The Seven Wonders: A Novel of the Ancient World (Novels of Ancient Rome) (34 page)

BOOK: The Seven Wonders: A Novel of the Ancient World (Novels of Ancient Rome)
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“Shall we go inside?” said our guide.

“Is it possible to do so?” Antipater’s eyes grew wide.

“With Kemsa as your guide, all things are possible. Follow me!”

The face of the pyramid must once have been as smooth as glass—impossible to climb—but time had worn and pitted the stones, making it possible to clamber up by staying low and gaining purchase amid tiny cracks and fissures. I worried that Antipater would find the effort too strenuous, but, as he had done so often before on our journey, my old tutor displayed amazing dexterity and stamina for a man of his years. Antipater would complain of having to climb a few stairs to our room at the inn, but nothing could stop him from scrambling up the pyramid!

Perhaps two-thirds of the way to the top, Kemsa showed us a spot where a flat slab of stone could be lifted on a pivot. The hidden doorway was so expertly fitted that it was practically invisible. Antipater and I would never have found it on our own.

“Astonishing! Herodotus makes no mention of an entrance to the Great Pyramid,” said Antipater.

“No?” said Kemsa. “That’s because this fellow Herodotus did not have me for a guide. Watch your head!”

Kemsa held the door up while Antipater and I stepped inside. Using his shoulder to keep the door open, Kemsa produced three torches, one for each of us, and used a flint to ignite them. Once the torches were lit, he allowed the door to fall shut.

The narrow, steeply sloping shaft before us plunged into utter darkness. I noted with some relief that there was a rope that could be used to steady one’s descent.

“Do you wish to go on?” said Kemsa.

Antipater looked pale in the firelight. He swallowed hard. “I haven’t come this far to forego an opportunity that even Herodotus missed.” He held his torch in one hand and gripped the rope with the other. “Lead on!”

The guide went first. Antipater and I followed.

“But if there’s no tomb at the bottom, what is there to see?” I said. Even though I spoke quietly, my voice echoed up and down the shaft.

“To know that, you must see for yourself,” said Kemsa.

I suddenly felt uneasy. What if the pyramid was a tomb after all—not of kings but of common fools like myself, led to their death and waylaid by Egyptian bandits posing as guides? Would there be a chamber full of skeletons at the bottom, with my own soon to be added? What an irony, if the Great Pyramid should turn out to be the resting place not of Kheops, but of Gordianus of Rome!

I told myself there was nothing to fear; it was only the darkness, the weird echoes, and the cramped space of the descending shaft that unnerved me. Clutching our torches and the rope, we continued our slow, steady descent.

At last the surface became level. After passing through a short hallway we entered a chamber of considerable size. By the flickering torchlight I discerned a flat roof perhaps twenty feet above our heads. The walls appeared to be made of solid granite, finely fitted and polished but without any sort of decoration. The chamber was empty except for a massive sarcophagus hewn from a solid block of granite. The sarcophagus had no lid. Nor was there any decoration or carving on its surface.

“Can this be the sarcophagus of the great Kheops?” I whispered. Within such a fabulous monument, I had expected to see a burial chamber of great splendor.

“This is a burial chamber, yes, and that is a sarcophagus,” said Kemsa. “But as I told you, there is no Kheops. Go and see for yourself.”

Antipater and I stepped up to the sarcophagus and peered inside. My old tutor gasped. So did I.

Kemsa, who seemed to know everything about the pyramid, was wrong about the sarcophagus. It was not empty; there was a body in it. For a pharaoh, he was very plainly dressed, not in royal garments but in a long white robe and a simple
nemes
headdress not unlike the clothes I was wearing. The hands crossed over his chest and his clean-shaven face were those of a man of middle age, darkened by the sun and somewhat wrinkled, but for a man who had been dead for hundreds if not thousands of years, he was remarkably well preserved. I could even see a bit of stubble across his jaw. Antipater had told me that Egyptian mummification was a sophisticated process, but this specimen was extraordinary.

Seeing our stunned reaction, Kemsa raised an eyebrow and walked over to join us. When he saw the body in the sarcophagus, he stopped short. By the flickering light I saw his face turn ashen. His eyes grew wide and his jaw hung open. His amazement appeared so extreme, I thought he must be playacting—until he emitted a shriek and tumbled backward in a faint, dropping his torch on the floor.

While Antipater tended to him, I returned my attention to the body in the sarcophagus, and I saw what had made Kemsa shriek.

The mummy had opened its eyes.

The mummy blinked. Then, staring upward into the darkness, the mummy spoke in a hoarse whisper. “Am I still alive? Or am I dead? Where am I? The priest of Isis promised that a savior would come to me!”

My heart pounded in my chest. My head grew light. For a moment I feared that I, too, would faint. But as Antipater had pointed out, I was a Roman. Disconcerted I might be, even discombobulated, but at some level I knew there must be an explanation for what was happening. For one thing, the man in the sarcophagus spoke flawless Greek, with the local accent I had heard in Memphis. He was not Kheops.

Nor was he a mummy, I thought—then felt a quiver of doubt as he reached up and gripped my arm with a hand as cold as ice.

He stared up at me and hissed. “What is this place? And who are you?”

I swallowed hard. “My name is Gordianus. I’m a visitor from Rome. We’re inside the Great Pyramid.”

He released me, then covered his face and began to sob.

“And who are you?” I said, no longer fearful, for the man in the sarcophagus now appeared more pitiful than frightening. “And what are you doing here? And how long have you been lying in the dark?”

The man ceased to sob and gradually composed himself. He sat upright in the sarcophagus. His movements were stiff. His eyes were dull and his face was drained of all expression. He appeared so lifeless that for a moment, by the uncertain light, I wondered if he might be a mummy after all.

“If you would know the story of Djal, son of Rhutin,” he said, “help me out of this accursed stone box. Lead me out of the darkness and back to the sunlight, and I will tell you everything, young visitor from Rome.”

*   *   *

When we emerged from the shaft, the glare of the noonday sun was blinding. Kemsa, embarrassed by his fainting spell, cast baleful glances at the stranger, who seemed to be more dazzled by the sunlight than the rest of us. As I was to learn later, the man had been inside the pyramid, in total darkness, for no less than two days.

Kemsa extinguished the torches and made ready to descend, but Antipater held me back. “We find ourselves not far from the summit of the pyramid, Gordianus. Shall we ascend to the very top?”

“But the man from the sarcophagus—”

“What do we care about him?” said Antipater in a low voice. “Yes, he gave us all a fright, but so what? If some local lunatic wishes to spend his time lying in the empty sarcophagus of Kheops, I don’t see how that’s our concern. We find ourselves at the Great Pyramid at midday, Gordianus, with a chance to stand on the very summit at the hour when the pyramid casts no shadow.” He raised his voice and spoke to the guide. “Kemsa, help this fellow down, and give him some water. Gordianus and I will finish the ascent.”

Looking displeased, Kemsa nonetheless did as he was told, and the two men began to descend.

“But are you up for this, Teacher?” I said. “You’ve exerted yourself so much already today, and the sun is so hot—”

Even as I stated my doubts, Antipater started climbing.

Grumbling at Antipater’s willful nature, I followed. When I reached the top, panting for breath, my efforts were rewarded beyond my wildest expectations.

The tip of the Great Pyramid must originally have been capped in gold or some other precious metal, to judge by the remnants of pins and clamps that had fixed the metal to the rough-hewn stone beneath. That splendor was no longer to be seen—someone had looted the metal long ago—but the view was spectacular, and like no other on earth. As I slowly turned from north to south, I saw the vast green Delta, the sprawling city of Memphis, the sinuous Nile vanishing into the distance, and the rugged mountains of Arabia beyond. Below us, the various temples and shrines on the plateau looked like models built by an architect; among them I noticed again the large, incongruous sand dune we had passed on our way. To the southeast, I gazed upon the Great Pyramid’s rival; its peak was clearly below our level, but it was still enormous. Turning to the west, I beheld the fearful beauty of the Libyan wilderness, a trackless waste of jagged mountains and gorges.

I had thought no view could match those from the Mausoleum in Halicarnassus or the ziggurat in Babylon, but to stand atop the Great Pyramid is truly to look down upon the world as the gods must see it.

The desert wind whistled in my ears and dried the sweat from my brow. For a long time Antipater and I crouched in that timeless spot, taking in the view. Eventually, gazing down at the foot of the pyramid, I saw our guide and the stranger from the sarcophagus, sitting in the shade cast by the camels and sipping water from one of the skins the guide had brought.

“I’m thirsty,” I said.

The climb down was trickier than the climb up. We proceeded with caution, taking our time. At any moment, I feared that Antipater might lose his grip and take a tumble—but it was I who made a careless move near the bottom and found myself sliding out of control down the last fifty feet, landing in a pile of sand at the bottom, unharmed but quite embarrassed.

Kemsa allowed me only sips of water, saying it was dangerous to swallow too much, too quickly. To take our midday meal, he suggested we retire to a nearby temple. With the stranger mounted behind Kemsa, we rode our camels to the smallest of the three pyramids. Beyond it, we came upon three much smaller tombs, also pyramidal in shape but built in steps, which I had not noticed before.

“How many pyramids are there in Egypt?” I said.

“There are many, many pyramids,” said Kemsa, “hundreds of them, not only here on the plateau, but all along the Nile. Most are very small in comparison to the Great Pyramid.”

Before one of these minor pyramids stood a small but beautiful temple dedicated to Isis. Brightly painted columns shaped like stalks of papyrus flanked the entrance. Normally there would have been worshippers in attendance, Kemsa explained, but on this day everyone was at the festival in Memphis. Sitting on the steps of the temple in the shade, we took our meal of flatbread, wild celery, and pomegranates.

Reluctantly, the man from the pyramid accepted a bit of our food.

Antipater paid him little attention, but I was curious. “You say your name is Djal?”

The man nodded.

“How long were you in there?”

Djal frowned. “I have no way of knowing. I entered on the seventh day of the month of Payni—”

“But that’s two days ago!” said Kemsa, giving him a dubious look.

“You’ve been in there all this time?” I said.

“Yes.”

“Did you have any light?”

“I had a torch when I entered. But it soon burned out.”

“Did you have food or water?”

“None.”

“What did you do?”

“I lay in the sarcophagus, as the priest—a priest from this very temple—instructed me to do, and I awaited the coming of the one who would save me. I thought perhaps Anubis would appear with a message from the gods, or one of my ancestors from the Land of the Dead—maybe even the
ka
of my poor father! But no one came. I lay in the darkness, waiting, sometimes awake, sometimes asleep, until finally I could not tell if I woke or slept, or even if I was still alive. And no one came. Oh, what a fool I’ve been!” He began to weep again—or rather, to go through the motions of weeping, for I think there was not enough moisture in him to produce tears.

“You promised to tell us your story,” I said quietly, thinking to calm him.

He nibbled a bit of bread and took a few sips of water. “Very well. I am Djal, son of Rhutin. I have lived in Memphis all my life, as did my ancestors before me, going back many generations, even to the days before the Ptolemies ruled Egypt. The prosperity of my family has varied from generation to generation, but always each son has taken care to see that his father was given the proper rites when he died, and was mummified according to the standards of the first class, never the second or third.”

“I’m sorry, I don’t understand.”

Our guide cleared his throat. “Allow me to explain. There are three categories of mummification. First class is very expensive, second class much less so, and third class is very cheap, only for the poor. When a man dies, the embalmers present the family with a price list of every item required for the funeral, and the family decides what it can afford.”

“And this includes mummification?”

“Yes.” Kemsa shrugged. “This is something all Egyptians know.”

“But I don’t. Tell me more.”

“A great many skilled artisans are involved in the process. One man examines the body and inscribes marks to indicate where the cuts should be made. Another man uses an obsidian blade to make the incisions. Then the embalmers reach inside and remove all the internal organs. Those that are vital, like the heart and kidneys, they wash in palm wine and spices and place in sealed jars. Those organs that are good for nothing, they dispose of. The brain is the hardest thing to get rid of; the embalmers must insert slender iron hooks and tweezers into the nostrils to pull out all the useless bits of gray matter. The cavities in the body are then filled with myrrh and cinnamon and frankincense and other spices known only to the embalmers, and then the incisions are sewn up and the body is packed in saltpeter. After seventy days, the body is washed and wrapped in long strips of the finest linen, and the mummification is complete. This is the first-class method, which everyone desires, and the result is a body flawlessly preserved, with the hair and eyebrows and even the eyelashes perfectly intact, so that the dead man appears merely to sleep.”

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