The Wildside Book of Fantasy: 20 Great Tales of Fantasy (11 page)

Read The Wildside Book of Fantasy: 20 Great Tales of Fantasy Online

Authors: Gene Wolfe,Tanith Lee,Nina Kiriki Hoffman,Thomas Burnett Swann,Clive Jackson,Paul Di Filippo,Fritz Leiber,Robert E. Howard,Lawrence Watt-Evans,John Gregory Betancourt,Clark Ashton Smith,Lin Carter,E. Hoffmann Price,Darrell Schwetizer,Brian Stableford,Achmed Abdullah,Brian McNaughton

Tags: #Fiction, #General, #Fantasy, #Myth, #legend, #Fairy Tale, #imagaination

BOOK: The Wildside Book of Fantasy: 20 Great Tales of Fantasy
7.7Mb size Format: txt, pdf, ePub

-o-

Ilona, I’m going to try to reach you somehow. I’m setting out today. Wish me luck. —MuttsterPrime

-o-

Mutt left his cheap hotel—roaches the size of bite-sized Snickers bars, obese hookers smoking unfiltered cigarettes and trolling the corridors 24/7—for the fifth time that day. He carried a twofold map. Before he had left the US, he had printed off a detailed street map of Tlun. He had found a similar map for Buenos Aires and transferred it to a transparent sheet. Using certain duplicate, unvarying physical features such as rivers and the shape of the bay, he had aligned the two. This cartographic construction was what he was using to search for Number 39 Badgerway.

Of course, Buenos Aires featured no such street in its official atlas. And the neighborhood that Ilona supposedly lived in was of such a rough nature as to preclude much questioning of the shifty-eyed residents—even if Mutt’s Spanish had been better than the “¿Que pasa, amigo?” variety. Watched suspiciously by glue-huffing, gutter- crawling juveniles and their felonious elders hanging out at nameless bars, Mutt could only risk a cursory inspection of the Badgerway environs.

After checking out the most relevant district, Mutt was reduced to wandering the city’s boulevards and alleys, parks and promenades, looking for any other traces of a hidden, subterranean, alternative city that plainly didn’t exist anywhere outside the fevered imagination of a handful of online losers, praying for a glimpse of an unforgotten female face graced by a small mole. Maybe Ilona was some Argen­tinian hacker-girl who had been subliminally trying to overcome her own reluctance to divulge her real whereabouts by giving him all these clues.

But even if that were the case, Mutt met with no success.

He had now been in Argentina for ten days. All costs, from expensively impromptu airline tickets to meals and lodging, had been put on plastic. He had turned his last paycheck into local currency for small purchases, but Mutt’s loan payments had left him no nest egg. And the upper limits on his lone credit card weren’t infinite. Pretty soon he’d have to admit defeat, return the New York, and try to pick up the shambles of his life.

But for the next few days anyhow, he would continue to look for Tlun and Ilona.

Returning today to the neighborhood labeled Funes on the Tlun map, Mutt entered a small café he had come to patronize only because it was marginally less filthy than any other. He ordered a coffee and a pastry. Spreading his map on the scarred countertop he scratched his stubble and pondered the arrangement of streets. Had he explored every possible niche—?

A finger tapped Mutt’s shoulder. He turned to confront a weasly individual whose insincere yet broad smile revealed more gaps than teeth. The fellow wore a ratty Von Dutch t-shirt that proclaimed
I KISS BETTER THAN YOU
.


Señor
, what is it you look for? Perhaps I can help. I know this district like the breast of my own mother.”

Mutt realized that this guy must be some kind of con-artist. But even so, he represented the best local informant Mutt had yet encountered, the only person who had deigned to speak with him.

Pointing to the map, Mutt said, “I’m looking for this street. Do you know it?”


Si, seguro
! I will take you there without delay!”

Experiencing a spark of hope, Mutt followed the guide outside.

They came to a dank
calle
Mutt was half-sure he had visited once before. The guide gestured to a shadowy cross-street that was more of a channel between buildings, only large enough for pedestrian traffic. A few yards along, the street transformed into a steep flight of greasy twilit stairs.

“Right down here,
señor
, you will find
exactamente
what you are looking for.”

Mutt tried to banish all fear from his heart and head. He summoned up into his mind’s eye Ilona’s smiling face. He advanced tentatively into the claustrophobic cattle-chute.

He heard the blow coming before he felt it. Determined not to lose his focus on Ilona, he still could not help flinching. The blow sent him reeling, blackness seeping over Ilona’s face like spilled tar, until only her smile, Cheshire-cat-like, remained, then faded.

* * * *

Sunlight poured through lacy curtains, illuminating a small cheerful room. On the wall hung a painting which Mutt recognized as one of Sigalit’s studies for his
Skydancer
series. Mutt saw a vase filled with strange flowers on a nearby small table. Next to the flowers sat a box labeled
LIBERTO’S ECLECTIC PASTILLES
and a book whose spine bore the legend:

Ancient Caprices
, by Idanell Swonk

Mutt lay in what was obviously a hospital bed, judging by the peripheral gadgetry around him, including an object-box and a pair of meta-palps. The blanket covering him diffused an odd yet not unpleasant odor, as if woven from the hairs of an unknown beast. He saw what looked like a call button and he buzzed it.

A nurse hurried into the room, all starched calm business in her traditional tricornered hat and life-saving medals.

Behind her strode Ilona Grobes.

Ilona hung back smiling only until the nurse assured herself that Mutt was doing fine and left. Then Ilona flung herself on Mutt. They hugged wordlessly for minutes before she stood up and found a seat for herself.

“Oh, Mutt, what
happened
to you? A Junior Effectuator found you unconscious a few feet from my door and brought you here. I was at work. The first thing I knew about your troubles was when I saw your picture on the evening propaedeutic. ‘Unknown citizen hospitalized.’ I rushed right here, but the remediators told me not to wake you. You slept for over thirty hours, right from Fishday to Satyrsday!”

Mutt grabbed Ilona’s hand. “Let’s just say I had kind of a hard time getting to Tlun.”

Ilona giggled. “What a funny accent you have! That’s one thing that doesn’t come across online.”

“And you—you’re more beautiful than any photo. And you smell like—like vanilla icecream.”

Ilona looked shyly away, then back. “I’m sure that’s a compliment, whatever vanilla icecream may be. But look—I brought you some candy, and one of my favorite books.”

“Thank you. Thank you very much for being here.”

No icecream, Mutt thought. He’d be a millionaire by this time next year.

They talked for several hours more, until the sounds of some kind of commotion out in the hall made them pause.

The door to Mutt’s room opened and three men walked in. They were clad in elaborately stitched ceremonial robes and miters, and carried among them several pieces of equipment.

Seeing Mutt’s puzzlement, Ilona explained. “It’s just a team of Assessors. Golusty died yesterday, shortly after your arrival. The Imperial Search has begun.”

One Assessor addressed Ilona. “Citizen Grobes, your testing will take place at your residence. But we need to assess this stranger now.”

“Of course,” Ilona said.

The Assessors approached Mutt’s bedside. “With your permission, citizen—”

Mutt nodded, and they placed a cage of wires studded with glowing lights and delicate sensors on his head like a crown.

SPACE-TIME FOR SPRINGERS, by Fritz Leiber

Gummitch was a superkitten, as he knew very well, with an I.Q. of about 160. Of course, he didn’t talk. But everybody knows that I.Q. tests based on language ability are very one-sided. Besides, he would talk as soon as they started setting a place for him at table and pouring him coffee. Ashurbanipal and Cleopatra ate horsemeat from pans on the floor, and they didn’t talk. Baby dined in his crib on milk from a bottle, and he didn’t talk. Sissy sat at table but they didn’t pour her coffee and she didn’t talk—not one word. Father and Mother (whom Gummitch had nicknamed Old Horsemeat and Kitty-Come-Here) sat at table and poured each other coffee and they
did
talk. Q.E.D.

Meanwhile, he would get by very well on thought projection and intuitive understanding of all human speech—not even to mention cat patois, which almost any civilized animal could play by ear. The dramatic monologues and Socratic dialogues, the quiz and panel show appearances, the felidological expedition to darkest Africa (where he would uncover the real truth behind lions and tigers), the exploration of the outer planets—all these could wait. The same went for the books for which he was ceaselessly accumulating material:
The Encyclopedia of Odors, Anthropofeline Psychology, Invisible Signs and Secret Wonders, Space-Time for Springers, Slit Eyes Look at Life,
et cetera. For the present it was enough to live existence to the hilt and soak up knowledge, missing no experience proper to his age level—to rush about with tail aflame.

So to all outward appearances Gummitch was just a vividly normal kitten, as shown by the succession of nicknames he bore along the magic path that led from the blue-eyed infancy toward puberty: Little One, Squawker, Portly, Bumble (for purring, not clumsiness), Old Starved-to-Death, Fierso, Loverboy (affection, not sex), Spook, and Catnik. Of these only the last perhaps requires further explanation: the Russians had just sent Muttnik up after Sputnik, so that when one evening Gummitch streaked three times across the firmament of the living room floor in the same direction, past the fixed stars of the humans and the comparatively slow-moving heavenly bodies of the two older cats, and Kitty-Come-Here quoted the line from Keats:

Then felt I like some watcher of the skies

When a new planet swims into his ken;

it was inevitable that Old Horsemeat would say, “Ah—Catnik!”

* * * *

The new name lasted all of three days, to be replaced by Gummitch, which showed signs of becoming permanent.

The little cat was on the verge of truly growing up, at least so Gummitch overheard Old Horsemeat comment to Kitty-Come-Here. A few short weeks, Old Horsemeat said, and Gummitch’s fiery flesh would harden, his slim neck thicken, the electricity vanish from everything but his fur, and all his delightful kittenish qualities rapidly give way to the earthbound single-mindedness of a tom. They’d be lucky, Old Horsemeat concluded, if he didn’t turn completely surly like Ashurbanipal.

Gummitch listened to these predictions with gay unconcern and with secret amusement from his vantage point of superior knowledge, in the same spirit that he accepted so many phases of his outwardly conventional existence: the murderous sidelong looks he got from Ashurbanipal and Cleopatra as he devoured his own horsemeat from his own little tin pan, because they sometimes were given canned cat food but he never; the stark idiocy of Baby, who didn’t know the difference between a live cat and a stuffed teddy bear and who tried to cover up his ignorance by making goo-goo noises and poking indiscriminately at all eyes; the far more serious—because cleverly hidden—maliciousness of Sissy, who had to be watched out for warily—especially when you were alone—and whose retarded—even warped—development, Gummitch knew, was Old Horsemeat and Kitty-Come-Here’s deepest, most secret worry (more of Sissy and her evil ways soon); the limited intellect of Kitty-Come-Here, who despite the amounts of coffee she drank was quite as featherbrained as kittens are supposed to be and who firmly believed, for example, that kittens operated in the same space-time as other beings—that to get from
here
to
there
they had to cross the space
between
—and similar fallacies; the mental stodginess of even Old Horsemeat, who although he understood quite a bit of the secret doctrine and talked intelligently to Gummitch when they were alone, nevertheless suffered from the limitations of his status—a rather nice old god but a maddeningly slow-witted one.

But Gummitch could easily forgive all this massed inadequacy and downright brutishness in his felino-human household, because he was aware that he alone knew the real truth about himself and about other kittens and babies as well, the truth which was hidden from weaker minds, the truth that was as intrinsically incredible as the germ theory of disease or the origin of the whole great universe in the explosion of a single atom.

As a baby kitten Gummitch has believed that Old Horsemeat’s two hands were hairless kittens permanently attached to the ends of Old Horsemeat’s arms but having an independent life of their own. How he had hated and loved those two five-legged sallow monsters, his first playmates, comforters and battle-opponents!

Well, even that fantastic discarded notion was but a trifling fancy compared to the real truth about himself!

The forehead of Zeus split open to give birth to Minerva. Gummitch had been born from the waist-fold of a dirty old terry-cloth bathrobe, Old Horsemeat’s basic garment. The kitten was intuitively certain of it and had proved it to himself as well as any Descartes or Aristotle. In a kitten-size tuck of that ancient bathrobe the atoms of his body had gathered and quickened into life. His earliest memories were of snoozing wrapped in terrycloth, warmed by Old Horsemeat’s heat. Old Horsemeat and Kitty-Come-Here were his true parents. The other theory of his origin, the one he heard Old Horsemeat and Kitty-Come-Here recount from time to time—that he had been the only surviving kitten of a litter abandoned next door, that he had had the shakes from vitamin deficiency and lost the tip of his tail and the hair on his paws and had to be nursed back to life and health with warm yellowish milk-and-vitamins fed from an eyedropper—that other theory was just one of those rationalizations with which mysterious nature cloaks the birth of heroes, perhaps wisely veiling the truth from minds unable to bear it, a rationalization as false as Kitty-Come-Here and Old Horsemeat’s touching belief that Sissy and Baby were their children rather than the cubs of Ashurbanipal and Cleopatra.

* * * *

The day that Gummitch had discovered by pure intuition the secret of his birth he had been filled with a wild instant excitement. He had only kept it from tearing him to pieces by rushing out to the kitchen and striking and devouring a fried scallop, torturing it fiendishly first for twenty minutes.

And the secret of his birth was only the beginning. His intellectual faculties aroused, Gummitch had two days later intuited a further and greater secret: since he was the child of humans he would upon reaching this maturation date of which Old Horsemeat had spoken, turn not into a sullen tom but into a godlike human youth with reddish golden hair the color of his present fur. He would be poured coffee; and he would instantly be able to talk, probably in all languages. While Sissy (how clear it was now!) would at approximately the same time shrink and fur out into a sharp-clawed and vicious she-cat dark as her hair, sex and self-love her only concern, fit harem-mate for Cleopatra, concubine to Ashurbanipal.

Exactly the same was true, Gummitch realized at once, for all kittens and babies, all humans and cats, wherever they might dwell. Metamorphosis was as much a part of the fabric of their lives as it was of the insects’. It was also the basic fact underlying all legends of werewolves, vampires, and witches’ familiars.

If you just rid your mind of preconceived notions, Gummitch told himself, it was all very logical. Babies were stupid, fumbling, vindictive creatures without reason or speech. What could be more natural than that they should grow up into mute, sullen, selfish beasts bent only on rapine and reproduction? While kittens were quick, sensitive, subtle, supremely alive. What other destiny were they possibly fitted for except to become the deft, word-speaking, book-writing, music-making, meat-getting-and-dispensing masters of the world? To dwell on the physical differences, to point out that kittens and men, babies and cats, are rather unlike in appearance and size, would be to miss the forest for the trees—very much as if an entomologist should proclaim metamorphosis a myth because his microscope failed to discover the wings of a butterfly in a caterpillar’s slime or a golden beetle in a grub.

Nevertheless it was such a mind-staggering truth, Gummitch realized at the same time, that it was easy to understand why humans, cats, babies, and perhaps most kittens were quite unaware of it. How to safely explain to a butterfly that he was once a hairy crawler, or to a dull larva that he will one day be a walking jewel? No, in such situations the delicate minds of man- and feline-kind are guarded by a merciful mass amnesia, such as Velikovsky has explained prevents us from recalling that in historical times the Earth was catastrophically bumped by the planet Venus operating in the manner of a comet before settling down (with a cosmic sigh of relief, surely!) into its present orbit.

This conclusion was confirmed when Gummitch in the first fever of illumination tried to communicate his great insight to others. He told it in cat patois, as well as that limited jargon permitted, to Ashurbanipal and Cleopatra and even, on the off chance, to Sissy and Baby. They showed no interest whatever, except that Sissy took advantage of his unguarded preoccupation to stab him with a fork.

Later, alone with Old Horsemeat, he projected the great new thoughts, staring with solemn yellow eyes at the old god, but the latter grew markedly nervous and even showed signs of real fear, so Gummitch desisted. (“You’d have sworn he was trying to put across something as deep as the Einstein theory or the doctrine of original sin,” Old Horsemeat later told Kitty-Come-Here.)

But Gummitch was a man now in all but form, the kitten reminded himself after these failures, and it was part of his destiny to shoulder secrets alone when necessary. He wondered if the general amnesia would affect him when he metamorphosed. There was no sure answer to this question, but he hoped not—and sometimes felt that there was reason for his hopes. Perhaps he would be the first true kitten-man, speaking from a wisdom that had no locked doors in it.

Once he was tempted to speed up the process by the use of drugs. Left alone in the kitchen, he sprang onto the table and started to lap up the black puddle in the bottom of Old Horsemeat’s coffee cup. It tasted foul and poisonous and he withdrew with a little snarl, frightened as well as revolted. The dark beverage would not work its tongue-loosening magic, he realized, except at the proper time and with the proper ceremonies. Incantations might be necessary as well. Certainly unlawful tasting was highly dangerous.

The futility of expecting coffee to work any wonders by itself was further demonstrated to Gummitch when Kitty-Come-Here, wordlessly badgered by Sissy, gave a few spoonfuls to the little girl, liberally lacing it first with milk and sugar. Of course Gummitch knew by now that Sissy was destined shortly to turn into a cat and that no amount of coffee would ever make her talk, but it was nevertheless instructive to see how she spat out the first mouthful, drooling a lot of saliva after it, and dashed the cup and its contents at the chest of Kitty-Come-Here.

Gummitch continued to feel a great deal of sympathy for his parents in their worries about Sissy and he longed for the day when he would metamorphose and be able as an acknowledged man-child truly to console them. It was heartbreaking to see how they each tried to coax the little girl to talk, always attempting it while the other was absent, how they seized on each accidentally wordlike note in the few sounds she uttered and repeated it back to her hopefully, how they were more and more possessed by fears not so much of her retarded (they thought) development as of her increasingly obvious maliciousness, which was directed chiefly at Baby … though the two cats and Gummitch bore their share. Once she had caught Baby alone in his crib and used the sharp corner of a block to dot Baby’s large-domed lightly downed head with triangular red marks. Kitty-Come-Here had discovered her doing it, but the woman’s first action had been to rub Baby’s head to obliterate the marks so that Old Horsemeat wouldn’t see them. That was the night Kitty-Come-Here hid the abnormal psychology books.

Gummitch understood very well that Kitty-Come-Here and Old Horsemeat, honestly believing themselves to be Sissy’s parents, felt just as deeply about her as if they actually were, and he did what little he could under the present circumstances to help them. He had recently come to feel a quite independent affection for Baby—the miserable little proto-cat was so completely stupid and defenseless—and so he unofficially constituted himself the creature’s guardian, taking his naps behind the door of the nursery and dashing about noisily whenever Sissy showed up. In any case, he realized that as a potentially adult member of a felino-human household he had his natural responsibilities.

Accepting responsibilities was as much a part of a kitten’s life, Gummitch told himself, as shouldering unsharable intuitions and secrets, the number of which continued to grow from day to day.

There was, for instance, the Affair of the Squirrel Mirror.

* * * *

Gummitch had early solved the mystery of ordinary mirrors and of the creatures that appeared in them. A little observation and sniffing and one attempt to get behind the heavy wall-job in the living room had convinced him that mirror beings were insubstantial or at least hermetically sealed into their other world, probably creatures of pure spirit, harmless imitative ghosts—including the silent Gummitch Double who touched paws with him so softly yet so coldly.

Just the same, Gummitch had let his imagination play with what would happen if one day, while looking into the mirror world, he should let loose his grip on his spirit and let it slip into the Gummitch Double while the other’s spirit slipped into his body—if, in short, he should change places with the scentless ghost kitten. Being doomed to a life consisting wholly of imitation and completely lacking in opportunities to show initiative—except for behind-the-scenes judgment and speed needed in rushing from one mirror to another to keep up with the real Gummitch—would be sickeningly dull, Gummitch decided, and he resolved to keep a tight hold on his spirit at all times in the vicinity of mirrors.

Other books

Fire Season by Jon Loomis
Growing Into Medicine by Ruth Skrine
Darkness Under the Sun by Dean Koontz
La dama de la furgoneta by Alan Bennett
Appleby Farm by Cathy Bramley
Nate Coffin's Revenge by J. Lee Butts