Wizard of the Crow (82 page)

Kaniürü recalled that, according to the recent reports, the students were demanding to be taught about their own country first. Was the Ruler not the Country? Kaniürü immediately got pen and
paper and started drafting a memorandum for a new national education program. Everybody in Aburlria knew that the Ruler was the supreme educator. Teacher number one. So all institutions of learning, from primary schools to university colleges, would be required to teach only those ideas that came from the supreme educator. They would be required to offer the Ruler’s mathematics, the Ruler’s science (biology, physics, and chemistry), the Ruler’s philosophy, and the Ruler’s history; and this would definitely take care of their demands to know their country first. But the students also wanted to be taught how their country was related to other regions of the world. That was also quite simple. They would be taught the geography and demographics of all the countries the Ruler had visited or intended to visit. As for the books to read, this too was simple. In recognition of the fact that the Ruler was the number one writer, all books published in the country would carry the name of the Ruler as the original author. Anybody who aspired to write and publish could do so only under the name of the Ruler, who would allow his name only on those books carefully examined and permitted by the subdepartment of Youth Conformity. All new editions of the Bible, the Quran, the Torah, and even Buddha’s Book of Light, or any other religious texts read in schools, would have prefaces and introductions by the Ruler. Such an education system was bound to produce students with a uniform knowledge streaming from the same source: the Ruler or those imbued with his thought.

Kaniürü formed an advisory board consisting of university professors from history, literature, political science, law, philosophy, and the sciences. They were all members of the Mighty Youth and under his command. He gave them the memorandum and asked them to look at it critically and make comments and necessary corrections, but they all came back full of praise: the document was well written and it contained the best educational program they had ever seen. They sat down to work out the best way of effecting this educational initiative, and they were all of the view that the best way was to sell the idea to university and secondary school students. Once the students had accepted it, and the advisory board did not see a problem in this, since the memorandum had met all the student demands, Kaniürü would present it to the Ruler for it to become the official government policy on education. They gave the memorandum a weighty but
memorable title:
The Kaniürü Memorandum on New Educational Initiatives for Youth and Women to Make Their Minds Conform to National Ideals and the Ruler’s Philosophy.

One of the professors, a specialist in all aspects of parrotology, came up with the idea of regional seminars to educate students and the public about the new educational program. The first seminar was to be held in Eldares, and Kaniürü was charged, at his own suggestion, with seeing whether the Ruler himself would open the proceedings.

Kaniürü simmered in joy. He knew that the Ruler could not make it to the seminar. But he did not mind his name being mentioned in the same breath as the Ruler’s. But a message, a word or two of greetings from the Ruler, would suffice.

There is nobody quicker to anger than a thief who has been robbed. This adage was no less true in the case of Silver Sikiokuu, Minister of State in the Ruler’s Office, for though over the years he had extorted bribes in the millions and did not see anything wrong with that, he now felt hurt and aggrieved that the Ruler had ordered him to repay money of which he had not seen a cent. He had been clueless about Kaniürü’s exploitation scheme in connection with Marching to Heaven. What pissed him off even more was that he had groomed the youthwinger into prominence. Why are people so untrustworthy? he asked himself time and again. How could Kaniürü be so ungrateful to his benefactor? He thought of avenging himself against Kaniürü, but he could not figure out how to land a stinging blow. The only light in his dark night was the Ruler’s promise to relieve him of his debt should Nyawlra be captured. But so far she had proved depressingly elusive.

One day, in the throes of his agony, Sikiokuu received a notice about a parcel awaiting him at customs. He dispatched a courier to fetch it. It was one of the mirrors he had ordered from London, and
it was soon followed by many more from Tokyo, Rome, Stockholm, Paris, Berlin, and Washington.

Sikiokuu shook his ears for joy at the goodness of the omen. He started imagining how he would capture Nyawlra, drag her before the Ruler, and dramatically announce: Here is your enemy—what do you want me to do with her? What would the Ruler say? You have done well, you faithful and loyal minister, and I forgive the money you owe me; from now on you may do whatever you want to those who have wronged you and especially those who have falsely accused you of corrupting the bidding process of Marching to Heaven. However, the clarity of his daydreams was muddled by a concern: the mirrors are here, but where is their handler and interpreter? Where is the Wizard of the Crow?

Sikiokuu was not happy that the Ruler had assigned the task of capturing the Wizard of the Crow to Machokali, because he still harbored fears that the wizard might disclose to his archenemy what he had gleaned about Sikiokuu’s ambitions. He would have wanted the task for himself, though he was ambivalent as to what to do with the wizard. On the one hand, Sikiokuu wanted him dead; yet the wizard was his only hope for finding Nyawlra. But what was Machokali up to? What had he set in motion to effect the capture of the Wizard of the Crow? He knew that Machokali would not disclose anything to him, that far from enlightening him he would more likely mislead him. Sikiokuu decided that he had to get to the Wizard of the Crow first. So the race was on.

He set up a surveillance team to spy and report on the activities and movements of Machokali and Kahiga with a view to exploiting whatever intelligence they had come upon. He asked Njoya to hire an artist to sketch the Wizard of the Crow for a Wanted poster specifying a reward and the number to call. Given the secrecy required, the artist could rely only on Sikiokuu himself and his assistant, Njoya, for a description of the wizard. But Sikiokuu did not want it known that he received sorcerers in his office at night. So he asked Njoya to leave him out of it.

For his part, Njoya also wanted nothing to do with describing the face of the wizard, for he feared retaliation from the other wizard. So he described instead the minister, and the artist was surprised to see, emerging out of the sketchbook, a face that bore an uncanny resemblance
to that of Sikiokuu. To disguise the resemblance, the artist gave the sketch long hair and a beard, resulting, to Sikiokuu’s consternation, in a black, long-haired Jesus Christ with the face of the minister. Njoya advanced another idea. The poster would offer a prize to the Wizard of the Crow, who was required to present himself in order to receive it. The heading read THE
WIZARD OF THE
CROW:
WANTED FOR A
PRIZE, and at the foot a telephone number, but one that only Njoya and Sikiokuu could answer. Thus, when people saw the posters, they would assume that the picture was of the giver of the prize and that the Wizard of the Crow needed only show up and receive it.

But Sikiokuu did not want simply to sit back and wait for the Wizard of the Crow to hand over Nyawlra. Why put all his eggs in a sorcerer’s basket? He had to find other ways of getting to her. Besides, he wanted to hide from his rivals that he too was secretly pursuing the wizard. He would pull the wool over their eyes by pretending to be entirely preoccupied with the hunt for Nyawlra. And what better way to do this than to post new photographs of her all over Aburlria? Yet another problem presented itself: what had he done with the photos of Nyawlra that Kaniürü had shown him when he started working for him?

Nothing is going right, he thought in despair as he sat back in his chair. He recalled Kaniürü s lies about him and Tajirika’s refusal to go along with the confessions. He leaned forward and banged his desk with his right fist as his anger and frustration mounted. He stopped, folded his arms on the desk, and rested his forehead on them. Where was this woman? Every time he thought he had found a way to get to her, something would make him lose sight of her. How could he have lost her pictures? But bemoaning his bad luck was pointless, he told himself, attempting composure. He had better start looking for the photographs. And then, as if his eyes felt pity for him, he spotted a file under the piles of paper on his desk and pulled it out.

He leapt with joy. It was the file with the pictures of Nyawlra that Kaniürü had given him. He looked at each carefully to ascertain which was best suited for a poster. The only hitch was that Kaniürü himself was in many of them. He and Nyawlra had, after all, been husband and wife, and the pictures had been taken during their season of wooing and marriage.

Then Sikiokuu chuckled. He selected a photograph showing

Nyawlra and Kaniürü embracing in a studio. Sikiokuu ordered the picture enlarged and reproduced a thousand copies.

Even as he searched for Nyawlra, he had found a way to compromise the traitorous Kaniürü.

Machokali, who had been officially entrusted with the capture of the wizard, was keen to achieve this before his rivals had completed their assigned tasks. Since the disastrous visit to America he had felt his power on the wane, and he thought he would recover his standing only through the release of monies for Marching to Heaven. But there were no signs that the Global Bank would release the funds anytime soon. To regain some measure of influence in the heart of power, the capture of the wizard was paramount. But he could not figure out where or how to embark on the search for the Wizard of the Crow. It was not even clear that the sorcerer had returned to Aburlria. He, too, considered a Wanted poster, but A.G. talked him out of it.

“True!
Haki ya Mungu,”
A.G. was later to claim, “I told him that no human hands could draw the likeness of the Wizard of the Crow. Ask yourselves: Who was the Wizard of the Crow? Was he a man or a woman? Personally I knew that he possessed the ability to change himself into a man or a woman or into anything else. He is a whirlwind. He is lightning. He is a thunderstorm. He is the sun and the rain. He is the moon and the stars. How can you draw the likeness of air, breath, soul? The Wizard of the Crow is the being that animated everything, and how can you draw a picture of that? I told him: Give me the time, give me a free hand, and I will track him down.”

Machokali agreed and entrusted A.G. with the search for the Wizard of the Crow. He released him from his ordinary duties. But wherever he went, A.G. was to report regularly.

Just before they parted, the minister gave him a mobile phone and a red motorbike.

A.G. rejected the way of force and opted for that of words. He would use his tongue to find his way around and unloosen the tongues of his listeners. He went on foot, mostly, but he also rode in
mkokoteni,
donkey carts, bicycles,
matatus, mbondambondas,
buses, or trains to get to wherever people gathered. He stopped at market centers, bars, churches, mosques, and in all these places he would tell them: I am looking for the being that animates all things, including speech.

His cryptic words would ignite a debate among his listeners. Yes, what is the being?

And gradually the debates and heated arguments would give way to stories, anecdotes, and remembrances of what the being was. A.G. would come into his own, and soon people would forget the heat of the previous arguments as they listened to this traveling bard telling the amazing story of the Wizard of the Crow. In his tongue the real and the marvelous flowed out of each other. He would even talk about the Ruler. He would hint about plants that bore money. They listened to his stories and later improvised on them in the retelling. Soon the stream of stories became common lore. The ceaseless transformation of the stories soon resulted in rumors throughout Aburiria that the Ruler was pregnant and had a secret garden with dollar-producing plants. Was that why he had remained out of sight since returning from America? Was that why the Ruler always donated money to self-help schemes, claiming the amount came from him and his friends?

While traveling on foot, one day A.G. saw pasted on an electric post a poster bearing what seemed to be a picture of the Wizard of the Crow. It was the name more than the picture that took him aback. It was not a photograph. It was more like a police sketch. He recalled his talks with Machokali and his warning to the minister that no human hand could draw the likeness of the Wizard of the Crow because he was many things: a man, a woman, a child, a cap on somebody’s head, a bird, lightning, a whirlwind! This sketch looked like a
cross between Jesus and Sikiokuu, and it offered a prize to the Wizard of the Crow.

Was this the work of Machokali? A.G. asked himself angrily. Ma-chokali, who had entrusted him with the task of finding the Wizard of the Crow? Is he of so little faith that no sooner do I turn my back than he has these drawings of the Wizard of the Crow posted all over the country?

He called Machokali. The minister denied that he had authorized any such thing and wondered who could have done it.

“Find out who is doing this,” Machokali said, “but in so doing, don’t stray from the main business, capturing the Wizard of the Crow. One more thing. Stories abound that the Ruler is pregnant. Get to the source of those slanderous rumors.”

A.C. did not know that he himself had somehow been the source. I will look into the matter, he assured Machokali, and he resumed his travels, having taken note of the telephone number on the poster. A.C. had many friends throughout the police and intelligence network. There were some who owed him a debt of gratitude for letting them know about the Wizard of the Crow early on, long before he and his magic had achieved fame. So it did not take long for him to get to the bottom of the source of the poster. But he was not overly concerned. All this is mere foolishness, he said to himself. The Wizard of the Crow would not be bribed or tricked into submission.