The Satanic Verses (21 page)

Read The Satanic Verses Online

Authors: Salman Rushdie

Tags: #Family, #London (England), #East Indians, #Family - India, #India, #Survival after airplane accidents; shipwrecks; etc, #Modern & contemporary fiction (post c 1945), #Modern fiction, #Fiction - General, #General, #General & Literary Fiction, #Fiction, #Domestic fiction, #Didactic fiction

BOOK: The Satanic Verses
5.52Mb size Format: txt, pdf, ePub

After they had wrestled for hours or even weeks Mahound was pinned down beneath the angel, it’s what he wanted, it was his will filling me up and giving me the strength to hold him down, because archangels can’t lose such fights, it wouldn’t be right, it’s only devils who get beaten in such circs, so the moment I got on top he started weeping for joy and then he did his old trick, forcing my mouth open and making the voice, the Voice, pour out of me once again, made it pour all over him, like sick.

 

At the end of his wrestling match with the Archangel Gibreel, the Prophet Mahound falls into his customary, exhausted, post-revelatory sleep, but on this occasion he revives more quickly than usual. When he comes to his senses in that high wilderness there is nobody to be seen, no winged creatures crouch on rocks, and he jumps to his feet, filled with the urgency of his news. ‘It was the Devil,’ he says aloud to the empty air, making it true by giving it
voice. ‘The last time, it was Shaitan.’ This is what he has
heard
in his
listening
, that he has been tricked, that the Devil came to him in the guise of the archangel, so that the verses he memorized, the ones he recited in the poetry tent, were not the real thing but its diabolic opposite, not godly, but satanic. He returns to the city as quickly as he can, to expunge the foul verses that reek of brimstone and sulphur, to strike them from the record for ever and ever, so that they will survive in just one or two unreliable collections of old traditions and orthodox interpreters will try and unwrite their story, but Gibreel, hovering-watching from his highest camera angle, knows one small detail, just one tiny thing that’s a bit of a problem here, namely that
it was me both times, baba, me first and second also me
. From my mouth, both the statement and the repudiation, verses and converses, universes and reverses, the whole thing, and we all know how my mouth got worked.

‘First it was the Devil,’ Mahound mutters as he rushes to Jahilia. ‘But this time, the angel, no question. He wrestled me to the ground.’

 

The disciples stop him in the ravines near the foot of Mount Cone to warn him of the fury of Hind, who is wearing white mourning garments and has loosened her black hair, letting it fly about her like a storm, or trail in the dust, erasing her footsteps so that she seems like an incarnation of the spirit of vengeance itself. They have all fled the city, and Hamza, too, is lying low; but the word is that Abu Simbel has not, as yet, acceded to his wife’s pleas for the blood that washes away blood. He is still calculating the odds in the matter of Mahound and the goddesses … Mahound, against his followers’ advice, returns to Jahilia, going straight to the House of the Black Stone. The disciples follow him in spite of their fear. A crowd gathers in the hope of further scandal or dismemberment or some such entertainment. Mahound does not disappoint them.

He stands in front of the statues of the Three and announces the
abrogation of the verses which Shaitan whispered in his ear. These verses are banished from the true recitation,
al-qur’an
. New verses are thundered in their place.

‘Shall He have daughters and you sons?’ Mahound recites. ‘That would be a fine division!

‘These are but names you have dreamed of, you and your fathers. Allah vests no authority in them.’

He leaves the dumbfounded House before it occurs to anybody to pick up, or throw, the first stone.

 

After the repudiation of the Satanic verses, the Prophet Mahound returns home to find a kind of punishment awaiting him. A kind of vengeance – whose? Light or dark? Goodguy badguy? – wrought, as is not unusual, upon the innocent. The Prophet’s wife, seventy years old, sits by the foot of a stone-latticed window, sits upright with her back to the wall, dead.

Mahound in the grip of his misery keeps himself to himself, hardly says a word for weeks. The Grandee of Jahilia institutes a policy of persecution that advances too slowly for Hind. The name of the new religion is
Submission;
now Abu Simbel decrees that its adherents must submit to being sequestered in the most wretched, hovel-filled quarter of the city; to a curfew; to a ban on employment. And there are many physical assaults, women spat upon in shops, the manhandling of the faithful by the gangs of young turks whom the Grandee secretly controls, fire thrown at night through a window to land amongst unwary sleepers. And, by one of the familiar paradoxes of history, the numbers of the faithful multiply, like a crop that miraculously flourishes as conditions of soil and climate grow worse and worse.

An offer is received, from the citizens of the oasis-settlement of Yathrib to the north: Yathrib will shelter those-who-submit, if they wish to leave Jahilia. Hamza is of the opinion that they must go. ‘You’ll never finish your Message here, nephew, take my word. Hind won’t be happy till she’s ripped out your tongue, to
say nothing of my balls, excuse me.’ Mahound, alone and full of echoes in the house of his bereavement, gives his consent, and the faithful depart to make their plans. Khalid the water-carrier hangs back and the hollow-eyed Prophet waits for him to speak. Awkwardly, he says: ‘Messenger, I doubted you. But you were wiser than we knew. First we said, Mahound will never compromise, and you compromised. Then we said, Mahound has betrayed us, but you were bringing us a deeper truth. You brought us the Devil himself, so that we could witness the workings of the Evil One, and his overthrow by the Right. You have enriched our faith. I am sorry for what I thought.’

Mahound moves away from the sunlight falling through the window. ‘Yes.’ Bitterness, cynicism. ‘It was a wonderful thing I did. Deeper truth. Bringing you the Devil. Yes, that sounds like me.’

 

From the peak of Mount Cone, Gibreel watches the faithful escaping Jahilia, leaving the city of aridity for the place of cool palms and water, water, water. In small groups, almost empty-handed, they move across the empire of the sun, on this first day of the first year at the new beginning of Time, which has itself been born again, as the old dies behind them and the new waits ahead. And one day Mahound himself slips away. When his escape is discovered, Baal composes a valedictory ode:

What kind of idea
does ‘Submission’ seem today
?
One full of fear
.
An idea that runs away
.

 

Mahound has reached his oasis; Gibreel is not so lucky. Often, now, he finds himself alone on the summit of Mount Cone, washed by the cold, falling stars, and then they fall upon him from the night sky, the three winged creatures, Lat Uzza Manat, flapping around his head, clawing at his eyes, biting, whipping him
with their hair, their wings. He puts up his hands to protect himself, but their revenge is tireless, continuing whenever he rests, whenever he drops his guard. He struggles against them, but they are faster, nimbler, winged.

He has no devil to repudiate. Dreaming, he cannot wish them away.

 
1
 

I
know what a ghost is, the old woman affirmed silently. Her name was Rosa Diamond; she was eighty-eight years old; and she was squinting beakily through her salt-caked bedroom windows, watching the full moon’s sea. And I know what it isn’t, too, she nodded further, it isn’t a scarification or a flapping sheet, so pooh and pish to all
that
bunkum. What’s a ghost? Unfinished business, is what. – At which the old lady, six feet tall, straight-backed, her hair hacked short as any man’s, jerked the corners of her mouth downwards in a satisfied, tragedy-mask pout, – pulled a knitted blue shawl tight around bony shoulders, – and closed, for a moment, her sleepless eyes, to pray for the past’s return. Come on, you Norman ships, she begged: let’s have you, Willie-the-Conk.

Nine hundred years ago all this was under water, this portioned shore, this private beach, its shingle rising steeply towards the little row of flaky-paint villas with their peeling boathouses crammed full of deckchairs, empty picture frames, ancient tuckboxes stuffed with bundles of letters tied up in ribbons, mothballed silk-and-lace lingerie, the tearstained reading matter of once-young girls, lacrosse sticks, stamp albums, and all the buried treasure-chests of memories and lost time. The coastline had changed, had moved a mile or more out to sea, leaving the first Norman castle stranded far from water, lapped now by marshy land that afflicted with all
manner of dank and boggy agues the poor who lived there on their whatstheword
estates
. She, the old lady, saw the castle as the ruin of a fish betrayed by an antique ebbing tide, as a sea-monster petrified by time. Nine hundred years! Nine centuries past, the Norman fleet had sailed right through this Englishwoman’s home. On clear nights when the moon was full, she waited for its shining, revenant ghost.

Best place to see ’em come, she reassured herself, grandstand view. Repetition had become a comfort in her antiquity; the well-worn phrases,
unfinished business, grandstand view
, made her feel solid, unchanging, sempiternal, instead of the creature of cracks and absences she knew herself to be. – When the full moon sets, the dark before the dawn, that’s their moment. Billow of sail, flash of oars, and the Conqueror himself at the flagship’s prow, sailing up the beach between the barnacled wooden breakwaters and a few inverted sculls. – O, I’ve seen things in my time, always had the gift, the phantom-sight. – The Conqueror in his pointy metal-nosed hat, passing through her front door, gliding betwixt the cakestands and antimacassared sofas, like an echo resounding faintly through that house of remembrances and yearnings; then falling silent;
as the grave
.

Other books

Too Rich and Too Dead by Cynthia Baxter
Tell Me Lies by Jennifer Crusie
Anatomy of a Misfit by Andrea Portes
Arizona Pastor by Jennifer Collins Johnson
Norse Valor by Constantine De Bohon
The Liar's Wife by Mary Gordon
Thirty Days: Part One by Belle Brooks