The Patrick Melrose Novels (72 page)

‘That was yesterday, on the way from the airport,' said Mary.

‘A bone with the marrow sucked out,' Patrick persevered. ‘Nothing is ever the same again, however often you repeat that magical phrase to the waitress in the cocktail bar.'

‘Never, in my case,' said Mary.

‘Congratulations,' said Patrick, falling abruptly silent, his eyes still closed.

Was she being unsympathetic? Should she be giving him a charity blow job? She felt that these pleas for attention were timed to be impossible, so as to keep him self-righteously unfaithful. Patrick would have been horrified if she had started to make love to him. Or would he? How could she find out while she was incapable of taking any sexual initiative? The whole thing had died for her, and she couldn't blame his affair for the collapse. It had happened the moment Thomas was born. She couldn't help marvelling at the strength of the severance. It had the authority of an instinct, redirecting her resources from the spent, enfeebled, damaged Patrick to the thrilling potential of her new child. The same thing had happened with Robert, but only for a few months. This time her erotic life was subsumed in intimacy with Thomas. Her relationship with Patrick was dead, not without guilt and duty turning up at the funeral. She sank down on the bed next to him, stared at the ceiling for a few seconds of empty intensity and then closed her eyes as well. They lay on the bed together, floating in shallow sleep.

‘Oh, God,' said Mary to Robert, getting up from the floor where she had been kneeling next to the open suitcase, ‘I still haven't cancelled Granny and Sally.'

‘I must say it's frightfully disappointing,' said Robert in his Kettle voice.

‘Let's see if you're right,' said Mary, sitting down next to him to dial her mother's number.

‘Well, I must say it
is
disappointing,' said Kettle, making Mary cover the mouthpiece while she tried to suppress her laughter. ‘Perfect,' she whispered to Robert. He raised his arms in triumph.

‘Why don't you come anyway?' said Mary to her mother. ‘Seamus seems to enjoy your company even more than we do. Which is saying a lot,' she added after too long a pause.

Sally said she would come to see them all in London instead, and then took the view that it was ‘great news'.

‘To an outsider that place looks like a beautiful bell jar with the air being sucked out. You have to get out before you blow up.'

‘She's happy for us,' said Mary.

‘Well, gee,' said Robert, ‘I hope she loses her house so we can be happy for her.'

When Patrick returned, he put a piece of paper on top of the suitcase Mary was struggling to close and sank down onto the chair by the door. She picked the paper up and saw that it was one of Eleanor's faint pencil-written notes.

My work here is over. I want to come home. Please find a nursing home in Kensingston?

She gave the note to Robert.

‘It's difficult to know which sentence gave me most pleasure,' said Patrick. ‘Eleanor's tiny store of unshamanic capital will be dismembered in rather less than a year if she moves to Kensington. After that, if she has the bad taste to stay alive, guess who will be expected to keep her vegetating in the Royal Borough?'

‘I like the question mark,' said Mary.

‘Eleanor's real genius is for putting our emotional and moral impulses into total conflict. Again and again she makes me hate myself for doing the right thing, she makes virtue into its own punishment.'

‘I suppose we have to protect her from the horror of knowing that Seamus was really only interested in her money.'

‘Why?' said Robert. ‘It serves her right.'

‘Listen,' said Patrick, ‘what I saw today was someone who is terrified. Terrified of dying alone. Terrified that her family will abandon her, as Seamus has done. Terrified that she's fucked up, that she's been sleepwalking through a replica of her mother's behaviour. Terrified by the impotence of her convictions in the face of real suffering, terrified of everything. If we agree to her request, she can switch from philanthropy to family. Essentially, neither of them works any more, but the switch might give her a little relief before she settles back into hell.'

Nobody spoke.

‘Let's hope that it's purgatory rather than hell,' said Mary.

‘I'm not very up on these things,' said Patrick, ‘but if purgatory is a place where suffering refines you rather than degrades you, I see no sign of it.'

‘Well, maybe it can be purgatory for us at least.'

‘I don't understand,' said Robert. ‘Is Granny going to come and live with us?'

‘Not in the flat,' said Mary. ‘In a nursing home.'

‘And we're going to have to pay?'

‘Not yet,' she replied.

‘But that way Seamus wins completely,' said Robert. ‘He gets the house and we get the cripple.'

‘She's not a cripple,' said Mary, ‘she's an invalid.'

‘Oh, sorry,' said Robert, ‘that makes all the difference. Lucky us.' He put on his compère voice. ‘Today's lucky winners, the Melrose family from London, will be taking home our fabulous first prize. This amazing
invalid
can't speak, can't walk
and
she can't control her bowels.' Robert made the sound of delirious applause, and then changed to a solemn but consoling tone. ‘Bad luck, Seamus,' he said, putting his arm around an imaginary contestant, ‘you played well, but in the end, they beat you in the Slow Death round. You won't be going home empty-handed, though, because we're giving you this private hamlet in the South of France, with thirty acres of gorgeous woodland, a giant swimming pool and several garden areas for the kiddies to play in…'

‘That was amazing,' said Mary. ‘Where did that pop up from?'

‘I don't think Seamus knows yet,' said Patrick. ‘She made me read a postcard saying that he was going to come and see her after the family had left. So he still hasn't seen her yet.'

‘And did she look as if that might change her mind?'

‘No,' said Patrick. ‘She smiled when she gave me the note.'

‘The mechanical smile, or the radiant one?'

‘Radiant,' said Patrick.

‘It's worse than we thought,' said Mary. ‘She's not just running away from the truth about Seamus's motives, she's making another sacrifice. The only thing she had left to give him was her absence. It's unconditional love, the thing people usually keep for their children, if they can do it at all. In this case the children are the sacrifice.'

‘There's an awful Christian stench to it as well,' said Patrick. ‘Being useful and affirming her worthlessness at the same time – all in the service of wounded pride. If she stays here she has to pay attention to Seamus's betrayal, but this way we're the ones who are betrayed. I can't get over her stubbornness. There's nothing like doing God's will to make people pig-headed.'

‘She can't speak or move,' said Mary, ‘but look at the power she has.'

‘Yeah,' said Patrick. ‘All this chattering that takes place in between is nothing compared to the crying and groaning that takes place at either end of life. It drives me crazy: we're controlled by one wordless tyrant after another.'

‘But where are we going for our holidays next year?' asked Robert.

‘We can go anywhere,' said Patrick. ‘We're no longer prisoners of this Provençal perfection. We're jumping out of the postcard, we're hitting the road.' He sat down next to Robert on the bed. ‘Bogotá! Blackpool! Rwanda! Let your imagination roam. Picture the fugitive Alaskan summer breaking out among the potholes of the tundra. Tierra del Fuego is nice at this time of year. No competition for the beaches there, except from those hilarious, blubbery sea lions. We've had enough of the predictable pleasures of the Mediterranean, with its pedalos and its
pizzas au feu de bois.
The world is our oyster.'

‘I hate oysters,' said Robert.

‘Yeah, I slipped up there,' said Patrick.

‘Well, where do you want to go?' asked Mary. ‘You can choose anywhere you like.'

‘America,' said Robert. ‘I want to go to America.'

‘Why not?' said Patrick. ‘That's where Europeans traditionally go when they've been evicted.'

‘We're not being evicted,' said Mary, ‘we're finally getting free.'

 

AUGUST
2003

 

13

WOULD
AMERICA BE JUST
like he'd imagined it? Along with the rest of the world, Robert had lived under a rain of American images most of his life. Perhaps the place had already been imagined for him and he wouldn't be able to see anything at all.

The first impression that came his way, while the plane was still on the ground at Heathrow, was a sense of hysterical softness. The flow of passengers up the aisle was blocked by a red-haired woman sagging at the knees under her own weight.

‘I cannot go there. I cannot get in there,' she panted. ‘Linda wants me to sit by the window, but I cannot fit in there.'

‘Get in there, Linda,' said the enormous father of the family.

‘Dad!' said Linda, whose size spoke for itself.

That certainly seemed typical of something he had seen before in London's tourist spots: a special kind of tender American obesity; not the hard-won fat of a gourmet, or the juggernaut body of a truck driver, but the apprehensive fat of people who had decided to become their own airbag systems in a dangerous world. What if their bus was hijacked by a psychopath who hadn't brought any peanuts? Better have some now. If there was going to be a terrorist incident, why go hungry on top of everything else?

Eventually, the Airbags dented themselves into their seats. Robert had never seen such vague faces, mere sketches on the immensity of their bodies. Even the father's relatively protuberant features looked like the remnants of a melted candle. As she squeezed into her aisle seat, Mrs Airbag turned to the long queue of obstructed passengers, a brown smudge of tiredness radiating from her faded hazel eyes.

‘Thank you for your patience,' she groaned.

‘It's sweet of her to thank us for something we haven't given her,' said Robert's father. ‘Perhaps I should thank her for her agility.'

Robert's mother gave him a warning look. It turned out they were in the row behind the Airbags.

‘You're going to have to put the armrests down for takeoff,' Linda's father warned her.

‘Mom and me are sharing these seats,' giggled Linda. ‘Our tushes are expanding!'

Robert peeped through the gap in the seats. He didn't see how they were going to get the armrests down.

After meeting the Airbags, Robert's sense of softness spread everywhere. Even the hardness of some of the faces he saw on that warm and waxy arrival afternoon, in the flag-strewn mineral crevasses of mid-town Manhattan, looked to him like the embittered softness of betrayed children who had been told to expect everything. For those who were prepared to be consoled there was always something to eat; a pretzel stall, an ice-cream cart, a food-delivery service, a bowl of nuts on the counter, a snack machine down the corridor. He felt the pressure to drift into the mentality of grazing cattle, not just ordinary cattle but industrialized cattle, neither made to wait nor allowed to.

In the Oak Bar, Robert saw a row of men as pale and spongy as mushrooms, all standing on the broad stalks of their khaki trousers in front of the cigar cabinet. They seemed to be playing at being men. They sniggered and whispered, like schoolboys who were expecting to be caught out, to be made to remove the cushions they had stuffed under their pastel button-down shirts, and unpeel the plastic caps which made them look as if they were already bald. Watching them made Robert feel so grown up. He saw the old lady on the next table drape her powdered lips over the edge of her cocktail glass and suck the pink liquid expertly into her mouth. She looked like a camel trying to hide its braces. In the convex reflection of the black ceramic bowl in the window he saw people come and go, yellow cabs surge and slip, the spinning wheels of the park carriages approaching until they grew as small as the wheels of a wristwatch, and disappeared.

The park was bright and warm, crowded with sleeveless dresses and jackets hooked over shoulders. Robert felt the heightened alertness of arrival being eroded by exhaustion, and the novelty of New York overlaid by the sense that he had seen this new place a thousand times before. Whereas the London parks he knew seemed to insist on nature, Central Park insisted on recreation. Every inch was organized for pleasure. Cinder paths looped among the little hills and plains, past a zoo and a skating rink, quiet zones, sports fields and a plethora of playgrounds. Headphoned rollerbladers pursued a private music. Teenagers scaled small mounds of bronze-grey rocks. A flute player's serpentine music echoed damply under the arch of a bridge. As it faded behind them, it was replaced by the shrill mechanical tooting of a carousel.

‘Look, Mama, a carousel!' said Thomas. ‘I want to go on it. I can't resist doing that, actually.'

‘OK,' said Robert's father with a tantrum-avoiding sigh.

Robert was delegated to take Thomas for a ride, sitting on the same horse as him and fastening a leather belt around his waist.

‘Is this a real horse?' said Thomas.

‘Yes,' said Robert. ‘It's a huge wild American horse.'

‘You be Alabala and say it's a wild American horse,' said Thomas.

Robert obeyed his brother.

‘No, Alabala!' said Thomas sharply, waving his index finger. ‘It's a carousel horse.'

‘Whoops, sorry,' said Robert as the carousel set in motion.

Soon it was going fast, almost too fast. Nothing about the carousel in Lacoste had prepared him for these rearing snorting horses, their nostrils painted red and their thick necks twisted out ambitiously towards the park. He was on a different continent now. The frighteningly loud music seemed to have driven all the clowns on the central barrel mad, and he could see that instead of being disguised by a painted sky studded with lights, heavily greased rods were revolving overhead. Along with the violence of the ride, this exposed machinery struck him as typically American. He didn't really know why. Perhaps everything in America would show this genius for being instantly typical. Just as his body was being tricked by a second afternoon, every surprise was haunted by this sense of being exemplary.