Read The Third Bear Online

Authors: Jeff Vandermeer

Tags: #Fiction, #Dark Fantasy

The Third Bear (49 page)

BOOK: The Third Bear
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I breathed in the smoky air. They weren't ever going to find the guy who had done this. Not in this country. It was still reinventing itself. Deaths like these were part of the price you paid. The police deputy probably didn't expect it to be solved. He probably didn't really care, so long as he could say he'd tried.

"I have no fucking idea," I said. "But how much to let me take that painting?"

Dulcimer

From the Book ofSmaragdine, 212th Edition:

The dulcimer has many esoteric uses in the spiritual and medical worlds. Playing the dulcimer while attaching a wresting thread to a person with a sprain will hasten the winding of the thread and the healing of the sprain. A man who plays the dulcimer over the grave of his dead wife will ensure that she stays dead and does not pay unexpected visits. A woman who plays the dulcimer holding it backwards will reverse her bad luck and bring home a wayward lover. A child who stands on one leg and attempts the dulcimer with chin and left hand while the right arm is tied behind the back will inevitably fall. If making a doppelganger using the priests' emerald powder, the dulcimer should be played during the mixing; otherwise, your monster may coalesce with a vestigial tale or tail. It is also known that playing the dulcimer after dinner increases the chance of pleasant conversation, if accompanied by wine and a nice dessert.

Eczema

Anyone who has seen Eczema's act for the Babilim Traveling Circus knows it is only enhanced by the equal and opposite reaction created by Psoriasis. Touring erratically throughout Central Asia and the Far East (where not banned), the circus has only rarely been captured on film or in still photographs.

Although myths about Eczema's act abound, most eyewitnesses agree on the basics: Eczema, so nicknamed by her late father, a doctor, for the predominant condition of her formative years, enters the ring accompanied by helpers who carry several small boxes under their arms. Eczema is heavily made up in white face and wears a man's costume more fitting for a sultan, including curved shoes. A fake mustache completes the illusion. In the background a local band plays something approximating circus music.

Eczema's assistants, dressed all in black, fan out around her. Some of them place shiny blue-and-gray models of buildings upon the floor while others arrange a variety of insects in amongst the buildings, including scarab beetles, praying mantises, and grasshoppers. Some are green or have been painted green, while others are red or have been painted red. A few flies, large moths, and butterflies weakly buzz or flutter above on long, glittering strands of hair plucked from the heads of Tibetan holy men, the leads held by specially trained insect handlers.

Eczema stands in the background as an announcer or ringmaster comes forward and says, "The King of Smaragdine now re-creates for you, using his minions, the Great Battle between the Smaragdineans of the Green Tablet and the Turks."

Reports differ on the battle's historical accuracy. Certainly, the Turks ruled the area around Smaragdine for some three hundred years, but records from the time are often incomplete.

As for the act itself, some describe it as "insects wandering around a badly made scale model of an ancient city, after which the crowd rioted to show their displeasure." Others describe "the incredible sight of beetles, ants, and other insects re-creating miniature set pieces of ancient battles amongst the spires and fortifications of a realistic and highly detailed cityscape. One of the most marvelous things ever seen."

During this spectacle, Eczema stands to the side, gesturing like an orchestra conductor and blowing on a whistle that makes no sound.

Most accounts agree that the act comes to an abrupt end when the insects that have not escaped are swept up by the helpers. A few eyewitnesses, however, tell tales of an ending in which "huge basslike mudskippers hop on their fins through the cityscape, gobbling up the insects."

Eczema then comes forward and says, in a grave tone, "What is below is like that which is above, and what is above is like that which is below for performing the miracle of one thing. And as all things were produced from one by the Meditation of one, so all things are produced from this one thing by adaptation."

After this short speech, the audience usually leaves in confusion.

Psoriasis does not join Eczema until the end of the act. That Eczema and Psoriasis are Siamese twins only becomes evident when they stand together and bow, and the declivity between them - that outline, that echo - tells the story of another act altogether.

Elegiacal

Brown dust across a gray sky, with mountains in the distance. A metallic smell and taste. A burning.

Abdul Ahad and his sister Parveen were searching for a coin she'd lost. They stood by a wall of what was otherwise a rubble of stone and wood. A frayed length of red carpet wound its way through the debris.

"It has to be here somewhere," Parveen said. It had been a present from her uncle, a merchant who was the only one in their family to travel outside the country.

Her uncle had pressed it into her hand when she was eight and said, "This is an old coin from Smaragdine. There, everything is green." Her uncle made a living sometimes selling coins, but this one was special.

The coin was heavy. On the front was a man in a helmet and on the back letters in a strange language, like something from another world. For weeks, she had held it, smooth and cool, in her right hand - to school, during lunch, back at their house, during dinner. She loved the color of it; there was no green like that here. Everything was brown or gray or yellow or black, except for the rugs, which were red. But this green - she didn't even need a photograph. She could see Smaragdine in her mind just from the texture and color of the coin.

"I don't see it," Abdul Ahad said, his voice flat and strange.

"We should keep looking."

"I think we should stop." Abdul Ahad had a sharp gash across his forehead. Parveen's clothes had ash on them. Her elbows and the back of her arms were lacerated from where she had tried to protect herself from the bomb blasts.

"We should keep looking," Parveen said. She had to keep swallowing; her throat hurt badly. She heard her brother's words through a sighing roar.

The muddled sound of sirens.

A harsh wind roiled down the brown street, carrying sand and specks of dirt.

Abdul Ahad sat down heavily on the broken rock.

Now Parveen could hear the screams and wails of people farther away. Flickers of flame three houses down the block, red-orange through the shadows of stones.

Their father had been dead for a year. Now their mother lay under the rubble. They'd seen a leg, bloodied and twisted. Had pulled away rocks, revealing an unseeing gaze, a face coated with dust.

Her brother had checked her pulse.

Now they were searching for the coin. Or Parveen was. She knew why her brother didn't want to. Because he thought it wouldn't make a difference. But Parveen felt that, somehow, if she found it, if she held it again, everything would be normal again. She had only survived the air strike because she was holding the coin at the time, she was sure of it, and Abdul Ahad had only survived because he had been standing next to her.

"You don't have to look, Ahad," she said, giving him a hug. "You should sit there for a while, and I'll find it."

He nodded, gaze lost on the mountains in the distance.

Parveen walked away from him, kneeled in the dirt. She stuck her arm into a gap between jagged blocks of stone, grasping through dust and gravel, looking for something smooth and cool and far away. In a moment, she knew she'd have it.

Eudaemonic

From the Book of Smaragdine, ist Edition:

People from far off places ask why we worship the Green. They think of us as fools or outcasts. Yet even an ape can understand that human beings are born, live, and die. Even a beggar knows the alchemy in this basic transformation. To achieve true understanding, then, and thus true happiness, it is important to understand that transformation. Otherwise, our stay here is a ceaseless wandering, whether we roam or not.
"Would you like to hear a riddle?
What power is strong with all power and will defeat every subtle thing and penetrate every solid thing?
"In giving yourself to the Green you will know what it means to search for answers to questions such as these. You will become secure in your happiness.
"People say that we do not know what happened to the Tablet, that it has been hidden from us for a reason. But this matters not. If we fail in the finding or the reaching, should ever our own city fall and be forgotten, then still we shall be eudaemonic in the failure."

Euonym

That first night on the train, we were so free there was nothing to do but yell out the window at the darkness, into the cool breeze laced with honeysuckle and coal smoke.

Our father always thought he knew the value of a good and true name. He named us Eczema and Psoriasis much as he would name a medical procedure. It was an odd choice by a sometimes secretive man. Yes, my sister and I had had disfiguring skin conditions as children, but this was so minor compared to our other problems. We were conjoined twins. Before our first birthdays, our father performed three surgeries to separate us. (In a sense, he not only named us twice, he created us twice.) Psoriasis looked as if someone had attached the male part of a puzzle piece to her side. I looked like a shark had taken a bite out of me.

BOOK: The Third Bear
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