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Authors: Sandra Cisneros

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BOOK: Woman Hollering Creek
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Maybe you wouldn’t like him. To you he might be a bum. Maybe he looked it. Maybe. He had broken thumbs and burnt fingers. He had thick greasy fingernails he never cut and dusty hair. And all
his bones were strong ones like a man’s. I waited every Saturday in my same blue dress. I sold all the mango and cucumber, and then Boy Baby would come finally.

What I knew of Chaq was only what he told me, because nobody seemed to know where he came from. Only that he could speak a strange language that no one could understand, said his name translated into boy, or boy-child, and so it was the street people nicknamed him Boy Baby.

I never asked about his past. He said it was all the same and didn’t matter, past and the future all the same to his people. But the truth has a strange way of following you, of coming up to you and making you listen to what it has to say.

Night time. Boy Baby brushes my hair and talks to me in his strange language because I like to hear it. What I like to hear him tell is how he is Chaq, Chaq of the people of the sun, Chaq of the temples, and what he says sounds sometimes like broken clay, and at other times like hollow sticks, or like the swish of old feathers crumbling into dust.

He lived behind Esparza & Sons Auto Repair in a little room that used to be a closet—pink plastic curtains on a narrow window, a dirty cot covered with newspapers, and a cardboard box filled with socks and rusty tools. It was there, under one bald bulb, in the back room of the Esparza garage, in the single room with pink curtains, that he showed me the guns—twenty-four in all. Rifles and pistols, one rusty musket, a machine gun, and several tiny weapons with mother-of-pearl handles that looked like toys. So you’ll see who I am, he said, laying them all out on the bed of newspapers. So you’ll understand. But I didn’t want to know.

The stars foretell everything, he said. My birth. My son’s. The boy-child who will bring back the grandeur of my people from those who have broken the arrows, from those who have pushed the ancient stones off their pedestals.

Then he told how he had prayed in the Temple of the Magician years ago as a child when his father had made him promise to bring back the ancient ways. Boy Baby had cried in the temple dark that only the bats made holy. Boy Baby who was man and child among the great and dusty guns lay down on the newspaper bed and wept for a thousand years. When I touched him, he looked at me with the sadness of stone.

You must not tell anyone what I am going to do, he said. And what I remember next is how the moon, the pale moon with its one yellow eye, the moon of Tikal, and Tulum, and Chichén, stared through the pink plastic curtains. Then something inside bit me, and I gave out a cry as if the other, the one I wouldn’t be anymore, leapt out.

So I was initiated beneath an ancient sky by a great and mighty heir—Chaq Uxmal Paloquín. I, Ixchel, his queen.

The truth is, it wasn’t a big deal. It wasn’t any deal at all. I put my bloody panties inside my T-shirt and ran home hugging myself. I thought about a lot of things on the way home. I thought about all the world and how suddenly I became a part of history and wondered if everyone on the street, the sewing machine lady and the
saleswomen and the woman with two kids sitting on the bus bench didn’t all know.
Did I look any different? Could they tell?
We were all the same somehow, laughing behind our hands, waiting the way all women wait, and when we find out, we wonder why the world and a million years made such a big deal over nothing.

I know I was supposed to feel ashamed, but I wasn’t ashamed. I wanted to stand on top of the highest building, the top-top floor, and yell,

Then I understood why Abuelita didn’t let me sleep over at Lourdes’s house full of too many brothers, and why the Roman girl
in the movies always runs away from the soldier, and what happens when the scenes in love stories begin to fade, and why brides blush, and how it is that sex isn’t simply a box you check
on in the test we get at school.

I was wise. The corner girls were still jumping into their stupid little hopscotch squares. I laughed inside and climbed the wooden stairs two by two to the second floor rear where me and Abuelita and Uncle Lalo live. I was still laughing when I opened the door and Abuelita asked, Where’s the pushcart?

And then I didn’t know what to do.

It’s a good thing we live in a bad neighborhood. There are always plenty of bums to blame for your sins. If it didn’t happen the way I told it, it really could’ve. We looked and looked all over for the kids who stole my pushcart. The story wasn’t the best, but since I had to make it up right then and there with Abuelita staring a hole through my heart, it wasn’t too bad.

For two weeks I had to stay home. Abuelita was afraid the street kids who had stolen the cart would be after me again. Then I thought I might go over to the Esparza garage and take the pushcart out and leave it in some alley for the police to find, but I was never allowed to leave the house alone. Bit by bit the truth started to seep out like a dangerous gasoline.

First the nosy woman who lives upstairs from the laundromat told my Abuelita she thought something was fishy, the pushcart wheeled into Esparza & Sons every Saturday after dark, how a man, the same dark Indian one, the one who never talks to anybody, walked with me when the sun went down and pushed the cart into the garage, that one there, and yes we went inside, there where the fat lady named Concha, whose hair is dyed a hard black, pointed a fat finger.

I prayed that we would not meet Boy Baby, and since the gods listen and are mostly good, Esparza said yes, a man like that had lived there but was gone, had packed a few things and left the pushcart in a corner to pay for his last week’s rent.

We had to pay $20 before he would give us our pushcart back. Then Abuelita made me tell the real story of how the cart had disappeared, all of which I told this time, except for that one night, which I would have to tell anyway, weeks later, when I prayed for the moon of my cycle to come back, but it would not.

When Abuelita found out I was going to
dar a luz
, she cried until her eyes were little, and blamed Uncle Lalo, and Uncle Lalo blamed this country, and Abuelita blamed the infamy of men. That is when she burned the cucumber pushcart and called me a
because I
without shame.

Then I cried too—Boy Baby was lost from me—until my head was hot with headaches and I fell asleep. When I woke up, the cucumber pushcart was dust and Abuelita was sprinkling holy water on my head.

Abuelita woke up early every day and went to the Esparza garage to see if news about that
had been found, had Chaq Uxmal Paloquín sent any letters, any, and when the other mechanics heard that name they laughed, and asked if we had made it up, that we could have some letters that had come for Boy Baby, no forwarding address, since he had gone in such a hurry.

There were three. The first, addressed “Occupant,” demanded immediate payment for a four-month-old electric bill. The second was one I recognized right away—a brown envelope fat with cake-mix coupons and fabric-softener samples—because we’d gotten one just like it. The third was addressed in a spidery Spanish to a Señor C. Cruz, on paper so thin you could read it unopened by the light of the sky. The return address a convent in Tampico.

This was to whom my Abuelita wrote in hopes of finding the man who could correct my ruined life, to ask if the good nuns might know the whereabouts of a certain Boy Baby—and if they were hiding him it would be of no use because God’s eyes see through all souls.

We heard nothing for a long time. Abuelita took me out of school when my uniform got tight around the belly and said it was a shame I wouldn’t be able to graduate with the other eighth graders.

Except for Lourdes and Rachel, my grandma and Uncle Lalo, nobody knew about my past. I would sleep in the big bed I share with Abuelita same as always. I could hear Abuelita and Uncle Lalo talking in low voices in the kitchen as if they were praying the rosary, how they were going to send me to Mexico, to San Dionisio de Tlaltepango, where I have cousins and where I was conceived and would’ve been born had my grandma not thought it wise to send my mother here to the United States so that neighbors in San Dionisio de Tlaltepango wouldn’t ask why her belly was suddenly big.

I was happy. I liked staying home. Abuelita was teaching me to crochet the way she had learned in Mexico. And just when I had mastered the tricky rosette stitch, the letter came from the convent which gave the truth about Boy Baby—however much we didn’t want to hear.

He was born on a street with no name in a town called Miseria. His father, Eusebio, is a knife sharpener. His mother, Refugia, stacks apricots into pyramids and sells them on a cloth in the market. There are brothers. Sisters too of which I know little. The youngest, a Carmelite, writes me all this and prays for my soul, which is why I know it’s all true.

Boy Baby is thirty-seven years old. His name is Chato which means fat-face. There is no Mayan blood.

BOOK: Woman Hollering Creek
8.48Mb size Format: txt, pdf, ePub

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