Viriconium (5 page)

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Authors: Michael John Harrison

Tags: #General, #Fantasy, #Fiction, #Science Fiction, #Short Stories (Single Author)

BOOK: Viriconium
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“Today, I leave for the city. There I will arrange the backing of Queen Jane for the Methven and also seek Trinor, for he would be an asset. If an army has been sent (and I cannot think the queen as ill-informed as I: there must be one), I will join you, probably at Duirinish, bringing any help I can.”

“Fair enough, Cromis. You will need a couple of men in the unquiet city. I’ll detail—”

Cromis held up his hand.

“I’ll ride alone, Grif. Am I hard-pressed, it will be useful practice. I have grown out of the way of fighting.”

“Always the brooder.” Grif returned to the window and bawled down into the courtyard, “Go to sleep, you skulkers! Three hours, and we ride north!”

Grif had not changed. However he lived, he lived it full. Cromis stood by him at the window and clapped his meaty shoulder.

“Tell me, Grif: what has been your business all these years?”

Grif bellowed with laughter, which seemed to infect his men. They milled about the courtyard, laughing too, although they could not have heard the question.

“Something as befits a Methven in peacetime, brooder. Or as you may have it, nothing as befits a Methven at any time. I have been smuggling distilled wine of low and horrible quality to peasants in the Cladich Marshes, whose religion forbids them drink it. . . .”

Cromis watched Grif’s ragged crew disappear into the darkness at a stiff pace, their cloaks flapping out behind them. He waved once to the colourful figure of Grif himself, then turned to his horse, which was breathing mist into the cold night. He checked the girth and saddlebags, settled the Eastern instrument across his back. He shortened his stirrups for swift riding.

With the coming of darkness, the winds had returned to Balmacara: the rowans shook continuously, hissing and rustling; Cromis’s shoulder-length black hair was blown about his face. He looked back at the tower, bulking dark against the cobalt sky. The surf growled behind it. Out of some strange sentiment, he had left the light burning in the upper room.

But the
baan
that had killed his sister he had in an insulated sheath next to his skin, because he knew he would not come again, riding to the light out of battle, to Balmacara in the morning.

Refugees packed the Viriconium road like a torchlit procession in some lower gallery of Hell. Cromis steered his nervous beast at speed past caravans of old men pushing carts laden with clanking domestic implements and files of women carrying or leading young children. House animals scuttled between the wheels of the carts.

The faces he passed were blank and frightened, overlit and gleaming in the flaring unsteady light of the torches. Some of them turned from him, surreptitiously making religious signs (a brief writhe of the fingers for Borring, whom some regarded as a god, a complicated motion of the head for the Colpy). He was at a loss to account for this. He thought that they were the timid and uncommitted of the city, driven away by fear of the clashing factions, holding no brief for either side.

He entered the city by its twelfth gate, the Gate of Nigg, and there was no gatekeeper to issue even the customary token challenge.

His habitually morose mood shifted to the sombre as he took the great radial road Proton Circuit, paved with an ancient resilient material that absorbed the sound of his horse’s hooves.

About him rose the Pastel Towers, tall and gracefully shaped to mathematical curves, tinted pale blue or fuchsia or dove-grey. They reached up for hundreds of feet, cut with quaint and complex designs that some said were the high point of an inimitable art, thought by others to be representations of the actual geometrics of Time.

Several of them were scarred and blackened by fire. Some were gutted and broken.

Seeing so much beauty brought down in this way, he was convinced that a change had come about in the essential nature of things, and that they could never be the same again.

Proton Circuit became a spiral that wound a hundred yards into the air, supported by slim and delicate pillars of black stone. At the summit of the spiral lay the palace of the Young Queen, which had been Methven’s hall. A smaller building than most in that city, it was shaped like a filigree shell, built entirely of a pure white metal that vibrated and sang. Before its high bright arch stood guards in charcoal livery, who made stringent demands on him to reveal his identity and business.

They found it difficult to believe him a Methven (memories had indeed grown dim, for their chief objection to his claim was that he came with no ceremony or circumstance) and for some time refused him entrance: a circumspection he could only applaud.

He remembered certain pass words known only to the guards of the city.

He made his way along corridors of pale, fluctuating light, passing strange, precious objects that might have been animated sculptures or machines, excavated from ruined cities in the Rust Desert beyond Duirinish.

Queen Jane awaited him in a tall room floored with cinnabar-veined crystal and having five false windows that showed landscapes to be found nowhere in the kingdom.

Shambling slowly among the curtains of light and finely wrought furniture was one of the giant albino megatheria of the Southern forests: great sloth-like beasts, fifteen feet high when they stood upright (which was rarely) and armed with terrible cutting claws, though they were vegetarian and amiable. The Queen’s beast wore an iridium collar, and its claws were sheathed in clear thick resin. Seeing Cromis, it ambled up to him in a sleepy manner, and gazed myopically at him. Patterns of light moved across its shining pelt.

“Leave him, Usheen,” said a small, musical voice.

Cromis turned his eyes from the megatherium to the dais at the south end of the room.

Queen Jane of Viriconium, Methvet Nian, whom he had last seen as a child at Methven’s court, was seventeen years of age. She sat on a simple throne and regarded him steadily with violet eyes. She was tall and supple, clad in a gown of russet velvet, and her skin was neither painted nor jewelled. The identical Ten Rings of Neap glittered from her long fingers. Her hair, which recalled the colour of the autumn rowans of Balmacara, hung in soft waves to her waist, coiled about her breasts.

“Queen Jane,” said Cromis and bowed.

She buried her fingers in the thick fur of the megatherium, and whispered to it. The false windows flickered with strange scenes. She looked up.

“Is it really you, Lord Cromis?” she said, a strange expression crossing her pale triangular features.

“Have I changed so much, madam?”

“Not much, Lord Cromis: you were a stiff and sombre man, even when you sang, and you are that still. But I was very young when we last met—”

Suddenly, she laughed, rose from the throne, and came gracefully down to take his hands. Cromis saw that her eyes were moist.

“—And I think I preferred Tomb the Dwarf in those days,” she went on, “for he brought me the most wonderful things from his favourite ruins. Or Grif, perhaps, who told questionable tales and laughed a good deal—”

She drew him through the shifting light sculptures to the dais, and made him sit down. The megatherium came to gaze wisely at him from brown, tranquil eyes. Methvet Nian sat on her simple throne, and the laughter left her.

“Oh, Cromis, why have none of you come before? These ten years, I have had need of your support. How many live? I have seen none of you since my father’s death.”

“Grif lives, madam, for sure. Hours ago, he rode north at my request. He believes that Tomb and Trinor live also. Of the others I have heard nothing. We have come late to this, but you must not think too ill of us. I have come to discover just how late we are. What have been your moves to date?”

She shook her head musingly, so that her bright hair caught the light and moved like a fire.

“Two only, Cromis: I have held the city, though it has suffered; and I have dispatched Lord Waterbeck—who, though well-schooled, has not the strategies of one such as Norvin Trinor—with four regiments. We hope to engage my cousin before she reaches the Rust Desert.”

“How long has Waterbeck been gone?”

“A week only. The launch fliers tell me he must reach her within another week and a half, for she travels surprisingly fast. Few of them have returned of late: they report launches destroyed in flight by energy weapons, and their numbers are depleted.

“Our lines of communication grow thin, Cromis. It will be a Dark Age, should our last machines go down.”

Again, she took his hand, silently drawing strength from him, and he knew that her young frame was frail for such weight of responsibility. He blamed himself, because that was his way.

“Cromis, can you do anything?”

“I start immediately,” he said, trying to smile and finding the requisite muscles stiff from disuse. He gently disengaged her hands, for their cool touch had disturbed him.

“First I must locate Trinor, who may be somewhere in the city; although if that is so, I cannot say why he has not come to you before now. Then it will take me only a short time to come up with Grif, since I can take paths impassible to more than one rider.

“What I must have from you, my lady, is an authorisation. Trinor or Grif must command that army when it meets the Moidart, or failing one of them, myself—this Waterbeck is a peacetime general, I would guess, and has not the experience of a Methven.

“You must not fear too greatly. Can it be done, we will do it, and fall bringing a victory about. Keep order here and faith with what Methven remain, even though we have not used you well.”

She smiled, and the smile passed barriers he had not thought existed in his morose soul. She took off one of the steel Rings of Neap and slid it onto his left index finger, which was hardly of greater diameter than her own, saying:

“This will be your authorisation. It is traditional. Will you take a launch? They are swifter—”

He rose to leave, and found himself reluctant.

“No launch, my lady. Those, you must keep jealously, in case we fail. And I prefer to ride.”

At the door of the room with five windows, he looked back through the drifting shapes and curtains of light, and it seemed to him that he saw a lost, beautiful child. She brought to mind his dead sister Galen, and he was not surprised: what shook him was that those memories somehow lacked the force they had had that morning. Cromis was a man who, like most recluses, thought he understood himself, and did not.

The great white sloth watched him out with almost human eyes, rearing up to its full height, its ambered claws glinting.

He stayed in the city for that night and another day. It was quiet, the streets empty and stunned. He had snippets of rumour that the Moidart’s remaining supporters skulked the narrower alleys after dark and skirmished with groups of the city guard. He did not discount them, and kept a hand on the nameless sword. He expected to find Trinor somewhere in the old Artists’ Quarter.

He enquired at several taverns there, but had no information. He grew progressively more impatient, and would have given up had not a derelict poet he met in the Bistro Californium advised him to take his queries to an address on Bread Street in the poorer part of the quarter. It was said that blind Kristodulous had once rented a garret studio there.

He came to Bread Street at twilight. It was far removed from the palace and the Pastel Towers, a mean alley of aging, ugly houses, down which the wind funneled bitterly. Over the crazed rooftops, the sky bled. He shivered and thought of the Moidart, and the note of the wind became more urgent. He drew his cloak about him and rapped with the hilt of his sword on a weathered door.

He did not recognise the woman who opened it: perhaps the light was at fault.

She was tall, statuesque, and graceful; her narrow face had an air of calm and the self-knowledge that may or may not come with suffering. But her blue robe was faded, patched here and there with material of quite another colour, and her eyes were ringed with tired, lined flesh. He bowed out of courtesy.

“I seek Norvin Trinor,” he said, “or news of him.”

She peered into his face as if her eyes were weak, and said nothing. She stepped aside and motioned him to enter. He thought that a quiet, sad smile played about her firm mouth.

Inside, the house was dusty and dim, the furniture of rough, scrubbed deal. She offered him cheap, artificially coloured wine. They sat on opposite sides of a table and a silence. He looked from her discoloured fingernails to the cobwebs in the windows, and said:

“I do not know you, madam. If you would be—”

Her weary eyes met his and still he did not know her. She got slowly to her feet and lit a squat hanging lamp.

“I am sorry, tegeus-Cromis. I should not have embarrassed you in this fashion. Norvin is not here. I—”

In the lamplight stood Carron Ban, the wife of Norvin Trinor, whom he had married after the fight against Carlemaker’s brigands, twelve years before. Time had gone against her, and she had aged beyond her years.

Cromis upset his chair as he got to his feet, sent it clattering across the floor. It was not the change in her that horrified him, but the poverty that had caused it.

“Carron! Carron! I did not know. What has happened here?”

She smiled, bitter as the wind.

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