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Authors: Henning Mankell

The Pyramid

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THE PYRAMID

Also by Henning Mankell

Fiction

FACELESS KILLERS

THE DOGS OF RIGA

THE WHITE LIONESS

THE MAN WHO SMILED

SIDETRACKED

THE FIFTH WOMAN

ONE STEP BEHIND

FIREWALL

THE RETURN OF THE DANCING MASTER

BEFORE THE FROST

CHRONICLER OF THE WINDS

DEPTHS

KENNEDY'S BRAIN

THE EYE OF THE LEOPARD

Non-fiction

I DIE, BUT THE MEMORY LIVES ON

Young Adult Fiction

A BRIDGE TO THE STARS

SHADOWS IN THE TWILIGHT

WHEN THE SNOW FELL

THE JOURNEY TO THE END OF THE WORLD

Children's Fiction

THE CAT WHO LIKED RAIN

Henning Mankell

THE PYRAMID

THE KURT WALLANDER STORIES

Translated from the Swedish by
Ebba Segerberg with Laurie Thompson

This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author's and publisher's rights and those responsible may be liable in law accordingly.

ISBN 9781407013473

Version 1.0

www.randomhouse.co.uk

Published by Harvill Secker 2008

2 4 6 8 10 9 7 5 3 1

Copyright © Henning Mankell 1999

English translation of the foreword, 'The Stab', 'The Divide', 'The Death of the
Photographer' and 'The Pyramid' by Ebba Segerberg copyright © The New Press 1998
English translation of 'The Man on the Beach' copyright © Laurie Thompson 2003

Henning Mankell has asserted his right under the Copyright,
Designs and Patents Act 1988 to be identified as the author of this work

The English translation of 'The Man on the Beach' was first published in
the July 2003 issue of
Ellery Queen
.

This electronic book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any form other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

First published with the title
Pyramiden
in 1999
by Ordfronts Förlag, Stockholm

First published in Great Britain in 2008 by
H
ARVILL
S
ECKER,
Random House
20 Vauxhall Bridge Road
London
SW1V 2SA

www.rbooks.co.uk

Addresses for companies within The Random House Group Limited can be found at:
www.randomhouse.co.uk/offices.htm

The Random House Group Limited Reg. No. 954009

A CIP catalogue record for this book is available from the British Library

ISBN: 9781407013473

Version 1.0

To Rolf Lassgård
with great warmth, gratitude,
and not a little admiration.
He has told me so much
about Wallander that I myself
did not know.

FOREWORD

It was only after I had written the eighth and final instalment in the series about Kurt Wallander that I thought of the subtitle I had always sought but never found. When everything, or at least most of it, was over, I understood that the subtitle naturally had to be 'Novels about the Swedish Anxiety'.

But of course I arrived too late at this insight. And this despite the fact that the books have always been variations on a single theme:
'What is happening to the Swedish welfare state in the 1990s? How will democracy survive if the foundation of the welfare state is no longer intact? Is the price of Swedish democracy today too high and no longer worth paying?'

And it is precisely these questions that have also been the subject of the majority of the letters I have received. Many readers have had wise thoughts to share. Indeed, I feel confirmed in my impression that
Wallander has in a way served as a kind of mouthpiece for growing insecurity, anger and healthy insights about the relationship between the welfare state and democracy. There have been thick letters and slender postcards from places around the world that I have never heard of, telephone calls that have reached me at odd hours, agitated voices that have spoken to me via email.

Beyond these matters of the welfare state and democracy, I have also been asked other questions. Some of them have regarded inconsistencies that many readers have gleefully discovered. In almost all cases in which readers have brought 'errors' to light, they have been correct.
(And let me immediately add that new inconsistencies will be discovered even in this volume. Let me simply say that what appears in this volume is what should stand. Let no shadow fall upon any editor. I could not have had a better one than Eva Stenberg.)

But most of the letters have posed the following question: what happened to Wallander before the series began? Everything, to set an exact date, before 8 January 1990. The early winter morning when
Wallander is awakened in his bed by a telephone call, the beginning of
Faceless Killers
. I have a great sympathy for the fact that people wonder how it all began. When Wallander appeared on the scene he was forty-two, going on forty-three. But by then he had been a policeman for many years, he had been married and divorced, had a child, and, once upon a time, had left Malmö for Ystad.

Readers have wondered. And naturally I have also sometimes wondered. During these past nine years I have sometimes cleaned out drawers, dug through dusty piles of paper, or searched among the ones and zeros of diskettes.

Several years ago, right after I was done with the fifth book,
Sidetracked
,
I realised that I had started to write stories in my head that took place long before the start of the series. Again, this magical date,
8 January 1990.

Now I have gathered these stories. Some have already been published in newspapers. Those I have gone over lightly. Some chronological errors and dead words have been excised. Two of the stories have never been published before.

But I am not publishing these stories now to clean out my desk. I am publishing this volume because it forms an exclamation mark to the period I wrote last year. In the manner of the crab, it can sometimes be good to go backwards. To a beginning. The time before 8
January 1990.

No picture will ever be complete. But I do think these pieces should be part of it.

The rest is, and remains, silence.

Henning Mankell
January 1999

WALLANDER'S FIRST CASE
CHAPTER
1

In the beginning, everything was just a fog.

Or perhaps it was like a thick-flowing sea where all was white and silent. The landscape of death. It was also the first thought that came to Kurt Wallander as he slowly began rising back to the surface. That he was already dead. He had reached twenty-one years of age, no more.
A young policeman, barely an adult. And then a stranger had rushed up to him with a knife and he had not had time to throw himself out of harm's way.

Afterwards there was only the white fog. And the silence.

Slowly he awakened, slowly he returned to life. The images that whirled around inside his head were unclear. He tried to catch them in flight, as one catches butterflies. But the impressions slipped away and only with the greatest of effort could he reconstruct what had really happened . . .

 

Wallander was off duty. It was 3 June 1969, and he had just walked
Mona down to one of the Denmark ferries, not one of the new ones, the hydrofoils, but one of the old faithfuls, where you still had time for a square meal during the passage to Copenhagen. She was going to meet up with a friend, they were going maybe to the Tivoli, and, more likely, the clothes shops. Wallander had wanted to come along since he was off work, but she had said no. The trip was just for her and her friend. No men allowed.

Now he watched the boat chug out of the harbour. Mona would be back in the evening and he had promised to be there to greet her. If the weather was still as fine as it was now, they would take a walk. And then return to his apartment in Rosengård.

Wallander noticed he was becoming excited at the very thought. He straightened his trousers and then crossed the street and walked into the station. There he bought a packet of cigarettes, John Silver as always, and lit one before he even left the building.

Wallander had no plans for the day. It was a Tuesday and he was free. He had been putting in a lot of overtime, not least because of the frequent, large-scale Vietnam demonstrations both in Lund and
Malmö. In Malmö there had been a clash with the police. Wallander had found the whole situation distasteful. He was not sure what he thought of the protestors' demands that the United States get out of
Vietnam. He had tried to talk to Mona about it the day before but she had not had any opinion other than that 'the protestors are troublemakers'.
When Wallander, despite everything, insisted on pointing out that it could hardly be right for the world's greatest military power to bomb a poor agricultural nation in Asia to devastation – or 'back to the Stone Age', as he had read that some high-ranking American military official had said – she had struck back and said that she certainly had no intention of marrying a communist.

That had knocked the wind out of his sails. They never continued the discussion. And he was going to marry Mona, he was sure of that.
The girl with the light brown hair, the pointy nose and the slender chin. Who perhaps was not the most beautiful girl he had ever met.
But who nonetheless was the one he wanted.

They had met the previous year. Before then, Wallander had been involved for more than a year with a girl named Helena who worked in a shipping office in the city. Suddenly one day she had simply told him that it was over, that she had found someone else. Wallander had at first been dumbstruck. Thereafter he had spent a whole weekend crying in his apartment. He had been insane with jealousy and had, after he had managed to stop his tears, gone down to the pub at the
Central Station and had much too much to drink. Then he had gone home again and continued to cry. Now if he ever walked past the entrance to the pub he shivered. He was never going to set foot in there again.

Then there had been several heavy months when Wallander entreated Helena to change her mind, to come back. But she had flatly refused and at last became so irritated by his persistence that she threatened to go to the police. Then Wallander had beaten a retreat. And strangely enough, it was as if everything was finally over.
Helena could have her new man in peace. That had happened on a
Friday.

The same evening he had taken a trip across the sound, and on the way back from Copenhagen he wound up sitting next to a girl who was knitting. Her name was Mona.

Wallander walked through the city lost in thought. Wondered what
Mona and her friend were doing right now. Then he thought about what had happened the week before. The demonstrations that had got out of hand. Or had he failed to judge the situation correctly? Wallander had been part of a hastily assembled reinforcement group told to stay in the background until needed. It was only when the chaos broke out that they had been called in. Which in turn only served to make the situation more turbulent.

The only person Wallander had actually tried to discuss politics with was his father. His father was sixty years old and had just decided to move out to Österlen. He was a volatile person whose moods Wallander found hard to predict. Not least since his father once became so upset he almost disowned his son. This had happened a few years ago when
Wallander came home and told his father he was going to be a policeman. His father was sitting in his studio, which always smelled of oil paints and coffee. He had thrown a brush at Wallander and told him to go away and never come back. He had no intention of tolerating a policeman in the family. A violent quarrel had broken out. But
Wallander had stood his ground, he was going to join the police, and all the projectile paintbrushes in the world couldn't change that.
Suddenly the quarrelling stopped: his father retreated into acrimonious silence and returned to sit in front of his easel. Then he stubbornly started to outline the shape of a grouse, with the help of a model. He always chose the same motif, a wooded landscape, which he varied sometimes by adding a grouse.

Wallander frowned as he thought of his father. Strictly speaking they had never come to any reconciliation. But now they were on speaking terms again. Wallander had often wondered how his mother, who had died while he was training to be a policeman, could put up with her husband. Wallander's sister, Kristina, had been smart enough to leave home as soon as she was able and now lived in Stockholm.

The time was ten o'clock. Only a faint breeze fanned Malmö's streets. Wallander walked into a cafe next to the NK department store.
He ordered a cup of coffee and a sandwich, skimmed through the newspapers
Arbetet
and
Sydsvenskan
. There were letters to the editor in both newspapers from people who either praised or criticised the actions of the police in connection with the protests. Wallander quickly flipped past them. He didn't have the energy to read about it. Soon he was hoping not to have to assume any more duties with the riot police. He was going to be a criminal investigator. He had been clear on that from the start and had never made any secret of it. In only a few months he would work in one of the departments that investigated violent incidents and even more serious crimes.

Suddenly someone was standing in front of him. Wallander was holding his coffee cup in his hand. He looked up. It was a girl with long hair, about seventeen. She was very pale and was staring at him with fury. Then she leaned forward so her hair fell over her face and pointed to the back of her neck.

'Here,' she said. 'This is where you hit me.'

Wallander put down his cup. He didn't understand anything.

She had straightened back up.

'I don't think I really understand what you mean,' Wallander said.

'You're a cop, aren't you?'

'Yes.'

'And you were there fighting during the demonstration?'

Wallander finally got it. She had recognised him even though he was not in uniform.

'I didn't hit anybody,' he answered.

'Does it really matter who was holding the baton? You were there.
Therefore you were fighting against us.'

'You did not comply with the regulations regarding public demonstrations,'
Wallander said and heard how inadequate the words sounded.

'I really hate the police,' she said. 'I was going to have a cup of coffee here, but now I'm going somewhere else.'

Then she was gone. The waitress behind the counter gave Wallander a stern look. As if he had cost her a guest.

Wallander paid and walked out. The sandwich was left half eaten.
The incident with the girl had left him considerably shaken. As if he were wearing his uniform after all, not these dark blue pants, light shirt and green jacket.

I have to get away from the streets, he thought. Into an office, into case-review meetings, crime scenes. No more protests for me. Or I'll have to take sick leave.

He started to walk faster. Considered whether or not he should take the bus to Rosengård. But he decided he needed the exercise – and also to be invisible and not bump into anyone he knew.

But naturally he ran into his father outside the People's Park. He was weighed down by one of his paintings, wrapped in brown paper.
Wallander, who had been walking with his head down, spotted him too late to make himself invisible. His father was wearing a strange cap and a heavy coat, underneath which he had on some kind of tracksuit and trainers without socks.

Wallander groaned to himself. He looks like a tramp, he thought.
Why can't he at least dress properly?

His father put the painting down and took a deep breath.

'Why aren't you in uniform?' he asked, without a greeting. 'Aren't you a cop any more?'

'I'm off work today.'

'I thought policemen were always on duty. To save us from all evil.'

Wallander managed to control his anger.

'Why are you wearing a winter coat?' he asked instead. 'It's twenty degrees Celsius.'

'That's possible,' his father answered, 'but I keep myself healthy by sweating as much as I can. You should too.'

'You can't wear a winter coat in the summertime.'

'Then you'll just have to get sick.'

'But I'm never sick.'

'Not yet. It'll come.'

'Have you even seen what you look like?'

'I don't spend my time looking at myself in the mirror.'

'You can't wear a winter cap in June.'

'Just try to take it from me if you dare. Then I will report you for assault. I take it you were there and beat up those protesters?'

Not him too, Wallander thought. It's not possible. He's never been interested in politics, even when I have tried to discuss it with him sometimes.

But Wallander was mistaken.

'Every reasonable person must distance himself from that war,' his father declared firmly.

'Every person also has to do his job,' Wallander said with strained calm.

'You know what I told you. You never should have become a policeman. But you didn't listen. And now see what you are doing.
Beating innocent little children over the head with a stick.'

'I haven't hit a single person in my entire life,' Wallander answered, suddenly full of rage. 'And anyway, we don't use sticks, we use batons.
Where are you going with that painting?'

'I'm going to swap it for a humidifier.'

'Why do you need a humidifier?'

'I'm going to swap it for a new mattress. The one I have now is terrible. It makes my back hurt.'

Wallander knew his father was involved in unusual transactions that often involved many stages before the thing he needed finally ended up in his hands.

'Do you want me to help you?' Wallander asked.

'I don't need any police protection. You could, however, come over some night and play cards.'

'I will,' Wallander said, 'when I have time.'

Playing cards, he thought. It is the last lifeline there is between us.

His father lifted up the painting.

'Why do I never get any grandchildren?' he asked.

But he left without waiting for an answer.

Wallander stood looking after him. Thought it would be a relief when his father moved out to Österlen. So that he would no longer risk running into him by accident.

 

Wallander lived in an old building in Rosengård. The whole area was constantly under the threat of demolition. But he was happy here, even though Mona had said that if they married they would have to find another place to live. Wallander's apartment consisted of one room, a kitchen and a small bathroom. It was his very first apartment. He had bought the furniture at auctions and various secondhand shops. There were posters on the wall depicting flowers and tropical islands. Since his father sometimes came for a visit, he had also felt compelled to hang one of his landscapes on the wall over the sofa. He had chosen one without a grouse.

But the most important thing in the room was the record player.
Wallander did not have many records, and those he did own were almost exclusively opera. On those occasions when he had entertained some of his colleagues, they had always asked him how he could listen to such music. So he had also acquired some other records that could be played when he had guests. For some unknown reason many policemen seemed fond of Roy Orbison.

He ate lunch shortly after one o'clock, drank some coffee, and tidied up the worst of the mess while listening to a recording by Jussi Björling.
It was his first record, scratched beyond belief, but he had often thought it was the first thing he would rescue in a fire.

He had just put the record on for a second time when there was a thump on the ceiling. Wallander turned down the volume. The walls in the building were thin. Above him lived a retired woman who had once owned a flower shop. Her name was Linnea Almquist. When she thought he was playing his music too loud she thumped on the ceiling.
And he obediently turned down the volume. The window was open, the curtain that Mona had hung up fluttered, and he lay down on the bed. He felt both tired and lazy. He had a right to rest. He started to skim through a copy of
Lektyr
, a men's magazine. He carefully concealed it whenever Mona was coming over. But soon he fell asleep with the magazine on the floor.

He was awakened with a start by a bang. He was unable to determine where it had come from. He got up and walked out into the kitchen to see if anything had fallen to the floor. But everything was in its place.
Then he walked back into the room and looked out the window. The courtyard between the buildings was empty. A lone pair of blue worker's overalls was hanging on a line, flapping a little in the breeze. Wallander returned to his bed. He had been torn from a dream. The girl from the cafe had been there. But the dream had been unclear and disjointed.

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