41 Stories (5 page)

“You needn't get any more wine,” said Johnsy, keeping her eyes fixed out the window. “There goes another. No, I don't want any broth. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go, too.”

“Johnsy, dear,” said Sue, bending over her, “will you promise me to keep your eyes closed, and not look out the window until I am done working? I must hand those drawings in by to-morrow. I need the light, or I would draw the shade down. ”

“Couldn't you draw in the other room?” asked Johnsy, coldly.

“I'd rather be here by you,” said Sue. “Besides, I don't want you to keep looking at those silly ivy leaves.”

“Tell me as soon as you have finished,” said Johnsy, closing her eyes, and lying white and still as a fallen statue, “because I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves.”

“Try to sleep,” said Sue. “I must call Behrman up to be my model for the old hermit miner. I'll not be gone a minute. Don't try to move 'til I come back. ”

Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in any one, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above.

Sue found Behrman smelling strongly of juniper berries in his dimly lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away, when her slight hold upon the world grew weaker.

Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings.

“Vass!” he cried. “Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I will not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der brain of her? Ach, dot poor leetle Miss Yohnsy.”

“She is very ill and weak,” said Sue, “and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old—old flibbertigibbet.”

“You are just like a woman!” yelled Behrman. “Who said I will not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go away. Gott! yes.”

Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill, and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit miner on an upturned kettle for a rock.

When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

“Put it up; I want to see,” she ordered, in a whisper.

Wearily Sue obeyed.

But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last on the vine. Still dark green near its stem, but with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from a branch some twenty feet above the ground.

“It is the last one,” said Johnsy. “I thought it would surely fall during the night. I heard the wind. It will fall to-day, and I shall die at the same time.”

“Dear, dear!” said Sue, leaning her worn face down to the pillow, “think of me, if you won't think of yourself. What would I do?”

But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly as one by one the ties that bound her to friendship and to earth were loosed.

The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves.

When it was light enough Johnsy, the merciless, commanded that the shade be raised.

The ivy leaf was still there.

Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove.

“I've been a bad girl, Sudie,” said Johnsy. “Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring me a little broth now, and some milk with a little port in it, and—no; bring me a band-mirror first, and then pack some pillows about me, and I will sit up and watch you cook.”

An hour later she said:

“Sudie, some day I hope to paint the Bay of Naples.”

The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left.

“Even chances,” said the doctor, taking Sue's thin, shaking hand in his. “With good nursing you'll win. And now I must see another case I have downstairs. Behrman, his name is—some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital to-day to be made more comfortable.”

The next day the doctor said to Sue: “She's out of danger. You've won. Nutrition and care now—that's all.”

And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woolen shoulder scarf, and put one arm around her, pillows and all.

“I have something to tell you, white mouse,” she said. “Mr. Behrman died of pneumonia to-day in the hospital. He was ill only two days. The janitor found him on the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colors mixed on it, and—look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece—he painted it there the night that the last leaf fell. ”

Old Jerome Warren lived in a hundred-thousand-dollar house at 35 East Fifty-Soforth Street. He was a downtown broker, so rich that he could afford to walk—for his health—a few blocks in the direction of his office every morning and then call a cab.

He had an adopted son, the son of an old friend named Gilbert—Cyril Scott could play him nicely—who was becoming a successful painter as fast as he could squeeze the paint out of his tubes. Another member of the household was Barbara Ross, a step-niece. Man is born to trouble; so, as old Jerome had no family of his own, he took up the burdens of others.

Gilbert and Barbara got along swimmingly. There was a tacit and tactical understanding all round that the two would stand up under a floral bell some high noon, and promise the minister to keep old Jerome's money in a state of high commotion. But at this point complications must be introduced.

Thirty years before, when old Jerome was young Jerome, there was a brother of his named Dick. Dick went West to seek his or somebody else's fortune. Nothing was heard of him until one day old Jerome had a letter from his brother. It was badly written on ruled paper that smelled of salt bacon and coffee-grounds. The writing was asthmatic and the spelling St. Vitusy.

It appeared that instead of Dick having forced Fortune to stand and deliver, he had been held up himself, and made to give hostages to the enemy. That is, as his letter disclosed, he was on the point of pegging out with a complication of disorders that even whiskey had failed to check. All that his thirty years of prospecting had netted him was one daughter, nineteen years old, as per invoice, whom he was shipping East, charges prepaid, for Jerome to clothe, feed, educate, comfort, and cherish for the rest of her natural life or until matrimony should them part.

Old Jerome was a board-walk. Everybody knows that the world is supported by the shoulders of Atlas; and that Atlas stands on a rail-fence; and that the rail-fence is built on a turtle's back. Now, the turtle has to stand on something; and that is a board-walk made of men like old Jerome.

I do not know whether immortality shall accrue to man; but if not so, I would like to know when men like old Jerome get what is due them?

They met Nevada Warren at the station. She was a little girl, deeply sunburned and wholesomely good-looking, with a manner that was frankly unsophisticated, yet one that not even a cigar-drummer would intrude upon without thinking twice. Looking at her, somehow you would expect to see her in a short skirt and leather leggings, shooting glass balls or taming mustangs. But in her plain white waist and black skirt she sent you guessing again. With an easy exhibition of strength she swung along a heavy valise, which the uniformed porters tried in vain to wrest from her.

“I am sure we shall be the best of friends,” said Barbara, pecking at the firm, sunburned cheek.

“I hope so,” said Nevada.

“Dear little niece,” said old Jerome, “you are as welcome to my house as if it were your father's own.”

“Thanks,” said Nevada.

“And I am going to call you ‘cousin,' ” said Gilbert, with his charming smile.

“Take the valise, please,” said Nevada. “It weighs a million pounds. It's got samples from six of dad's old mines in it,” she explained to Barbara. “I calculate they'd assay about nine cents to the thousand tons, but I promised him to bring them along.”

 

II It is a common custom to refer to the usual complications between one man and two ladies, or one lady and two men, or a lady and a man and a nobleman, or—well, any of these problems—as the triangle. But they are never unqualified triangles. They are always isosceles—never equilateral. So, upon the coming of Nevada Warren, she and Gilbert and Barbara Ross lined up into such a figurative triangle; and of that triangle Barbara formed the hypotenuse.

One morning old Jerome was lingering long after breakfast over the dullest morning paper in the city before setting forth to his downtown fly-trap. He had become quite fond of Nevada, finding in her much of his dead brother's quiet independence and unsuspicious frankness.

A maid brought in a note for Miss Nevada Warren.

“A messenger-boy delivered it at the door, please,” she said. “He's waiting for an answer.”

Nevada, who was whistling a Spanish waltz between her teeth, and watching the carriages and autos roll by in the street, took the envelope. She knew it was from Gilbert, before she opened it, by the little gold palette in the upper left-hand corner.

After tearing it open she pored over the contents for a while, absorbedly. Then, with a serious face, she went and stood at her uncle's elbow.

“Uncle Jerome, Gilbert is a nice boy, isn't he?”

“Why, bless the child!” said old Jerome, crackling his paper loudly; “of course he is. I raised him myself.”

“He wouldn't write anything to anybody that wasn't exactly—I mean that everybody couldn't know and read, would he?”

“I'd just like to see him try it,” said uncle, tearing a handful from his newspaper. “Why, what—”

“Read this note he just sent me, uncle, and see if you think it's all right and proper. You see, I don't know much about city people and their ways.”

Old Jerome threw his paper down and set both his feet upon it. He took Gilbert's note and fiercely perused it twice, and then a third time.

“Why, child,” said he, “you had me almost excited, although I was sure of that boy. He's a duplicate of his father, and he was a gilt-edged diamond. He only asks if you and Barbara will be ready at four o‘clock this afternoon for an automobile drive over to Long Island. I don't see anything to criticize in it except the stationery. I always did hate that shade of blue.”

“Would it be all right to go?” asked Nevada, eagerly.

“Yes, yes, yes, child, of course. Why not? Still, it pleases me to see you so careful and candid. Go, by all means.”

“I don't know,” said Nevada, demurely. “I thought I'd ask you. Couldn't you go with us, uncle?”

“I? No, no, no, no! I've ridden once in a car that boy was driving. Never again! But it's entirely proper for you and Barbara to go. Yes, yes. But I will not. No, no, no, no!”

Nevada flew to the door, and said to the maid:

“You bet we'll go. I'll answer for Miss Barbara. Tell the boy to say to Mr. Warren, ‘You bet we'll go.' ”