The Sea Hates a Coward (21 page)

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Authors: Nate Crowley

Tags: #Horror

BOOK: The Sea Hates a Coward
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Overhead, the giant has forced his way into the dying trireme. He is in the cockpit, and it cannot contain his rage. As the ship tilts out of control, a hatch spins off from its side like a tossed coin, and the body of its captain is hurled out in two pieces. The battered titan leans from the ragged hole and pumps his fist at his comrades as they flash by below; the roaring salute they offer in return ends only when the trireme smashes into the sea.

A little later, and the last of the soldiers are rallying around the downed hulk of the last trireme, right on the lip of the deck. They are those too composed to have gone down to the black pulses, along with the last few destriers, but they have nowhere to retreat to but the sea. They reload the last of their guns and cry out the name of their regiment, but a wall of meat is closing on them.

Dead women, dead men, stride, lurch and drag themselves with fingertips across the red deck, voices joined in a boisterous song of joy. Dead-eyed fishes caper through their ranks; some way to the rear, towering crustaceans raised from cold storage plod along with murder in their stonelike eyes. At the front of the mass and breaking into a charge now, an orca, riddled with holes, thunders towards the soldiers with a dozen merry dead on its back.

After the last shot is fired, when the last soldier is driven over the side of the ship, a click reverberates from loudspeakers across the ship, and a voice speaks from the bridge. It says one word, and is echoed by an army, chanting it again and again until the noise of it rolls like thunder across a silent world.

“Wrack! Wrack!
Wrack! Wrack! WRACK!

 

EPILOGUE

 

 

U
NDER AN EMBER-RED
dawn, the reactors of the
Tavuto
growled into life. The chains of her sea anchors had taken all the long night to cut through, and figuring out how to marshall the dead to man the engine halls had been even more of a challenge.

But the ship had known when things were ready, and had started the beat of its nuclear heart as the sun shivered into being above the horizon.

Mouana leaned on the wheel as the city-ship rumbled into motion, looking out over the deck where zombies swarmed to cut weapons from the downed triremes. Crabs plodded across the steel plain, dragging artillery to be mounted on the prow, while sharks bent crouched over the battle’s debris, clearing the deck with their wet chomping.

The ship was turning slower than the hands of a clock, but turning it was: inch by inch, the purple stain on the edge of the world where the gate stood was creeping towards the prow, and soon they would be steaming straight for it.

The first scout vessels had returned before dawn, had reported warships mustered on its far side: cruisers, carriers and gun platforms drawn from siege defence.

But she had six million tons of steel on her side, accelerating by the minute, and crewed by an uncountable number of angry dead. Let them bring as many ships as they like, thought Mouana, and reached for the ship’s foghorn.

The sound blasted from Dakuvanga’s highest castle, flew over the waves like the song of a war god. She imagined the people of the city, waking to the remnants of that shout, and quaking in their beds for fear of what was coming. She hissed in anticipation, and narrowed her eye in hunger at the storm above the gate.

A chime from her dashboard told her that one of the crew stations was reporting in, and she looked over to see where the message was coming in from. But on the screen which would usually display the location of the caller, a line of text was flickering.

EASY ON THE FOGHORN MATE, IT’S BEEN A LONG NIGHT.

OH, AND LOOK WHAT I’VE WORKED OUT HOW TO DO.

DID YOU MISS ME?

Mouana rolled her eye, broke out in a smile unlike anything that belonged on the face of a corpse, and sounded the horn again.

A mile ahead of her, lashed to the point of
Tavuto
’s prow like an animate figurehead, a one-armed corpse cackled for joy.

“We’ll find out!” it shrieked, as devilworms arced in the bow wave a hundred yards below. “We’ll find out, won’t we!”

 

ACKNOWLEDGEMENTS

 

 

T
HIS IS A
long list of thanks for what is, essentially, not a very long book, but I am desperately grateful to quite a few people. I’m also near to certain that I will have missed someone vital: if that’s you, I apologise profusely and will buy you a pint instead. So, thanks to:

Daniel Barker, who let me take over his birthday for ten weeks, and who is a desperately decent human.
@sasooli
,
@amuchmoreexotic
,
@ndSMDee
and plenty of other smart folk on twitter who helped me with some planetary maths, plus Emma Southon for helping me invent a word. Ashleigh Timmins, for looking after me throughout the whole process, helping me solve a squid problem, and bringing chicken leftovers to the attic. There will be more lizard men in the next one. Mark Kuggeleijn, for the idea of the Scrimshawed Man and for endlessly fascinating conversations, despite being very wrong about
Robocop
. Dave McIsaac, for being—as ever—a tirelessly good mate. Guy and Cat Kelly, for being utter treats to spend time with. Josh Fortune, a very old friend who snapped at my heels to keep me working throughout, and who gave a fine alpha read. Anna Fruen, a very new friend who took it upon herself to give me heaps of feedback on the first draft and was a tremendous cheerleader. Joy Taney for her marvellous penwork. At Abaddon, Jon for giving it the first pass, Rob for helping me grandstand, and David Moore, who not only did an astonishing job of smoothing the lumps out of my manuscript, but has been a proper Gandalf to a baffled newcomer. Lydia Gittins, for kicking all of this off with a highly surprising DM. Dara Ó Briain, for a beast of a cover line. Ewa, for knowing an enormous amount of things, and for being a brilliant sounding board and critic. Hazel, for sorting me out at Nine Worlds. Jen Williams and Mishell Baker for being proper authors who offered their encouragement. Robert MacFarlane, for making probably more of an impact on my education than he realised at the time. Kerry, for long and marvellous conversations about the sea and everything in it, that I shall never forget.

And above all, thanks to Mum and Dad, for always being convinced I’d write a book one day, and being so happy now I’ve managed.

 

ABOUT THE AUTHOR

 

 

N
ATE
C
ROWLEY LIVES
in South East London, and knows too much about the history of public aquaria. Once, he accidentally punched a wrasse while wearing a diving suit from the 1800s. He keeps a List of Animals. He is the author of Daniel Barker’s Birthday, and can be found on twitter as
@frogcroakley
. This is his first wossname.

 

David Larkin can see ghosts. It’s a blessing – or a curse – that’s been part of his life since his eleventh birthday. It’s not much use to him, and he mostly just tries to ignore them and get on with life, travelling around and keeping to out of the way places where not too many people have died.

 

Until the ghost of Melissa appears to him, in a forgettable truck-stop diner on a highway in the American Midwest, warning him about the flood of zombies heading his way. Melissa offers him a deal: she’ll help David escape the zombie horde – in exchange for finding her zombified body and destroying it...

 

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