard,
Shelley: The Pursuit
(London: Weidenfeld & Nicolson, 1974).

Honour, Hugh,
Neo-Classicism
(Harmondsworth, UK: Penguin, 1984).

Jacobs, Diane,
Her Own Woman: The Life of Mary Wollstonecraft
(New York: Simon & Schuster, 2001).

Jordan, Frank, ed.,
The English Romantic Poets: A Review of Research and Criticism
(New York: Modern Language Association of America, 1985).

Kaplan, Morton, “Fantasy of Paternity and the Doppelganger: Mary Shelley’s
Frankenstein,
” in
The Unspoken Motive: A Guide to Psychoanalytic Literary Criticism,
ed. Morton Kaplan and Robert Kloss (New York: Free Press, 1973).

Kelly, G. D., “Godwin, Wollstonecraft, and Rousseau,”
Women and Literature
3:2 (Fall 1975), pp. 21-26.

Kelly, Linda,
Women of the French Revolution
(London: Hamish Hamilton, 1987).

Levine, George, and U. C. Knoepflmacher, eds.,
The Endurance of Frankenstein: Essays on Mary Shelley’s Novel
(Berkeley: University of California Press, 1979).

Lewalski, Barbara,
The Life of John Milton: A Critical Biography
(Oxford: Blackwell, 2000).

Longford, Elizabeth,
The Life of Byron
(Boston: Little, Brown, 1976).

Lovell, Ernest J., Jr., “Byron and Mary Shelley,”
Keats-Shelley Journal,
January 1953, pp. 35-44.

MacCarthy, Fiona,
Byron: Life and Legend
(New York: Farrar, Straus and Giroux, 2002).

MacDonald, D. L.,
Poor Polidori
(Toronto: University of Toronto Press, 1991).

McGann, Jerome, “Byron, George Gordon Noel,” in
Oxford Dictionary of National Biography,
vol. 9, pp. 345-61 (London: Oxford University Press, 2004).

Marchand, Leslie A.,
Byron: A Biography
(New York: Knopf, 1957).

Marshall, Peter H.,
William Godwin
(New Haven: Yale University Press, 1984).

Matthew, H. C. G., and Brian Harrison,
Oxford Dictionary of National Biography
(London: Oxford University Press, 2004).

Masters, Anthony,
The Natural History of the Vampire
(London: Rupert Hart-Davis, 1972).

Maurois, André,
Ariel: The Life of Shelley,
trans. Ella D’Arcy (New York: D. Appleton & Century: 1942).

Mellor, Anne K.,
Mary Shelley: Her Life, Her Fiction, Her Monsters
(New York: Methuen, 1988).

———, “Possessing Nature: The Finale in Frankenstein,” in
Frankenstein,
ed. J. Paul Hunter (New York: Norton, 1996).

Minta, Stephen,
On a Voiceless Shore: Byron in Greece
(New York: Henry Holt, 1998).

Moers, Ellen,
Literary Women
(Garden City, NY: Doubleday, 1976).

Moore, Doris Langley,
The Late Lord Byron
(Philadelphia: J. B. Lippincott, 1961).

Murray, E. B., “Shelley’s Contribution to Mary’s
Frankenstein,

Keats-Shelley Memorial Bulletin
29 (1978), pp. 50-68.

Murray, Venetia,
An Elegant Madness: High Society in Regency England
(New York: Penguin, 1998).

Nardo, Don, ed.,
Readings on Frankenstein
(San Diego: Greenhaven Press, 2000).

Nitchie, Elizabeth,
Mary Shelley
(Westport, CT: Greenwood Press, 1970).

Norman, Sylva,
Flight of the Skylark: The Development of Shelley’s Reputation
(Norman: University of Oklahoma Press, 1954).

O’Neill, Michael, “Shelley, Percy Bysshe,” in
Oxford Dictionary of National Biography,
vol. 50, pp. 200-12 (London: Oxford University Press, 2004).

———, “‘Trying to Make It as Good as I Can’: Mary Shelley’s Editing of Shelley’s Poetry and Prose,”
Romanticism,
vol. 3, no. 2, 1997, Edinburgh University Press.

Origo, Iris,
The Last Attachment: The Story of Byron and Teresa Guiccioli
(New York: Scribner’s, 1949).

Paglia, Camille,
Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson
(New York: Vintage, 1991).

Parissien, Steven,
George IV: Inspiration of the Regency
(New York: St. Martin’s Press, 2001).

Perkins, Pam, “Godwin, Mary Jane,” in
Oxford Dictionary of National Biography,
vol. 22, p. 616 (London: Oxford University Press, 2004).

Petre, Jean,
A Most Extraordinary Pair: Mary Wollstonecraft and William Godwin
(New York: Doubleday, 1975).

Poovey, Mary, “‘My Hideous Progeny’: Mary Shelley and the Feminization of Romanticism,”
PMLA,
vol. 95, no. 3 (May 1980).

———,
The Proper Lady and the Woman Writer
(Chicago: University of Chicago Press, 1984).

Quennell, Peter,
Byron
(New York: Haskell House, 1974).

———,
Byron in Italy
(New York: Viking, 1957).

———,
Byron: The Years of Fame
(Hamden, CT: Archon Books, 1972).

———,
Samuel Johnson: His Friends and Enemies
(New York: American Heritage Press, 1973).

Richardson, Alan,
British Romanticism and the Science of the Mind
(Cambridge: Cambridge University Press, 2001).

Rieger, James, “Dr. Polidori and the Genesis of
Frankenstein,

Studies in English Literature
1500
-
1900
,
vol. 3, no. 4 (Augumn 1963), pp. 461-72.

———,
The Mutiny Within: The Heresies of Percy Bysshe Shelley
(New York: George Braziller, 1967).

Schoene-Harwood, Berthold, ed.,
Mary Shelley: Frankenstein
(New York: Columbia University Press, 2000).

Schor, Esther, ed.,
The Cambridge Companion to Mary Shelley
(Cambridge: Cambridge University Press, 2003).

Seymour, Miranda,
Mary Shelley
(London: Murray, 2000).

Small, Christopher,
Mary Shelley’s Frankenstein: Tracing the Myth
(Pittsburgh: University of Pittsburgh Press, 1973).

Smith, Elton Edward, and Esther Greenwell Smith,
William Godwin
(New York: Twayne, 1965).

Smith, Susan Harris, “
Frankenstein:
Mary Shelley’s Psychic Divisiveness,”
Women and Literature
5:2 (Fall 1977), pp. 42-53.

Spark, Muriel,
Mary Shelley
(New York: Dutton, 1987).

Stableford, Brian, “Frankenstein and the Origins of Science Fiction,” in
Anticipations: Essays on Early Science Fiction and Its Precursors
(Syracuse, NY: Syracuse University Press, 1995), pp. 46-57.

Steffan, Guy, “Trelawny Trepanned,”
Keats-Shelley Journal,
Winter 1954, pp. 67-73.

Stephen, Leslie, and Nkanjana Banerji, “Godwin, William,” in
Oxford Dictionary of National Biography,
vol. 22, pp. 619-26 (London: Oxford University Press, 2004).

Stocking, Marion Kingston, “Clairmont, Clara Mary Jane,” in
Oxford Dictionary of National Biography,
vol. 11, pp. 725-26 (London: Oxford University Press, 2004).

Stommel, Henry, and Elizabeth Stommel, “The Year Without a Summer,”
Scientific American,
June 1979, pp. 176-86.

Summers, Montague,
The Vampire: His Kith and Kin
(New Hyde Park, NY: University Books, 1960).

Sunstein, Emily,
A Different Face: The Life of Mary Wollstonecraft
(New York: Harper & Row, 1975).

BOOK: The Monsters
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