The Wild (10 page)

Because he could not tell inside from out, for an endless moment, he was nauseous and dizzy. It occurred to him that perhaps he had not escaped the attractor after all. Perhaps he was still falling through the black ink of the manifold, falling and falling through the endless nightmares and hallucinations of a pilot who has gone mad. Or perhaps he was still on the planet of his birth; perhaps he was still thirteen years old, still lost in the wind and ice of the sarsara, the great mother storm that had nearly killed him out on the frozen sea before he had come to Neverness. It was possible, he thought, that he had never really reached Neverness or become a pilot. Perhaps he had only dreamed the last nine years of his life. He might be dreaming still. As bubbles rise through dark churning waters, his mind might only be creating dream images of his deepest friend, Hanuman li Tosh, he of the hellish blue eyes and broken soul who had once betrayed him. Who would betray him, who was always staring at Danlo with his death-haunted eyes even as he seared open in Danlo a wound of lightning and blood and memory, the deep and primeval wound that would not be healed. Perhaps the wind had driven Danlo to the ice at last, and at this moment he lay down against terrible cold, frozen and lost in dreams of the future, dreaming his life, dreaming his death. He would never really know. He could never know, and that was the terrifying and paradoxical nature of reality, that if he thought about it too much or looked at it too deeply, it all began to seem somehow unreal.

But I do know, Danlo thought. I know that I know.

Somewhere inside him, beyond his mentations or the impulses of his brain, there was a deeper knowledge. Somehow, without the mediation of his mind, all the cells of his body were gravid with a vast and ancient intelligence, and each individual cell felt the pull of the planet beneath him. Every atom of his body, it seemed, recognized this planet and remembered it. At last he decided that he would no longer doubt this deep sense of reality. He knew that this wandering Earth was real, that he was truly seeing the polar icecaps and the grey-green northern rainforests for what they were. At all costs, he would will himself to affirm what he knew as true and this affirmation of his vision and the whisper of his cells was the full flowering of his truth sense, that mysterious and marvellous consciousness that all people and all things possess.

If this Earth is real, then it has a real origin in spacetime. It is possible that this Earth has not been brought here across space – it is possible that She has created it.

With this thought, a beam of laser light flashed up from the planet's surface through the atmosphere out into space. His telescopes intercepted this intense, coherent light. There was no information bound within this signal that his computers could decode. But the very phenomenon of laser light streaming up from a densely-forested coastline was itself a kind of signal and a kind of information. For the first time, he wondered if human beings might live on this Earth. It seemed only natural that they would. He remembered that his father, on his first journey into the Entity, had discovered a world full of men and women who could not believe that they lived their entire lives inside a stellar nebula rippling with a godly intelligence. Of course, Danlo had seen no cities below him, no mud huts nor pyramids nor domes nor other signs of human life. It was possible that the men of this Earth might live as hunters beneath the canopies of the vast emerald forests. If this was so, then he would never see them from a lightship floating in the near space above their world. Because he was lonely and eager for the sound of human voices – and because he was unbearably curious – he decided to take his ship down through the atmosphere to discover the source of this mysterious laser light.

He fell to Earth down through the exosphere and stratosphere, and then he guided his ship through the billowing (and blinding) layers of clouds of the troposphere. The Snowy Owl fell down into the gravity well of the planet, and Danlo was very glad that he had become the pilot of a lightship, those great, gleaming, winged ships that can fall not only between the stars, but also rocket up and down through the thickest atmospheres. Lightships can fall almost anywhere in the universe, and that was the glory of piloting such a ship, to be as fast and free as a ray of light. And so he fell down and down through dense grey clouds, homing on the place where the laser beam had originated. On a broad sandy beach at the edge of one of the continents he made planetfall. He wasted no time analysing the viruses and bacteria which everywhere swam through this planet's moist winds and oceans. He had not come this far to be killed by a virus. In truth, it is hideously difficult to predict the effects of alien viruses on the human body, and many pilots disdain the dubious results of animal tests or computer simulations or other means of determining what is safe and what is not. For many pilots, the true test of an alien biosphere's lethality is in walking along alien soil and breathing alien air. And this was no alien planet, as Danlo reminded himself. It was Earth. Or rather, it was an Earth, a world of ancient trees and sea otters and snails – and all the other kinds of life that would be as familiar and friendly to him as the bacteria that lived inside his belly.

Therefore Danlo broke open the pit of his ship and fairly fell down to the soft beach sands. It dismayed him to discover that after many days of weightlessness inside his ship, his body was a little weak. Although the pits of all lightships are designed to induce micro-gravities along a pilot's torso and limbs, these intense fields do not quite keep the muscles from shrinking or the bones from demineralizing. As Danlo took his first tentative steps, he found that his slightly wasted leg muscles at first would support him only with difficulty and considerable pain. But then he stood away from his ship, and his bare feet seemed to draw strength from the soft, cold touch of the sand. He stood straight and still, looking down the broad sweep of the beach. To his left, the great grey ocean roared and surged and broke upon the hardpack at the water's edge. To his right, a dark green forest of fir trees flowed like an ocean of a different kind, toward the east and south, and northwards where it swelled up into a headland of rocks and steeply rising hills. There was also something else. Just above the foredunes and beach grasses, where the sand gave way to the towering trees, there was a house. It was a small chalet of shatterwood beams and granite stone, and Danlo suddenly remembered that he knew this house quite well.

No, no, it is not possible.

He stood staring up at this lovely house for a while, and then the cold wind blew in from the ocean and drowned him in memories. Soon he began shaking and shivering. The wind found his belly, and he was suddenly cold as if he had drunk an ocean of ice water. He looked down at his lean, ivory legs quivering in the cold. He was still as naked as a pilot in the pit of his ship, but now that he stood on soft shifting sands, he realized that he was naked to the world. Because he needed to protect himself from the bitter wind and cover his nakedness, he returned to his ship to fetch his boots, his heavy wool cloak, and the racing kamelaika he had once worn while skating the streets of Neverness.

My mind is naked to Her. My memories, my mind.

The Entity, he thought, could read his memories exactly enough to incarnate them as wood and stone – either that or She could make him see this unforgettable house out of his memory where no house really existed. But because he thought that the little white house beneath the forest must be real, he quickly left his ship and returned to the beach. He began trudging up the dunes, the fine sands slipping beneath his boots and his weakened muscles. He worked his way forward and up against the pull of the Earth as if he were drunk on strong alcoholic spirits. Soon, however, with every step taken as he drew nearer the house, he began to acclimatize to the planet's gravity. He remembered how to walk on treacherous sands. He remembered other things as well. Once, in this simple house of white granite that he could now see too well, there had been long nights of passion and love and happiness. Once, a woman had lived here, Tamara Ten Ashtoreth, she of the great heart and broken life whom he had loved and lost. But she had fled this house. In truth, she had fled Danlo and his burning memories. It was said that she had even fled Neverness for the stars. Although Danlo did not think it was possible that she could have found her way to this mysterious planet deep within the Solid State Entity, he hurried up the beach straight towards this house to discover what (or who) lay inside.

Tamara, Tamara – in this house you promised to marry me.

At last, on top of a small, grass-covered hill, at the end of a path laid with flat sandstones, he came up to the house's door. It was thick and arched and sculpted out of shatterwood, a dense black wood native only to islands on the planet Icefall. Shatterwood trees had never grown on Old Earth, and so it was a mystery how the Entity had found shatterwood with which to build this house. He reached out to touch the door. The wood was cold and hard and polished to an impossible smoothness in the way that only shatterwood can be polished. He traced his finger across the lovely grain of the door, remembering. Somehow the Entity had exactly duplicated the door of Tamara's house. In Danlo's mind, just behind his eyes, there were many doors, but this particular one stood out before all others. He remembered exactly how the door planks had joined together in an almost seamless merging of the grain; he could see every knot and ring and dark whorl as if he were standing on the steps of this house on Neverness about to knock on the door. But he was not on Neverness. He stood before the door of an impossible house above a desolate and windswept beach, and the pattern of the whorls twisting through the shatterwood exactly matched the bright black whorls that burned through his memory.

How is it possible? he wondered. How is it possible that all things remember?

For a long time he stood there staring at the door and listening to the cries of the seagulls and other shore birds on the beach below. Then he made a fist and rapped his knuckles against the door. The sound of resonating wood was hollow and ancient. He knocked again, and the sound of bone striking against wood was lost to the greater sounds of the sweeping wind and the ocean that rang like a great deep bell far below him. A third time he knocked, loudly with much force, and he waited. When there was no answer, he tried the clear quartz doorknob, which turned easily in his hand. Then he opened the door and stepped across the threshold into the cold hallway inside.

'Tamara, Tamara!' he called out. But immediately, upon listening to the echoes that his voice made against the hall stones, he knew the house was empty. 'Tamara, Tamara – why aren't you home?'

Out of politeness and respect for the rules of Tamara's house, he removed his boots before walking through her rooms. Because it was a small house laid out across a single floor, there were only five rooms: the hallway gave out onto the brightly lit meditation room, which was adjoined by the bathing room and fireroom at the rear of the house, and the tea room and the small kitchen at the front. It took him almost no time to verify that the house was indeed empty. That is, it was empty of human beings or evidence of present habitation. True, the kitchen was well-stocked with teas, cheeses, and fruits – and fifty other types of foods that Tamara had delighted in preparing for him. But everything about the kitchen – the neat rows of coloured teas in the jars, the oranges and bloodfruit piled high in perfect pyramids inside large blue bowls, the tiled counters completely free of toast crumbs or honey drippings – bespoke a room that hadn't been used recently, but rather prepared for a guest. Similarly, the cotton cushions in the tea room were new and undented, as if no one had ever sat on them. And in the fireroom the shagshay furs smelled of new wool instead of sweat, and the stones of the two fireplaces were clean of ashes or soot. It was as if the Entity, in making this house, had perfectly incarnated the details of his memory but had been unable to duplicate the chaos and disorder (and dirt) that came of living a normal, organic life. But certainly She had duplicated everything else. The rosewood beams of the ceiling and the skylights were exactly as he remembered them. In the tea room, the tea service was set out on the low, lacquered table. And along the sill of the window overlooking the ocean, there was the doffala bear sculpture that he remembered so well and the seven oiled stones. Each object in the house was perfectly made and perfectly matched his memory. Except for one thing. When Danlo walked into the meditation room he immediately noticed a sulki grid hanging on the wall by the fireplace. And that was very strange because Tamara had never collected or used outlawed technology. She had never liked experiencing computer simulations or artificial images or sounds. And even if she'd had a taste for cartoons and other such seemingly real holographic displays, she never would have allowed them to be made in her meditation room. Because Danlo wondered what programs this sulki grid had been programmed to run, he pitched his voice toward it, saying simply, 'On, please.'

For a moment nothing happened. Most likely, he supposed, the sulki grid would be keyed to some voice other than his own. He stood there breathing deeply, and he was almost relieved that the sulki grid appeared to be dead. He had imagined (and feared) that an imago of Tamara would appear before him, as tall and naked and achingly beautiful as ever she had been as a real woman. And then without warning the spiderweb neurologics of the grid flared into life, projecting an imago into the centre of the room. It was like no imago that Danlo had ever seen before. It was all flashing colours and shifting lights, like a column of fire burning up from the floor – but not burning any thing, neither the inlaid shatterwood floor tiles, nor the hanging plants, nor the air itself. Soon the display settled out into a kind of pattern with which he was very familiar. It was an array of ideoplasts, not the ideoplasts of mathematics, but rather those of the Universal syntax. A scarce three feet in front of his face, glowing through the air in jewel-like glyphs of emerald and sapphire and tourmaline, were the three-dimensional symbols of the language beyond language of the holoists that he had learned as a young novice. It was a highly refined and beautiful language that could represent and relate any aspect of reality from the use of alien archetypes in the poets of the Fourth Dark Age to the pattern of neural storm singularities in the brain of a dreaming autist. Ideoplasts could symbolize the paradoxes of the cetic's theory of the circular reduction of consciousness or alien words or – sometimes – even the phonemes and sounds of any human language, living or dead. Most often one encountered ideoplasts in libraries or when interfacing the various cybernetic spaces of a computer in order to discover or create an almost infinite variety of knowledge. Ideoplasts were mental symbols only, and they were best viewed as arrays of lovely and complex glyphs which a computer would cark into the vast visual fields of the mind's eye. And the universal syntax was the language of holists and other academicians wishing to relate the most abstruse and arcane concepts; rarely were its ideoplasts used to represent everyday speech or in the sending of common messages. Only rarely, on Neverness and the other Civilized Worlds, would some pretentious restaurateur (or imprimatur) appropriate the ideoplasts of the universal syntax and instantiate them as glowing neon signs above his shop. But such use of these sacred symbols was considered gauche, even sacrilegious. Danlo had never seen an array of ideoplasts projected in the space of a common room, and so it took him some time to adjust to this new perspective and new way of apprehending them. With his eyes only, he played over the ideoplasts, slowly kithing them, much as he might read ancient Chinese characters or the letters of an unfamiliar alien language written into a book. The message written into the glowing air of the meditation room, as he saw when he finally kithed it, proved to be quite simple. It was a simple greeting, from the mind of a goddess for his eyes only: