The Other Gods and More Unearthly Tales (28 page)

BOOK: The Other Gods and More Unearthly Tales
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It had been an eldritch thing—no wonder sensitive students shudder at the Puritan age in Massachusetts. So little is known of what went on beneath the surface—so little, yet such a
ghastly festering as it bubbles up putrescently in occasional ghoulish glimpses. The witchcraft terror is a horrible ray of light on what was stewing in men’s crushed brains, but even that is
a trifle. There was no beauty; no freedom—we can see that from the architectural and household remains, and the poisonous sermons of the cramped divines. And inside that rusted iron
straitjacket lurked gibbering hideousness, perversion, and diabolism. Here, truly, was the apotheosis of the unnamable.

Cotton Mather, in that daemoniac sixth book which no one should read after dark, minced no words as he flung forth his anathema. Stern as a Jewish prophet, and laconically unamazed as none since
his day could be, he told of the beast that had brought forth what was more than beast but less than man—the thing with the blemished eye—and of the screaming drunken wretch that they
hanged for having such an eye. This much he baldly told, yet without a hint of what came after. Perhaps he did not know, or perhaps he knew and did not dare to tell. Others knew, but did not dare
to tell—there is no public hint of why they whispered about the lock on the door to the attic stairs in the house of a childless, broken, embittered old man who had put up a blank slate slab
by an avoided grave, although one may trace enough evasive legends to curdle the thinnest blood.

It is all in that ancestral diary I found; all the hushed innuendoes and furtive tales of things with a blemished eye seen at windows in the night or in deserted meadows near the woods.
Something had caught my ancestor on a dark valley road, leaving him with marks of horns on his chest and of ape-like claws on his back; and when they looked for prints in the trampled dust they
found the mixed marks of split hooves and vaguely anthropoid paws. Once a post-rider said he saw an old man chasing and calling to a frightful loping, nameless thing on Meadow Hill in the thinly
moonlit hours before dawn, and many believed him. Certainly, there was strange talk one night in 1710 when the childless, broken old man was buried in the crypt behind his own house in sight of the
blank slate slab. They never unlocked that attic door, but left the whole house as it was, dreaded and deserted. When noises came from it, they whispered and shivered; and hoped that the lock on
that attic door was strong. Then they stopped hoping when the horror occurred at the parsonage, leaving not a soul alive or in one piece. With the years the legends take on a spectral
character—I suppose the thing, if it was a living thing, must have died. The memory had lingered hideously—all the more hideous because it was so secret.

During this narration my friend Manton had become very silent, and I saw that my words had impressed him. He did not laugh as I paused, but asked quite seriously about the boy who went mad in
1793, and who had presumably been the hero of my fiction. I told him why the boy had gone to that shunned, deserted house, and remarked that he ought to be interested, since he believed that
windows retained latent images of those who had sat at them. The boy had gone to look at the windows of that horrible attic, because of tales of things seen behind them, and had come back screaming
maniacally.

Manton remained thoughtful as I said this, but gradually reverted to his analytical mood. He granted for the sake of argument that some unnatural monster had really existed, but reminded me that
even the most morbid perversion of Nature need not be
unnamable
or scientifically indescribable. I admired his clearness and persistence, and added some further revelations I had collected
among the old people. Those later spectral legends, I made plain, related to monstrous apparitions more frightful than anything organic could be; apparitions of gigantic bestial forms sometimes
visible and sometimes only tangible, which floated about on moonless nights and haunted the old house, the crypt behind it, and the grave where a sapling had sprouted beside an illegible slab.
Whether or not such apparitions had ever gored or smothered people to death, as told in uncorroborated traditions, they had produced a strong and consistent impression; and were yet darkly feared
by very aged natives, though largely forgotten by the last two generations—perhaps dying for lack of being thought about. Moreover, so far as aesthetic theory was involved, if the psychic
emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulosity as the spectre of a malign, chaotic perversion,
itself a morbid blasphemy against Nature? Moulded by the dead brain of a hybrid nightmare, would not such a vaporous terror constitute in all loathsome truth the exquisitely, the shriekingly
unnamable?

The hour must now have grown very late. A singularly noiseless bat brushed by me, and I believe it touched Manton also, for although I could not see him I felt him raise his arm. Presently he
spoke.

“But is that house with the attic window still standing and deserted?”

“Yes,” I answered. “I have seen it.”

“And did you find anything there—in the attic or anywhere else?”

“There were some bones up under the eaves. They may have been what that boy saw—if he was sensitive he wouldn’t have needed anything in the window-glass to unhinge him. If they
all came from the same object it must have been an hysterical, delirious monstrosity. It would have been blasphemous to leave such bones in the world, so I went back with a sack and took them to
the tomb behind the house. There was an opening where I could dump them in. Don’t think I was a fool—you ought to have seen that skull. It had four-inch horns, but a face and jaw
something like yours and mine.”

At last I could feel a real shiver run through Manton, who had moved very near. But his curiosity was undeterred.

“And what about the windowpanes?”

“They were all gone. One window had lost its entire frame, and in the other there was not a trace of glass in the little diamond apertures. They were that kind—the old lattice
windows that went out of use before 1700. I don’t believe they’ve had any glass for an hundred years or more—maybe the boy broke ’em if he got that far; the legend
doesn’t say.”

Manton was reflecting again.

“I’d like to see that house, Carter. Where is it? Glass or no glass, I must explore it a little. And the tomb where you put those bones, and the other grave without an
inscription—the whole thing must be a bit terrible.”

“You did see it—until it got dark.”

My friend was more wrought upon than I had suspected, for at this touch of harmless theatricalism he started neurotically away from me and actually cried out with a sort of gulping gasp which
released a strain of previous repression. It was an odd cry, and all the more terrible because it was answered. For as it was still echoing, I heard a creaking sound through the pitchy blackness,
and knew that a lattice window was opening in that accursed old house beside us. And because all the other frames were long since fallen, I knew that it was the grisly glassless frame of that
daemoniac attic window.

Then came a noxious rush of noisome, frigid air from that same dreaded direction, followed by a piercing shriek just beside me on that shocking rifted tomb of man and monster. In another instant
I was knocked from my gruesome bench by the devilish threshing of some unseen entity of titanic size but undetermined nature; knocked sprawling on the root-clutched mould of that abhorrent
graveyard, while from the tomb came such a stifled uproar of gasping and whirring that my fancy peopled the rayless gloom with Miltonic legions of the misshapen damned. There was a vortex of
withering, ice-cold wind, and then the rattle of loose bricks and plaster; but I had mercifully fainted before I could learn what it meant.

Manton, though smaller than I, is more resilient; for we opened our eyes at almost the same instant, despite his greater injuries. Our couches were side by side, and we knew in a few seconds
that we were in St. Mary’s Hospital. Attendants were grouped about in tense curiosity, eager to aid our memory by telling us how we came there, and we soon heard of the farmer who had found
us at noon in a lonely field beyond Meadow Hill, a mile from the old burying-ground, on a spot where an ancient slaughterhouse is reputed to have stood. Manton had two malignant wounds in the
chest, and some less severe cuts or gougings in the back. I was not so seriously hurt, but was covered with welts and contusions of the most bewildering character, including the print of a split
hoof. It was plain that Manton knew more than I, but he told nothing to the puzzled and interested physicians till he had learned what our injuries were. Then he said we were the victims of a
vicious bull—though the animal was a difficult thing to place and account for.

After the doctors and nurses had left, I whispered an awestruck question:

“Good God, Manton, but
what was it?
Those scars—
was it like that?”

And I was too dazed to exult when he whispered back a thing I had half expected—

“No

it wasn’t that way at all.
It was everywhere—a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory. There were
eyes—and a blemish. It was the pit—the maelstrom—the ultimate abomination. Carter,
it was the unnamable!”

 
T
HE
F
ESTIVAL

This brooding, atmospheric tale was probably written in October 1923, and is clearly based upon Lovecraft’s visit to Marblehead, Massachusetts, in December 1922.
Although the town of Kingsport was first created in “The Terrible Old Man,” it is only in this story that it is identified with Marblehead. Lovecraft later acknowledged that the
story was inspired in part by his reading of Margaret A. Murray’s
The Witch-Cult in Western Europe
(1921), which conjectured that the European witch-cult had its origin in a
pre-Aryan race that was driven underground—a theory now regarded as highly implausible. Lovecraft had also just discovered the work of Arthur Machen, whose tales embody similar
conceptions. It first appeared in
Weird Tales
(January 1925).

“Efficiunt Daemones, ut quae non sunt, sic tamen quasi sint, conspicienda hominibus exhibeant.”


LACTANTIUS

I
WAS FAR FROM HOME, AND THE SPELL OF THE EASTERN SEA WAS UPON ME.
In the twilight I heard it pounding on the rocks, and I knew it lay just over the
hill where the twisting willows writhed against the clearing sky and the first stars of evening. And because my fathers had called me to the old town beyond, I pushed on through the shallow,
new-fallen snow along the road that soared lonely up to where Aldebaran twinkled among the trees; on toward the very ancient town I had never seen but often dreamed of.

It was the Yuletide, that men call Christmas though they know in their hearts it is older than Bethlehem and Babylon, older than Memphis and mankind. It was the Yuletide, and I had come at last
to the ancient sea town where my people had dwelt and kept festival in the elder time when festival was forbidden; where also they had commanded their sons to keep festival once every century, that
the memory of primal secrets might not be forgotten. Mine were an old people, and were old even when this land was settled three hundred years before. And they were strange, because they had come
as dark furtive folk from opiate southern gardens of orchids, and spoken another tongue before they learnt the tongue of the blue-eyed fishers. And now they were scattered, and shared only the
rituals of mysteries that none living could understand. I was the only one who came back that night to the old fishing town as legend bade, for only the poor and the lonely remember.

Then beyond the hill’s crest I saw Kingsport outspread frostily in the gloaming; snowy Kingsport with its ancient vanes and steeples, ridgepoles and chimneypots, wharves and small bridges,
willow trees and graveyards; endless labyrinths of steep, narrow, crooked streets, and dizzy church-crowned central peak that time durst not touch; ceaseless mazes of colonial houses piled and
scattered at all angles and levels like a child’s disordered blocks; antiquity hovering on grey wings over winter-whitened gables and gambrel roofs; fanlights and small-paned windows one by
one gleaming out in the cold dusk to join Orion and the archaic stars. And against the rotting wharves the sea pounded; the secretive, immemorial sea out of which the people had come in the elder
time.

Beside the road at its crest a still higher summit rose, bleak and windswept, and I saw that it was a burying-ground where black gravestones stuck ghoulishly through the snow like the decayed
fingernails of a gigantic corpse. The printless road was very lonely, and sometimes I thought I heard a distant horrible creaking as of a gibbet in the wind. They had hanged four kinsmen of mine
for witchcraft in 1692, but I did not know just where.

As the road wound down the seaward slope I listened for the merry sounds of a village at evening, but did not hear them. Then I thought of the season, and felt that these old Puritan folk might
well have Christmas customs strange to me, and full of silent hearthside prayer. So after that I did not listen for merriment or look for wayfarers, but kept on down past the hushed lighted
farmhouses and shadowy stone walls to where the signs of ancient shops and sea-taverns creaked in the salt breeze, and the grotesque knockers of pillared doorways glistened along deserted, unpaved
lanes in the light of little, curtained windows.

I had seen maps of the town, and knew where to find the home of my people. It was told that I should be known and welcomed, for village legend lives long; so I hastened through Back Street to
Circle Court, and across the fresh snow on the one full flagstone pavement in the town, to where Green Lane leads off behind the Market house. The old maps still held good, and I had no trouble;
though at Arkham they must have lied when they said the trolleys ran to this place, since I saw not a wire overhead. Snow would have hid the rails in any case. I was glad I had chosen to walk, for
the white village had seemed very beautiful from the hill; and now I was eager to knock at the door of my people, the seventh house on the left in Green Lane, with an ancient peaked roof and
jutting second story, all built before 1650.

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