Thirst No. 5
Authors: Christopher Pike
For Liesa, my kind and brilliant editor
I
exist outside of time, for a time. It’s no dream. I’m closer to death than to sleep. Yet I’m experiencing only a memory of my death, of the days I spent separate from my body, lost and confused, after Matt shot me in the heart. At last the truth of what happened during that time has come back to me. I discover that I have attained my final goal, to be with Krishna.
I know because he stands before me.
Yet as I gaze into his unfathomable blue eyes, I realize I exist in another dimension as well. I’m still on earth, in a crummy motel in the middle of a waterless desert. My vision of Krishna is actually a month old. Yet it feels so real—he has always felt that way to me—and it’s painful to even consider returning to my endless life.
Have I not done enough for mankind?
Then I think of those close to me—Seymour, Matt, Paula, and John—those I love. And I know the answer to my question is no. The enemy has not been destroyed. My friends still need my help.
My internal decision is potent enough to alter my environment. My vision of Krishna wavers. The sweet perfume of his eternal realm evaporates as the dry air of the physical desert stings my skin.
My heart breaks as I struggle to say good-bye.
Krishna raises his hand. Our fingers touch, and he speaks.
“Don’t weep, Sita . . .”
But I fail to hear his final words.
My sorrow drowns them out. . . .
I
’m back in the motel room, staring down at Shanti’s headless body and a mound of shattered glass. The glass is from the window that broke when I threw her head into the parking lot in a fit of rage.
Rage that was very close to pleasure.
“Om, Shanti, Shanti, Shanti,” I say to myself. The repetitive sounds constitute a famous mantra in India. It means “Peace, peace, peace.” It is similar to the Christian prayer “Peace be with you.” How ironic, I think, that the demon I have fought since I first became aware of the Telar and the IIC should have chosen to possess the body of a young woman with such a sacred name.
Yet I feel no pity for the original Shanti. The demon could not have penetrated her heart without her permission. Only at the end did Shanti reveal how much she enjoyed causing others pain, just like her master.
Well, she is dead now, thank God.
But is the enemy? Have I even scratched his armor? Unfortunately, I haven’t a clue. If only Umara were still alive. She was the world’s expert when it came to demons. But Matt’s mother sacrificed her life so I could destroy her people, the Telar, and the evil forces arrayed behind them. The cynical part of me wonders if her sacrifice was in vain. How does one destroy an evil that doesn’t have a physical body?
I hear approaching footsteps and know their source. There’s only one other in the miserable motel who has my hearing. Matt must have heard the breaking glass and come to investigate. He knocks lightly and I call to him. He pokes his head inside my door.
“Why is Shanti’s head sitting on the hood of our SUV?” he asks.
Matt has on white shorts, no shirt or shoes. His well-muscled body is deeply tanned, his dark hair a mess from jumping up from sleep. But even though I just woke him up, his eyes are highly alert. How his eyes remind me of his father, Yaksha, the first and most powerful of all vampires. Matt is half vampire, half Telar, an immortal coin from his head to his toes.
Looking at him, mostly naked in the room’s dim light, I feel heat stir down below. Despite the circumstances, the lust does not surprise me. My attraction to him has been there from the start.
“She was the one. She was the spy,” I reply.
Matt steps into the room. “You’re sure?”
“She told a few lies, and when I confronted her . . .” I shrug. “She confessed who she was before I killed her.”
“What does this mean?” Matt asks. His question appears simple but it is multilayered. Like me, he wants to know if we’ve finally destroyed the demon. He’s also asking if Shanti’s death means the computer program that was planted on the Internet by the Cradle—a group of psychic children—is going to stop hunting us.
We have been on the run since we blew up the IIC’s headquarters and supposedly killed every member of the Cradle except for one, Ms. Cynthia Brutran’s five-year-old daughter, Jolie. The two are asleep three doors away. I can only assume they failed to hear the breaking glass.
“I’m not sure,” I say. “But at least with Shanti out of the way what we talk about will no longer be heard by those who are trying to kill us.”
Matt’s puzzled. “You were close to her. You miss nothing. How was she able to fool you for so long?”
The question stings.
“She played me. It’s no excuse, it’s just . . .” I pause, searching for the key to her deception. “She made me care for her.”
Matt glances out the motel door, at the trickle of blood that runs over the SUV hood from the base of her severed skull. “You weren’t alone. You know Seymour loved her. This is going to kill him.”
“Let’s not tell him until morning.”
“Fine.”
“I don’t want him to see her like this.”
Matt nods. “Don’t worry, I’ll take the body and bury it in the desert. No one will find it.”
“Thank you.”
Matt reaches down and lifts Shanti’s headless torso with one hand. The blood of Yaksha and my daughter, Kalika, flows through my veins, which makes me almost invincible. Yet I know Matt is stronger than me, although I’m not sure of the extent of his power. He’s reluctant to show it, even to me, but I don’t take offense. In this way we are alike: He has a hard time trusting people. That’s why his question continues to sting. I was the first one in the group to meet Shanti, and trust her.
“While I’m taking care of the body, go through her things,” Matt says. “You never know what you might find.”
“Good idea.” I had already planned to do that. “Are you sure you don’t want help?”
“It’s not necessary. I have a shovel in the trunk.”
“What made you bring a shovel?”
“Times like this.”
Matt stuffs the torso and head into several large-size garbage bags and walks off into the desert. He doesn’t take the SUV; he doesn’t need it. I feel a wave of relief as he disappears into the dark. Seymour’s a night owl. There’s always a chance he’s up, watching TV or reading. He could even be writing a
new book. He once told me he seldom went a whole day without writing a few pages.
Shanti has a small suitcase in our motel room but a larger one in the back of the SUV. I find it interesting that she went out of her way to leave it in the vehicle. When I first open it, I’m disappointed. It’s stuffed with clothes, a few magazines, a pair of boots, running shoes, a watch, and a cell phone—devoid of any stored numbers.
Yet when I have finished emptying the suitcase on her bed, I notice a faint bulge on the interior of the lid, beneath the leather lining. Human eyes would never have noticed it. The area is sewn shut; indeed, it looks as if it has never been exposed since the day the suitcase was constructed. If I were to hide something, I think, and it were important to me, I would put it in exactly the same place.
I tear off the inner lining of the suitcase.
There’s a manila envelope inside. I open it with a swipe of my fingernail. Inside are two items: a business card and a photograph. The card lists the name of a lawyer: Michael Larson of Pointe, Wolf, and Larson, 1250 Avenue of the Americas, New York, New York. The card is made of high-quality paper, the printing is impeccable. It smells of money.
Written on the back of the card, with a dull pencil, is another New York phone number.
The photograph is of a middle-aged couple. The woman looks familiar, even though I’m certain I’ve never met her
before. The couple sits smiling on a couch beside an open window that looks out on rolling grassland with a lake in the distance.
They appear to be a typical couple. The man has his arm around his wife. I’m certain they’re married. There’s an ease between them that only comes from having lived many years together. I see their love for each other in their eyes.
Looking out the window, behind them, I’m pretty sure I see a piece of land that belongs to North Carolina. The type of trees, the color of the lake, the way the green fields slope—I’ve visited the area before.
On a small end table, to the right of the couch where they sit, is a black-and-white photograph. The picture is handsomely framed but it was taken with a primitive camera. The print is grainy, the focus questionable. I suspect the photograph was snapped in the forties or fifties.
Once more, there’s a couple, although these two are younger and they’re standing on Ellis Island, near the foot of the Statue of Liberty. They’re not alone—a hundred people mill in the background. Most look weary and I can understand why. They have just crossed the Atlantic and arrived in the New World.
But the couple at the forefront of the group don’t look exhausted. On the contrary, they’re bursting with excitement to be standing on the doorstep of New York City. Studying their faces I can see all the hopes and dreams they have for their
future. But I also see their joy is tempered with sorrow. Even if I didn’t know them, I’d still see the pain in their eyes.
But I do know them.
Their names are Harrah and Ralph Levine.
I met them during World War II, in Paris, and spent time with them in the most hellish place the modern age has ever known: Auschwitz, the concentration camp where over a million Jews were slaughtered. It was only because of Harrah and Ralph that I survived the camp.
Now I know why the woman on the couch looks familiar.
She’s the granddaughter of Harrah and Ralph.
I’m still staring at the photograph when Matt returns. I hand it over, along with the card, and tell him who the people in the pictures are. Matt listens closely and studies them with a penetrating gaze. I don’t bother to point out the numeric codes imprinted on Harrah’s and Ralph’s forearms. Matt misses nothing.
“How did you happen to become friends?” he asks when he hands back the picture.
“We worked together in Paris, with the French Resistance.”
“Did you stay in contact after the war?”
“Not exactly.” I pause. “We were all sent to Auschwitz.”
Matt is stunned. “You’re not telling me you were a prisoner?”
“I wasn’t a guest.”
“Sita, how could the Nazis contain you? I don’t understand.”
Those days are difficult for me to talk about.
“It’s a long story, an unbelievable story. Toward the end of the war, I decided to help the Allies defeat the Nazis. My reasons were complex—I’d just as soon not go into them now. But I never imagined for a moment that I’d be taken prisoner by a bunch of fanatical Germans. The idea was preposterous. But the Nazis—they had weapons I never imagined.”
“I’m not following you,” Matt says.
I shake my head. “It would take time to explain. And even if I do tell you everything, there’s a good chance you’ll think I made most of it up.”