The Rise and Fall of the House of Medici (57 page)

BOOK: The Rise and Fall of the House of Medici
2.19Mb size Format: txt, pdf, ePub

16.
   The
VILLA OF POGGIO IMPERIALS
had once belonged to the Baroncelli and then to the Salviati. It derives its present name from the Grand Duchess Maria Maddalena of Austria who bought it in 1619. It was afterwards the home of Napoleon’s sister, Elisa Baciocchi, and is now a girls’ school.

17.
   Three hundred volumes of Galileo’s papers are now housed in the
BIBLIOTEC AN A ZION ALE
in the Corso dei Tintori where collections of Poliziano’s, Michelangelo’s and Machiavelli’s papers are also kept. Many of the manuscripts and books are from the Grand Ducal Library, the Palatina, formed by Ferdinando II and his brothers, Gian Carlo and Leopoldo.

18.
   Galileo’s body was removed from the Novices’ Chapel in Santa Croce in 1737 and reburied on the north side of the west door.

CHAPTER XXII
(pages
283-291
)
 

  1.
   The
ORIFICIO DELLE PIETRB DUBE
was moved from the Uffizi in 1796 and is now in the Via degli Alfani (no. 78) where craftsmen still work and are trained.

  2.
   The work of
GIOVANNI DA SAN GIOVANNI
may be seen on the east wall of Room IV at the Pitti Palace. Assisted by Baldassare Franceschini, il Volterrano, he also painted the
Allegory of the Union of the Houses of Medici and Delia Rovere
in the vault.
Lorenzo and the Platonic Academy at Careggi
and the
Allegory of Lorenzo’s death
on the north wall are by Francesco Furini.
Lorenzo the Magnificent Receives Apollo
on the south wall is by Cecco Bravo.
Lorenzo surrounded by Artists
, between the windows, is by Ottavio Vannini.

  3.
   Among these latest acquisitions were numerous beautiful pieces of sculpture including the
Hermaphrodite
, the head of Cicero, and the
Idolino
. Ruben’s
Consequences of War
was bought by Ferdinando II. Veronese’s
Daniele Barbaro, Portrait of a Man
and
Holy Family with Santa Barbara
were in Cardinal Leopoldo’s collection. Raphael’s portrait of Pope Julius II, Titian’s
Recumbent Venus, Magdalena, La Bella
and
Portrait of a Grey-eyed Nobleman
, together withPiero della Francesca’s famous portrait of Federigo da Montefeltro, Duke of Urbino, and his wife Battista Sforza, were all acquired in 1634 on Ferdinando’s marriage to Vittoria della Rovere.

  4.
   Most of these turned-ivory ornaments were brought back to Florence by Prince Manias de’ Medici from the Castle of Coburg. They are in Room X.

  5.
   The
TEATRO DELLA PERGOLA
(Via della Pergola, 12) was built by Ferdinando Tacca in 1656. The present building, designed by Bartolommeo Silvestri, is early-nineteenth-century.

  6.
   The Via del Cocomero is now the Via Ricasoli.

  7.
   Gian Carlo’s garden in the Via della Scala, where the members of the Platonic Academy had sometimes held their debates, has now been built over.

  8.
   The enormous, forbidding
VILLA AMBSOGIANA
was originally built as a hunting lodge. The Grand Duke Cosimo III hung its walls with pictures of rare animals and flowers. It is now a mental hospital.

CHAPTER XXIII
(pages
292-301
)
 

  1.
   The
VILLA
LAPFEGGI stood for longer than eighteen years, though after the Cardinal’s death the second storey had to be removed for fear that the walls supporting it would fall down into the garden. Its shaky structure was badly damaged by an earthquake in 1895 and will soon, by all appearances, collapse altogether.

CHAPTER XXIV
(pages
302-311
)
 

  1.
   It was left to the despised Lorrainers and the ministers of the Grand Duke Francesco’s energetic son, Pietro Leopoldo, to reform the exhausted and oppressed State, the chaotic legislation and the exploited countryside of Florence which were the social and economic legacy of the later Medici. The splendour of their artistic and cultural legacy – the exuberance and elaborate craftsmanship of Florentine baroque art as triumphantly exemplified by such masters as Cosimo Ill’s sculptor, Giovanni Battista Foggini – has only recently been recognized. The exhibition held in Detroit and at the Pitti Palace in 1974, The Twilight of the Medici’ – which would have made scant appeal to Bernard Berenson – was the first of its kind.

THE PRINCIPAL MEDICI
PORTRAITS, BUSTS AND STATUES
IN FLORENCE
 

Subject

Work

Artist

Location

Giovanni di Bicci

Posthumous painting

Bronzino

Medici-Riccardi Palace

Giovanni di Bicci

Painting

Zanobi Strozzi

Medici-Riccardi Palace

Cosimo
Pater Patriae

Posthumous painting

Pontormo

Uffizi

Cosimo
Pater Patriae

Painting (being presented with
model of San Lorenzo by Brunelleschi)

Vasari

Palazzo della Signoria

Lorenzo di Giovanni

Posthumous painting

Bronzino

Uffizi

Piero di Cosimo

Bust

Mino da Fiesole

Bargello

Giovanni di Cosimo

Bust

Mino da Fiesole

Bargello

Lorenzo il Magnifico

Posthumous painting

Vasari

Uffizi

Lorenzo il Magnifico

Fresco (with members of the
Sassetti family)

Ghirlandaio

Sassetti Chapel, Santa Trinità

Lorenzo il Magnifico

Fresco (seated
before Cardinal Giovanni)

Vasari

Palazzo della Signoria

Lorenzo il Magnifico

Painting

Florentine school, early fifteenth century

Medici-Riccardi Palace

Lorenzo il Magnifico

Death mask

 

Medici-Riccardi Palace

Piero Francesco di Lorenzo

Painting

Vasari

Palazzo della Signoria

Piero di Lorenzo

Painting

Bronzino

Medici-Riccardi Palace

Piero di Lorenzo

Bust

Verrocchio

Bargello

Giuliano di Lorenzo

Fresco (as boy with
tutor, Poliziano)

Ghirlandaio

Sassetti Chapel, Santa Trinità

(?) Contessina

Bust

Oonatello

Bargello

(?) Fioretta Gorini

Painting

Botticelli

Pitti

Pope Leo X

Painting (with Cardinals Giulio
de’ Medici and Liugi de’ Rossi

Raphael

Uffizi

Pope Leo X

Fresco (proceeding
through Florence)

Vasari

Palazzo della Signoria

Pope Leo X

Fresco (creating
thirty Cardinals)

Vasari

Palazzo della Signoria

Pope Clement VII

Painting

Bronzino

Medici-Riccardi Palace

Duke Alessandro

Painting

Vasari

Medici-Riccardi Palace

Ippolito

Painting

Titian

Pitti

Caterina

Painting (
aet 21
)

 

Poggio a Caiano

Caterina

Painting (
aet 40
)

Pourbus

Uffizi

Giovanni di Pierfrancesco

Painting

Vasari

Palazzo della Signoria

Caterina Sforza

Painting

Vasari

Palazzo della Signoria

Giovanni delta Bande Nere

Statue

Bandinelli

Piazza San Lorenzo

Giovanni della Bande Nere

Painting

Titian

Uffizi

Maria Salviati

Painting

Vasari

Palazzo della Signoria

Cosimo I

Painting (
aet
12)

Attrib. Ridoifo Ghirlandaio

Medici-Riccardi Palace

Cosimo I

Painting (as a young man)

Pontormo

Medici-Riccardi Palace

Cosimol

Painting (the
Election
)

Francesco and Jacopo Ligozzi

Palazzo della) Signoria

Cosimo I

Painting

Vasari

Uffizi

Cosimo I

Painting (in armour)

Bronzino

Uffizi

Cosimo I

Equestrian Statue

Giambologna

Piazza della Signoria

Cosimo

Bust

Callini

Bargello

Cosimo I

Painting (wearing crown and robes of state)

Bronzino

Uffizi

Other books

Conquering William by Sarah Hegger
Discards by David D. Levine
Lost Girls by Angela Marsons
Angel Boy by Bernard Ashley