Waking Up Screaming (40 page)

Only robust old Captain Whipple was heard by alert listeners to mutter once in a while to himself, “Pox on that——, but he had no business to laugh while he screamed. 'Twas as though the damned——had summat up his sleeve. For half a crown I'd burn his——house.”

CHARLESWARD
,
AS we have seen, first learned in 1918 of his descent from Joseph Curwen. That he at once took an intense interest in everything pertaining to the bygone mystery is not to be wondered at; for every vague rumour that he had heard
of Curwen now became something vital to himself, in whom flowed Curwen's blood. No spirited and imaginative genealo-gist could have done otherwise than begin forthwith an avid and systematic collection of Curwen data.

In his first delvings there was not the slightest attempt at secrecy; so that even Dr. Lyman hesitates to date the youth's madness from any period before the close of 1919. He talked freely with his family—though his mother was not particularly pleased to own an ancestor like Curwen—and with the officials of the various museums and libraries he visited. In applying to private families for records thought to be in their possession he made no concealment of his object, and shared the somewhat amused scepticism with which the accounts of the old diarists and letter-writers were regarded. He often expressed a keen wonder as to what really had taken place a century and a half before at that Pawtuxet farmhouse whose site he vainly tried to find, and what Joseph Curwen really had been.

When he came across the Smith diary and archives and encountered the letter from Jedediah Orne he decided to visit Salem and look up Curwen's early activities and connections there, which he did during the Easter vacation of 1919. At the Essex Institute, which was well known to him from former sojourns in the glamorous old town of crumbling Puritan gables and clustered gambrel roofs, he was very kindly received, and unearthed there a considerable amount of Curwen data. He found that his ancestor was born in Salem-Village, now Danvers, seven miles from town, on the eighteenth of February (O.S.) 1662–3; and that he had run away to sea at the age of fifteen, not appearing again for nine years, when he returned with the speech, dress, and manners of a native Englishman and settled in Salem proper. At that time he had little to do with his family, but spent most of his hours with the curious books he had brought from Europe, and the strange chemicals which came for him on ships from England, France, and Holland. Certain trips of his into the country were the objects of much local inquisitiveness, and were whisperingly associated with vague rumours of fires on the hills at night.

Curwen's only close friends had been one Edward Hutchinson of Salem-Village and one Simon Orne of Salem. With these men he was often seen in conference about the Common, and visits among them were by no means infrequent. Hutchinson had a house well out toward the woods, and it was not altogether liked by sensitive people because of the sounds heard there at night. He was said to entertain strange visitors, and the lights seen from his windows were not always of the same colour. The knowledge he displayed concerning long-dead persons and long-forgotten events was considered distinctly unwholesome, and he disappeared about the time the witchcraft panic began, never to be heard from again. At that time Joseph Curwen also departed, but his settlement in Providence was soon learned of. Simon Orne lived in Salem until 1720, when his failure to grow visibly old began to excite attention. He thereafter disappeared, though thirty years later his precise counterpart and self-styled son turned up to claim his property. The claim was allowed on the strength of documents in Simon Orne's known hand, and Jedediah Orne continued to dwell in Salem till 1771, when certain letters from Providence citizens to the Reverend Thomas Barnard and others brought about his quiet removal to parts unknown.

Certain documents by and about all of these strange matters were available at the Essex Institute, the Court House, and the Registry of Deeds, and included both harmless commonplaces such as land titles and bills of sale, and furtive fragments of a more provocative nature. There were four or five unmistakable allusions to them on the witchcraft trial records; as when one Hepzibah Lawson swore on July tenth, 1692, at the Court of Oyer and Terminen under Judge Hathorne, that “fortie Witches and the Blacke Man were wont to meet in the Woodes behind Mr. Hutchinson's house,” and one Amity How declared at a session of August eighth before Judge Gedney that “Mr. C. B. (George Burroughs) on that Nighte putt the Divell his Marke upon Bridget S., Jonathan A.,
Simon O.
, Deliverance W.,
Joseph C.
, Susan P., Mehitable C., and Deborah B.” Then there was a catalogue of Hutchinson's uncanny library as found after his disappearance, and an unfinished
manuscript in his handwriting, couched in a cipher none could read. Ward had a photostatic copy of this manuscript made, and began to work casually on the cipher as soon as it was delivered to him. After the following August his labours on the cipher became intense and feverish, and there is reason to believe from his speech and conduct that he hit upon the key before October or November. He never stated, though, whether or not he had succeeded.

But of greatest immediate interest was the Orne material. It took Ward only a short time to prove from identity of penmanship a thing he had already considered established from the text of the letter to Curwen; namely, that Simon Orne and his supposed son were one and the same person. As Orne had said to his correspondent, it was hardly safe to live too long in Salem, hence he resorted to a thirty-year sojourn abroard, and did not return to claim his lands except as a representative of a new generation. Orne had apparently been careful to destroy most of his correspondence, but the citizens who took action in 1771 found and preserved a few letters and papers which excited their wonder. There were cryptic formulae and diagrams in his and other hands which Ward now either copied with care or had photographed, and one extremely mysterious letter in a chirography that the searcher recognised from items in the Registry of Deeds as positively Joseph Curwen's.

This Curwen letter, though undated as to the year, was evidently not the one in answer to which Orne had written the confiscated missive; and from internal evidence Ward placed it not much later than 1750. It may not be amiss to give the text in full, as a sample of the style of one whose history was so dark and terrible. The recipient is addressed as “Simon,” but a line (whether drawn by Curwen or Orne, Ward could not tell) is run through the word.

This letter, oddly enough, was what first gave Ward the exact location of Curwen's Providence home; for none of the records encountered up to that time had been at all specific. The discovery was doubly striking because it indicated as the newer Curwen house, built in 1761 on the site of the old, a dilapidated building still standing in Olney Court and well known to Ward in his antiquarian rambles over Stampers Hill. The place was indeed only a few squares from his own home on the great hill's higher ground, and was now the abode of a Negro family much esteemed for occasional washing, house-cleaning, and furnace-tending services. To find, in distant Salem, such sudden proof of the significance of this familiar rookery in his own family history was a highly impressive
thing to Ward; and he resolved to explore the place immediately upon his return. The more mystical phases of the letter, which he took to be some extravagant kind of symbolism, frankly baffled him; though he noted with a thrill of curiosity that the Biblical passage referred to—Job 14, 14—was the familiar verse, “If a man die, shall he live again? All the days of my appointed time will I wait, till my change come.”

Young Ward came home in a state of pleasant excitement, and spent the following Saturday in a long and exhaustive study of the house of Olney Court. The place, now crumbling with age, had never been a mansion; but was a modest two-and-a-half storey wooden town house of the familiar Providence Colonial type, with plain peaked roof, large central chimney and artistically carved doorway with rayed fanlight, triangular pediment, and trim Doric pilasters. It had suffered but little alteration externally, and Ward felt he was gazing on something very close to the sinister matters of his quest.

The present Negro inhabitants were known to him, and he was very courteously shown about the interior by old Asa and his stout wife Hannah. Here there was more change than the outside indicated, and Ward saw with regret that fully half of the fine scroll-and-urn overmantels and shell-carved cupboard linings were gone, whilst much of the fine wainscoting and bolection moulding was marked, hacked, and gouged, or covered up altogether with cheap wall-paper. In general, the survey did not yield as much as Ward had somehow expected; but it was at least exciting to stand within the ancestral walls which had housed such a man of horror as Joseph Curwen. He saw with a thrill that a monogram had been very carefully effaced from the ancient brass knocker.

From then until after the close of school Ward spent his time on the photostatic copy of the Hutchinson cipher and the accumulation of local Curwen data. The former still proved unyielding; but of the latter he obtained so much, and so many clues to similar data elsewhere, that he was ready to make a trip to New London and New York to consult old letter
whose presence in those places was indicated. This trip was very fruitful, for it brought him the Fenner letters with their terrible description of the Pawtuxet farmhouse raid, and the Nightingale-Talbot letters in which he learned of the portrait painted on a panel of the Curwen library. This matter of the portrait interested him particularly, since he would have given much to know just what Joseph Curwen looked like; and he decided to make a second search of the house in Olney Court to see if there might not be some trace of the ancient features beneath peeling coats of later paint or layers of mouldy wall-paper.

Early in August that search took place, and Ward went carefully over the walls of every room sizeable enough to have been by any possibility the library of the evil builder. He paid especial attention to the large panels of such overmantels as still remained; and was keenly excited after about an hour, when, on a broad area above the fireplace in a spacious ground-floor room, he became certain that the surface brought out by the peeling of several coats of paint was sensibly darker than any ordinary interior paint or the wood beneath it was likely to have been. A few more careful tests with a thin knife, and he knew that he had come upon an oil portrait of great extent. With truly scholarly restraint, the youth did not risk the damage which an immediate attempt to uncover the hidden picture with the knife might have done, but just retired from the scene of his discovery to enlist expert help. In three days he returned with an artist of long experience, Mr. Walter Dwight, whose studio is near the foot of College Hill; and that accomplished restorer of paintings set to work at once with proper methods and chemical substances. Old Asa and his wife were duly excited over their strange visitors, and were properly reimbursed for this invasion of their domestic hearth.