The Stone Raft (Harvest Book) (19 page)

They are now walking along the path, which is narrow, Pedro Orce is obliged to follow the others, they will explain everything to him later, if the Spaniard is truly interested in the fortunes of these Portuguese. I don't live here in Ereira, Joana Carda began, my home was in Coimbra, I've only been here since separated from my husband about a month ago, for what reasons, well, why bother discussing the reasons, sometimes one is enough, at other times not even lumping them all together will do it, if your own lives haven't taught you this, too bad for you, and I repeat, lives not life, for we all have several, and fortunately they kill each other off, otherwise we wouldn't be able to survive. She leapt over a wide ditch, the men followed her, and when the group reassembled, now treading on soft, sandy terrain where the earth had been waterlogged, Joana Carda went on, I'm staying with some relatives, I wanted time to think, but not the usual self-questioning, have I done the right thing, have I done the wrong thing, what is done is done, I wanted time to think about life, what is its purpose, what's my purpose in life, yes, I reached a conclusion, the only possible conclusion, I simply do not understand life. The expression on the faces of José Anaiço and Joaquim Sassa is one of bewilderment, this woman, who came down to the city carrying a stick in her hand to proclaim impossible feats of land surveying, has now turned philosopher here in the fields of Mondego, a philosopher of the negative kind, and to complicate matters, in that special category that says yes after saying no, and that will say no after having said yes. Having been trained as a teacher, José Anaiço is better qualified to understand these contradictions, but this does not apply to Joaquim Sassa, he simply senses them and therefore finds them twice as bewildering. Joana Carda continues to speak, having come to a halt because they are now close to the spot she wants to show them, she still has something to say to them, other things will have to wait, I didn't go to Lisbon to find you because of the strange happenings that attracted so much attention but because I saw you as people detached from any apparent logic in the world, and that's precisely how I feel about myself, I would have been very disappointed if you hadn't accompanied me all this way, but you came, perhaps something still has some
meaning, or will regain it after having lost all meaning, now come with me.

They enter a clearing away from the river, a circle surrounded by ash trees that appear never to have been pruned, such places are less rare than one imagines, set foot in them and time seems to stand still, the silence seems different, you can feel the breeze all over your face and hands, no, we're not talking about witchcraft and sorcery, this is not a witches' coven or a gate to the other world, that is simply the impression created by these trees in the form of a circle and the ground that appears to have lain undisturbed since the beginning of time, the sand simply came and made it soft, but the soil is heavy beneath the humus, whoever planted the trees like this is entirely to blame. Joana Carda has nothing more to tell them. This is where I used to come to think things over, there can be no more peaceful place on earth, but it's disturbing too, you don't have to answer, but if you hadn't come here you wouldn't be able to understand, and one day, two weeks ago to be precise, as I was walking across the clearing to sit down under that tree over there, I found this branch lying on the ground, I was seeing it for the first time, I'd been here the day before and it wasn't here, it was as if someone had put it here deliberately, but there were no footprints to be seen, the marks you can see there are mine, or else were left by people who passed this way a long, long time ago. They are standing on the edge of the clearing, Joana Carda detains the men a bit longer, these are her final words, I picked up the stick from the ground, the wood seemed to be living as if it were the whole tree from which it had been cut, or rather this is what I now feel as it comes back to me, and at that moment, with a gesture more like a child's than an adult's, I drew a line that separated me forever from Coimbra and the man with whom I lived, a line that divided the world into two halves, as you can see from here.

They advanced to the middle of the clearing, drew close, there was the line, as clear as if it had just been drawn, the earth piled up on either side, the bottom layer still damp despite the warmth of the sun. They remain silent, the men are at a loss for words, Joana Carda has nothing more to say, this is the moment for a daring gesture that could
make a mockery of her wonderful tale. She drags one foot over the ground, smooths the soil as if she were using a level, stamps on it and presses it down, as if committing an act of sacrilege. The next moment, before the astonished gaze of all the onlookers, the line reappears, it looks exactly as it was before, the tiny particles of soil, the grains of sand resume their previous shape and form, return to where they were before, and the line is back. Between the part that was obliterated and the rest, between one side and the other, there is no visible difference. Her nerves on edge, Joana Carda says in a shrill voice, I've already swept away the entire line, I've covered it with water, yet it keeps reappearing, try for yourselves if you wish, I even put stones on top, and when I removed them the line was still there, why don't you try if you still need convincing. Joaquim Sassa bent down, buried his fingers in the soft earth, scooped up a handful of soil, threw it into the distance, and the line reconstituted itself immediately. Then it was José Anaiço's turn, but he asked Joana Carda to lend him her stick and he drew a deep line alongside the original one, then smoothed it out along its entire length. The line didn't come back. Now you do the same, José Anaiço told Joana Carda. The tip of the stick dug into the soil, was dragged along the ground, opened an extensive wound, which closed up at once like a defective scar when they pressed it down, and so it remained. José Anaiço said, It's got nothing to do with the stick or the person, it's the moment, it's the moment that counts. Then Joaquim Sassa did what had to be done, he lifted up from the ground one of the stones that had been used by Joana Carda, similar in weight and appearance to the one he had thrown into the sea, and gathering all his strength he hurled it as far as he could into the distance, it fell where one expected it to fall, several paces away, that's as much as human strength can achieve.

Pedro Orce had witnessed these trials and experiments without wishing to participate, probably he had enough to contend with as the earth went on shaking under his feet. He took the elm branch from Joana Carda's hands and said, You can break it, throw it away, burn it, they're no longer useful, your stick, Joaquim Sassa's stone, José Anaiço's starlings, they no longer serve any purpose, they're like those
men and women who were useful only once, José Anaiço is right, what counts is the moment, we only serve the moment, That may be so, Joana Carda retorted, but this stick will stay with me forever, moments give us no warning when they're coming. A dog appeared among the trees, on the far side. It gave them a long stare, then crossed the clearing, it was a large powerful animal, its tawny coat caught by a sudden ray of sunlight appeared to burst into flames. Taking fright, Joaquim Sassa aimed a stone, the first stone that came to hand, I don't like dogs, but he missed. The dog stopped in its tracks, not the least bit intimidated, not at all menacing, it simply stopped to look, not even barking. As it reached the trees, the dog turned its head, it seemed bigger when seen from a distance, then it went off slowly and disappeared. Joaquim Sassa tried to relieve the tension with a wisecrack, Joana Carda might as well hold onto her stick, it might come in handy if such huge beasts are prowling around.

They returned by the same route, now there were certain practical matters to settle, for example, since it was too late to go back to Lisbon now, where are the men going to spend the night. But it isn't all that late, said Joaquim Sassa, even without rushing we can get back to Lisbon in plenty of time for dinner, As far as I'm concerned, the best solution would be to stay here in Figueira da Foz, or in Coimbra, tomorrow we can come back this way, Joana might need something, José Anaiço said, and there was a note of deep concern in his voice. As you prefer, Joaquim Sassa said with a smile, and the rest of the sentence was no longer in words but in his look, I know exactly how you feel, you want some time to think this evening, you want to decide what to say tomorrow, certain moments arrive without any warning. Pedro Orce and Joaquim Sassa are now leading the way, the afternoon is so peaceful that one is overcome with emotion directed at no one in particular, only at the light, the pale sky, the inert trees, the gentle river whose presence one senses before it looms into sight, a smooth mirror that the birds slowly traverse. José Anaiço takes Joana Carda by the hand, and says, We're on this side of the line, together, but for how long, and Joana Carda replies, We'll soon find out.

As they approached the car they saw the dog, Joaquim Sassa
grabbed another stone, but decided not to throw it. The animal, despite this threatening gesture, did not stir. Pedro Orce went up to it, held out his hand as a gesture of peace, as if about to caress it, but the dog remained impassive, its head raised. It had a chewed thread of blue wool hanging limply from its mouth. Pedro Orce stroked its back, then rejoined his companions. There are moments that warn you when they are coming, the earth is shaking beneath the dog's paws.

Man proposes, dog disposes, this very latest maxim is just as valid as the old one, we must give some name to whoever decides in the final analysis, for decisions don't always come from God, as is generally believed. There they took their leave of one another, the men heading for Figueira da Foz, which is nearest, the woman for the home of her hospitable relatives, but when Deux Chevaux, the brake already released, started moving, to everyone's astonishment the dog was seen to stand in front of Joana Carda, preventing her from passing. It didn't bark, it didn't bare its teeth, the gesture she made with the stick made no impression, after all, it was only a gesture. José Anaiço, who was driving, thought his beloved might be in danger, and, once more the knight-errant, he brought the car to a sudden halt, jumped out, and ran to her assistance, a dramatic but somewhat ineffectual act, as he was soon to realize, for the dog simply lay down on the road. Pedro Orce drew near, Joaquim Sassa too, the latter disguising his antipathy with an air of detachment. What does the beast want, he asked, but no one could give him an answer, not even the dog itself. Pedro Orce, as he had done before, went up to the animal and laid his hand on its huge head. The dog closed its eyes in a wistful manner at this caress, should such an adjective be appropriate here, we are talking about dogs, not about sensitive people who display their sensibility, and then it got up, stared at them one by one, gave them enough time to understand, and started walking. It walked about ten meters, stopped, waited.

Now experience has taught us, and movies and romances are full of similar scenes, Lassie mastered the technique to perfection, for example, experience tells us that a dog always behaves like this when it wishes us to follow. In this instance, the dog was obviously preventing Joana Carda from passing in order to oblige the men to get out of the car, and if, now that they are together, it is showing them the way that its canine instinct suggests they must follow, it is because, pardon these further repetitions, the dog wants them to follow it together. You don't have to be as intelligent as a man in order to grasp this, if an ordinary, simpleminded dog can convey it so easily. But men, having been deceived so often, have learned to put everything to the test, principally by means of repetition, the easiest method of all, and when, as in this case, they have attained a modicum of culture, they are not content with a second experience just like the first, they introduce minor variations that do not radically alter the basic facts, to give an example, José Anaiço and Joana Carda got into the car while Pedro Orce and Joaquim Sassa stayed where they were, now we'll see what the dog does. Let us say that it did what it had to. The dog, which knows perfectly well that it cannot stop a car except by getting in front of it, but that would mean certain death and there is not a single driver whose love for our animal friends is so great that he would stop to witness its last moments or move its pitiful corpse into the gutter, the dog prevented Joaquim Sassa and Pedro Orce from passing just as it had prevented Joana Carda before. The third and decisive proof came when all four of them got into the car and started moving, because Deux Chevaux happened to be facing in the right direction, the dog got in front of it, this time not to obstruct its progress, but to lead the way. All these maneuvers took place without any inquisitive spectators looking on because, as on other occasions since this narrative began, certain important episodes have invariably befallen people entering or leaving towns and cities, and not those inside them, as happens in most cases. This undoubtedly warrants some explanation, but alas, we're unable to give one.