The Surf Guru (16 page)

The head rests in the dry sand, well above the tide's reach. The kid nudges it with his boot, rolls it facedown. He finds its weight disconcerting. He tamps it solidly so it will not roll back. The flies resettle upon the head as soon as he takes his foot away.

Looking out over the rippling black waves, he reaches into the pocket of his worn canvas trousers and with one finger traces the scalloped edge of the photograph of Alvaro's
novia
. The photograph is the prize of prizes, coveted by all, and now it belongs to him. He wants to take it out to admire her, but the night is moonless—and, in any event, he cannot afford to be seen with his attention on anything but the head. Still, the image of the woman is clear in his mind, feels like something rare and vital. He has been running through forests and jungles and scorched plains with the rebels since his voice was high and thin; he has never tasted a secret kiss in the shadow of a giant yucca, or peeled off a blouse steeped in cool feminine sweat after a climb up the volcano, or raised a skirt in the salty dark under the wharf.

He touches himself through a hole in his pocket and is pleased to encounter his own warmth. He handles himself tenderly, with slow, deliberate strokes of his thumb and forefinger, keeping his arm still so that anyone watching him will see only a soldier attentively performing his duty. In the water, creatures phosphoresce, wink.

 

 

Farther up the beach, Alvaro lies open-eyed on his plastic tarp, which crinkles beneath him as he rolls over and back, over and back. He cannot sleep. His feet are covered in sores and blisters and fungus. The sand fleas are biting. The saraguate monkeys are howling in the forest. Most of all, he is angry about the photograph. He is unaccustomed to losing. He is a gambler who leaves little to chance.

Earlier that evening, after the general had given the order, the entire army circled around Sergio and chanted a countdown from ten; on the beat of zero, Alvaro swung his bolo knife, and the blood arced high and misted dozens of dirty faces. The men clustered around the two pieces of Sergio and watched the blood winding through the sand toward the ocean. They placed bets on how far the blood would run.

He should not have risked the photograph, but he could not resist; he could tell the other men were going to guess poorly, planting their sticks high up on the beach, underestimating how much blood there is in a man. His bet raised the stakes, forced all the others to search their packs and pockets for their things of greatest value. Then Alvaro silently computed the coagulation time, the slope of the beach, the absorbency of the black volcanic sand, the temperature and humidity, the speed of the wind off the ocean, and he drove in his stick at the water's edge.

He should have won. Something was wrong with Sergio's blood.

The kid took away quite a haul: two kilos of foot powder; a pocket watch and four rings; a silver revenge charm; dozens of cigars; a necklace of monkey teeth, all polished and sharpened; a vial of bone dust looted from some old saint's reliquary; many grenades; a glass eye; and the photograph. This kid! So young he can't keep his hands off himself for five minutes at a time! The photograph must be retrieved soon. It won't be long before the kid splashes himself all over it.

Around him, a hundred dark lumps on plastic tarps taunt him with their snoring.

 

 

In his tent, the general drinks. He can afford to be giddy, even though ammunition is scarce and trench foot has taken its toll. His power has grown immeasurably since he eliminated Sergio. It will grow even more when he delivers the head to his enemy, the Queen. He imagines catapulting it over the castle walls into the garden while the Queen is entertaining guests. He laughs as he imagines a startled servant spilling a tray of canapés into her royal lap.

The general holds out his flask so that he can see his reflection in the polished steel, angles it back and forth, regards himself up and down. Though his belly lolls over the waistband of his shorts, though wiry black hairs sprout from his shoulders and knuckles and ears, though he suffers innumerable tics and twitches, though his nose is but a cone of tin secured by leather straps, he knows that the men all recognize him as a commander of the highest caliber.

He takes a final drink, emptying the flask. He unbuckles his nose and places it in the leather case that also holds his teakwood chessmen. He stretches out and closes his eyes and fine-tunes his battle plan for when they reach the capital: if they surprise the Queen, a swift fianchetto akin to the Catalan Opening; if not, a frontal thrust reminiscent of the Falkbeer Counter Gambit. He imagines the Queen at his feet, defeated. He takes his stiffening cock in his hand and begins to pump furiously. Most nights this is the only way he can fall asleep.

 

 

In the photograph, the woman is knee-deep in the ocean, caught in a posture of surprise as a cold wave slaps against her bottom. Her back is arched and her eyes are wide, her thin brows raised high. Her elbows are tight against her sides, and her hands are at her face in a girlish half clench. Her lips are puckered in a tiny perfect O. Splashes of sea foam blur in the air around her. Her swimsuit reveals more thigh than the kid has ever seen. Her nipples jut, pressing against taut fabric. The photograph is sepia-toned, and she is the color of honey.

Nothing in the picture shows scale. No swimmers, no birds, no trawlers or tankers or banana boats, just a blurred horizon, dimly streaked light and dark. The kid wonders if she is taller than he is. He must meet her. He believes he will, someday, believes that she will receive him, that his possession of the photograph connects them in some way they both will honor if not fully understand. Such mysteries, he believes, are the very workings of love.

There is a curved shadow of a finger creeping in from the left border. The kid imagines the finger is his own, that he is the one who snapped the picture. He imagines he can feel the cold water winding around his calves, tickling and numbing. He imagines a softly tugging undertow.

 

 

Alvaro, fully cocooned in his tarp, feels another sand flea bite his ear. He is being eaten alive. He unrolls himself and dances in the sand, a furious chorea of swatting and scratching. A man lying nearby sleepily calls out, “Shut up!” and Alvaro tromps toward him and steps on his neck. The man sputters; his legs wheel, his arms flail, his fingers clutch. Alvaro leans harder, feels his bare sole grinding against cartilage, and then releases. “Next time,” he says through his teeth, “I will snap it.” The man clutches his throat and begins to weep, softly.

Alvaro sees the kid faintly outlined in the dark and slips over the dunes toward him. Lessons must be taught. The gambler is not a man to be trifled with.

 

 

In his tent, the general dreams:

He is younger, not yet so thick around the middle. He wears his medals, bright reminders of all he has done in the Queen's service. Night. A whispered, vespertine invitation unfurled in the royal arbor. Tight shadows hiding pearly ankles. Bougainvillea and damiana, creeping ivies, the most fragrant of honeysuckles. Later, a surreptitious climb to her chambers. His legs wobble. His meaty lips quiver. His nose—still years away from the day it is torn off by a bullet—itches. (His nose! What a glorious nose it was, long and full, with an amiable bulb at the tip!) He tries the knob, and it turns.

Hinges creak. Then silence: a long, swollen moment. The scrape and hiss of a match, and one by one, three candles light. The Queen lifts the white sheet, inviting. She is wonderful to discover. He is forced to twist his neck. Vague sensations of galloping and trotting, advancing and encircling. She spins, a slippery diagonal glide, playing herself like the Ponziani Opening. She thrusts out. He tries not to gasp but does. The moment scares him, because he knows what will come next, what comes next every night, what comes next both in the dream and in the memory from which it steals—her jagged, mocking laugh as she grasps him by the throat, nails sharp in his flesh.
With one word, with one wave of my wrist,
she says,
you will have nothing. You will walk along the wharves at midnight, in rags, alone, longing. And you will come to like it there, where the air reeks of waste and rotting shellfish, and where the only girls are toothless whores who beg for needles full of grace and then flick open knives, go straight for your pockets, and say “Surprise” as they slit your throat.
She climbs off him, and he lies there, discarded, shrinking, and helpless, listening to threads popping as she tears the medals from his tunic.

The general awakens long enough to wonder if the traitorous Sergio had similar dreams in the nights before his head came off. It has long been said that all men who have loved the Queen are fated to dream of her.

 

 

Sergio remains silent, caught, as he was, on the wrong side of the bolo knife.

 

 

The head. The sand. The sea glowing yellow-green. Monkeys howling in the dark.

“You weren't paying attention,” Alvaro says. “I could've stolen the head. Easily.”

“I heard the sand moving under your feet. You're lucky I didn't shoot.”

“If you lose the head, you will die. The general will demand it.”

“I'd expect nothing less. This is my duty to the cause.”

“Listen closely, kid: there is no cause. This whole war is about the general's cock. He'd call a cease-fire in a flash if the Queen offered him another night in her bed. Do you even know why Sergio was killed? Why it's
his
head upon which your life depends?”

The wind picks up, and palm trees rustle, urgent. The kid mumbles no. He hadn't thought to ask.

“The general believes Sergio was the Queen's lover,” Alvaro says.

“That's impossible.”

“Exactly: impossible. When could it have happened? Sergio never laid eyes on her. He was with us from the beginning, spent every night sleeping beside us. It's as likely that
you
have fucked the Queen.”

“You're saying I couldn't?”

“Shut up, boy. I'm saying the general is a delusional fool. He imagines rivals and traitors all around him. Today it was Sergio. Tomorrow it could be you.”

When the kid speaks, his voice flutters. “The general is a great leader,” he protests.

From inside the tent, a moan escapes the general's throat. It drones softly on the swift salt breeze.

“The general's mind was carried off along with his nose,” Alvaro says. “Listen. Do you hear? That's him, huffing and puffing and yanking his cock. You've never heard it before? Every night, three, four, five times. Someday it'll break off in his hand. And you speak of greatness!”

“Then why are you his
teniente
? Why do you fight at all?”

“I fight because I enjoy killing,” Alvaro says. “I enjoy it greatly.”

Heavy waves bully the shoreline. The kid is silent.

Alvaro smiles into the dark; faith is so easily stolen, and it is so rarely recovered. His hand shoots out to pluck the photograph from the kid's pocket, but the kid blocks him, holds fast to his wrist with strong fingers.

“It's mine,” the kid says.

“I don't like you thinking about my girl like that.”

“Like how?”

Alvaro drives his knee into the kid's groin. “Don't play innocent,” he says. “You're among men.”

The kid writhes in the sand and finds himself looking into Sergio's wide and dead and fly-spotted eyes. The pain, the sight, the stench, all unbearable.

“I could just take her from you, if I wanted,” Alvaro says over him, “but I'm a sportsman, so I'll win her back. I'll flip a coin. If I win, you give her to me.”

The kid rolls away from the head and retches, once, twice, a third time. “If I win,” he manages, “you tell me her name. And where she lives.”

“Happily,” Alvaro says. “So. Will it be heads or castles?” The kid staggers to his feet and steps away from Sergio. “Castles.” He's had enough of heads for one night.

The coin is in the air, spinning.

Even if the beach were bathed in moonlight, the kid would not have noticed that Alvaro had two coins in his hand, flipping one while tucking the other against the fleshy mound near his thumb.

Even if there were moonlight, the kid would not notice that the coin is now spinning from head to head, creating a blurred and fluttering but uninterrupted image of the Queen.

Even if there were moonlight, the kid would not notice Alvaro producing the second coin to show him a head and a castle, to prove that the game was fair.

And because there is no moonlight, the kid will not be able to steal one last glimpse of the photograph before handing it over.