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Authors: Ken Follett

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BOOK: Whiteout
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Olga let out a wail of grief and rage, broke free of her father's grasp, and threw herself at Daisy.

Daisy swung the blackjack at her, but Olga was too close, and the blow whistled behind her head.

Elton dropped Hugo, who slumped on the tiled floor, and made a grab for Olga.

Olga got her hands on Daisy's face and scratched.

Nigel had his gun pointed at Olga but he hesitated to shoot, no doubt fearing that he would hit Elton or Daisy, both of whom were struggling with Olga.

Stanley turned to the stovetop and picked up the heavy frying pan in which Kit had scrambled a dozen eggs. He raised it high in the air then brought it down on Nigel, aiming at the man's head. At the last instant Nigel saw it coming, and dodged. The pan hit his right shoulder. He cried out in pain, and the gun flew from his hand.

Stanley tried to catch the gun, but missed. It landed on the kitchen table, an inch from the perfume bottle. It bounced onto the seat of a pine chair, rolled over, and dropped to the floor at Kit's feet.

Kit bent down and picked it up.

Nigel and Stanley looked at him. Sensing the dramatic change, Olga, Daisy, and Elton stopped fighting and turned to look at Kit holding the gun.

Kit hesitated, torn in half by the agony of the decision.

They all stared at him for a long moment of stillness.

At last he turned the gun around, holding it by the barrel, and gave it back to Nigel.

6:30 A.M.

CRAIG and Sophie found the barn at last.

They had waited a few minutes by the back door, hesitating, then realized they would freeze to death if they stayed there indefinitely. Screwing up their courage, they had crossed the yard directly, heads bent, praying that no one would look out of the kitchen windows. The twenty paces from one side to the other seemed to take forever through the thick snow. Then they followed the front wall of the barn, always in full view from the kitchen. Craig did not dare to look in that direction: he was too frightened of what he might see. When at last they reached the door, he took one swift glance. In the dark he could not see the building itself, just the lighted windows. The snow further obscured his view, and he could see only vague figures moving in the kitchen. There was no sign that anyone had glanced out at the wrong moment.

He pulled the big door open. They stepped inside, and he closed it gratefully. Warm air washed over him. He was shivering, and Sophie's teeth were chattering like castanets. She threw off her snow-covered anorak and sat on one of the big hospital-style radiators. Craig would have liked to take a minute to warm himself, but there was no time for that—he had to get help fast.

The place was dimly lit by a night-light next to the camp bed where Tom lay. Craig looked closely at the boy, wondering whether to wake
him. He seemed to have recovered from Sophie's vodka, and was sleeping peacefully in his Spider-Man pajamas.

Craig's eye was caught by something on the floor beside the pillow. It was a photograph. Craig picked it up and held it in the light. It appeared to have been taken at his mother's birthday party, and showed Tom with Sophie, her arm around his shoulders. Craig smiled to himself. I'm not the only one who was captivated by her that afternoon, he thought. He put the picture back, saying nothing to Sophie.

There was no point in waking Tom, he decided. There was nothing the boy could do, and he would only be terrified. He was better off asleep.

Craig went quickly up the ladder that led to the hayloft bedroom. On one of the narrow beds he could make out the heap of blankets that covered his sister Caroline. She seemed fast asleep. Like Tom, she was better off that way. If she woke up and found out what was going on, she would have hysterics. He would try not to wake her.

The second bed had not been slept in. On the floor next to it he could see the shape of an open suitcase. Sophie said she had dropped her phone on top of her clothes. Craig crossed the room, moving cautiously in the near-dark. As he bent down, he heard, very near to him, the soft rustle and squeak of something alive, and he grunted a startled curse, his heart hammering in his chest; then he realized it was Caroline's damn rats moving in their cage. He pushed the cage aside and began to search Sophie's case.

Working by touch, he rummaged in the contents. On top was a plastic shopping bag containing a gift-wrapped parcel. Otherwise it was mostly clothes, neatly folded: someone had helped Sophie pack, he guessed, for he did not take her to be a tidy person. He was momentarily distracted by a silky bra, then his hand closed over the oblong shape of a mobile phone. He flipped its lid, but no lights came on. He could not see well enough to find the “On-Off” switch.

He hurried back down the ladder with the phone in his hand. There was a standard lamp by the bookshelf. He turned it on and held Sophie's
phone under the light. He found the “Power” button and pressed it, but nothing happened. He could have cried with frustration. “I can't get the bloody thing to come on!” he whispered.

She held out her hand, still sitting on the radiator, and he gave her the phone. She pressed the same button, frowned, pressed it again, then jabbed at it repeatedly. At last she said, “The battery has run down.”

“Shit! Where's the charger?”

“I don't know.”

“In your suitcase?”

“I don't think so.”

Craig became exasperated. “How can you
possibly
not know where your phone charger is?”

Sophie's voice went small. “I think I left it at home.”

“Jesus Christ!” Craig controlled his temper with an effort. He wanted to tell her she was a stupid fool, but that would not help. He was silent for a moment. The memory of kissing her came back to him, and he could not be angry. His rage evaporated, and he put his arms around her. “All right,” he said. “Never mind.”

She rested her head on his chest. “I'm sorry.”

“Let's think of something else.”

“There must be more phones, or a charger we can use.”

He shook his head. “Caroline and I don't carry mobiles—my mother won't let us have them. She doesn't go to the toilet without hers, but she says we don't need them.”

“Tom hasn't got one. Miranda thinks he's too young.”

“Hell.”

“Wait!” She pulled away from him. “Wasn't there one in your grandfather's car?”

Craig snapped his fingers. “The Ferrari—right! And I left the keys in. All we have to do is get to the garage, and we can phone the police.”

“You mean we have to go outside again?”

“You can stay here.”

“No. I want to come.”

“You wouldn't be alone—Tom and Caroline are here.”

“I want to be with you.”

Craig tried not to show how pleased he was. “You'd better get your coat on again, then.”

Sophie came off the radiator. Craig picked her coat up from the floor and helped her into it. She looked up at him, and he tried an encouraging smile. “Ready?”

A trace of her old spirit came back. “Yeah. Like, what can happen? We could be murdered, that's all. Let's go.”

They went outside. It was still pitch-dark, and the snowfall was heavy, bursts of stinging pellets rather than clouds of butterflies. Once again, Craig looked nervously across the yard to the house, but he could see no more than before, which meant the strangers in the kitchen were unlikely to see him. He took Sophie's hand. Steering by the courtyard lights, he led her to the end of the barn, away from the house, then crossed the yard to the garage.

The side door was unlocked, as always. It was as cold inside as out. There were no windows, so Craig risked switching on the lights.

Grandpa's Ferrari was where Craig had left it, parked close to the wall to hide the dent. Like a flash, he remembered the shame and fear he had felt twelve hours ago, after he had crashed into the tree. It seemed strange now that he had been so anxious and afraid about something as trivial as a dent in a car. He recalled how eager he had been to impress Sophie and get her to like him. It was not long ago, but it seemed far in the past.

Also in the garage was Luke's Ford Mondeo. The Toyota Land Cruiser had gone: Luke must have borrowed it last night.

He went to the Ferrari and pulled the door handle. It would not open. He tried again, but the door was locked. “Fuck,” he said feelingly.

“What's the matter?” Sophie said.

“The car's locked.”

“Oh, no!”

He looked inside. “And the keys have gone.”

“How did that happen?”

Craig banged his fist on the car roof in frustration. “Luke must have noticed that the car was unlocked last night, when he was leaving. He
must have removed the keys from the ignition, locked the car, and taken the keys back to the house for Grandpa.”

“What about the other car?”

Craig opened the door of the Ford and looked inside. “No phone.”

“Can we get the Ferrari keys back?”

Craig made a face. “Maybe.”

“Where are they kept?”

“In the key box, on the wall of the boot lobby.”

“At the back of the kitchen?”

Craig nodded grimly. “Just about two yards from those people with guns.”

6:45 A.M.

THE snowplow moved slowly along the two-lane road in the dark. Carl Osborne's Jaguar followed it. Toni was at the wheel of the Jag, peering ahead as the wipers struggled to clear away the thickly falling snow. The view through the windshield did not change. Straight ahead were the flashing lights of the snowplow; on her near side was the bank of snow freshly shoveled up by the blade; on the off side, virgin snow across the road and over the moors as far as the car's headlights reached.

Mother was asleep in the back with the puppy on her lap. Beside Toni, Carl was quiet, dozing or sulking. He had told Toni that he hated other people driving his car, but she had insisted, and he had been forced to yield, as she had the keys.

“You just never give an inch, do you?” he had muttered before sinking into silence.

“That's why I was such a good cop,” she replied.

From the back, Mother said, “It's why you haven't got a husband.”

That was more than an hour ago. Now Toni was struggling to stay awake, fighting the hypnotic sway of the wipers, the warmth from the heater, and the monotony of the view. She almost wished she had let Carl drive. But she needed to stay in control.

They had found the getaway vehicle at the Dew Drop Inn. It contained wigs, false mustaches, and plain-lensed spectacles, obviously disguise materials; but no clues as to where the gang might be headed.
The police car had stayed there while the officers questioned Vincent, the young hotel employee Toni had spoken to on the phone. The snowplow continued north, on Frank's instructions.

For once, Toni agreed with Frank. It made sense for the gang to switch cars at a location that was on their route, rather than delay their getaway with a diversion. Of course, there was always the possibility that they had foreseen how the police would think and deliberately chosen a location that would mislead pursuers. But in Toni's experience villains were not that subtle. Once they had the swag in their hands, they wanted to get away as fast as they could.

The snowplow did not stop when it passed stationary vehicles. There were two police officers in the cab with the driver, but they were under strict instructions to observe only, for they were not armed, and the gang were. Some of the cars were abandoned, others had one or two people inside, but so far none contained three men and a woman. Most of the occupied cars started up and fell in behind the snowplow, following the track it cleared. There was now a small convoy behind the Jaguar.

Toni was beginning to feel pessimistic. She had hoped by now to have spotted the gang. After all, by the time the thieves had left the Dew Drop Inn, the roads had been all but impassable. How far could they have got?

Could they have some kind of hideout nearby? It seemed improbable. Thieves did not like to go to earth close to the scene of the crime—quite the opposite. As the convoy moved north, Toni worried more and more that her guess was wrong, and the thieves might have driven south.

She spotted a familiar direction sign saying “Beach,” and realized they must be near Steepfall. Now she had to put the second part of her plan into operation. She had to go to the house and brief Stanley.

She was dreading it. Her job was to prevent this kind of thing happening. She had done several things right: her vigilance had ensured that the theft was discovered sooner rather than later; she had forced the police to take the biohazard seriously and give chase; and Stanley had to be impressed by the way she had reached him in a blizzard. But she wanted to be able to tell him that the perpetrators had been caught and
the emergency was over. Instead, she was going to report her own failure. It would not be the joyous reunion she had anticipated.

Frank was at the Kremlin. Using Osborne's car phone, Toni dialed his mobile.

BOOK: Whiteout
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