Touchstone Anthology of Contemporary Creative Nonfiction (16 page)

BOOK: Touchstone Anthology of Contemporary Creative Nonfiction
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A woman is at the door and she has three balls on a string she wishes to insert in my ass, and then she will pull the string at the moment of orgasm.

A woman is at the door and she says she has cuffs.

A woman is at the door late at night and we make love, and as she leaves she says she can’t see me again because she is getting married in the morning.

Two women are at the door…

We like to call things that disturb us a jungle, to wall them off from our sense of order and self. But we all inhabit that forest, a dense thicket of desire and dread, both burning bright. We want to categorize: victims or studs, seduced or seducers. And we can hardly look at people who we agree are criminals and admit we feel some of their passions and fantasies within ourselves. My life in those days erased boundaries and paid no attention to whether I was a predator or a victim or a newspaper savior with a byline. I was attractive to women because what I knew made me somehow safe. Ruined people were telling me things they never told anyone else, and the women dealing with ruined people were sharing secrets as well, and some of those secrets were fantasies they wished to act out. There is a way to go so deep into the secrets and hungers of your culture that you live without concern for the mores and with a keen sense of your own needs. I have seen this state most often in the old, who finally realize that the rules of conduct are optional and read what they wish, say what they think, and live in sin without a qualm. I didn’t feel guilt. Then or now. I didn’t feel love. I didn’t seek a cure. Getting in bed with women was a pleasure but not the center of my life. The center of my life was crime. And sex was also an attempt to redeem or exorcise what I saw. As the crimes piled up and corroded my energy and will, I ceased to find even cold comfort in women, and everything in my life became perfunctory except for the crimes. I have hard memories of my life then but not bad memories. But of the work, I still have nightmares. I still drive by commonplace haunts and see weeping women, bodies, a terrified child, an eviscerated girl. There are accepted ways of dealing with such experiences: the secular renunciation of a clinical visit to all the Betty Ford centers out there, the religious rebirth of being born again. I did neither. I simply continued plowing my way into that night.

She sits up in bed and asks, “Aren’t my breasts beautiful? Aren’t they the best you’ve ever seen?”

I nuzzle her hair. Time has passed, the story long gone, the woman in the lavender dress with the hard words and the maimed child is now the woman here.

She tells me her husband has been suspicious of me.

I ask her what she told him.

“Don’t worry.” She smiles. “I told him you were a queer.”

Then she slides over, gets up, and rolls a joint.

 

   

Rule Number One: No One Can Handle the Children.

I’ll tell you something that although not a trade secret is not generally said to others outside the work. The rapes are bad but not that bad. The mind is protected from what adults do to adults. There is a squeamishness about the rapes, an embarrassment among the men who investigate them, and an anger among the women who treat the casualties. But the rapes can be handled to a degree. Of course, it’s not as easy as homicide; people stay in homicide forever and never lose pleasure in their work. Sex crimes generally cycle people out in two years. And it is the kids who do it. No one can handle the kids. But then the highway patrol always dreads the car wreck with kids. It goes against nature as we know it.

Once I was helping a guy move — him, his wife, their two young daughters — and a box I was carrying out broke open and small paperbacks spilled to the ground in the bright sunshine. I gathered them up and then idly flipped through one, and then another and another. They were all cheap things from no-name presses about men — daddies, uncles, whoever — fucking kids. I was stunned and did not know what to do. I felt oddly violated, like it was wrong for me to have to know this. So I put them back in the box and put the box in the truck and said nothing and did nothing.

That is part of what I feel as I enter the gray police station and go to the offices where the sex-crimes unit works. They’ve got a treasure trove of child pornography seized from perps, and in my memory the stack rises six or seven feet. They leave me at a table with it, and what they want is for me to look at it and come out with an article recommending that people who possess such materials go to prison.

The collection mainly features boys, seven, eight, nine from the looks of them, and they are sucking off men, taking it in the ass, being perfect pals about everything. I am struck not by what I feel but by how little I feel. It is like handling the treasured and sacred icons of a dead religion. I have careful constitutional qualms filed in my mind — basically, that to think something is not a crime. Fucking kids and taking pictures — that is already against the law. So I stand firmly on the Constitution of the United States and look at photographs I do not believe should exist made by and for people I do not believe should exist. I look for hours and still feel nothing. I am in a place beyond the power of empathy.

A few months later I get a thick packet of fifty or sixty typed pages. The writer is facing a long prison sentence for having had sex with Scouts, as I recall. He writes with courtesy, clarity, and an almost obsessive sense of detail. Essentially, nothing ever happened except that he tried to comfort and love his charges. I doubt him on his details but come to sense that he means his general thesis about love. He loves children, totally, and locks on them with the same feeling I have for adult women.

That is what I take away from the photos the police want outlawed and the autobiography of the man they eventually send away to be raped and possibly murdered by fellow convicts for being a child molester. A crime is being committed by people who see themselves as the perfect friend. Other things are being committed by people who see themselves as lovers. And, of course, a lot of things are being done by people who have no romantic delusions about their desires but are full of hate, who drag women off into the bushes or a corner because they hate them and are going to get even by causing pain, humiliation, and, at times, death. Cycles of abuse, the role of pornography, the denigration of women by Hollywood and glossy magazines — there is no single, simple explanation for sex crimes. But in the case of the men who use children for sex there is often this fixation, this sense of love, which always leads them to betray the very idea of love itself by using children for their own selfish ends.

During this period of my life my musical taste changes and slowly, without my awareness, starts sliding backward through the decades. One day I decide to look up a style of music I’ve been listening to in a big Merriam-Webster dictionary. Torch song: from the phrase “to carry a torch for” (to be in love); first appeared 1930; a popular sentimental song of unrequited love.

 

   

The walls are block, humming fluorescent lights replace windows, and we sit in rows forming a semicircle as the woman teaching the class speaks. She is very nicely done up in a sedate professional suit, tasteful hair, low-key makeup: she has a serious and clear voice. The prisoners mark time as I go through rape therapy in the joint. I am not here because of a story. I’ve come to find something beneath the stories or deep within myself. The boundaries between normal, accepted sexual appetite and crime are blurring for me. People get an erotic charge out of playing with consent — holding each other down, tying each other up — indulging in ritualized dominance. Rape is an eerie parody of accepted life, an experience using the same wardrobe but scratching the word “consent” from the script. I am obeying the law and the rules of consent, but I am losing a sense of distance between my obedient self and those who break the law. When I listen to women tell of the horrors they’ve experienced, the acts they recount are usually familiar to me, and what they recount as true terror, the sense of powerlessness, strikes chords within me also. I can’t abide being in the joint even for this class. I can’t take the bars, guards, walls.

The men, struggling to earn good time, feign attention. They answer questions appropriately and wear masks of serious thought. I don’t believe them for an instant, and I think that this class is a farce and that nothing will deter my colleagues from their appointed rounds when they leave this place. The woman herself, from a good family and with sound religious values, has been attacked — “I am part of the sisterhood,” she once told me shyly — and she has brought me here so that I will see hope and share her hope. So I sit with the current crop of convicted rapists — “There are no first-time offenders,” a cop once snarled at me, “just sons of bitches that finally get caught” — and feel no hope. Of course, prison is rape culture — “just need a bunk and a punk,” one local heroin dealer offered in explaining his lack of concern about doing time.

The session finally ends, and we bleed out the door of the room into the prison corridor. I am ambling along in a throng of convicts, the woman walking just ahead in her prim suit with her skirt snug on her hips. The guy next to me is singing some kind of blues about what he’s gonna do to that bad bitch. I’ve blotted out the actual song. I can remember the corridor (we are strolling east), see her up ahead, hear him singing next to me, his lips barely moving as he floats his protest against the class and her fucking control and all that shit, but not the lyrics themselves. They’re gone, erased by my mind, I suspect in self-defense. Afterward, she and I go to a truck stop and eat apple pie, and I can still see the whiteness of her teeth as she smiles and speaks brightly about her work.

Later, I taste child-molestation therapy, a regimen where men who have fucked their own children sit in a circle and talk while their wives run the show. It’s either show up at such sessions or the joint — so attendance is rather good. Afterward, I go off with the boys and we have beers. In recounting his lapse from accepted behavior, each and every one of them describes the act itself as fondling. Apparently, there are hordes of diligently caressed children out there. I nurse my beer and say little, pretending to try to understand. But I understand nothing at all. I have seen the end result of fondling, and it does not look at all like fondling to me. I cannot put myself in their place. I cannot see children as sexual objects, it does not seem to be in me. I fixate, I realize, on women. And my fixation is sanctioned, as long as I toe the line. Such thoughts lead to a place without clear light. We all share a biology and deep drives, and what we have created — civilization, courtesy, decency — is a mesh that comes from these drives and also contains and tames them. Whatever feels good is not necessarily good. But what I learn is that whatever is bad is not necessarily alien to me. Or to you.

 

   

She loves pornography. It’s around midnight, and she is standing in the motel room clutching a bottle of champagne against her black garter belt and peering intently into the screen of the television as fornicating couples, powered by the handyman of American fantasy, the telephone man, frolic. This is one of the seedy motels that cultivate hourly rates, water beds, and hardcore cinema, a place much like the room where my life in this world began with the splotch on the wall left by the toddler’s head. She is a counselor, one of the many I now deal with, and she likes sex and is fascinated by pornography. This is not unusual; another woman, a professional woman I deal with, has several hundred pornographic tapes. But the interests of the woman in the black garter belt are kept off the table at her work and left to the night hours and random bouts with me. Days are for the maimed — in her case, children with cigarette burns and sore orifices. Some nights are like this.

I glance at her naked ass, see the serene concentration of her face as she tracks the movie, and I am empty. She and I share the same country, and there is a big hole in us, so we come here. We live in a place past the moral strictures of sin and lust; we run on empty. For us, sex has been drained of its usual charge, delight is beyond our reach. This is a fact. As the months roll past, I feel this slippage within me. I will have lunch or dinner or a drink or coffee with someone and wind up in a place like this. Romance is not a consideration. There is seldom anyone to talk with, and when there is someone, a person like the woman in the black garter belt watching the porn movie, a person stumbling across the same terrain, there is nothing to say, since we both know. So we come here. A proper distance from our appetites has been denied us, so we seek moments of obliteration. I have never regretted those moments or fully understood them. I just knew then, and know now, that they come with the territory.

But the slippage bothers me. I seem to drift, and the drift is downward. Not into sin and the pit but into that emptiness. I am losing all desire and mechanically go through the motions of life. Food also does not tempt me. I flee into the wild country with my backpack, flee again and again for days and days, but increasingly this tactic does not work. Once I am lying by a water hole in July and it is 104 degrees at 1:00
A.M
. (I get up with my flashlight and check my thermometer.) I am crawling with crabs. When I go back I buy twelve bottles of the recommended cure and for a day have coffee or drinks with a succession of women, handing each a bottle. I take this in stride, as do they. One woman is briefly anxious because she fears I have called her only to deliver the medicine, but this feeling passes when I assure her that this is not true, that I really wanted to see her. I think we then go to bed. It turns out that this mini-epidemic has come from the therapist who showers three or four times a day. She also is quite calm about it and prefers to talk about her new favorite movie, something entitled
Little Oral Annie
. She tells me she resents the smirks of the male clerks when she rents it at the video store, and I politely sympathize.

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