Avis signed the adoption papers without hesitation. Toni and Sandy signed the same papers with barely contained glee, and together they got up and hugged Avis. She was stiff at first, but her nose pinked up and she started to cry.
Photos were taken and Claire and I were asked to be in the group shot. People came up to us and thanked us for our part in this wonderful outcome.
Avis was one of them.
She said to me, “I’m sorry for lying to you, Sergeant Boxer. I know you’ve done a good thing for Tyler. It’s legal now.”
The baby was in Sandy Wilson’s arms and he laughed in the excitement. I reached out to him. He wrapped my finger in his little fist and gave me a good solid connection with his big brown eyes.
My heart swelled.
I was eager for this little boy to start his new life.
Back in the car, Claire texted Cindy and Yuki, saying the Women’s Murder Club was on for dinner tonight at Susie’s. She added, “Don’t be late!”
I said, “By the way, I won’t be drinking.”
Claire put the phone in her lap and turned her eyes on me, pursed her lips, and said, “It’s about time you told me, girlfriend.” She reached over and gave my arm a shake. “I can read it all over your face.”
We both cracked up.
Claire knew me that well. I didn’t even have to tell her the news that had irrevocably and fantastically changed my world.
Joe and I were having a baby.
DETECTIVE LINDSAY BOXER IS PREGNANT—AND INVESTIGATING THE DISCOVERY OF SEVERED HEADS IN A MOVIE STAR’S GARDEN.
FOR AN EXCERPT FROM THE NEXT NOVEL IN THE WOMEN’S MURDER CLUB SERIES, TURN THE PAGE.
I WAS AT my desk when the 911 call came in at 7:20 and was relayed to the squad room by dispatcher May Hess, our self-anointed Queen of the Batphone.
Hess told me, “A woman of few words called and reported two people dead at the Ellsworth compound.
“She sounded for real,” Hess continued. “She said there were no intruders in the house and she was in no danger. Just ‘Two people are dead.’ Then she hung up. I called back twice but got an answering machine both times. I put out a call.”
I listened to the 911 tape. The caller had a British accent and sounded scared. In fact, the fear in her voice and whatever she
wasn’t
saying were more alarming than what she said.
Brady listened to the tape, then tagged me and my partner to take a run out to Pacific Heights.
“Just do the prelim,” he said. “I’ll assign a primary when you bring back a report.”
Yes, sir. Forthwith, sir
.
At 7:35 a.m., Conklin braked our car in front of the Ellsworth compound. Four cruisers had gotten there before us and there was also a red double-decker bus parked parallel to the curb. A gang of maybe twenty tourists were taking pictures from behind barricades across the street.
I had known the Ellsworth compound was on the historic-house tour, but I guess when Harry Chandler bought it for umpteen million dollars ten years ago, the compound went on the stargazing tour as well.
I got out of the car and approached Officer Joe Sorbera, who had been the first on the scene. He took out his notebook and said to me, “I got here at seven ten, spoke to Janet Worley, the caretaker, through the intercom. There’s the box next to the gate. She said she was not in any danger and that the victims, two of them, were dead.
Definitely dead
were her exact words.”
The uniformed cop continued. “Lieutenant Brady told me to cordon off a perimeter and to wait for you, Sergeant. He told me not to go into the house.”
“Has the ME been called?”
“Yes, ma’am. And CSU is on the way. I took some photos of the crowd.”
“Good job, Sorbera.”
I looked at the mob, saw it was thickening. Cars were backed up on Vallejo and were being detoured around Divisadero. Because of the traffic, and a million Tweets and YouTube posts by tourists, the scene would be red-flagged by the press.
Death plus celebrity was a heady news combination. The media was going to train its brights on this house, and any law enforcement errors would be documented for posterity.
I told Sorbera to set up a media liaison and a command post on Pierce, then I went to where Conklin was examining the front gate to the compound.
The wrought-iron gate was set into a ten-foot-high ivy-clad brick wall that gave the house total privacy from the street. The metalwork looked old enough to be original, and the lock had recently been forced. I saw fresh cuts in old iron.
“It was pried open with a metal tool, not a bolt cutter,” Conklin said.
Joe Sorbera said there were two victims,
definitely dead
. Who were they? Was Harry Chandler involved?
Brady had assigned us to do the preliminary workup, meaning we had to determine where law enforcement and forensics could walk on the scene without destroying evidence. We were charged with taking pictures, making sketches, and forming an opinion.
After that, we’d turn the scene over to the primary investigator on the case.
I gloved up and pushed at the gate, which swung open on well-oiled hinges. A stone walkway crossed a mossy grass lawn and led past a couple of flower beds, one on each side of the steps, to the ornate front door.
The door showed no sign of forced entry. Conklin lifted the brass door knocker, banged it against the strike plate.
I called out, “Janet Worley, this is the police.”
THE PETITE WOMAN who opened the door was white, late forties, five three, one hundred and ten pounds, wearing leggings under a floral-print smock. Her expression was strained and her mascara was smudged under her eyes. Her nails were bitten to the finger pads.
She said her name was Janet Worley, and I told her mine, showed her my badge, and introduced my partner, who asked her, “How are you doing, Mrs. Worley?”
“Horribly, thank you.”
“It’s okay. We’re here now,” Rich said.
Conklin is good with people, especially women. In fact, he’s known for it.
I wanted to learn everything at once, which was what always happened when I started working a case. I looked around the foyer as Conklin talked to Janet Worley and took notes. The entranceway was huge, with a twenty-foot-high ceiling and plaster moldings; to my right, a wide and winding staircase led to the upper floors.
Everything was tidy, not a rug fringe out of place.
Janet Worley was saying to Conklin, “My husband and I are just the caretakers, you understand. This house is thirty thousand square feet and we have a schedule. We’ve been cleaning the Ellsworth Place side of the house over the past three days.”
Looking through the foyer, I thought the house seemed gloomy, what you would expect from a relic of the Victorian age. Had we stepped into a
Masterpiece Theatre
episode? Was Agatha Christie lurking in the wings?
Behind me, Janet Worley was still talking to Conklin and she had his attention. I wanted to hear her out, but she was going the long way around the story and I felt the pressure of time passing.
“Why did you call emergency?” Conklin asked.
Worley said, “I had better show you.”
We followed behind the small woman, who took us through the foyer, past a library, and into a living area with an enormous stone fireplace and large-scale leather furniture. Sunlight passed through stained glass, painting rainbows on the marble floors. We went through a restaurant-quality kitchen and at last arrived at the back door.
Worley said, “We haven’t been in this part of the house since last Friday. Yes, that’s right, three days ago. I don’t know how long these have been here.”
She opened the door and I followed Worley’s pointing finger to the chrysanthemum-lined brick patio in the backyard.
For a moment, my mind blanked, because what I saw was frankly unbelievable.
On the patio were two severed
heads
encircled by a loose wreath of white chrysanthemum flowers.
They seemed to be looking up at me.
The sight was grisly and shocking, made for the cover of the
National Enquirer
. But this was no alien invasion story, and it was no Halloween prank.
Conklin turned to me, my shock reflected in his eyes.
“These heads are real, right?” I asked him.
“Real, and as the lady said, definitely dead.”
ADRENALINE BURNED THROUGH my bloodstream like flame on a short fuse. What had happened here?
What in God’s name was I looking at?
The head to the right was the most horrific because it was reasonably fresh. It had belonged to a woman in her thirties with long brown hair and a stud piercing the left side of her nose. Her eyes were too cloudy to tell their color.
There was dirt in her hair that looked like garden soil, and maggots were working on the flesh, but enough of her features remained to get a likeness and possibly an ID.
The other head was a skull, just the bare cranium with the lower jaw attached and a full set of good teeth.
Two index cards lay faceup on the bricks in front of the heads and both had numbers written on them with a ballpoint pen. The card in front of the skull read
104
. The other card, the one in front of the more recently severed head, read
613
.
What did the numbers mean?
Where had these heads come from?
Why were they placed here in plain sight?
If this was a homicide, where were the bodies?
I tore my gaze away from the heads to look into Janet Worley’s face. She covered her mouth with both hands and tears sprang to her eyes.
I saw a meltdown coming. I had to question her. Now.
“Who do these remains belong to? Where are the bodies? Tell us about it, Mrs. Worley.”
“Me? All I know is what I just told you. I’m the one who called the police.”
“Then who did this?”
“I have no idea. None at all.”
“You understand that lying would make you an accessory to the crime.”
“My God. I know
nothing
.”
Conklin said, “We need the names of everyone who has been inside this house since last Friday.”
“Of course, but it’s only been my husband, my daughter, and me.”
“And Mr. Chandler?”
“Heavens, no. I haven’t seen him in three months.”
“Have you handled these heads or disturbed anything on the patio?”
“No, no, no. I opened the door to air out the room at about seven this morning. I saw
this
. I called my husband. Then I called nine-one-one.”
Janet Worley went inside the house, and Conklin and I were left to consider the nature of “this.”
Was it Satanism? Terrorism? Drug-related homicide? Who were these victims? What had happened to them?
I wanted to start looking around, but Conklin and I had to stay on the bricks and focus on what we could see without contaminating evidence.
Brady had told us to do the prelim.
That was the job: scope out the crime and tell our lieutenant whether this was a double homicide or a freak show that should be handed off to Major Crimes.
“I don’t know what the hell we’re looking at,” I said to Conklin.
Truly, I’d never seen anything like it in my life.
Read an
extended excerpt
and learn more about
11th Hour
.
Our thanks and gratitude to New York attorney Philip R. Hoffman, Captain Richard J. Conklin of the Stamford, Connecticut, Police Department, and Dr. Humphrey Germaniuk, Medical Examiner of Trumbull County, Ohio, for generously sharing their time and wealth of experience.
Our thanks, too, to our excellent researchers, Ingrid Taylar, Ellie Shurtleff, Melissa Pevy, and Lynn Colomello. And to Mary Jordan, who, as always, manned the control tower.
James Patterson has had more
New York Times
bestsellers than any other writer, ever, according to
Guinness World Records
. Since his first novel won the Edgar Award in 1977, James Patterson’s books have sold more than 240 million copies. He is the author of the Alex Cross novels, the most popular detective series of the past twenty-five years, including
Kiss the Girls
and
Along Came a Spider
. Mr. Patterson also writes the bestselling Women’s Murder Club novels, set in San Francisco, and the top-selling New York detective series of all time, featuring Detective Michael Bennett.