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Authors: Hilary Mantel

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BOOK: Wolf Hall
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Mary Boleyn stands up. “I'll just . . .”

“Now Lady Carey is going to have one of her conferences with Master Cromwell,” Mary Shelton says, in a tone of giving agreeable information.

Jane Rochford: “She is going to offer him her virtue again.”

“Lady Carey, what can you not say before us all?” But Anne nods. He may go. Mary may go. Presumably Mary is to carry messages that she, Anne, is too delicate to convey direct.

Outside: “Sometimes I need to breathe.” He waits. “Jane and our brother George, you know they hate each other? He won't go to bed with her. If he is not with some other woman he sits up at night with Anne in her rooms. They play cards. They play Pope Julius till the dawn comes. Did you know the king pays her gambling debts? She needs more income, and a house of her own, a retreat, not too far from London, somewhere on the river—”

“Whose house has she in mind?”

“I don't think she means to turn anyone out.”

“Houses tend to belong to somebody.” Then a thought strikes him. He smiles.

She says, “I told you to stay away from her, once. But now we cannot do without you. Even my father and my uncle say so. Nothing is done, nothing, without the king's favor, without his constant company, and nowadays when you are not with Henry he wants to know where you are.” She steps back, appraises him for a moment as if he were a stranger. “My sister, too.”

“I want a job, Lady Carey. It isn't enough to be a councillor. I need an official place in the household.”

“I'll tell her.”

“I want a post in the Jewel House. Or the Exchequer.”

She nods. “She made Tom Wyatt a poet. She made Harry Percy a madman. I'm sure she has some ideas about what to make you.”

A few days before Parliament met, Thomas Wyatt had come to apologize for getting him out of bed before dawn on New Year's Day. “You have every right to be angry with me, but I've come to ask you not to be. You know how it is at New Year's. Toasts are drunk, and the bowl goes round, and you must drain the bowl.”

He watches Wyatt as he walks about the room, too curious and restless and half-shy to sit down and make his amends face-to-face. He turns the painted globe of the world, and rests his forefinger on England. He stops to look at pictures, at a little altarpiece, and he turns, questioning; it was my wife's, he says, I keep it for her sake. Master Wyatt wears a jacket of a stiffened cream brocade trimmed with sables, which he probably cannot afford; he wears a doublet of tawny silk. He has tender blue eyes and a mane of golden hair, thinning now. Sometimes he puts his fingertips to his head, tentative, as if he still has his New Year's headache; really, he is checking his hairline, to see if it has receded in the last five minutes. He stops and looks at himself in the mirror; he does this very often. Dear God, he says. Rolling about the streets with that crowd. I'm too old for such behavior. But too young to lose my hair. Do you think women care about it? Much? Do you think if I grew a beard it would distract . . . No, probably not. But perhaps I will anyway. The king's beard looks well, does it not?

He says, “Didn't your father give you any advice?”

“Oh yes. Drink off a bowl of milk before you go out. Stewed quinces in honey—do you think that works?”

He is trying not to laugh. He wants to take it seriously, his new post as Wyatt's father. He says, “I mean, did he never advise you to stay away from women in whom the king is interested?”

“I did stay away. You remember I went to Italy? After that I was in Calais for a year. How much staying away can a man do?”

A question from his own life; he recognizes it. Wyatt sits down on a small stool. He props his elbows on his knees. He holds his head, fingertips on his temples. He is listening to his own heartbeat; he is thinking; perhaps he is composing a verse? He looks up. “My father says that now Wolsey is dead you're the cleverest man in England. So can you understand this, if I say it just once? If Anne is not a virgin, that's none of my doing.”

He pours him a glass of wine. “Strong,” Wyatt says, after he has downed it. He looks into the depth of the glass, at his own fingers holding it. “I must say more, I think.”

“If you must, say it here, and just once.”

“Is anyone hiding behind the arras? Somebody told me there are servants at Chelsea who report to you. No one's servants are safe, these days, there are spies everywhere.”

“Tell me in what day there were not spies,” he says. “There was a child in More's house, Dick Purser, More took him in out of guilt after he was orphaned—I cannot say More killed the father outright, but he had him in the pillory and in the Tower, and it broke his health. Dick told the other boys he did not believe God was in the Communion host, so More had him whipped before the whole household. Now I have brought him here. What else could I do? I will take in any others he ill-treats.”

Smiling, Wyatt passes his hand over the Queen of Sheba: that is to say, over Anselma. The king has given him Wolsey's fine tapestry. Early in the year, when he went in to speak to him at Greenwich, the king had seen him raise his eyes to her in greeting, and had said, with a sideways smile, do you know this woman? I used to, he said, explaining himself, excusing himself; the king said, no matter, we all have our follies in youth, and you can't marry everyone, can you . . . He had said in a low voice, I have in mind that this belonged to the Cardinal of York, and then, more briskly, when you go home make a place for her; I think she should come to live with you.

He gives himself a glass of wine, and another to Wyatt; says, “Gardiner has people outside the gate, watching who comes and goes. This is a city house, it is not a fortress—but if anybody's here who shouldn't be, my household does enjoy kicking them out. We quite like fighting. I'd prefer to put my past behind me, but I'm not allowed to. Uncle Norfolk keeps reminding me I was a common soldier, and not even in his army.”

“You call him that?” Wyatt laughs. “Uncle Norfolk?”

“Between ourselves. But I don't need to remind you of what the Howards think is due to them. And you've grown up Thomas Boleyn's neighbor, so you know not to cross him, whatever you feel about his daughter. I hope you don't feel anything—do you?”

“For two years,” Wyatt says, “I was sick to my soul to think of any other man touching her. But what could I offer? I am a married man, and not the duke or prince she was fishing for, either. She liked me, I think, or she liked to have me in thrall to her, it amused her. We would be alone, she would let me kiss her, and I always thought . . . but that is Anne's tactic, you see, she says yes, yes, yes, then she says no.”

“And of course, you are such a gentleman.”

“What, I should have raped her? If she says stop she means it—Henry knows that. But then another day would come and again she would let me kiss her. Yes, yes, yes, no. The worst of it is her hinting, her boasting almost, that she says no to me but yes to others—”

“Who are?”

“Oh, names, names would spoil her pastime. It must be so arranged that every man you see, at court or down in Kent, you think, is he the one? Is it him, or him? So you are continually asking yourself why you've fallen short, why you can never please her, why you never get the chance.”

“I should think you write the best poems. You can comfort yourself there. His Majesty's verses can be a little repetitive, not to say self-centered.”

“That song of his, ‘Pastime with Good Company.' When I hear it there is something inside me, like a little dog, that wants to howl.”

“True, the king is past forty. It is melancholy to hear him sing of the days when he was young and stupid.” He watches Wyatt. The young man looks dazed, as if he has a persistent pain between his eyes. He is claiming that Anne no longer torments him, but that's not how it looks. He says, brutal as a butcher, “So how many lovers do you think she has had?”

Wyatt looks down at his feet. He looks at the ceiling. He says, “A dozen? Or none? Or a hundred? Brandon tried to tell Henry she was soiled goods. But he sent Brandon away from court. Imagine if I tried. I doubt I'd get out of the room alive. Brandon forced himself to speak, because he thinks, come the day she gives in to Henry, what then? Will he not know?”

“Give her credit. She must have thought of that. Besides, the king is no judge of maidenheads. He admits as much. With Katherine, it took him twenty years to puzzle out his brother had been there before him.”

Wyatt laughs. “When the day comes, or the night, Anne can hardly say that to him.”

“Listen. This is my view of the case. Anne does not concern herself with her wedding night because there is no cause for concern.” He wants to say, because Anne is not a carnal being, she is a calculating being, with a cold slick brain at work behind her hungry black eyes. “I believe any woman who can say no to the King of England and keep on saying it, has the wit to say no to any number of men, including you, including Harry Percy, including anyone else she may choose to torment for her own sport while she is arranging her career in the way it suits her. So I think, yes, you've been made into a fool, but not quite in the way you thought.”

“That is meant as consolation?”

“It should console you. If you'd really been her lover I would fear for you. Henry believes in her virginity. What else can he believe? But he will prove jealous, once they're married.”

“As they will be? Married?”

“I am working hard with Parliament, believe me, and I think I can break the bishops. And after that, God knows . . . Thomas More says that in the reign of King John when England was placed under an interdict by the Pope, the cattle didn't breed, the corn ceased to ripen, the grass stopped growing and birds fell out of the air. But if that starts to happen,” he smiles, “I'm sure we can reverse our policy.”

“Anne has asked me: Cromwell, what does he really believe?”

“So you have conversations? And about me? Not just yes, yes, yes, no? I'm flattered.”

Wyatt looks unhappy. “You couldn't be wrong? About Anne?”

“It's possible. For the moment I take her at her own valuation. It suits me. It suits us both.”

As Wyatt is leaving: “You must come back soon. My girls have heard how handsome you are. You can keep your hat on, if you think they might be disillusioned.”

Wyatt is the king's regular tennis partner. Therefore he knows about humbled pride. He fetches up a smile.

“Your father told us all about the lion. The boys have made a play out of it. Perhaps you would like to come one day and take your own role?”

“Oh, the lion. Nowadays, I think back on it, and it doesn't seem to me like a thing I would do. Stand still, in the open, and draw it on.” He pauses. “More like something you would do, Master Cromwell.”

Thomas More comes to Austin Friars. He refuses food, he refuses drink, though he looks in need of both.

The cardinal would not have taken no for an answer. He would have made him sit down and eat syllabub. Or, if it were the season, given him a large plate of strawberries and a very small spoon.

More says, “In these last ten years the Turks have taken Belgrade. They have lit their campfires in the great library at Buda. It is only two years since they were at the gates of Vienna. Why would you want to make another breach in the walls of Christendom?”

“The King of England is not an infidel. Nor am I.”

“Are you not? I hardly know whether you pray to the god of Luther and the Germans, or some heathen god you met with on your travels, or some English deity of your own invention. Perhaps your faith is for purchase. You would serve the Sultan if the price was right.”

Erasmus says, did nature ever create anything kinder, sweeter or more harmonious than the character of Thomas More?

He is silent. He sits at his desk—More has caught him at work—with his chin propped on his fists. It is a pose that shows him, probably, to some combative advantage.

BOOK: Wolf Hall
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