Vampires 3 (139 page)

"I shouldn't have thought so much of it" said the landlord; "but only look at the aggravation of the thing. After I have asked him four guineas a week, and expected to be beaten down to two, to be then told that he would not have cared if it had been eight. It is enough to aggravate a saint."

"Well, I agree with you there," said another; "that's just what it is, and I only wonder that a man of your sagacity has not quite understood it before."

"Understood what?"

"Why, that he is a vampyre. He has heard of Sir Francis Varney, that's the fact, and he's come to see him. Birds of a feather, you know, flock together, and now we shall have two vampyres in the town instead of one."

The party looked rather blank at this suggestion, which, indeed, seemed rather uncomfortable probably. The landlord had just opened his mouth to make some remark, when he was stopped by the violent ringing of what he now called the vampyre's bell, since it proceeded from the room where the Hungarian nobleman was.

"Have you an almanack in the house?" was the question of the mysterious guest.

"An almanack, sir? well, I really don't know. Let me see, an almanack."

"But, perhaps, you can tell me. I was to know the moon's age."

"The devil!" thought the landlord; "he's a vampyre, and no mistake. Why, sir, as to the moon's age, it was a full moon last night, very bright and beautiful, only you could not see it for the clouds."

"A full moon last night," said the mysterious guest, thoughtfully; "it may shine, then, brightly, to-night, and if so, all will be well. I thank you,—leave the room."

"Do you mean to say, sir, you don't want anything to eat now?"

"What I want I'll order."

"But you have ordered nothing."

"Then presume that I want nothing."

The discomfited landlord was obliged to leave the room, for there was no such a thing as making any answer to this, and so, still further confirmed in his opinion that the stranger was a vampyre that came to see Sir Francis Varney from a sympathetic feeling towards him, he again reached the bar-parlour.

"You may depend," he said, "as sure as eggs is eggs, that he is a vampyre. Hilloa! he's going off,—after him—after him; he thinks we suspect him. There he goes—down the High-street."

The landlord ran out, and so did those who were with him, one of whom carried his brandy and water in his hand, which, being too hot for him to swallow all at once, he still could not think of leaving behind.

It was now gelling rapidly dark, and the mysterious stranger was actually proceeding towards the lane to keep his appointment with the boy who had promised to conduct him to the hiding-place of Sir Francis Varney.

He had not proceeded far, however, before he began to suspect that he was followed, as it was evident on the instant that he altered his course; for, instead of walking down the lane, where the boy was waiting for him, he went right on, and seemed desirous of making his way into the open country between the town and Bannerworth Hall.

His pursuers—for they assumed that character—when they saw this became anxious to intercept him; and thinking that the greater force they had the better, they called out aloud as they passed a smithy, where a man was shoeing a horse,—

"Jack Burdon, here is another vampyre!"

"The deuce there is!" said the person who was addressed. "I'll soon settle him. Here's my wife gets no sleep of a night as it is, all owing to that Varney, who has been plaguing us so long. I won't put up with another."

So saying, he snatched from a hook on which it hung, an old fowling-piece, and joined the pursuit, which now required to be conducted with some celerity, for the stranger had struck into the open country, and was getting on at good speed.

The last remnants of the twilight were fading away, and although the moon had actually risen, its rays were obscured by a number of light, fleecy clouds, which, although they did not promise to be of long continuance, as yet certainly impeded the light.

"Where is he going?" said the blacksmith. "He seems to be making his way towards the mill-stream."

"No," said another; "don't you see he is striking higher up towards the old ford, where the stepping-stones are!"

"He is—he is," cried the blacksmith. "Run on—run on; don't you see he is crossing it now? Tell me, all of you, are you quite sure he is a vampyre, and no mistake? He ain't the exciseman, landlord, now, is he?"

"The exciseman, the devil! Do you think I want to shoot the exciseman?"

"Very good—then here goes," exclaimed the Smith.

He stooped, and just as the brisk night air blew aside the clouds from before the face of the moon, and as the stranger was crossing the slippery stones, he fired at him.

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How silently and sweetly the moon's rays fall upon the water, upon the meadows, and upon the woods. The scenery appeared the work of enchantment, some fairy land, waiting the appearance of its inhabitants. No sound met the ear; the very wind was hushed; nothing was there to distract the sense of sight, save the power of reflection.

This, indeed, would aid the effect of such a scene. A cloudless sky, the stars all radiant with beauty, while the moon, rising higher and higher in the heavens, increasing in the strength and refulgence of her light, and dimming the very stars, which seemed to grow gradually invisible as the majesty of the queen of night became more and more manifest.

The dark woods and the open meadows contrasted more and more strongly; like light and shade, the earth and sky were not more distinct and apart; and the ripling stream, that rushed along with all the impetuosity of uneven ground.

The banks are clothed with verdure; the tall sedges, here and there, lined the sides; beds of bulrushes raised their heads high above all else, and threw out their round clumps of blossoms like tufts, and looked strange in the light of the moon.

Here and there, too, the willows bent gracefully over the stream, and their long leaves were wafted and borne up and down by the gentler force of the stream.

Below, the stream widened, and ran foaming over a hard, stony bottom, and near the middle is a heap of stones—of large stones, that form the bed of the river, from which the water has washed away all earthy particles, and left them by themselves.

These stones in winter could not be seen, they were all under water, and the stream washed over in a turbulent and tumultuous manner. But now, when the water was clear and low, they are many of them positively out of the water, the stream running around and through their interstices; the water-weeds here and there lying at the top of the stream, and blossoming beautifully.

The daisy-like blossoms danced and waved gently on the moving flood, at the same time they shone in the moonlight, like fairy faces rising from the depths of the river, to receive the principle of life from the moon's rays.

'Tis sweet to wander in the moonlight at such an hour, and it is sweet to look upon such a scene with an unruffled mind, and to give way to the feelings that are engendered by a walk by the river side.

See, the moon is rising higher and higher, the shadows grow shorter and shorter; the river, which in places was altogether hidden by the tall willow trees, now gradually becomes less and less hidden, and the water becomes more and more lit up.

The moonbeams play gracefully on the rippling surface, here and there appearing like liquid silver, that each instant changed its position and surface exposed to the light.

Such a moment—such a scene, were by far too well calculated to cause the most solemn and serious emotions of the mind, and he must have been but at best insensible, who could wander over meadow and through grove, and yet remain untouched by the scene of poetry and romance in which he breathed and moved.

At such a time, and in such a place, the world is alive with all the finer essences of mysterious life. 'Tis at such an hour that the spirits quit their secret abodes, and visit the earth, and whirl round the enchanted trees.

'Tis now the spirits of earth and air dance their giddy flight from flower to flower. 'Tis now they collect and exchange their greetings; the wood is filled with them, the meadows teem with them, the hedges at the river side have them hidden among the deep green leaves and blades.

But what is that yonder, on the stones, partially out of the water—what can it be? The more it is looked at, the more it resembles the human form—and yet it is still and motionless on the hard stones—and yet it is a human form. The legs are lying in the water, the arms appear to be partially in and partially out, they seem moved by the stream now and then, but very gently—so slightly, indeed, that it might well be questioned if it moved at all.

The moon's rays had not yet reached it; the bank on the opposite side of the stream was high, and some tall trees rose up and obscured the moon. But she was rising higher and higher each moment, and, finally, when it has reached the tops of those trees, then the rays will reach the middle of the river, and then, by degrees, it will reach the stones in the river, and, finally, the body that lies there so still and so mysteriously.

How it came there it would be difficult to say. It appeared as though, when the waters were high, the body had floated down, and, at the subsidence of the waters, it had been left upon the stones, and now it was exposed to view.

It was strange and mysterious, and those who might look upon such a sight would feel their blood chill, and their body creep, to contemplate the remains of humanity in such a place, and in such a condition as that must be in.

A human life had been taken! How? Who could tell? Perhaps accident alone was the cause of it; perhaps some one had taken a life by violent means, and thrown the body in the waters to conceal the fact and the crime.

The waters had brought it down, and deposited it there in the middle of the river, without any human creature being acquainted with the fact.

But the moon rises—the beams come trembling through the tree tops and straggling branches, and fall upon the opposite bank, and there lies the body, mid stream, and in comparative darkness.

By the time the river is lit up by the moon's rays, then the object on the stones will be visible, then it can be ascertained what appears now only probable, namely, is the dark object a human form or not?

In the absence of light it appears to be so, but when the flood of silver light falls upon it, it would be placed then beyond a doubt.

The time is approaching—the moon each moment approaches her meridian, and each moment do the rays increase in number and in strength, while the shadows shorten.

The opposite bank each moment becomes more and more distinct, and the side of the stream, the green rushes and sedges, all by degrees come full into view.

Now and then a fish leaps out of the stream, and just exhibits itself, as much as to say, "There are things living in the stream, and I am one of them."

The moment is one of awe—the presence of that mysterious and dreadful-looking object, even while its identity remains doubt, chills the heart—it contracts the expanding thoughts to that one object—all interest in the scene lies centered in that one point.

What could it be? What else but a human body? What else could assume such a form? But see, nearly half the stream is lit by the moonbeams struggling through the tree tops, and now rising above them. The light increases, and the shadows shorten.

The edge of the bed of stones now becomes lit up by the moonlight; the rippling stream, the bubbles, and the tiny spray that was caused by the rush of water against the stones, seemed like sparkling flashes of silver fire.

Then came the moonbeams upon the body, for it was raised above the level of the water, and shewed conspicuously; for the moonbeams reached the body before they fell on the surrounding water; for that reason then it was the body presented a strange and ghastly object against a deep, dark background, by which it was surrounded.

But this did not last long—the water in another minute was lit up by the moon's pale beams, and then indeed could be plainly enough seen the body of a man lying on the heap of stones motionless and ghastly.

The colourless hue of the moonlight gave the object a most horrific and terrible appearance! The face of the dead man was turned towards the moon's rays, and the body seemed to receive all the light that could fall upon it.

It was a terrible object to look upon, and one that added a new and singular interest to the scene! The world seemed then to be composed almost exclusively of still life, and the body was no impediment to the stillness of the scene.