Women and Men (182 page)

Was she that bad off, Gramma?

Sarah? Well, we were all raised to get married and stay married, and she was ill with anemia though maybe that didn’t count, maybe it was that trip to France to the conservatory when she was only a girl.

But you went exploring when you were nineteen.

I almost went too far.

You spent three nights in jail for that woman who axed the painting.

Not when I was nineteen.

What was its name?

The Rokeby Venus, in London. There were demonstrations here.

Braddie accepted it, he knew she wasn’t coming back, he knew she was dead!

But he was so little, Jimmy,
and
so close to her; I told him all I could, he kept asking and I told him I held myself responsible for being too strict when she was in her teens and even afterward and she went abroad all right to study music but we didn’t let her stay a whole year—we kept an eye on girls in those days.

Did Brad want to know a whole lot?

Oh we got quite close the last year or so.

And you told him a lot?

Oh it’s all things you figured out for yourself, and, gracious, Brad’s just a little bit too nice, sensitive and all, but we don’t laugh much; we had serious talks about how people got to be very unhappy in their home life, and he sent me the most funereal flowers in the hospital.

He kissed her goodnight, he heard Alexander in the next room, he saw that Margaret did not expect him to stay or necessarily to pay her a visit the following morning, which was Friday, he never felt he had to explain himself with her, but wasn’t there then in ‘50 and now in ‘77 this gap a part of you was always passing through? Memory kept things from being over.

Go away and come back light-months later and you’re the same person, pulse back to normal, etcetera; nothing’s happened, where’ve you been? Alive there, alive here. But if dead here, get out fast. But he had been mad at her for talking about his mother in that way to Brad. All times were equal and the spaces between if you wanted.

He phoned Washington, early as it was, and realized he was thinking of poor old reliable business-as-usual Ted in a far-off time zone of California, but Flick wasn’t home. A friend had phoned a few days ago to say his wife and son—for he was legally separated—had had their apartment broken into and the super was threatened with a knife, and the thieves, like bad movers, had cracked a mirror; the man’s son had called his dad collect, secretly—the man was upset and Mayn had been too busy to talk and hadn’t called back but would. A film maker had phoned to ask him to play mixed doubles and to inquire how far they were into the lightning-mapping project and were they going to use U-25? Mayn had business in Connecticut and he had been up all night. Amy was not home or at her foundation where Mayn and Larry had talked to the watchman; and the Chilean economist didn’t answer his home phone at two
A.M.
And Mayn needed reading glasses, his eyes were tired, and the thing persistently existing in the corner of his eye would turn into Spence if he didn’t get some sleep but he didn’t have time, or into a mountain of mind-bending mineral slag Dina West had evoked with the merest of references: and all Mayn could think was that death leads us to reincarnation, and he had a glass of orange juice to prove his reality, and whereas normally he would have to have someone to talk to to think old things over, it was the reverse now, with Norma anyway, and he heard himself saying in answer to Ted’s "You’re pretty hard on that little so-and-so," "Yeah, we all have a little Spence in us" for Ted to carry on, in Mayn’s affectionate imagination, "Spence has more than most."

Where did he come from? Mayn didn’t even know. But maybe he would have to see. The phone rang and he reached it before the second ring to hear his daughter’s low-pitched, expectant voice identifying him.

"Just the person I wanted to talk to."

"Well, this guy Spence phoned me—"

"Long distance?"

"Here in New York. Who’s he with?"

"Himself, Flick. Stay clear."

1 ‘Well, I didn’t think it was a Senate subcommittee but I think he bothered you once or twice before."

"How come he knew where to phone you in New York? That’s more than I know."

Flick gave her father a number and said it was her friend Lincoln’s, the woman who had called him after being called by the obnoxious Spence. "But he must be on to something, Daddy."

The corner of his eye was full again. He saw the wastebasket by the desk before he’d half turned to find it empty. The hand-written pages of his letter to his daughter weren’t there. They’d disappeared during the night. He had been out for three or four hours.

"I wrote you last night, m’dear."

"O.K., that’s a good coincidence, but ... Daddy—you know everything—when your grandmother committed suicide—"

"What!"

"—you told me you were away camping with your girlfriend and having a fight the whole weekend and you didn’t hear until late Sunday night—"

"What has this to do with Spence?" Mayn intoned, but didn’t want to hear.

"Did an old teacher of yours come all the way from Minneapolis and show up at the cemetery and upset Alexander?" Mayn saw the children playing in the backyard in Windrow, their great-grandfather in a broad-brimmed straw hat about to let go of his lemonade glass when the girl with long, light-brown hair races over, giggling at her brother, and takes the glass as it slips from the fingers, which wakes the old man up, who insists on taking the glass from Flick. "Did she come all the way from Minnesota?"

It was drizzling and his bus didn’t get in till after the burial, and his grandfather was uncommunicative and Jim felt horrible at getting to the house when a crowd of people were eating deviled eggs and slicing turkey and a big glazed ham and he felt he still wasn’t there yet. He told his daughter this, and her voice coming back sounded flat, like after he had left his family and would phone Joy and the children and only Flick would talk to him but with a special unwillingness in representing the other two: "And did she meet someone in the group at the cemetery whose uncle had adored your grandmother and said he would have been proud of her decision?" His grandfather took him aside and told Jim that that woman Myles had been "bothering us" again, and Alexander had finally asked her very quietly did she want him to tell her what the gas smelled like and show her the identical messages all over the living room and the back porch saying
DON’T LIGHT MATCHES?
And Jim had been aware of listening indelibly to what was being said but in order to get it so firm that he could consign it right away from him, but it did not all get consigned, because he remembered, but did not tell his daughter, "This time ..." (said Miss Myles)—"What?" his grandfather said—"there’s no doubt . . ."—"About what?" said Alexander—"About why" was what Pearl Myles had said. The voices in the living room and dining room were not hushed and they drove Jim out onto the porch as if they were a clamor sifting him, dividing and dividing him.

"Spence might get himself buried," said the father calmly.

"And Daddy, I couldn’t decide if he was crazy or not, I mean maybe he’s dangerous but he’s sort of up front, obnoxious but I mean why didn’t he ask
you
about that printer Morgan who was mixed up with a relative of ours? I mean, what do I care about all those people, but there seemed to be Chilean fathers mixed up with Masonic lodges past and present and two daughters we’re supposed to be involved with, but I don’t believe it, any more than I believe that a German submarine had anything to do with me that surfaced one late afternoon off the Jersey shore and helped a person escape to South America who had a banned opera in her head and was either daughter or great-niece to a strong woman who nonetheless found time to listen to mountains think or knew some people who had—does that mean anything to you?"

"I don’t know a thing about Chilean opera, but I remember the story about the sub. There was a waterspout out there the same day."

"Chilean?"

His daughter had not said escape to
Chile;
if she knew this much she would have picked up Chile, but only if she had cared to. The follower makes up the followee, who reciprocates: but these cannot be Mayn’s thoughts: he does not know what they mean, he knows the poignant politeness of an unknown economist at Cape Kennedy in December of ‘72, his ex tempore remarks re: astronauts and their overnight bags disappearing into space for a break from domestic responsibilities, wives, secretaries, kids, even the bachelor geologist who, however, was not the one who did a brief dance-like hop before stepping up into the white van with the rusty tailpipe; a Chilean economist who spoke of a prisoner inventing a chemistry of thought or communal-think in the void of a prison Mayn found for himself.

"Spence has to be stopped."

"From what, Daddy?"

Only Norma had a key to "the wastebasket," and she would never have taken the letter. He heard questions answering his knowledge that what he had in his power he would use. But interrogations directed not just to him. Though passing through his head, signatures of lightning that when he heard of he thought they had been in his imagination already. So he didn’t figure where they were coming from.

"He listened to Ted and me talk years ago and then he started turning up in my life. He’s not even a journalist but he’s everything that stinks in this racket." But who was Mayn talking about? He felt his daughter angry, saw her lips puff, her eyes narrow and seem to go vague.

"I mean
I
don’t care about some old relation of yours or your grandparents’ who described a pistol in a two-volume diary so I couldn’t care less where the diary is hiding. But now the mountain: there’s something in the mountain, Daddy. It sounds—"

"
I
told you about that diary in the letter I wrote you last night."

"—but that mountain sounds like pure insanity but, like, when the fantasy gets really pure, that’s danger; that’s critical mass."

He was tired of big talk, but smiled at her "critical mass" and turned away.

"Don’t turn away, Daddy."

"I’ve told you about mountains that think—Mountain Capability—don’t you remember? I don’t remember where it came from, I can’t imagine Margaret referring to ‘Aimed Being’ as a form of thought, but I’m listening to you talk about critical mass as if you had any idea what it is. (Not that
I
do.)"

"Well, I don’t remember your telling me about mountains except Ship Rock in a letter but it’s not a mountain, but some of Spence’s information sounds right."

He had a heavy day and he told his daughter maybe he was the "reason" to Spence’s "rhyme" and asked her to come up to Connecticut with him, but she wouldn’t. She said, "I asked him where he was coming from connecting my family to some people named Morgan who used to carry diagrams across deserts that might be about sunspots and harvests or about pistols or railroad routes but were Masonic messages between the hemispheres and he said you were an old friend of his and he was worried about you."

Mayn saw a hand get hold of the four or five handwritten pages in last night’s wastebasket and pull them out carefully but he had never seen Spence’s hands.

"He’s no friend of mine."

"He said a dangerous character had phoned him in the middle of the night asking him about some of this information but he himself had known only what he had heard."

Mayn wanted his daughter to go up to Connecticut with him, the very first women’s interstate Bank; get her away from this.

She said,
Business,
Daddy? in that ironic way, and said
she had
something to show
him
that she had been writing, and he said, Can’t wait, and she said, It’s in the mail, What’s wrong with business? and they were drifting into an old fight in which he might say technology wasn’t demonic, not evil in itself, the machines were to serve us, the real risk was—but though she didn’t want to hear she asked, then, if he’d gone into this because of the family paper and he distinctly felt her mind reach to hang up her receiver, and he said No, and wished she could see how much he loved her but she sounded tired, the "tired" that would last only on the phone. She said, "He asked what I knew about the death of Mayga—he just threw her name at me like we were all friends. Why did it feel like extortion?"

"She was a Chilean journalist Ted and I knew. She did a kind of respectable P.R. more than steady reporting. Mixed up in liberal politics, working for the election of Frei, opposed to foreign involvement in copper. Interesting person. And there’s more to it than that."

"I know who she is, Daddy."

"Spence doesn’t keep information in his head long, it comes in and goes out the same day."

"Mom told me about her."

"Well, I’ve got to go to Connecticut and I think if you don’t come with me you should go back to Washington. What did you come up here for?" He could brain Spence.

"I think it was a mountain I didn’t know about till I got here."

"What on earth did your mother know about Mayga?"

"I don’t want to go into it, Daddy."

His grandfather’s words exactly: when Jim asked what Pearl Myles, who’d come and gone, had meant about there being no doubt this time.

Then Anne-Marie whom he hadn’t seen since a year Christmas phoned the house from upstate New York from college because her parents had told her about Margaret, and she loved Jim; she knew how to say such things and she found some ease or rest in him or put it there, though she used more words to speak now than in high school, so for a second the funeral lunch felt like a surprise party. And Sammy was there because he hadn’t gone to college but was learning the construction business. And Mayn, with his daughter’s words or some accelerating leverage in the phone line’s magnetic current, could not tell if, in 1950 he had a gap he saw back into that was his own ongoing mystery or stupidity, a congruence that memory teased you with, and that was also an absence of his grandmother, her strong shoulders, her eyes as largely observant as his wife’s, buried nearby, yet also a big nothing of his mother, who wasn’t buried nearby. Lunchtime voices rose in his grandmother’s home, and he felt himself swell or deform in one direction or another for the voices pulled him and rose like a classroom of voices when the teacher goes out of the room for five minutes, seven minutes, ten minutes. And feeling inside out in the least dramatic of apartments in New York in 1977 where the elevator stopping and moving on sounded like the power supply accumulating, resting, practicing its power, circuit-breaking off into cerebral lesion as if the group house let a universe dissolve its walls and repointed bricks, Mayn didn’t have words to think the wordless panic bordering on absolute inertial not-caring with which (read
congruently;
read
responsible for two suicides;
read
We)
he had to know and absolutely had to know what his mother who had conveniently preceded both of them would feel about this rational death of his grandmother, her mother, who had had enough of "stretching" with or without anesthesia and wrote her letters and then her last multiple identical notes of concern for all who should enter the household before her death was known but especially her husband, who had cigars on the mantelpiece, Jim saw them, three lonely Dutch Masters, and would never light a match for any other reason except, on special occasions, red candlesticks in the andiron-heavy brass holders on the mantel in the living room or on the dining-room table—and
howling
to know, he thought that his difficult, remote mother, who would talk so directly to you sometimes when she felt like it that you thought you were remembering her words already, would have wept at her mother’s practical act and have admired the woman, and he could have given his mother his love at a time of shock and sadness for her, she would have been polite to all the people who came, and there were people in the house Jim had never seen before, and in his own apartment a century later he’s standing in all the angles of the house turned inside out and looking outward dazed into his usual ease and fair good humor but not alone—what did that mean?—but ready for anything, which was like being ready for nothing, afraid of people coming to him to say they’re sorry but seeing that they had come to his grandfather, the bereaved beloved, who materialized at the mantelpiece thirty feet away from where Jim was standing near the phone, and was actually smiling and nodding with Jim’s mother’s sporty friend whose speaking voice flowed over from his singing voice, and Alexander paused in his gentle amusement to light a cigar so there were only two cigars left there with the pewter ashtray and a small, pale-green Oriental bowl of flowers Jim knew had come from the cemetery. Then he saw Brad, whom no doubt he had
been
seeing, his half-brother who hated the devious, lunatic winds of January mornings, and he’s taller in a three-button gray flannel suit and more upright, with his girlfriend who’s touching him shoulder to shoulder until Brad greeting
his
half-brother raised his hand in the sleeve of his suit jacket, French cuffs and all: so that a quarter of the same century later hearing steps near his apartment door, and finding good old tears standing out in his eyes, he saw his half-brother come toward him so that he knew Brad was here in Windrow and he, Jim, was not, but wasn’t aware of the tears that had passed out of his eyes clearing them, until Brad shook his hand and did not know if that was why Brad had come over to him leaving his girlfriend talking to a tall, skinny man in khaki pants and a corduroy jacket and no tie, and to the Indian Ira Lee, who was working at the firehouse: "She wrote me such a tremendous letter, I got it this morning; I’ll show it to you."