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Authors: Adam Tanner

What Stays in Vegas

BOOK: What Stays in Vegas
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Copyright © 2014 by Adam Tanner.

Published in the United States by PublicAffairs™, a Member of the Perseus Books Group.

All rights reserved.

No part of this book may be reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address PublicAffairs, 250 West 57th Street, 15th Floor, New York, NY 10107.

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[email protected]
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Cover design by Pete Garceau

Book design by Cynthia Young

Library of Congress Cataloging-in-Publication Data

Tanner, Adam.

   
What stays in Vegas : the world of personal data—lifeblood of big business—and the end of privacy as we know it / Adam Tanner.—First edition.

            
pages cm

    
Includes bibliographical references and index.

    
ISBN 978-1-61039-419-2 (e-book)

    
1. Ceasars Entertainment—Case studies.
    
2. Casinos—Nevada—Las Vegas—Customer services—Case studies.
    
3. Consumer profiling—United States.
    
4. Business intelligence—United States.
    
5. Privacy, Right of—United States.
    
I. Title.

HV6711.T36 2014

338.7'617950973—dc23

2014019481

First Edition

10
  
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2
  
1

To Celia, Clarissa, and Adrian

      
CONTENTS

        
Introduction: Spies

  
1
   
What Happens Here, Stays Here?

  
2
   
A Harvard Professor Comes to Vegas

  
3
   
Loyalty

  
4
   
Casino Data Gathering in Action

  
5
   
A Celebrity, a Private Eye, and a Hit Man

  
6
   
Dossiers on (Virtually) Everyone

  
7
   
Direct Marketing

  
8
   
Recession

  
9
   
The Puzzle of Your Identity

10
   
The Hunt for a Mystery Woman

11
   
Thousands of Eyes

12
   
Mugged

13
   
Internet Advertising

14
   
Seeking the Goldilocks Balance

15
   
New Frontiers in Customer Data

16
   
Casino Adventures in Three Cities

17
   
Embracing Outside Data

18
   
The Not-So-Enriching Business of Privacy

19
   
Empowerment

        
Acknowledgments

        
Appendix: Take Control of Your Data

        
Notes

        
Bibliography

        
Index

               
INTRODUCTION

               
Spies

The Bad Ol' Days

In 1988, I involuntarily became the subject of old-fashioned data gathering. Spies followed me around Communist East Germany and recorded my every move. That year I was visiting Dresden, the great Baroque art capital that had suffered widespread destruction from the massive Allied firebombing in World War II. Even decades after the war, some of the city's ornate buildings, including the Royal Palace, still lay in rubble. East Germany's government prided itself on operating an especially efficient Ministry of State Security, the Stasi, to monitor suspicious activities and guard against potential enemies. The Stasi mobilized their forces for my arrival, and agents made a concerted effort to learn everything they could about me.

I was researching the Frommer's travel guide
Eastern Europe and Yugoslavia on $25 a Day,
and I spent my days visiting hotels, restaurants, and museums, as well as puzzling out how to do things such as buy train tickets when lines snaked out the station door. Communism was crumbling during these years, yet the secret police continued their dedicated vigilance. Future Russian President Vladimir Putin served in Dresden during that time as a junior KGB spy.

On August 2, a mild day with temperatures mostly in the sixties, I strolled around the Semper Opera, a nineteenth-century structure
gutted in the bombing and reopened forty years later, in 1985. The local authorities kept a close watch. Stasi Major Hartmann oversaw a team of ten counterespionage “comrade observers.” They monitored my movements. Agents kept a minute-by-minute log, supplementing their efforts with surreptitious photographs. I was code-named “Kiefer” (Pine Tree), perhaps because I am tall. If they were hoping to catch me sneaking off to the homes of dissidents or photographing military installations, they were disappointed; I stuck closely to my guidebook checklist.

“Here, Tanner, Adam, is interested in the exterior of the Semper Opera,” a caption for one of the photographs reads, noting the time as 10:35 a.m. “During his stop on Theaterplatz, he did not take any photographs, although he did have photographic equipment (tripod, camera bag). He made only written notes in a notebook.”

As I planned my next stop, I studied a city map for a few minutes, then asked for directions. From afar, an agent snapped a photo as that
random citizen, his finger upon his chin in contemplation, answered the question. The Stasi agents pondered what to do about the man amid suspicions that anyone I encountered could possibly be a covert collaborator. In the end, they did nothing. “The man went off in the direction of the service building of the Semper Opera,” the file recorded. “He was not followed.”

Secret Stasi overview of the day's monitoring of “Kiefer” in Dresden on August 2, 1988. Source: Germany's Federal Commissioner for the Stasi Archives.

Eventually I found my destination, the former Schlachthof Fünf, where American writer Kurt Vonnegut survived the February 1945 firebombing described in his novel
Slaughterhouse-Five
. I stopped by the entrance of what had become a state agricultural institute and asked the guard about the building's past. Was this the former slaughterhouse? Reading about the unscheduled inquiry some weeks later, a Stasi official grew alarmed. Likely he was not aware of the site's literary significance.

“We request gathering of information on the reason for such a visit,” wrote Lieutenant-Colonel Wenzel. “Did he have state permission to visit? . . . What knowledge of German language did he show, were agreements for further contacts reached?” The Stasi dispatched an agent to find out by interviewing the duty guard and researching the building. “The USA citizen spoke broken but intelligible German,” the follow-up report found, citing the guard.

Secret police also ordered a follow-up analysis to unravel the mystery as to why I had stopped at a local budget hotel, spoken to the clerk, popped into a room, and then quickly left. That visit struck my covert minders as highly irregular. East Germany and the Soviet Union required Western tourists to prebook hotels through the state tourism agency. Since the agency vouched for the quality of the establishment, why would anyone need to review a hotel room? Who would doubt the good word of the German Democratic Republic? The Stasi dispatched an agent to question receptionist Karin Zickmantel. She gave my German-language speaking ability a better grade (“good”) and explained that I had visited Room 19 on the first floor. The Stasi decided we had not hatched a conspiracy.

BOOK: What Stays in Vegas
9.34Mb size Format: txt, pdf, ePub
ads

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