Authors: Paolo Cesaretti
First published in the United States of America by
Magowan Publishing LLC and The Vendome Press
1334 York Avenue
New York, NY 10021
© 2001 Arnoldo Mondadori Editore S.p.a., Milan
English translation copyright © 2004 Magowan Publishing LLC
All rights reserved. No part of the contents of this book may be reproduced
without written permission of the publisher.
Library of Congress Cataloging-in-Publication Data
Theodora : empress of Byzantium / Paolo Cesaretti ; translated from the Italian by
Rosanna M. Giammanco Frongia.
“A Mark Magowan Book.”
Includes bibliographical references and index.
ISBN: 0-86565-237-6 (alk. paper)
1. Theodora, Empress, consort of Justinian I, Emperor of the East, d. 548 2. Empresses--Byzantine Empire--Biography. 3. Byzantine Empire--History--Justinian I, 527-565. I. Title.
Jacket designed by Lisa Vaughn
Interior designed by Francesca Belanger
Maps by Jeffrey L. Ward
The translation of this book has been funded by
Front cover: detail of mosaic of Theodora and her attendants from the basilica of San Vitale, Ravenna. Back cover: detail of mosaic of Justinian from basilica of San Vitale. Both © Cameraphoto Arte, Venezia
The original Italian version of this volume was published in the autumn of 2001, before I read Clive Foss’s article about Theodora published in 2002. In addition, James Allan Evans’s book on Theodora,
The Empress Theodora: Partner of Justinian,
promises to add significantly to the literature on this important historical figure. My text would certainly have benefited from my having read these works, but I don’t think I would have changed my basic concept, which is reflected in this edition: I have tried to build a real narrative out of the facts of this great woman’s life and give the story a certain rhythm. This element of artifice is ultimately the most important part of any biographer’s work (as Hans-Georg Beck, the great scholar of Theodora and Procopius, has noted). Because the same few sources are (almost) all used by every one of her biographers—mute sources that leave themselves open to all sorts of interpretations—I have sifted through and reorganized them into something new. A friend of mine described the result of this effort as “not a fictionalized biography but a biographical novel.” I like the expression and I hereby adopt it.
I am deeply grateful to Vendome Press and particularly to Mark Magowan for being interested in my book in the first place, and for his great care in producing the best English edition possible. I have Rosanna Giammanco to thank for translating the text, and Abigail Asher for her editing: I cannot praise her enough for her patience with knotty Italian word problems, and for her rigorous treatment of the
Greek and Latin terms I used in the original edition, and which, when appropriate, are used here.
Thanks to Peter Garlid, Emanuela Canali, and Isabel Venero, who all helped to bring this edition into being. The editions in English and Greek (the chief language spoken by Theodora and Procopius) were both subsidized by grants from the European Secretariat for Scientific Publications in Bologna (Segretariato Europeo per le Pubblicazioni Scientifiche, or SEPS). I’m happy, of course, about the grants for personal reasons, but I’m even more gratified by their cultural significance: this biography, with its interpretation of the sources and its various literary devices, is considered to have its roots in “science.” My thanks to Chiara Segafredo on behalf of all her colleagues at
With each reprint of the original Italian edition, and each publication of foreign editions, information and facts are updated or modified to reflect local differences or new information uncovered by recent research, but the intent and the basic structure of the work remains the same. I emphasize this to introduce my readers to the idea of the divergent interpretations of the texts used to study Theodora: these issues are relevant here because they have always influenced the image of Theodora provided by historians and other writers. So what is the real “truth” about Theodora? That’s a question that cannot be tackled in this foreword—that is part of our story.
Milan, December 2003