World Without End (48 page)

She spoke in a low voice, but Caris heard, and made up her mind to listen to the rest.

Godwyn said: 'I've asked Elfric to prepare drawings and estimates.'

'Good. We should keep it in the family.'

'Elfric is the priory's builder.'

'Other people may want to horn in.'

'I shall decide who builds the bridge.'

Caris was annoyed enough to intervene. 'How dare you,' she said to Petranilla.

'I was not speaking to you,' her aunt said.

Caris ignored that. 'Why should Merthin's design not be considered?'

'Because he isn't family.'

'He practically lives with us!'

'But you're not married to him. If you were, it might be different.'

Caris knew she was at a disadvantage there, so she shifted her ground. 'You've always been prejudiced against Merthin,' she said. 'But everyone knows he's a better builder than Elfric.'

Her sister, Alice, heard that and joined in the argument. 'Elfric taught Merthin everything, and now Merthin pretends he knows better!'

That was dishonest, Caris knew, and she felt angry. 'Who built the ferry?' she said, raising her voice. 'Who repaired the roof of St. Mark's?'

'Merthin was working with Elfric when he built the ferry. And no one asked Elfric about St. Mark's.'

'Because they knew he wouldn't be able to solve the problem!'

Godwyn interrupted. 'Please!' he said, with his hands raised in front of himself protectively. 'I know you're my family, but I'm the prior and this is the cathedral. I can't be harangued by womenfolk in public.'

Edmund joined the circle. 'Just what I was going to say. Keep your voices down.'

Alice said accusingly: 'You should be supporting your son-in-law.'

It occurred to Caris that Alice was getting more like Petranilla. Although she was only twenty-one, and Petranilla was more than twice that age, Alice had the same purse-mouthed look of disapproval. She was also becoming more stout, her bosom filling out the front of her dress like wind in a sail.

Edmund looked sternly at Alice. 'This decision will not be made on the basis of family relationships,' he said. 'The fact that Elfric is married to my daughter won't help his bridge stay upright.'

He had strong views on this subject, Caris knew. He believed you should always do business with the most reliable supplier, always hire the best man for the job, regardless of friendship or family ties. 'Any man who needs to surround himself with loyal acolytes doesn't really believe in himself,' he would say. 'And if he doesn't believe in himself, why should I?'

Petranilla said: 'So how will the choice be made?' She gave him a shrewd look. 'You've obviously got a plan.'

'The priory and the guild will consider Elfric's design and Merthin's - and any others that may be put forward,' Edmund said decisively. 'All designs must be drawn and costed. The costing must be independently checked by other builders.'

Alice muttered: 'I've never heard of such goings-on. It's like an archery contest. Elfric is the priory's builder; he should do the job.'

Her father ignored her. 'Finally, the designers will be questioned by the leading citizens of the town at a meeting of the parish guild. And then' - he looked at Godwyn, who was pretending not to be bewildered by the way the decision process had been taken out of his hands - 'and then Prior Godwyn will make his choice.'

The meeting took place in the guildhall on the main street. It had a stone undercroft below and a timber superstructure, topped by a tiled roof and two stone chimneys. In the basement were the large kitchen that prepared food for the banquets, a jail, and an office for the constable. The main floor was as spacious as a church, a hundred feet long and thirty feet wide. At one end was a chapel. Because it was so wide, and because timbers long enough to span a thirty-foot roof were rare and expensive, the main room was divided by a row of wooden pillars supporting the joists.

It appeared an unpretentious building, made of the materials used in the humblest dwellings, glorifying nobody. But, as Edmund often said, the money made by the people here paid for the limestone-and-stained-glass majesty of the cathedral. And the guildhall was comfortable in its unostentatious way. There were tapestries on the walls and glass in the windows, and two huge fireplaces kept it warm in winter. When business was booming, the food served here was fit for royalty.

The parish guild had been formed hundreds of years ago, when Kingsbridge was a small town. A few merchants had got together to raise money to buy ornaments for the cathedral. But when wealthy men eat and drink in a group they inevitably discuss their common concerns, and fund-raising soon became secondary to politics. From the start the guild was dominated by wool merchants, which was why a huge pair of scales and a standard weight for a woolsack - 364 pounds - stood at one end of the hall. As Kingsbridge grew, other guilds had been formed, representing crafts - carpenters, masons, brewers, goldsmiths - but their leading members also belonged to the parish guild, which retained its primacy. It was a less powerful version of the guild merchant that ruled most English towns, but was prohibited here by the town's landlord, Kingsbridge Priory.

Merthin had never attended a meeting or banquet here, but he had been inside several times on more mundane business. He liked to crane back his neck and study the complex geometry of the roof timbers, a lesson in how the weight of a broad expanse of roof could be funneled down to a few slender wooden pillars. Most of the elements made sense, but one or two pieces of wood seemed to him to be superfluous, or even detrimental, transferring weight to weaker zones. That was because no one really knew what made buildings stand up. Builders went by instinct and experience, and sometimes got it wrong.

This evening Merthin was in a state of high anxiety, too nervous to really appreciate the woodwork. The guild was about to pass judgment on his bridge design. It was far superior to Elfric's - but would they see that?

Elfric had had the benefit of the tracing floor. Merthin might have asked Godwyn for permission to use it, but he had been afraid of further sabotage by Elfric, so he had devised an alternative. He had stretched a large piece of parchment across a wooden frame, and had drawn his design on the skin with a pen and ink. Tonight this might work to his advantage, for he had brought his design with him to the guildhall, so that members would have it in front of them, whereas Elfric's would only be in their memories.

He placed his framed drawing at the front of the hall, on a three-legged stand he had devised for the purpose. Everyone came and looked at it as they arrived, although they had all seen it at least once over the last few days. They had also climbed the spiral staircase to the loft and looked at Elfric's drawings. Merthin thought most people preferred his design, but some were wary of backing a youngster against an experienced man. Many had kept their opinions to themselves.

The noise level rose as the hall filled up with men and a few women. They dressed up for the guild, as they did for church, the men in expensive wool coats despite the mild summer weather, the women in elaborate headdresses. Although everyone paid lip service to the untrustworthiness and general inferiority of women, in practice several of the town's wealthiest and most important citizens were female. There was Mother Cecilia, sitting now at the front with her personal assistant, a nun known as Old Julie. Caris was here - everyone acknowledged that she was Edmund's right hand. Merthin experienced a jolt of desire as she sat on the bench next to him, her thigh warm against his own. Anyone carrying on a trade in the town had to belong to a guild - outsiders could do business only on market days. Even monks and priests were compelled to join if they wanted to trade, which they often did. When a man died, it was common for his widow to continue his enterprise. Betty Baxter was the town's most prosperous baker; Sarah Taverner kept the Holly Bush Inn. It would have been difficult and cruel to prevent such women earning a living. Much easier to include them in the guild.

Edmund normally chaired these meetings, sitting on a big wooden throne on a raised platform at the front. Today, however, there were two chairs on the platform. Edmund sat in one and, when Prior Godwyn arrived, Edmund invited him to take the other. Godwyn was accompanied by all the senior monks, and Merthin was pleased to see Thomas among them. Philemon was also in the entourage, lanky and awkward, and Merthin wondered briefly what on earth Godwyn had brought him for.

Godwyn was looking pained. Opening the proceedings, Edmund was careful to acknowledge that the prior was in charge of the bridge, and the choice of design was ultimately his. But everyone knew that, in fact, Edmund had taken the decision out of Godwyn's hands by calling this meeting. Provided there was a clear consensus tonight, Godwyn would have great difficulty in going against the expressed will of the merchants in a matter of commerce rather than religion. Edmund asked Godwyn to begin with a prayer, and Godwyn obliged, but he knew he had been outmaneuvered, and that was why he looked as if there was a bad smell.

Edmund stood up and said: 'These two designs have been costed by Elfric and Merthin, who have used the same methods of calculation.'

Elfric interjected: 'Of course we have - he learned them from me.' There was a ripple of laughter from the older men.

It was true. There were formulae for calculating costs per square foot of wall, per cubic yard of infill, per foot of a roof span, and for more intricate work such as arches and vaulting. All builders used the same methods, though with their individual variations. The bridge calculations had been complex, but easier than for a building such as a church.

Edmund went on: 'Each man has checked the other's calculations, so there is no room for dispute.'

Edward Butcher called out: 'Yes - all builders overcharge by the same amount!' That got a big laugh. Edward was popular with the men for his quick wit, and with the women for his good looks and brown bedroom eyes. He was not so popular with his wife, who knew about his infidelities and had recently attacked him with one of his own heavy knives; he still had a bandage on his left arm.

'Elfric's bridge will cost two hundred and eighty-five pounds,' Edmund said as the laughter died away. 'Merthin's comes out at three hundred and seven. The difference is twenty-two pounds, as most of you will have worked out faster than me.' There was a quiet chuckle at that: Edmund was often teased for having his daughter do his arithmetic for him. He still used the old Latin numerals, because he could not get used to the new Arabic digits that made calculation so much easier.

A new voice said: 'Twenty-two pounds is a lot of money.' It was Bill Watkin, the builder who had refused to hire Merthin, looking like one of the monks with his bald dome.

Dick Brewer said: 'Yes, but Merthin's bridge is twice as wide. It ought to cost twice as much - but it doesn't, because it's a cleverer design.' Dick was fond of his own product, ale, and in consequence had a protruding round belly like a pregnant woman.

Bill rejoined: 'How many days a year do we need a bridge wide enough for two carts?'

'Every market day and all of Fleece Fair week.'

'Not so,' said Bill. 'It's only for an hour in the morning and another in the afternoon.'

'I've waited two hours with a cartload of barley before now.'

'You should have the sense to bring your barley in on quiet days.'

'I bring barley in every day.' Dick was the largest brewer in the county. He owned a huge copper kettle that held five hundred gallons, in consequence of which his tavern was called the Copper.

Edmund interrupted this spat. 'There are other problems caused by delays on the bridge,' he said. 'Some traders go to Shiring, where there's no bridge and no queue. Others do their business while waiting in line, then go home without ever entering the town, and save themselves the bridge toll and the market taxes. It's forestalling, and it's illegal, but we've never succeeded in stopping it. And then there's the question of how people think of Kingsbridge. Right now we're the town whose bridge collapsed. If we're going to attract back all the business we're losing, we need to change that. I'd like us to become known as the town with the best bridge in England.'

Edmund was hugely influential, and Merthin began to scent victory.

Betty Baxter, an enormously fat woman in her forties, stood up and pointed to something on Merthin's drawing. 'What's this, here in the middle of the bridge parapet, over the pier?' she said. 'There's a little pointed bit that sticks out over the water, like a viewing platform. What is it for, fishing?' The others laughed.

'It's a pedestrian refuge,' Merthin answered. 'If you're walking over the bridge, and suddenly the earl of Shiring rides across with twenty mounted knights, you can step out of their way.'

Edward Butcher said: 'I hope it's big enough to fit Betty in.'

Everyone laughed, but Betty persisted with her questioning. 'Why is the pier underneath it pointed like that all the way down to the water? Elfric's piers aren't pointed.'

'To deflect debris. Look at any river bridge - you'll see the piers are chipped and cracked. What do you think causes that damage? It must be the large pieces of wood - tree trunks, or timbers from demolished buildings - that you see floating downstream and crashing into piers.'

'Or Ian Boatman when he's drunk,' said Edward.

'Boats or debris, they will cause less damage to my pointed piers. Elfric's will suffer the full impact.'

Elfric said: 'My walls are too strong to be knocked down by bits of wood.'

'On the contrary,' said Merthin. 'Your arches are narrower than mine, therefore the water will be drawn through them faster, and the debris will strike the piers with greater force, causing more damage.'

He could see from Elfric's face that the older man had not even thought of that. But the audience were not builders - how could they judge what was right?

Around the base of each pier, Merthin had drawn a pile of rough stones, known to builders as riprap. This would prevent the current undermining his piers the way it had those of the old wooden bridge. But no one asked him about the riprap, so he did not explain it.