The Year's Best Dark Fantasy and Horror (54 page)

He started to walk, but slowly, calling out several times into the silence. The light gradually grew brighter. A few more minutes and a second light appeared, and then a third. They cast no glow upon the tunnel, nor shadows: he could see neither walls nor ceiling, nor any sign of those who carried the lights. All three seemed suspended in the air, perhaps ten feet above the floor, and all bobbed slowly up and down, as though each was borne upon a pole.

Jeffrey froze. The lights were closer now, perhaps thirty feet from where he stood.

“Who is it?” he whispered.

He heard the slightest of sounds, a susurrus as of escaping air. With a cry he turned and fled, his footsteps echoing through the passage. He heard no sounds of pursuit, but when he looked back, the lights were still there, moving slowly toward him. With a gasp he ran harder, his chest aching, until one foot skidded on something and he fell. As he scrambled back up, his hand touched a flat smooth object; he grabbed it and without thinking jammed it into his pocket, and raced on down the tunnel.

And now, impossibly, in the vast darkness before him he saw a jot of light that might have been reflected from a spider’s eye. He kept going. Whenever he glanced back, he saw the trio of lights behind him.

They seemed to be more distant now. And there was no doubt that the light in front of him spilled from the fogou’s entrance—he could see the outlines of the doorway, and the dim glister of quartz and mica in the walls to either side. With a gasp he reached the steps, stumbled up them and back out into the blinding light of afternoon. He stopped, coughing and covering his eyes until he could see, then staggered back across first one field and then the next, hoisting himself over rocks heedless of blackthorns tearing his palms and clothing, until at last he reached the final overgrown tract of heather and bracken, and saw the white roof of his rental car shining in the sun.

He ran up to it, jammed the key into the lock and with a gasp fell into the driver’s seat. He locked the doors, flinching as another car drove past, and finally looked out the window.

To one side was the gate he’d scaled, with field after field beyond; to the other side the silhouettes of Gurnard’s Head and its sister promontory. Beyond the fields, the sun hung well above the lowering mass of Zennor Hill. The car’s clock read 15:23.

He shook his head in disbelief: it was impossible he’d been gone for scarcely an hour. He reached for his cell phone and felt something in the pocket beside it—the object he’d skidded on inside the fogou.

He pulled it out. A blue metal disc, slightly flattened where he’d stepped on it, with gold-stamped words above a beacon.

ST. AUSTELL SWEETS: FUDGE FROM REAL CORNISH CREAM

He turned it over in his hands and ran a finger across the raised lettering.

Becca gave one to each of us the day we arrived. The fudge was supposed to last the entire two weeks, and I think we ate it all that first night.

The same kind of candy tin where Evelyn had kept her comb and Anthea her locket and chain. He stared at it, the tin bright and enamel glossy-blue as though it had been painted yesterday. Anyone could have a candy tin, especially one from a local company that catered to tourists.

After a minute he set it down, took out his wallet and removed the photo Evelyn had given him: Evelyn and Moira doubled-up with laughter as Anthea stared at them, slightly puzzled, a half-smile on her face as though trying to determine if they were laughing at her.

He gazed at the photo for a long time, returned it to his wallet, then slid the candy lid back into his pocket. He still had no service on his phone.

He drove very slowly back to Cardu, nauseated from sunstroke and his terror at being underground. He knew he’d never been seriously lost—a backwards glance as he fled the mound reassured him that it hadn’t been large enough for that.

Yet he was profoundly unnerved by his reaction to the darkness, the way his sight had betrayed him and his imagination reflexively dredged up the images from Evelyn’s story. He was purged of any desire to remain another night at the cottage, or even in England, and considered checking to see if there was an evening train back to London.

But by the time he edged the car down the long drive to the cottage, his disquiet had ebbed somewhat. Thomsa and Harry’s car was gone. A stretch of wall had been newly repaired, and many more daffodils and narcissus had opened, their sweet fragrance following him as he trudged to the front door.

Inside he found a plate with a loaf of freshly baked bread and some local blue cheese, beside it several pamphlets with a yellow Sticky note.

Jeffrey—

Gone to see a play in Penzance. Please turn off lights downstairs. I found these books today and thought you might be interested in them.

Thomsa

He glanced at the pamphlets—another map, a flyer about a music night at the pub in Zennor, a small paperback with a green cover—crossed to the refrigerator and foraged until he found two bottles of ale. Probably not proper B&B etiquette, but he’d apologize in the morning.

He grabbed the plate and book and went upstairs to his room. He kicked off his shoes, groaning with exhaustion, removed his torn windbreaker and regarded himself in the mirror, his face scratched and flecked with bits of greenery.

“What a mess,” he murmured, and collapsed onto the bed.

He downed one of the bottles of ale and most of the bread and cheese. Outside, light leaked from a sky deepening to ultramarine. He heard the boom and sigh of waves, and for a long while he reclined in the window-seat and stared out at the cliffs, watching as shadows slipped down them like black paint. At last he stood and got some clean clothes from his bag. He hooked a finger around the remaining bottle of ale, picked up the book Thomsa had left for him, and retired to the bathroom.

The immense tub took ages to fill, but there seemed to be unlimited hot water. He put all the lights on and undressed, sank into the tub and gave himself over to the mindless luxury of hot water and steam and the scent of daffodils on the windowsill.

Finally he turned the water off. He reached for the bottle he’d set on the floor and opened it, dried his hands and picked up the book. A worn paperback, its creased cover showing a sweep of green hills topped by a massive tor, with a glimpse of sea in the distance.

OLD TALES FOR NEW DAYS

BY ROBERT BENNINGTON

Jeffrey whistled softly, took a long swallow of ale and opened the book. It was not a novel but a collection of stories, published in 1970—Cornish folktales, according to a brief preface, “told anew for today’s generation.” He scanned the table of contents—“Pisky-Led,” “Tregeagle and the Devil,” “Jack the Giant Killer”—then sat up quickly in the tub, spilling water as he gazed at a title underlined with red ink: “Cherry of Zennor.” He flipped through the pages until he found it.

Sixteen-year-old Cherry was the prettiest girl in Zennor, not that she knew it. One day while walking on the moor she met a young man as handsome as she was lovely.

“Will you come with me?” he asked, and held out a beautiful lace handkerchief to entice her. “I’m a widower with an infant son who needs tending. I’ll pay you better wages than any man or woman earns from here to Kenidjack Castle, and give your dresses that will be the envy of every girl at Morvah Fair.”

Now, Cherry had never had a penny in her pocket in her entire young life, so she let the young man take her arm and lead her across the moor . . .

There were no echoes here of
The Sun Battles,
no vertiginous terrors of darkness and the abyss; just a folk tale that reminded Jeffrey a bit of “Rip Van Winkle,” with Cherry caring for the young son and, as the weeks passed, falling in love with the mysterious man.

Each day she put ointment on the boy’s eyes, warned by his father never to let a drop fall upon her own. Until of course one day she couldn’t resist doing so, and saw an entire host of gorgeously dressed men and women moving through the house around her, including her mysterious employer and a beautiful woman who was obviously his wife. Bereft and betrayed, Cherry fled; her lover caught up with her on the moor and pressed some coins into her hand.

“You must go now and forget what you have seen,” he said sadly, and touched the corner of her eye. When she returned home she found her parents dead and gone, along with everyone she knew, and her cottage a ruin open to the sky. Some say it is still a good idea to avoid the moors near Zennor.

Jeffrey closed the book and dropped it on the floor beside the tub. When he at last headed back down the corridor, he heard voices from the kitchen, and Thomsa’s voice raised in laughter. He didn’t go downstairs; only returned to his room and locked the door behind him.

He left early the next morning, after sharing breakfast with Thomsa at the kitchen table.

“Harry’s had to go to St. Ives to pick up some tools he had repaired.” She poured Jeffrey more coffee and pushed the cream across the table toward him. “Did you have a nice ramble yesterday and go to the Tinners?”

Jeffrey smiled but said nothing. He was halfway up the winding driveway back to Cardu before he realized he’d forgotten to mention the two bottles of ale.

He returned the rental car then got a ride to the station from Evan, the same man who’d picked him up two days earlier.

“Have a good time in Zennor?”

“Very nice,” said Jeffrey.

“Quiet this time of year.” Evan pulled the car to the curb. “Looks like your train’s here already.”

Jeffrey got out, slung his bag over his shoulder and started for the station entrance. His heart sank when he saw two figures arguing on the sidewalk a few yards away, one a policeman.

“Come on now, Erthy,” he said, glancing as Jeffrey drew closer. “You know better than this.”

“Fuck you!” she shouted, and kicked at him. “Not my fucking name!”

“That’s it.”

The policeman grabbed her wrist and bent his head to speak into a walkie-talkie. Jeffrey began to hurry past. The woman screamed after him, shaking her clenched fist. Her eye with its bloody starburst glowed crimson in the morning sun.

“London!” Her voice rose desperately as she fought to pull away from the cop. “London, please, take me—”

Jeffrey shook his head. As he did, the woman raised her fist and flung something at him. He gasped as it stung his cheek, clapping a hand to his face as the policeman shouted and began to drag the woman away from the station.

“London!
London!
”

As her shrieks echoed across the plaza, Jeffrey stared at a speck of blood on his finger. Then he stooped to pick up what she’d thrown at him: a yellow pencil worn with toothmarks, its graphite tip blunted but the tiny, embossed black letters still clearly readable above the ferrule.

RAVENWOOD.

The story of the goddess Inanna’s journey to the underworld has been retold for at least five thousand years. Here, the ancient is combined with the science fictional for a powerful and poetic tale.

Conservation of Shadows
Yoon Ha Lee

There is no such thing as conservation of shadows. When light destroys shadows, darkness does not gain in density elsewhere. When shadows steal over earth and across the sky, darkness is not diluted.

Hello, Inanna. You have seven inventory slots, all full. The seventh contains your heart, which cannot be removed. We will do our best to remedy this.

A feast awaits you at the end, sister. I am keeping it warm for you. You will be cold by the time you reach my hall beneath the floors of the world. Meadow honey on barley cakes, cheese, and the tender flesh of goats; plums and pears brighter than the jewels in your hair; wine less sweet than birdsong and more bitter than tears. Taken together they form a nutritionally complete diet.

You think that all we eat in the underworld is dust and all we drink is the dregs of rain, but that is not the case. Come and share the feast.

You hesitate over the shadow-gun at your waist. Notice the holster, leather stamped with a lioness on each side. The leather comes from a lioness’s hide. She is dead, sister. She cannot aid you here.

I can’t tell you how to pass through the first gate. More accurately, I could, but I won’t. We live by different laws in the underworld, we who live at all. Now you must respect those laws as well.

The gate lies there. Your fingers move toward it, then draw back. How wise of you. Gates are hungry. They demand propitiation. Once a woman put her hand in a gate and it ate her fingers. A five-legged spider with red eyes crawled out. That woman put in three fingers from her other hand, so that the spider might be complete. Do you have that integrity of purpose, sister?

No, what you feed the gate is other. It is easy for gates to be dark, maws opening to the earth’s own secrets. They wonder what light is like. So you tempt it with the jewels in your hair. Poor gate: it knows nothing about symbolism. It knows only that the tinted diamonds and emeralds and lapis lazuli glint with the evening star’s passion. Down you draw the golden pins from your dark hair and let that torrent free.

Eagerly, the gate lips at the diamonds’ fire, the emeralds’ intimation of bounty, the lapis lazuli’s memory of the sky that cannot be seen. The color leaches from the diamonds, leaving them ashen. The other stones, less hardy, crumble into dust, their virtue vanished.

Sated, the gate eats no more of you as you pass through, divested of glory yet more beautiful than ever.

The fires won’t hurt you unless you let them, sister. Hungry already? You’ll be hungrier still. Don’t roast the flesh off your bones. It’s not time yet.

Did you think the underworld moved in ignorance of summer? The season that scours the earth and fills the stomachs of those above ground while leaving us below-ground with the rotting chaff? At least we know that we are the chaff of days, the dust of time.

It is summer because you’ve scarcely left the world above. Just think, sister: the longer you linger here, the more the leaves shrivel gold and brown on the branches; the more the last grapes wither on the vines.