HAWSER
a very thick rope
INDULGENCE
a pardon for one's sins, granted by the church
JACK
a short, close-fitting leather jacket
JERKIN
a short, close-fitting, often sleeveless jacket
JOUST
a war game in which two mounted opponents try to unseat each other, using lances
JUMPER
a robber (who “jumps” through windows)
THE LAND OVERSEA
the name for the territory, including Palestine and the Nile Delta, over which Christians and Muslims fought during the Crusades
LIEGE-MAN
a loyal follower
LYCH-GATE
a roofed gate at the entrance to a churchyard
THE MARCHES
the borderland between England and Wales
NASAL
a strip of metal bolted to a helmet, covering a knight's nose
OBSIDIAN
volcanic glass, usually black, believed by some cultures to have magical powers
PANTER
head of the pantry, where food and tableware were kept; sometimes called a pantler
PARRY
to ward off or deflect the thrust of a sword
PORTCULLIS
a heavy iron grating lowered to bar the gateway to a castle
P
RIME,
T
ERCE,
V
ESPERS,
C
OMPLINE
sets of prayers said at daybreak, mid-morning, late afternoon and the end of the evening. In all, the church assigned seven periods of the day to prayer and worship: matins/lauds, prime, terce, sext, none, vespers and compline
PUMICED
scoured, smoothed or erased with a pumice stone
QUINTAIN
a post, or the object attached to it, used for practice at jousting with a lance
REEVE
the overseer (or steward) of a manor
ROE
a small species of deer
ROUNSEY
a strong horse without special breeding used mainly by knights and travelers
SCYTHE
an implement with a handle and a long, thin, curved blade used for cutting grass and grain
STEW
a fishpond
TABOR
a small drum
TITHE
one tenth of one's income, or the produce of one's land, paid as a tax to support the church and its clergy
TOURNAMENT
a magnificent sporting and social occasion at which knights engaged in a series of contests
TOURNEY
to take part in a tournament
WATTLE
a weaving of sticks and twigs used in the building of walls and roofs as well as for making fences
WIMPLE
a cloth covering for the woman's head arranged so that only her face is exposed
WODWO
a wildman, covered in hair or leaves; sometimes called a wood-wose
I
T IS FIFTEEN YEARS SINCE I BEGAN TO THINK ABOUT REWORKING ARTHURIAN
legends within a fictional framework, and I would like to thank Gillian crossleyâHolland, Deborah Rogers, Richard Barber and my father, Peter Crossley-Holland, for giving me great encouragement on the first steps of my journey.
To write a book set in time past calls for a good deal of research, and I am extraordinarily fortunate in having for stepmother a distinguished medievalist who has not only helped direct my footsteps but given my first draft a meticulous and perceptive reading. To her the first part of this trilogy is dedicated.
I am so grateful to all four of my children, Kieran and Dominic, Oenone and Eleanor, for their enthusiasm, sharp comments and contributions to this book-in-the-making. In addition, a number of people have kindly offered advice on specific matters: Ian Chance on the medieval fishpond or stew; Jeremy Flynn on armor and weaponry; Kathy Ireson on pregnancy; Colin Janes on archery; Carol Salmon on black pudding. I am indebted to them, and to Cecile Dorr for involving me in an Arthurian “occasion,” Abner Jones for the loan of books, Janet Poynton for her great generosity in lending me a “safe” house last summer in which to live and write, Maureen West for rapid typing, and the Afton-Lakeland school library in Minnesota.
Hemesh Alles has drawn the splendid endpaper maps. Readers will discover that my imaginary Caldicot appears to be a predecessor of Stokesay Castle: it combines elements of that castle with Wingfield College in Suffolk, the home of Ian and Hilary Chance.
In Judith Elliott I have a superb editor/publisher and friend. She commissioned this book, commented in detail on every aspect of it, and has excited some interest in it. I thank you so much, Judith, and, finally, I thank my wife Linda. You helped me to dream this book, put up with me while I was writing it, read the drafts with a keen American eye and a blue pencil, and helped to name the chapters. My name alone appears on the title page but many other people have given me thoughtful advice and imaginative support.
K
EVIN
C
ROSSLEY
-H
OLLAND
fell in love with the Middle Ages and Anglo-Saxon poetry while he was an undergraduate at Oxford University. He wrote his first work for children, a retelling of a medieval romance, in a London park, during lunch breaks from his job as a children's book editor. In 1985, he received the Carnegie Medal for his novel
Storm.
A longtime resident of the United States, where he taught at the University of Minnesota, Kevin and his wife, Linda, now live on the coast of the North Sea in Norfolk, England. The second book in the Arthur trilogy,
At the Crossing- Places,
is being published this fall.
Arthur's journey continues in the marvelous second book of the Arthur trilogy
BY
K
EVIN
C
ROSSLEY-
H
OLLAND
ICE AND FLAMES
The first day of my new life began with ice and ended with flames.
As soon as I woke, I was wide-eyed awake. Under my badger skin it was warm, and for a little while I lay still as a huntsman in a covert. I stared around me at the high hall where I have slept and woken almost every day of my life. I tried to wake my brother and sister by making faces at them. I listened for a moment to my grandmother Nain snuffling and one of the hounds groaning and grinding his teeth. Then I leaped up. The whole world was waiting for me.
When I unbolted the hall door and tugged it open, the ice in the jambs clattered down. Then I saw Gatty. She was standing beside the mounting block with my horse, Pip. I had to look twice because she was dressed in dirty sacking, sparkling with frost, and all I could see were her large, river eyes and one fair curl.
“Gatty!” I exclaimed.
“Jankin said I could.”
“How long have you been here?”
Gatty ignored my question. “The biggest saddlebags we got,” she said.
I kicked at the shards and thorns of pearly ice and, barefoot, I walked out and slapped Pip on the rump.
“You look as if you've been here half the night,” I said.
Gatty lowered her eyes and shook her head dumbly.
“Oh Gatty! When I reach Jerusalem, I will send you a message. I'll try to.”
Gatty stared at the ground. “Don't matter,” she mumbled.
“It does matter,” I said. “We're friends.”
“Can't be,” Gatty replied. “Not with the likes of you.”
“But we are. We rescued Sian when she went through the ice, and we separated the bulls and drove off the wolves together. Didn't we?”
Gatty sniffed. “You could load up,” she said.
“Nobody's awake yet.”
“I can help, can't I?”
“You're frozen.”
“When are you coming back?” Gatty demanded.
“Three years,” I said. “Two, maybe.”
Gatty shuddered and hunched her shoulders.
“Go on, Gatty,” I urged. “Get out of this cold. I'll see you before I leave.”
Gatty looked at me. She gazed at me as gravely as the painting of Mary on the church wall, and her long eyelashes flickered. Then she turned away.
Nain and my brother and sister and Ruth, our chamber-servant, were still asleep, so I hurried back across the hall. Missing out the fourth and fifth steps, and the ninth and tenth, the ones that always creak, I ran up the staircase and along the gallery to my freezing writing-room.
That's where I've hidden my seeing stone since Merlin gave it to me last summer. We were up on top of Tumber Hill when he unwound this saffron bundle. Inside it was a flat, black stone, my obsidian, just a little larger than the palm of my hand, deep as an eye of dark water, and it flashed in the sunlight.
“Until the day you die you will never own anything as precious as this,” Merlin told me. “But no one must know you own it, or see it, or learn anything about it.”
Merlin is right. My seeing stone is my other world. My guide. My echo. I can't leave that behind!
I pulled the stone out of the gap in the wall and ran back downstairs. I went straight out to Pip and jammed the saffron bun
dle into the very bottom of one of the saddlebags.
All morning I was very busy. I cut reed scabbards for my quills and shaved acorn stoppers for my ink bottles, and I wrapped my valuable parchment pages in shaggy towels. I stuffed my saddlebags with writing materials and clothing and in my wooden chest, which is going to be sent after me, I laid more clothing, my new flight of arrows, my ivory chess pieces and my mail-coat. Then I went round the village and found Merlin, and Oliver the priest, and Jankin, who was mucking out the stables, and took my leave of them; but Gatty and her father Hum weren't in their cottage. After that, I set up the board for the Saxon and Viking game and showed Sian how to play one more time. Then I had a rough-and-tumble with Tempest and Storm, our running-hounds, and Storm tore my right sleeve, so Ruth had to mend it. And then I decided to take my own practice sword with me, and my brother Serle said in that case I ought to clean it properly, otherwise Lord Stephen would be sure to notice and it would reflect poorly on him and my father, but he didn't offer to help.
We were still eating dinner when Lord Stephen's rider, Simon, arrived to escort me to the castle at Holt and my new life as Lord Stephen's squire.
I've met Simon before. He's very thin and his cheekbones are so sharp they look as if they might shear through his skin. He usually looks rather melancholy, but I like him because he has a very long upper lip, like a horse, and makes quiet jokes, mainly against himself.
“Simon!” exclaimed my fatherâmy foster father, that is. “You look like a snowman. Come and eat with us.”
“Thank you, Sir John.”
“I hope your ride has given you an appetite,” my foster father said. “You look as if you could eat a horse.”
“I am a horse,” said Simon in a hollow, dark voice, and his upper lip looked even longer than before.
Although I've wanted to be a squire so much, and for so long, it still felt painful to be leaving Caldicot. I think Sir John knew
that, and as soon as he had said grace after dinner, he walked across the hall and picked up my traveling cloak and whirled it around my shoulders.
Then I embraced everyone - Sir John and Lady Helen, who held me to her so tightly I thought I would burst, then Serle, and Sian, and Nain on her two sticks.
They all came out of the hall to wave us goodbye.
Sir John looked up at me in the saddle. “Do you remember what I told you on New Year's morning?” he asked me quietly.
“I think so.”
“I told you I'm proud of you. I told you that who we are isn't only a matter of blood; it's what we make of ourselves.”
“I do remember,” I replied.
“And I said that you, Arthur, are fit to be a king.”
With that, Sir John slapped my left thigh, and Pip started forward. I heard Tempest and Storm barking. I heard my family calling out, wishing me a safe journey, wishing me joy, wishing me peace, wishing me Godspeed.
So Simon and I crunched away into the snow, which wasn't falling so much as circling us and blowing upward. When I turned round in the saddle, everyone was still standing outside, silent and waving. When I turned round for a second time, they had gone. Gone as if they had never been. Snowflakes on my eyelids, my cheeks; the huge blurred hulk of the manor house, patient and grey; nothing else.
I looked around me for Gatty: I kept looking for her. Day after day of fieldwork, barnwork, stablework, and half the time she's hungry. I'm sure she had been waiting for hours in the dark. I hope she was somewhere warm.
As we rode away from the manor, we passed Joan and Will and Dutton dragging back deadwood from the forest. I pulled up and greeted them, and they wished me good health.
“You tell Lord Stephen what I said,” Joan instructed me.
“What was that?”
“At the manor court. I can't even pick up deadwood and I get
fined. He's so high and mighty, but he wouldn't live that rich except for us.”
For a while, Simon and I rode side by side down the track that leads west through Pike Forest. But before long, the forest closed in around us, and I felt like a hare caught in a trap, snagged and dragged back by everything I was leaving behind. I kept thinking about all the things that have happened during the first few days of this new century.
On New Year's Day, Sir John told me I could be a squire. He said he'd arranged for me to go into service with Lord Stephen at Easter. When I heard that, I leaped up and embraced him. But no sooner had he told me this than he shocked me by saying that he and Lady Helen are not my true parents, my blood-parents. They're my foster parents. But I've lived with them since I was only a few days old, and I'll always think of them as my mother and father. Then Sir John told me my blood-father is his own brother, Sir William de Gortanore. He's vile and violent. Worse than that, he' s a murderer, and I don't want to see him again.
And my blood-motherâ¦who is she? I don't even know who she is, or whether she's still alive. I don't know where she is, but I'm going to find her.
And then, after all this, Lord Stephen sent word to say that he wanted me to come not at Easter but in three days' time. He has decided to take the Cross. We're going to join the crusade that Fulk, the friar, preached about when he came to Caldicot last autumn. So that may mean there won't be time to meet my blood father.â¦
I must have been thinking about these things for a long time because when I looked around me, we were already passing the forest hamlet of Clunbury.
We reined in, and I drank a few mouthfuls of milk from Simon's gourd.
“Slow going in this weather,” Simon said. “We must push on or the dark will overtake us.”
This tenth day of January, it has been one of those days when
it gets dark before it gets dark, and by the time we neared Clun there was very little light left.
“Lord Stephen told me to get back ahead of you,” Simon said.
“Follow this track. Just before you come to an open field, there's a track up to the castle on your right.”
With that, Simon cantered off, while Pip and I continued to pick our way along the snowy track, stepping over branches that had fallen across it, wading through hidden pools of mud and mush.
Holt castle is on top of a small, steep hill, and as I was riding up to it, a rider came dashing out of the courtyard and across the drawbridge. Down the hill toward me pelted the horse and rider, and the horse was whinnying and neighing. Down the hill they came, sliding, slithering, forelegs splaying, the rider yelling, desperate and yelling, and the horse almost wailing, and then I saw the rider was a girl and the hem of her cloak was on fire.
Orange flames! Blue flames! The girl's cloak was alight, and her horse's belly and flanks were scorched and smoking.
As they careered toward me, the girl helpless, her horse wild, I swung Pip round to meet them sideways and braced myself.
We were hurled t o the ground. Pip snorted, he trumpeted and, but for the blanket of snow, I would have broken every bone in my body. At once I scrambled up and staggered through the snow. I dragged the girl out of her saddle. I pulled her down into the snow, and heaped it over her feet and legs, right up to her hips.
The girl's horse, meanwhile, just dived into a drift; it writhed and wriggled and neighed pitifully.
I looked at the girl, and she looked at me. She had a blaze of red-gold hair, tied back at the neck, and tawny eyes the color of horse-chestnuts.
I gave her a hand and pulled her up, and she blew out her pink cheeks and smiled.
“He bolted!” she exclaimed.
“You were on fire. Your horse's mane was burning.”
“Poor Dancer,” said the girl.
“Are you all right?”
“I think so,” said the girl, brushing away the snow from her legs and feet and inspecting herself. “My cloak's ruined. And your nose is bleeding.”
“What happened?”
“I don't know. Before I left the hall, I was sitting beside the fire with my uncle.”
“Who's that?”
“My uncle? Lord Stephen, of course! The fire was spitting and cracking, and one of the cinders must have caught inside my hem. Who are you, anyhow?”
“Arthur,” I said. “Arthur de Caldicot.”
“Arthur!” cried the girl. “The new squire.” She got to her feet and shook herself . “And I'm Winifred. Winifred de Verdon. You may call me Winnie.”
Together we walked our poor horses up the steep path and across the drawbridge, and then we tied them to the mounting block in the courtyard. Winnie led me through the storeroom and up the circular stone staircase to the hall. She threw open the hall door, and there I saw Lord Stephen de Holt and Lady Judith and his whole household waiting to greet me.
Lord Stephen took one look at us, the snow and filth and soot smeared all over us, Winnie's scorched cloak, my bleeding nose and then, seeing neither of us was seriously hurt, he burst out laughing.
Not Lady Judith, though. She is a whole head taller than Lord Stephen, and she bore down on Winnie and buried her in her arms.
“Arthur⦔ announced Winnie, wrestling herself free, “Arthur saved me. Me and Dancer. Otherwise, Dancer would be ten miles away, and I'd be smoke and ashes.”
When Winnie had explained, Lord Stephen gave me a curious, lopsided smile. “Well, Arthur,” he said, “what use is chivalry if it doesn't begin at home?”
Lady Judith looked down the beak of her nose and then she smoothed Winnie's blaze of red-gold hair . “I warned you not to leave so late,” she said. “Now you'll have to stay here tonight.” And with that, Lady Judith put an arm round Winnie's shoulders and
ushered her out of the hall and up the second flight of stairs.
I am writing this by poor candlelight, crouched in one corner of the hall. Instead of my grandmother Nain and Serle and Sian and Ruth and Tempest and Storm, my sleeping companions tonight are Simon, and Miles the scribe, whom I met at our manor court, and Rahere the musician, and Rowena and Izzie, who are both chamber-servants, and they're all asleep.
There's so much more to write, about Lord Stephen and Lady Judith, and about Winnieâ she's a year younger than I am, and Lord Stephen says she comes to Holt quite often. I want to write about this castle, and everyone here, but I can't stop yawning.
Today I have crossed from ice to flames.