The Vampire Lestat (71 page)

I couldn’t stop thinking of her, wondering if it was her laugh I had heard in my sleep the night before. And I wondered that she had told me nothing in the blood, until I closed my eyes and quite suddenly things came back to me, of course, wonderful things, incoherent as they were magical. She and I were walking down a hallway together—not here but in a place I knew. I think it was a palace in Germany where Haydn wrote his music—and she spoke casually as she had a thousand times to me.
But tell me about all this, what do the people believe, what turns the wheels inside of them, what are these marvelous inventions
 . . . She wore a fashionable black hat with a great white plume on its broad brim and a white veil tied round the top of it and under her chin, and her face was merely beginning, merely young.

*  *  *

W
HEN
I opened my eyes, I knew Marius was waiting for me. I came out into the chamber and saw him standing by the empty violin case, with his back to the open window over the sea.

“You have to go now, my young one,” he said sadly. “I had hoped for more time, but that is impossible. The boat is waiting to take you away.”

“Because of what I did . . . ” I said miserably. So I was being cast out.

“He’s destroyed the things in the chapel,” Marius said, but his voice was asking for calm. He put his arm around my shoulder, and he took my valise in his other hand. We went towards the door. “I want you to go now because it is the only thing that will quiet him, and I want you to remember not his anger, but everything that I told you, and to be confident that we will meet again as we said.”

“But are you afraid of him, Marius?”

“Oh, no, Lestat. Don’t carry this worry away with you. He has done little things like this before, now and then. He does not know what he does, really. I am convinced of that. He only knows that someone stepped between him and Akasha. Time is all that is required for him to lapse back.”

There it was, that phrase again, “lapse back.”

“And she sits as if she never moved, doesn’t she?” I asked.

“I want you away now so that you don’t provoke him,” Marius said, leading me out of the house and towards the cliffside stairs. He continued speaking:

“Whatever ability we creatures have to move objects mentally, to ignite them, to do any real harm by the power of the mind does not extend very far from the physical spot where we stand. So I want you gone from here tonight and on your way to America. All the sooner to return to me when he is no longer agitated and no longer remembers, and I will have forgotten nothing and will be waiting for you.”

I saw the galley in the harbor below when we reached the edge of the cliff. The stairs looked impossible, but they weren’t impossible. What was impossible was that I was leaving Marius and this island right now.

“You needn’t come down with me,” I said, taking the valise from him. I was trying not to sound bitter and crestfallen. After all, I had caused this. “I would rather not weep in front of others. Leave me here.”

“I wish we had had a few more nights together,” he said, “for us to consider in quiet what took place. But my love goes with you. And try to remember the things I’ve told you. When we meet again we’ll have much to say to each other—” He paused.

“What is it, Marius?”

“Tell me truthfully,” he asked. “Are you sorry that I came for you in Cairo, sorry that I brought you here?”

“How could I be?” I asked. “I’m only sorry that I’m going. What if I can’t find you again or you can’t find me?”

“When the time is right, I’ll find you,” he said. “And always remember: you have the power to call to me, as you did before. When I hear that call, I can bridge distances to answer that I could never bridge on my own. If the time is right, I will answer. Of that you can be sure.”

I nodded. There was too much to say and I didn’t speak a word.

We embraced for a long moment, and then I turned and slowly started my descent, knowing he would understand why I didn’t look back.

I
DID not know how much I wanted “the world” until my ship finally made its way up the murky Bayou St. Jean towards the city of New Orleans, and I saw the black ragged line of the swamp against the luminous sky.

The fact that none of our kind had ever penetrated this wilderness excited me and humbled me at the same time.

Before the sun rose on that first morning, I’d fallen in love with the low and damp country, as I had with the dry heat of Egypt, and as time passed I came to love it more than any spot on the globe.

Here the scents were so strong you smelled the raw green of the leaves as well as the pink and yellow blossoms. And the great brown river, surging past the miserable little Place d’Armes and its tiny cathedral, threw into eclipse every other fabled river I’d ever seen.

Unnoticed and unchallenged, I explored the ramshackle little colony with its muddy streets and gunwale sidewalks and dirty Spanish soldiers lounging about the calaboose. I lost myself in the dangerous waterfront shacks full of gambling and brawling flatboatmen and lovely dark-skinned Caribbean women, wandering out again to glimpse the silent flash of lightning, hear the dim roar of the thunder, feel the silky warmth of the summer rain.

The low-slung roofs of the little cottages gleamed under the moon. Light skittered on the iron gates of the fine Spanish town houses. It flickered behind real lace curtains hung inside freshly washed glass doors. I walked among the crude little bungalows that spread out to the ramparts, peeping through windows at gilded furniture and enameled bits of wealth and civilization that in this barbaric place seemed priceless and fastidious and even sad.

Now and then through the mire there came a vision: a real French gentleman done up in snow-white wig and fancy frock coat, his wife in panniers, and a black slave carrying clean slippers for the two high above the flowing mud.

I knew that I had come to the most forsaken outpost of the Savage Garden, and that this was my country and I would remain in New Orleans, if New Orleans could only manage to remain. Whatever I suffered should be lessened in this lawless place, whatever I craved should give me more pleasure once I had it in my grasp.

And there were moments on that first night in this fetid little paradise when I prayed that in spite of all my secret power, I was somehow kin to every mortal man. Maybe I was not the exotic outcast that I imagined, but merely the dim magnification of every human soul.

Old truths and ancient magic, revolution and invention, all conspire to distract us from the passion that in one way or another defeats us all.

And weary finally of this complexity, we dream of that long-ago time when we sat upon our mother’s knee and each kiss was the perfect consummation of desire. What can we do but reach for the embrace that must now contain both heaven and hell: our doom again and again and again.

A
ND SO
I came to the end of The Early Education and Adventures of the Vampire Lestat, the tale that I set out to tell. You have the account of Old World magic and mystery which I have chosen, despite all prohibitions and injunctions, to pass on.

But my story isn’t finished, no matter how reluctant I might be to continue it. And I must consider, at least briefly, the painful events that led to my decision to go down into the earth in 1929.

That was a hundred and forty years after I left Marius’s island. And I never set eyes upon Marius again. Gabrielle also remained completely lost to me. She’d vanished that night in Cairo never to be heard from by anyone mortal or immortal that I was ever to know.

And when I made my grave in the twentieth century, I was alone and weary and badly wounded in body and soul.

I’d lived out my “one lifetime” as Marius advised me to do. But I couldn’t blame Marius for the way in which I’d lived it, and the hideous mistakes I’d made.

Sheer will had shaped my experience more than any other human characteristic. And advice and predictions notwithstanding, I courted tragedy and disaster as I have always done. Yet I had my rewards, I can’t deny that. For almost seventy years I had my fledgling vampires Louis and Claudia, two of the most splendid immortals who ever walked the earth, and I had them on my terms.

Shortly after reaching the colony, I fell fatally in love with Louis, a young dark-haired bourgeois planter, graceful of speech and fastidious of manner, who seemed in his cynicism and self-destructiveness the very twin of Nicolas.

He had Nicki’s grim intensity, his rebelliousness, his tortured capacity to believe and not to believe, and finally to despair.

Yet Louis gained a hold over me far more powerful than Nicolas had ever had. Even in his crudest moments, Louis touched the tenderness in me, seducing me with his staggering dependence, his infatuation with my every gesture and every spoken word.

And his naiveté conquered me always, his strange bourgeois faith that God was still God even if he turned his back on us, that damnation and salvation established the boundaries of a small and hopeless world.

Louis was a sufferer, a thing that loved mortals even more than I did. And I wonder sometimes if I didn’t look to Louis to punish me for what had happened to Nicki, if I didn’t create Louis to be my conscience and to mete out year in and year out the penance I felt I deserved.

But I loved him, plain and simple. And it was out of the desperation to keep him, to bind him closer to me at the most precarious of moments, that I committed the most selfish and impulsive act of my entire life among the living dead. It was the crime that was to be my undoing: the creation with Louis and for Louis of Claudia, a stunningly beautiful vampire child.

Her body wasn’t six years old when I took her, and though she would have died if I hadn’t done it (just as Louis would have died if I hadn’t taken him also), this was a challenge to the gods for which Claudia and I would both pay.

But this is the tale that was told by Louis in
Interview with the Vampire
, which for all its contradictions and terrible misunderstandings manages to capture the atmosphere in which Claudia and Louis and I came together and stayed together for sixty-five years.

During that time, we were nonpareils of our species, a silk- and velvet-clad trio of deadly hunters, glorying in our secret and in the swelling city of New Orleans that harbored us in luxury and supplied us endlessly with fresh victims.

And though Louis did not know it when he wrote his chronicle, sixty-five years is a phenomenal time for any bond in our world.

As for the lies he told, the mistakes he made, well, I forgive him his excess of imagination, his bitterness, and his vanity, which was, after all, never very great. I never revealed to him half my powers, and with reason, because he shrank in guilt and self-loathing from using even half of his own.

Even his unusual beauty and unfailing charm were something of a secret to him. When you read his statement that I made him a vampire because I coveted his plantation house, you can write that off to modesty more easily than stupidity, I suppose.

As for his belief that I was a peasant, well that was understandable. He was, after all, a discriminating and inhibited child of the middle class, aspiring as all the colonial planters did to be a genuine aristocrat though he had never met one, and I came from a long line of feudal lords who licked their fingers and threw the bones over their shoulders to the dogs as they dined.

When he says I played with innocent strangers, befriending them and then killing them, how was he to know that I hunted almost exclusively
among the gamblers, the thieves, and the killers, being more faithful to my unspoken vow to kill the evildoer than even I had hoped I would be? (The young Freniere, for example, a planter whom Louis romanticizes hopelessly in his text, was in fact a wanton killer and a cheater at cards on the verge of signing over his family’s plantation for debt when I struck him down. The whores I feasted upon in front of Louis once, to spite him, had drugged and robbed many a seaman who was never seen alive again.)

But little things like this don’t really matter. He told the tale as he believed it.

And in a real way, Louis was always the sum of his flaws, the most beguilingly human fiend I have ever known. Even Marius could not have imagined such a compassionate and contemplative creature, always the gentleman, even teaching Claudia the proper use of table silver when she, bless her little black heart, had not the slightest need ever to touch a knife or a fork.

His blindness to the motives or the suffering of others was as much a part of his charm as his soft unkempt black hair or the eternally troubled expression in his green eyes.

And why should I bother to tell of the times he came to me in wretched anxiety, begging me never to leave him, of the times we walked together and talked together, acted Shakespeare together for Claudia’s amusement, or went arm in arm to hunt the riverfront taverns or to waltz with the dark-skinned beauties of the celebrated quadroon balls?

Read between the lines.

I betrayed him when I created him, that is the significant thing. Just as I betrayed Claudia. And I forgive the nonsense he wrote, because he told the truth about the eerie contentment he and Claudia and I shared and had no right to share in those long nineteenth-century decades when the peacock colors of the ancient regime died out and the lovely music of Mozart and Haydn gave way to the bombast of Beethoven, which could sound at times too remarkably like the clang of my imaginary Hell’s Bells.

I had what I wanted, what I had always wanted. I had
them
. And I could now and then forget Gabrielle and forget Nicki, and even forget Marius and the blank staring face of Akasha, or the icy touch of her hand or the heat of her blood.

But I had always wanted many things. What accounted for the duration of the life he described in
Interview with the Vampire?
Why did we last so long?

All during the nineteenth century, vampires were “discovered” by the literary writers of Europe. Lord Ruthven, the creation of Dr. Polidori, gave way to Sir Francis Varney in the penny dreadfuls, and later came Sheridan Le Fanu’s magnificent and sensuous Countess Carmilla Karnstein, and
finally the big ape of the vampires, the hirsute Slav Count Dracula, who though he can turn himself into a bat or dematerialize at will, nevertheless crawls down the wall of his castle in the manner of a lizard apparently for fun—all of these creations and many like them feeding the insatiable appetite for “gothic and fantastical tales.”