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Authors: William Carpenter

The Wooden Nickel

BOOK: The Wooden Nickel
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Copyright

Copyright © 2002 by William Carpenter

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including
information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may
quote brief passages in a review.

Hachette Book Group

237 Park Avenue, New York, NY 10017

Visit our website at
www.HachetteBookGroup.com
.

First eBook Edition: June 2009

The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and
not intended by the author.

ISBN: 978-0-316-07651-7

Contents

Copyright

Chapter: 1

Chapter: 2

Chapter: 3

Chapter: 4

Chapter: 5

Chapter: 6

Chapter: 7

Chapter: 8

Chapter: 9

Chapter: 10

Chapter: 11

Chapter: 12

ALSO BY
W
ILLIAM
C
ARPENTER

A Keeper of Sheep

This book is dedicated to my tireless muse and critic, Donna Gold. It would not have been possible without the support of
many others, especially Elmer Beal, Philip Campbell, Hans Duvefelt, M.D., Ron Gold, Howdy Houghton, Majo Kaleshian, Sylvester
Pollet, Dr. Sean Todd, Clinton Trowbridge, my editors Michael Pietsch and Asya Muchnick, and my extraordinary agent, Alison
Bond.

His clothes always smelled
of gasoline and fish.

— Leo Connellan,

“By the Blue Sea”

1

H
E’S SOUND ASLEEP
, no dreams, nothing, then a hand touches his forehead and he surfaces slowly, as if they’re hauling his brain off a fifteen-fathom
ledge. The voice sounds like a stranger, though it’s the same one that has whispered him awake for twenty years. “
Lucas.
It’s almost quarter of five.”

She gets up even before he does, checks out the forecast on the scanner, arranges his clothes on the bedroom recliner so he
can feel for them in the dark. He can tell the weather from what’s laid out for him. Today it might as well be January, she’s
got the union suit, two sweatshirts, wool pants, two pair of socks. “What the hell?” he says.

“Look.”

He raises the blind. The red GMC pickup down in the driveway is covered with snow.

“Jesus H. Christ, Sarah. It’s
April.

“Quiet, you’ll wake the kids. The weather radio says it’s changing to rain. And you know, Lucas, it’s not just April, it’s
the fifteenth. Have you mailed the tax forms?”

“Fuck them bastards. I paid them last year.”

“You didn’t, Lucas. It was the year before. And I wound up doing it.”

April 15 may be a black moment for the lawful citizen, but it’s Opening Day for the lobstermen of Orphan Point, and the
Wooden Nickel
’s sitting out there in the predawn darkness with forty-eight brand-new wooden traps weighing down the stern. He was up till
near midnight loading them on because that son of a bitch Hannaford put him on last for the dock crane. Clyde Hannaford blames
everyone in town for his wife problem but for some reason Lucky most of all, though he knows god damn well Lucky’s married
with two kids and Sarah does not cut him much slack to frig around.

He is tired and pissed, mainly at himself for not putting the pickup in the garage so he has to scrape two inches of wet slush
off the windshield, and for taking the big Fisher plow off the hook already and storing it out back. Forty-six years in Orphan
Point, you’d think he’d seen enough April blizzards to know better, but this is the year they said global warming was supposed
to kick in. Fucking environmentalists, nothing but broken promises. If you have your head up your ass, naturally the world
is going to look like shit.

He would have liked to plow Sarah out before going to work. Now he can’t. The pickup’s got thirty-three-inch Wranglers, it
can steam through this fluff without even going into four-wheel drive. But her little blue Lynx with the twelve-inch tires
won’t be able to claw its way out of the garage. Kyle won’t shovel her out either, because she’ll let him sleep till ten minutes
before his ride like he was still in the second grade. Well fuck her, he thinks, she has dug her own grave with that kid,
she’ll be lucky if he doesn’t end up in Thomaston like Howard Thurston’s son that robbed the convenience store, three and
a half years and one suspended.

Now she’s bent over in the half-light, going through his pockets. “Just making sure you have your medication along. There
won’t be any drugstores out there.”

“And checking for cigarettes.”

“We do want to keep you alive, Lucas, even if it’s against your will. You know what young Dr. Burnside said, and I’m not going
to be along to remind you.”

She doesn’t find them. Fact is, the Marlboros went aboard already, along with the gear, fuel and bait.

Thick snow blows towards his windshield so it feels like he’s stopped dead and the white world is swimming past. He drives
the still-unplowed road around the back side of the cove towards Hannaford’s wharf. Other pickups are coming from other directions,
their lights illuminating the snowflakes like darting schools of shiners as they converge on the waterfront. Lucky of course
knows every truck, every driver and passenger, even in the predawn darkness, and he would know them if struck blind, so long
as he could hear their individual engines and the wake of their oversize tires through the snow.

Every boat wants to be first out of the harbor on opening day, so they are all heading straight down to the wharf and out
to sea, without stopping for coffee and crullers at Doris’s. He, Lucky Lunt, was once among the first men out with the most
traps, but last season Kyle stopped sterning for him, he had to do all the work out there, and he slowed down. One string
of traps and he’d break into a sweat, have to stop, have a cigarette, a beer maybe, rest half an hour before hauling the next
string. Then in the fall he shot the moose up in Ambajezus and couldn’t get it out of the woods. They found him passed out
on top of the christly thing, at first they couldn’t tell which one was dead, him or the moose. The paramedics had to use
his own four-wheeler to haul him out to a field where the chopper could land. They flew him to the Tarratine hospital and
found his arteries choked up like a saltwater engine block. Eleven years since his last checkup. They did the first angioplasty
on the spot and sent him home, he was out on the water in a week. They drill right through your crotch up into the coronaries
and inflate a long skinny five-thousand-dollar condom which is supposed to push the layers of butter and french fries back
against the arterial wall. Sarah served the moose for Thanksgiving dinner, next morning he was back in the heart ward for
another try. The second time, when they pulled the balloon out they left a stent to keep the stuff in place, a few inches
of stainless steel plumbing that will still shine like starlight when the rest of him’s eaten up by worms.

Sarah had a hard time adjusting to a metal part inside her husband, but the way he sees it, the stent brings him that much
closer to the hearts of his boat and truck, an honorary member of the mechanical world.

After the operation they poisoned him with vegetables and put him on three or four different-colored pills, which he’s long
since mixed together in the same brown bottles, one in the pickup, one over the bathroom sink. He takes a handful of them
now and then when Sarah reminds him, though they make him seasick in front of the TV. Well fuck that, he’d rather listen to
country, though when the stock car races are on he clings to both arms of his chair and watches anyway.

He’s also under strict orders to slow it down, not drive straight to his chained-up skiff but pause for a cup of decaf at
the Blue Claw, and if Doris is not yet open, spend a moment relaxing in the pickup cab with the heater on listening to High
Country 104. Course it will make him the last boat on the water, an honor that used to belong to Alonzo Gross, but now the
Wooden Nickel
will bring up the fucking rear. He used to be right up there with Art Pettingill, who goes to bed at half past seven and
rises at three, but now he’s supposed to cut his stress level in half and take time “for himself,” as Dr. Burnside told him,
but who the fuck is himself? There’s lobsters, there’s the
Wooden Nickel
and there’s the sea. That’s it.

Doris opens the Blue Claw sharply at five-thirty, but he’s already in the parking lot at twenty past. He knows she’s in there
because her old Plymouth minivan’s out back with the faded blue claw on its two front doors. The restaurant windows are fogged
already with coffee steam, but the closed sign is still up and she’s not going to flip it around till five-thirty even if
the coffee is turning to creosote at the bottom of the urn.

There’s enough light now to make out the silhouette of the
Wooden Nickel
moored among the Orphan Point fleet, all of them stern down and low in the water under their first-day load of traps. A wheelhouse
light snaps on in one of the boats, then another, then red and green running lights that blur through the light snow like
it’s still Christmas. The first diesel kicks in, maybe Pettingill’s but nope, it’s a straight-six, probably Dennis Gower in
the
Kathleen and Brian,
which he repowered with a Volvo 102 last year but it already sounds like an old man farting himself to death. Big dumb Swedes,
twenty-four hours of daylight and still they can’t build shit.

The diesel sounds float in over the water and fill his heart with anxiety and competition till he feels the medication kick
in and slow it down. How is he going to cut his christly stress level in half if he has to sit here hearing the other boats
start up? He takes the pill bottle out of his lunchbox and puts it in the glove compartment instead. Fuck that. He’s not going
on the water with that stuff.

The DJ is still playing his mellow wee-hours material, it fits right in with the sky clearing and the late stars coming through
the clouds. He even lets himself cue up Garth Brooks’s “Go Tell It on the Mountain” because of the weather, must still be
winter up in the mountains where their studio is. On the western side of the harbor, lined with gloomy vacant summer estates,
there’s not a sign of life. On the east, though, all along the shore he can make out the lights of fishermen’s homes through
the colorless snowy haze of dawn. The men are already at work but their wives are cleaning up after the first-shift breakfast
and getting ready to rouse and feed the kids. He knows the town so well it’s like X-ray vision, he can see through the walls,
knows each woman in each kitchen, each kid in bed, the contents of the refrigerator and what station she’s tuned to waiting
for the sun to come up, country mostly, but some will have the Christian station or the talk show, then they’ll all switch
over to Rush when he comes on.

It was torture to see Art Pettingill and his boy drive past him in their big crew-cab F-350, not even turning to look at the
Blue Claw, straight to the mooring. Art’s boy will be straining at the oars, Big Art in the stern, skiff sinking under his
whale’s body and the twelve-pound lunch pail in his lap, Art putting the sponge to her every ten seconds because she’s still
full of shotgun holes from when the Split Cove boys gave him a piece of advice. He hears their boat start up, old Caterpillar
320 with dual pipes up through the wheelhouse roof. The
Bonanza. Banana,
it should be called, it’s got the hog shape and the yellow hull covering the rust that drips off of all Art’s gear. Still,
he is a highliner and he brings them in. Thirty-five thousand pounds of lobster last season and his wife won’t let him trade
the boat. Alma Pettingill’s a churchgoing woman and she’s got him securely by the nuts.

Art’s son is fifteen, sixteen, great big kid, just the right age for a sternman. Another year or two and they want their own
boats, then you have to hire a stranger who half the time won’t know what the fuck is going on. Sternperson, that’s what you’re
supposed to call them now, though somehow that word makes him think of doing it dog style, he can’t say why. Things have changed,
there’s a lot of female sternmen. Wives, daughters, girlfriends, it does improve the morning if you can get laid down in the
cuddy after a few strings, but for Lucky Lunt the purpose of going out on the water is to catch lobsters, and like his old
man used to quote out of the Bible, a man’s not supposed to mix fish and flesh. The day Ellis Seavey took that Tarratine girl
with the bikini top out to show her his trapline, Lucky shouted, “Going after crabs today?” and Ellis didn’t speak to him
for a month. That whole summer Ellis had one hand under his oilskins, scratching away, till his uncle Lester lent him his
tube of Captain Scratch’s crotch ointment and they found someplace else to live.

BOOK: The Wooden Nickel
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