Winning the Game of Thrones: The Host of Characters and their Agendas (33 page)
Read Winning the Game of Thrones: The Host of Characters and their Agendas Online
Authors: Valerie Frankel
Tags: #criticism, #game of thrones, #fantasy, #martin, #got, #epic, #GRRM
[29]
“Correspondence with Fans,” The Citadel: So Spake Martin, Aug 15 2001.
http://www.westeros.org/Citadel/SSM/Category/C91/P90
[30]
Gevers, “Sunsets of High Renown.”
[31]
“Correspondence with Fans,” The Citadel: So Spake Martin, Aug 15 2001.
http://www.westeros.org/Citadel/SSM/Category/C91/P90
[32]
“A Very Long Interview with George R.R. Martin.”
[33]
Roberts, “Game of Thrones’ Exclusive!”
[34]
“Correspondence with Fans,” The Citadel: So Spake Martin, Aug 15 2001.
http://www.westeros.org/Citadel/SSM/Category/C91/P90
[35]
Hibberd, “EW interview.”
[36]
Rob Owen, “‘Game of Thrones’ has a ‘Lord of the Rings’ Connection,”
Pittsburgh Post-Gazette,
April 17, 2011.
http://www.post-gazette.com/stories/ae/tv-radio/game-of-thrones-has-a-lord-of-the-rings-connection-293758
.
[37]
Jim Vejvoda, “Who'd Win? Lord of the Rings vs. Game of Thrones,”
IGN.
Nov 12 2012. http://www.ign.com/articles/2012/11/13/whod-win-lord-of-the-rings-vs-game-of-thrones.
[38]
Antonsson and Garcia, “The Palace of Love, The Palace of Sorrow,” Kindle Locations 330-333.
[39]
Nick Gevers, “Sunsets of High Renown.”
[40]
“A Very Long Interview with George R.R. Martin,”
Oh No They Didn’t.com
, Oct 10 2012.
http://ohnotheydidnt.livejournal.com/72570529.html
.
[41]
Robert Frost, “Fire and Ice,” PoemHunter.com,
2003.
http://www.poemhunter.com/poem/fire-and-ice.
[42]
George R.R. Martin, “Slide Show” in
A Song for Lya and Other Stories
(USA: Babbage Press, 2001),
150.
[43]
Jones, “Of Direwolves and Gods,” Kindle Location
1740-1741.
[44]
“George R.R. Martin Interview,” The World Science Fiction and Fantasy Convention.
[45]
Rowena and Rupert Shepherd,
1000 Symbols
(New York: The Ivy Press, 2002), 230.
[46]
Padraic Colum,
The Children of Odin
(New York: Macmillan, 1920), 265. The Sacred Texts Archive. http://www.sacred-texts.com/neu/ice/coo/coo36.htm
[47]
Sabine Heinz,
Celtic Symbols
(USA: Sterling Publishing Company, 2008), 71.
[48]
Ibid., 129.
[49]
Thomas Wentworth Higginson
Tales of the Enchanted Islands of the Atlantic
(New York: Grosset & Dunlap, 1898), 33-36. The Sacred Texts Archive. http://www.sacred-texts.com/earth/teia.
[50]
Shepherd,
1000 Symbols
182.
[51]
David Benihoff, George R.R. Martin, and D.B. Weiss, “Features: The Night’s Watch,”
Game of Thrones Season One
(Burbank, CA: HBO, 2012), DVD.
[52]
Ibid.
[53]
Ibid.
[54]
Ibid.
[55]
“Correspondence with Fans,” The Citadel: So Spake Martin, Aug 15 2001.
http://www.westeros.org/Citadel/SSM/Category/C91/P90
[56]
Joseph L. Henderson. “Ancient Myths and Modern Man,” in
Man and His Symbols
, ed. Carl G. Jung (New York: Doubleday, 1964), 118.
[57]
Aniela Jaffé. “Symbolism in the Visual Arts,” in
Man and His Symbols
, ed. Carl G. Jung (New York: Doubleday, 1964), 267.
[58]
Joseph Campbell with Bill Moyers,
The Power of Myth
(New York: Doubleday, 1988), 123.
[59]
Joan Gould,
Spinning Straw into Gold
(New York: Random House, 2005), 108.
[60]
Jones, “Of Direwolves and Gods,” Kindle Location 1729.
[61]
Ibid., 98.
[62]
The Voyage of Bran Son of Febal to the Land of the Living
, trans. Kuno Meyer (London: David Nutt, 1895). The Sacred Texts Archive.
http://www.sacred-texts.com/neu/celt/vob/vob02.htm
[63]
Barbara G. Walker,
The Woman’s Dictionary of Symbols and Sacred Objects
(San Francisco: Harper, 1988), 2.
[64]
Valerie Estelle Frankel,
From Girl to Goddess: The Heroine’s Journey in Myth and Legend
(Jefferson, NC: McFarland and Co., 2010), 42.
[65]
Gould,
Spinning Straw into Gold
, 41.
[66]
Silvia Brinton Perera,
Descent to the Goddess
(Toronto: Inner City Books, 1981), 42.
[67]
Frankel,
From Girl to Goddess,
22.
[68]
Scott Meslow, “
Game of Thrones
Finale: The Powerful Women of Westeros,”
The Atlantic,
June 20, 2011.
http://www.theatlantic.com/entertainment/archive/2011/06/game-of-thrones-finale-the-powerful-women-of-westeros/240686.
[69]
“Correspondence with Fans,” The Citadel: So Spake Martin, Aug 15 2001.
http://www.westeros.org/Citadel/SSM/Category/C91/P90
[70]
Meslow, “
Game of Thrones
Finale: The Powerful Women of Westeros.”
[71]
Ibid.
[72]
Shepherd,
1000 Symbols
230.
[73]
Correspondence with Fans,” The Citadel: So Spake Martin, Mar 26 2002.
http://www.westeros.org/Citadel/SSM/Category/C91/P60
[74]
Clarissa Pinkola Estés,
Women Who Run with the Wolves
(New York: Ballantine, 1992), 4.
[75]
Heinz,
Celtic Symbols
131.
[76]
Ibid., 137.
[77]
Ibid., 75.
[78]
Correspondence with Fans,” The Citadel: So Spake Martin, June 3 2000.
http://www.westeros.org/Citadel/SSM/Category/C91/P180.
[79]
Rachel Brown, “George R.R. Martin on Sex, Fantasy, and ‘A Dance With Dragons’”
The Atlantic,
Jul 11 2011, http://www.theatlantic.com/entertainment/archive/2011/07/george-rr-martin-on-sex-fantasy-and-a-dance-with-dragons/241738.
[80]
Roberts “‘Game of Thrones’ Exclusive!”
[81]
Gevers, “Sunsets of High Renown.”
AFTERWARD
With thanks to the many people who insisted I read this, I watch this, and I discuss this at parties and game nights. This includes my cousin David Kanter for giving me the first book well over a decade ago, my dad for flipping on an early episode when I came over and offering his hours and hours of comments on the shows, Matt Gottlieb for hosting the game nights and indulging my recent obsession with the series, Yonatan Bryant for introducing me to the
Game of Thrones
card game and having a conversation in Hodor-speak, and Ben Leitner for debating the series and offering opinions on my opinions as always. Without all of you, the book wouldn’t be here.
ABOUT THE AUTHOR
Valerie Estelle Frankel is the author of many nonfiction books:
v
Buffy and the Heroine’s Journey
v
From Girl to Goddess: The Heroine’s Journey in Myth and Legend
v
Katniss the Cattail: An Unauthorized Guide to Names and Symbols in The Hunger Games
v
The Many Faces of Katniss Everdeen
v
Harry Potter, Still Recruiting: An Inner Look at Harry Potter Fandom
v
Teaching with Harry Potter
v
Myths and Motifs in The Mortal Instruments
v
Winter is Coming: Symbols, Portents, and Hidden Meanings in A Game of Thrones
Once a lecturer at San Jose State University, she’s a frequent speaker on fantasy, myth, pop culture, and the heroine’s journey and can be found at http://vefrankel.com.
Table of Contents
THE CHRONICLE OF THE TARGARYENS
YOU WIN OR YOU DIE: AGENDAS ON GAME OF THRONES
What’s Ned Hiding – Who’s Jon Snow’s Mother?
What Is the Night Watch’s True Mission?
Why Did Benjen Join the Watch?
Why Is Brienne so Loyal to Renly?
What Does Craster Do with the Sons?
Why Didn’t Arya Kill Someone Important?
Why Was the Freys’ Bridge so Essential?
Who Killed Jon Arryn and Attacked Bran?
Where Did Daenerys’s Eggs Come From?
Illyrio Mopatis and Varys the Spider
Where Can I Find More Books like Martin’s?
What Are the Major Book and Show Differences?
How Aged-up Are the Stark Children?
How Feminist is Game of Thrones, Really?
Television, Comics, Football, and More
HERO’S JOURNEY, HEROINE’S JOURNEY