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Authors: Joseph McElroy

BOOK: Women and Men
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"Which people?" said Martha, her eyes filmed with depth.

"See?" said the hermit running a hand along the angle of Grace’s arm bent at the elbow and unmoved by his touch.

"Why don’t you let her do her own thing," said Grace, wanting to be on her way.

But the old man said, "She’s much taken with you." He said it softly but the old lady Martha said, "He always does that." She shook her head. "Can’t explain. I have another name."

"I know what you mean," said Grace. "I think I have another name, too. Maybe it’s Martha."

The man said, "She wants to drink a beer now." "Morning, morning, he always does that," the old woman said. She shook her head, opened her mouth, couldn’t find the words. "I can’t explain."

"Much taken with you," the old man said, a bit curtly. "Wants to drink a beer now."

The black dude in the alligator hat reappeared from behind the van across the street where the men of the van had been having their beers; the black dude whom, it came to her, she would have her way with, was reappearing, and the van moved away from the curb in the opposite direction and Grace needed to go and the black dude was not to reappear until later, she was sure.

"But what was that show in the window all about—the brother and sister?" Grace looked from one to the other, back and forth, eye contact, bring them both in.

The old woman shrugged, it didn’t look right on her but her face clouded together and she didn’t know. Not even quite how to shake her head. The man took her arm as she turned back to the empty storefront window.
"Brothers,
they’re brothers, they kill each other and get up again, the man inside doesn’t know what to do with them." Her companion looked over his shoulder at Grace, shook his head in jerks as if to say, harassed, that Martha, if that was her name (it seemed to have an
r
and an
a
in it) was "out of it." He said, "Another time, kid," and the old lady said, "Old hermit crab," Grace thought, but to Grace she said, at impressive length, "He makes me out to like things that it’s really him that likes them," while her escort/old friend bending toward her caring for her (Grace knew) kept saying, "Like what, like what, like what?" and at a distance words came to Grace, a curtain opening and closing at the same time, "Well, sometimes we like the same things." And right then, Grace actively put from her mind the fact that her cassette waiting for her but on her person was a portable headache she could get rid of if she would. Like she
almost
couldn’t help going into the Messenger/ Psychic Readings storefront behind the empty, unfurnished window and see what weird business trip
they
were advertising in the window grab-ass she had enjoyed watching.

Was Marv’s fury ripping her to shreds? Did she not know what she felt? The tape in her bag had been drawing her home, but blocks and blocks of the city waited in the way. A bus appeared and she got a radiator seat at the rear where she could look at how the black dude in the alligator hat came past on the sidewalk going uptown and suddenly eyeballed her right on through the window. She could not get out of her mind her own taped words she was going home to play. They were live, they were her own, and when she got off the bus and bought one small white sweetheart rose at the florist and stuck it through a button-hole of her shirt—and later when she was jerking off to the goddess in the mirror as she had known she would—she had known she was being drawn home to know later what she knew already.

But on the bus’s hot seat and in the florist’s and alone in the mirrored Body Room, she heard the clink of milk, pieces of her bike, forks on Sue’s plates last night, and she heard a deeper, longer milk clink. But they were Marv’s plates, knives, forks, cups, saucers, embroidered tablecloth, and bottled pure Garden of Eden apple juice just as much as they were Sue’s or young Larry’s, who with tender shining forehead sat in the kitchen reading a book about chess but toward the end of last night’s evening figured out how to mix and was much in demand discussing the space program (manned versus unmanned, got heckled, shrugged it off) and chess, which he might be outgrowing at eighteen. While Sue gave the mother-provider trip a twist reporting that she had told Larry he ought to get laid. It was about time, he was almost eighteen, and, even standing over by a window trying to understand a tall political woman you knew would phone the next day who spoke painfully and too fast or too slow, Grace heard Sue through the noisy talk in the large room saying it—it had been what
Grace
had told Sue, that Larry should get laid, and now she heard it come back through the room to her, family history.

And even these you must empty your hands of, as she had not quite been able to show Sue, who was changing her life but maybe into new Habit Patterns that would grab her just like she grabbed what Grace had to say about Decision-as-Necessary-Shorthand, about Siamese Marriage, about carbohydrate hits: but
prophetic,
Grace had been called—by Sue, come to think of it—when Grace had said,
You will walk out someday.

So why should Grace not find the meaning of her day sloping back to her? But in a new voice, not the silence of the burly driver of a bus that fell apart and back together at each dip so the man up there behind the bar with his walkie-talkie (while women communicate
directly,
she found herself adding to future gigs), the driver here wanted to finish off three non-orgasmic senior citizen ladies who had boarded the bus but not reached seats and were holding on as if this was tomorrow spelled backward like the letters on the front of an ambulance that’s not free, God as if this was tomorrow and there was no bus, only a loop to swing on, they were not quite making it into orbit. He knew what he was doing, floored his pedal, flipped the huge wheel, job-secure in the picture of his wife bent over the obstacle course her vacuum led her orbiting her kitchen while attached by a long cord to a plug in a socket, the noise all but overcoming phone, future doorbell, and other sounds but not the aroma that added up to three American cheese and sweating bacons she had grilled for lunch one after the other, yes, leaving the oven on after the first grilled cheese and bacon in case she had a second: foresight guaranteed: but why was she vacuuming in the kitchen? how had Grace seen that? Switch scenes and see the husband of Clara tall and thin with a foreign moustache levering the cork out of the bottle like pumping water, he like the busdriver’s wife proved to be with appetite as Clara had foreseen rising awkwardly from her mermaid folds on Grace’s famous carpet, didn’t have time for a cup of tea, saying she had to think about her husband’s dinner he would be hungry after his trip. Was he a traveling man? Not now, not now; just someone he knows who was unable to come to the city.

This woman Clara respects her husband and this is everything to her, she thinks; his words are her words coming to her like her own. He is tall and moustached, for I saw
AROUND
her to
HIM
standing behind her, there he was, and Clara says he is thin no matter what he eats, potatoes, beefsteak, fried bananas, chile, a loaf of fresh-baked bread. Funny, her nerves are showing and I thought nerves of sprung steel, not meaning like when they say it of charismatic male criminals, also revolutionaries with bombs, Clara’s fear seems made of steel. He has many worries, she said; well, so has Clara herself. Her share and unshared. The tall woman in the window at Sue and Marv’s can speak on the politics of Worry—share his to forget your own—she’s into Power Margins, what you leave potential for yourself resting assured that your treasury is on tap if you know that you take him as an equal however he sees or fantasizes you.

And this dark argument of a woman, thin but without muscle tone, awesome, waiting politically to be said No to, waiting outside if Grace (who, comparatively untechnological except for phone showerhead and Acme Juicer, had been impressed by young Larry’s report on nerve gas) needed a ride back to Manhattan: Sure, can you take me and Maureen?—for burning fuel should move as many of the people as possible: Which one is Maureen? the woman had asked vaguely.

But the man introduced into the system today by his lady Clara, this tall-ly metabolized mustache of a business-trip-upstate husband—brings home worries (to Clara), "up the river," Clara had said, like a tourist visitor, meaning the Hudson—had she smiled?—and is much encouraged by the homemaker of his home if not to handcuff her to the bedpost later on, at least to leave his worries on the doorstep—when these worries might have forced her, his cook and live-in lay (haloed by the odoroma of guinea hen enchiladas from a supermarket top-loading freezer as he with his one-and-a-half boring sex fantasies enters their hallowed living space, to let fly with
her
worries, which may not concern the long, narrow world at large like his worries which are important and therefore at rest because powered by dollar continuum though his secret anxiety about having this "Sure Thing" status tunnels
into
that Rest to siphon out the underside-rear-spout emptying the dollars-continuum of all but its nerve-gas buying power: his worries may not be about sales volume and what the Johns in Washington say about inflation, but which still
matter,
because if a revolution in a foreign country is holding up a delivery of a system, can you really get into that like you get into how a husband gets irritated?

Well, in a workshop we do a bit of everything: I’m open: we share sexual information, we talk about Body-Self image, we do some yoga, I demonstrate massage, we explore masturbation, diet, alternative energy-bases for self-love because even in a regular sex life so many women put a man’s orgasm first. We feel that—

We? the question came, but who had Clara come looking for?

Yes, economic power isn’t enough by itself, after all it gives us a heavy-duty matriarchy which is just as sex-negative as this number the men have been doing on us for centuries.

It’s not easy.

Who’s talking to Grace besides Clara? Is it Grace herself?

The world has become awfully complicated.

So do we leave it to the guys to understand?

Too complicated to
beat.

Fly, thought Grace, while the flying is good. What was it the beautiful old lady had said? they fly me, but I am the wings. Write it down.

What does your husband do? I asked Clara, and then knew I had felt I was flattering her in advance. She started to say, "He is." And "an economist" came to me—her talk-converter isn’t like mine. "An economist," the words she would have said (and if I am supposed to be so prophetic maybe that is what he
will
be). But she said, "He is a consultant." "Is your life his?" I asked. "He would never take advantage of that." I wanted her to come to the real point. "You have to learn to live," I said. "Maybe that is a way of putting it," she said, as if she knew literally a world I did not, and again I thought,
Danger:
but could it be something other than the real danger of losing your self? "Putting
what?"
I said. Then like a man, almost like Cliff, Clara got her words out too fast—

The words came back to Grace,
I mean I want to
(her accent thickened for the next word)
survive

to leave.

I reached for her arm and she let me touch her. I thought she would cry but she’s tough: but then I got it:
leave
was what came out, our American word that rhymes with
give
was what she thought she meant, and she
wanted
to
leave.
Not go public. But if she is brought along gently. Nurtured, for how she needs women now. To share with the goddess in
her.
To share information and break the old self-esteem barrier. But she is no breadbaker.

And there was something funny about her respect for that distinguished husband: so he was not interested in being tracked down by journalists, Grace was happy to give interviews, her life was to be shared, just let them quote you accurately.

But look at me going back later to the Messenger Service/Psychic storefront when I told myself I needed to get my bike now that they’d tuned it up and added a link to the chain due to worn-out derailleur (male-designed).

Grace had by then (but it was way past noon, why had she not sooner) played last night’s tape all by herself, Maureen was busy, played it denying herself nothing; taking it as she had given it—National Orgasm for Women, but not her N.O.W. quoted as a joke by Cliff when not on his monthly suicide alert:
seriously
a national orgasm: but so was the past crossing a street toward Martha and the lone guy taking care of her, only to be just missed by the whir of a red bike as oblivious of her as the jock in the saddle, but inside that wheeling whir was a clink and, though of chain, bolt, kickstand, or fender, it was a milk bottle delivered out of the past on that route a single milk bottle can clink all by itself as easily as be spilt: she felt the neck and the stripe of cold pale-yellow cream below her thumb and forefinger nineteen hundred and more miles away and the cool base of the bottle’s heavy glass in the palm of her right hand for a while: while, as she looked hard for the boy she loved who was her brother who had come and gone who got up before dawn dutifully and with an underlying mischievousness, too, that only she knew in him, left and along his route came back with the family’s milk and left again—she smelt behind her the breath breathing right through her as if to find something better beyond, when it knew too well: the hoarse breath of her unwashed father who was the living and half-blotted-out memory of last night’s moderate controlled drinking when you did not know where you were with him, for he could get courtly/serious, which might be worst, or most near to threatening, swinging his head
and
eyes slowly around so his perspective felt curved to her while he, up early, at the top and bottom of the midnight barrel appeared to know that there was nothing out there across the clear porch of morning beyond his daughter and the white misted bottle in her hands, upon which, she would turn, turn, turn (through his—she knew without looking—averted eyes) and step away holding the milk to her, leaving her father to bend just over the threshold for the other quart likewise delivered an hour or so ago by his son, who drank a quart first thing in the morning on the job and another at home during the day, good for missy’s milk-white skin, it was said—always the wrong information authoritatively shared, wrong if she had had pimples which she had not, but the wrong scoop period, but she made up for it now in her forties telling an echoing cassette-ful of mainly women (in a hospital-auditorium in Connecticut, in New Jersey a redone horse-barn, a north-shore Long Island home) how to survive. A good bunch! Did she make them good? And in the midst of this replayed spiel, eyeing the four shelves of art books, sex books, food books, and self books, and, feeling in one shin—why? that she ought to throw some of the books out, she had had the urge to be on her bike; more,
have
it. The tape ended with the warm, dry crash of clapping which got abruptly breathed back into the waiting silence of the small machine. Her mother phoned across the country. The abundantly dark-haired super stood at Grace’s door talking too long; well, she would talk to anyone who wanted to, but he talked too long as if even if it got abstract about obscure storage space being created in the basement out of nothing by this super, and about Respect—a commodity, he heard himself saying, hard to come by when you had to deal with some of the older tenants—still he figured she might like him well enough to, at the ultimate moment,
flash:
wasn’t this what all his talk meant?, he imagined that Grace possibly flashed for Manuel (now the doorman, once the handyman, who raced cars somewhere out of earshot in New Jersey) and for Spike the spick-and-span porter whom she liked to bullshit with and would never cover up for necessarily if he rang her bell alone. These blue-collar types shouldn’t have known how to take her but they did, and didn’t even sense they got an education, she was in a separate class. (By the time she was a hundred and twenty would New Jersey mean anything to anyone?)

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