A Day in the Life of a Smiling Woman (6 page)

BOOK: A Day in the Life of a Smiling Woman
2.07Mb size Format: txt, pdf, ePub

She was pretending to read when he spoke to her. He said to her, ‘I wonder, I wonder if you would do something for me?’ and she looked up and met his eyes, and found that he was smiling at her with a most peculiar mixture of diffidence and vanity: he was truly nervous at the prospect of speaking to her, and those five silent minutes were a measure of his nervousness, and yet at the same time he had taken the measure of her curiosity and helpless attraction: she knew that he knew that she would like to be addressed. And his tone enchanted her, for it was her own tone: a tone of cool, anxious, irresistible appeal. She knew that he too did not speak often to strangers.

‘It depends what it is,’ she said, smiling back at him with his own smile.

‘It’s a very simple thing,’ he said, ‘not at all incriminating. Or at least, not for you.’

‘It would be, then, for you?’ she said.

‘Of course it would,’ he said. ‘That’s why I’m making the effort of asking you to do it.’

‘What is it?’ she said.

‘I wondered if you would address this envelope for me,’ he said.

‘Well, yes,’ she said. ‘I don’t see any harm in that. I’d do that for you.’

‘I thought you would do it,’ he said. ‘If I hadn’t thought that you would, I wouldn’t have asked you. I wouldn’t have liked it if you had said no.’

‘I might ask you what it was about me that made you think I would say yes,’ she said, ‘but such a question might embarrass you.’

‘Oh,’ he said, ‘oh, no,’ rising to his feet and crossing to her with the envelope, ‘oh, no, I don’t mind answering, it was because of that book you’re reading, and the kind of shoes you’re wearing, and the way your hair is. I liked that book when I read it.’

And then he sat down by her, and handed her the envelope, and said, ‘Look, I’ll write it down for you and you can copy it. It’s hard to hear when people dictate things, isn’t it?’

And he wrote the name and address on another piece of his block of paper. He wrote:

Mrs H. Smithson,

24 Victoria Place,

London NW1

And Helen dutifully copied it out, on the brown envelope, then handed it back to him.

‘I hope,’ she said, ‘that my handwriting is sufficiently unlike yours.’

‘I was just thinking,’ he said, ‘that after all it’s rather similar. But dissimilar enough.’

Then he said no more, but he remained sitting by her. She would in a way have preferred him to move, because where he now was she could not really see him, either overtly or covertly. And she had nothing to say to him: for she could
hardly have said, I was right about you, I guessed right. He said nothing to her, for a while: he got a wallet from his pocket, and took out a sheet of fourpenny stamps, and tore one off, licked it, and stuck it on. She liked watching his hands, and the way they moved. Then, still holding the letter, he said to her, ‘Where do you live?’

She must have recoiled slightly from the question, because immediately he followed it up with, ‘Only, I was meaning, from the point of view of postmarks.’

‘Oh,’ she said. ‘I see. Yes. I live in SW7. You want me to post it, do you?’

‘Would you mind posting it?’ he asked.

‘No, I would post it for you,’ she said.

‘You take my point very quickly,’ he said, then, with some difficulty, looking downward and away from her, hardly able to bring himself to thank her more formally.

‘I’ve had to make such points before myself,’ she said.

‘I thought, somehow, that you would not mind about such things,’ he said.

‘You wouldn’t have asked me if you’d thought I minded. Tell me, do you really trust me to remember to post it?’

‘Of course I do,’ he said. ‘One wouldn’t not post a stranger’s letter.’

And this was so exactly the truth that it silenced her, and they said no more to each other until the train drew into Paddington; and as they walked together off the platform, he said, ‘Thank you, and goodbye.’

And she said, ‘Goodbye,’ and she carried the letter in her hand all the way home, and dropped it into the letterbox on her block. Then she went down the basement steps to her dark flat, and she knew that the name and the address, written there in her own writing, so strangely, were imprinted upon her memory forever.

And indeed, over the next month, she sometimes fancied that she thought of little else. She knew that this was not the truth, that it was merely a fancy, because of course she did think of other things: of her job, of her friends, of her mother, of what to buy for supper, of whether she wanted to go to the cinema on Wednesday night. But she did not think of these other things in the mad, romantic, obsessive way that she thought of Mrs H. Smithson, and the nameless man, and the whole curious, affecting incident: in a sense she resented the incident, because it did so much to vindicate her own crazy expectancy, her foolish faith in revelation. She knew, in her better, saner self, that such faith was foolish, and she suspected that such partial hints of its validity were a delusion, a temptation, and that if she heeded them she would be disabled forever, and disqualified from real life, as Odysseus would have been by the Sirens. And yet at the same time she knew, in her other self, that it was that man she was thinking about, however unreasonably. She looked for him as she walked along the streets of London, and she could not convince herself that it was not for him that she was looking. She speculated about the identity and appearance of Mrs Smithson, and supplied her endlessly with Christian names, until she remembered that the H. might well have stood for her husband’s name, not hers. She speculated about the deceived husband. Although most of her own friends were married and had children, she still found it hard to acknowledge that Mrs Smithson might well be a woman of her own generation, for the prefix
Mrs
invariably supplied her with a maternal image, the image of her own mother: and she would realize from time to time, with a start, that the women that she thought of as mothers were in fact grandmothers, and that the young girls she saw pushing prams on Saturday mornings and quarrelling with
vigorous toddlers on buses were not in fact elder sisters but mothers. Mrs Smithson, Mrs Smithson. She could not give form to a Mrs Smithson.

It was in the week before Christmas that she decided to go and have a look at Mrs Smithson. The idea occurred to her at lunchtime one day, in the middle of a lunchtime business Christmas party. She stood there, drinking too much and not getting enough to eat, defeated as ever by the problems of buffet technique, and as she listened to a very nice man whom she had known and liked for several years describe to her the felicities of his new central heating, she suddenly decided to go and look at Mrs Smithson. After all, she said to herself, what could be more harmless, what more undetectable? All I need to do is to knock on her door and ask, say, for Alice. And then I would know. I don’t know what I would know, but I would know it. And she smiled at the man, and allowed her glass to be once more filled, and then told him politely all about some other friends of hers whose central heating had entirely ruined all their antique furniture, and split all the antique panelling of their rather priceless house. And as she talked, she was already in her heart on her way to Mrs Smithson’s, already surrendering to the lure of that fraught, romantic, painful world, which seemed to call her, to call her continually from the endurable sorrows of daily existence to some possible other country of the passions, a country where she felt she would recognize, though strange to it, the scenery and landmarks. She thought often of this place, as of some place perpetually existing, and yet concealed: and she could describe it to herself only in terms of myth or allegory, unsatisfactory terms, she felt, and perniciously implanted in her by her classical education. It was a place other than the real world, or what she felt to be the real world, and it was both more beautiful and more valid, though valid in itself only: and
it could be entered not at will, but intermittently, by accident, and yet always with some sense of temptation and surrender. Some people, she could see, passed most of their lives in its confines, and governed by its laws only, like that old man, himself a poet, who had first defined for her the nature of her expectations. There were enough of such people in the world to keep alive before her the possibility of a permanent, irreversible entry through those mysteriously inscribed and classic gates: a poet, a drunken Frenchman, a girl she had known who said one day: ‘I will go to Baghdad,’ and went. They crossed her path, these people, or their names came to her, garlanded with wreaths of that unfamiliar foliage: Yves was seen in Marseilles carrying a lobster, Esther was seen in a bookshop in New York wearing a fur coat and with diamonds in her hair, Esther was in Marrakesh, living in one room with an Arab, Yves had gone to Ireland and started a lobster farm. Oh, messages from a foreign country, oh, disquieting glimpses of brightness. Helen gulped down the remains of her fourth glass of wine, and looked at her watch, which said that it was five past three; and said to the central-heating man that she must go.

She walked to Victoria Place, pausing dazed at traffic lights, stumbling at each irregularity of the pavement, running her hand idly along grimy railings. It was cold, but she could not feel the cold: her face was burning. She knew her way because she had looked Victoria Place up a month ago, the day after she had posted the letter, in her
A to Z Guide to London
: she remembered the moment when she had done so, because she had pretended to herself that she was doing no such thing, and her mind had not known what her hands and eyes were doing. But her mind now remembered what it had then refused to acknowledge, and she took herself there as though entranced, the trance persisting long after the effects of walking had
dispelled the effects of so much drink on so empty a stomach. I must be mad, she said to herself more than once: I must be mad. And at the very end of the journey she began, very slightly, to lose her nerve: she thought that she would not dare to knock upon the door, she thought that perhaps after all only insignificant disaffection could await her, that she could do no more than dispel what had already in its own way been perfection.

But there was no need to knock at the door. Victoria Place, when she reached it, was a short main street of tall terraced houses, either newly recovered or so smart that they had never lapsed: the number 24 was brightly illuminated, shining brightly forth into the gathering darkness. She walked slowly towards it, realizing that she would be able to see whatever there was to see without knocking: realizing that fate had connived with her curiosity by providing a bus stop directly outside the house, so that she could stand there and wait without fear of detection. She took her place at the bus stop, and stood there for a moment before she gathered her courage to turn around, and then she turned. The lights were on in the two lower floors, and she could see straight into the basement, a room which most closely resembled in shape the one where she herself lived. The room seemed at first sight to be full of people, and there was so much activity that it took some time to sort them out. There were two women, and four children; no, five children, for there was a baby sitting in a corner on a blue rug. The larger children were putting up a Christmas tree, and one of the women was laying the table for tea, while the other, her back to the window, one elbow on the mantelpiece, appeared to be reading aloud a passage from a book. It was a large, bright room, with a green carpet, and white walls, and red-painted wooden furniture; even the table was painted red. A children’s room.
It shone, it glittered. A mobile of golden fishes hung from the ceiling, and the carpet was strewn with coloured glass and tinsel decorations for the tree. The plates on the table were blue and white, and the silver knives caught the light; on the mantelpiece stood two many-faceted cut glasses and an open bottle of wine. Two of the children had fair hair, and the other three were dark: and the woman laying the table had red hair, a huge coil of dark red hair from which whole heavy locks escaped, dragging down the back of her neck, falling against her face at each movement, and she moved endlessly, restlessly, vigorously, taking buns out of a bag, slicing bread, pouring blackcurrant juice into beakers, turning to listen to the other woman, and suddenly laughing, throwing back her head with a kind of violence and laughing: and the other woman at the mantelpiece laughed too, her thin shoulders shaking, and the children, irritated by their mother’s laughter, flung themselves at her, clinging angrily onto her knees, shouting, until the red-haired woman tried to silence them with slices of bread and butter, which were rejected and flung around the floor: so she followed them up with the iced buns, tossing them round and yet talking, all the time talking, to the other woman and not to the children, intent upon some point, some anecdote too precious to lose, and the children chewed at the buns while she scooped up the torn pieces of bread and bestowed them all, with a smile of such lovely passing affection, upon the baby, a smile so tender and amused and solicitous that Helen, overseeing it, felt her heart stand still.

And as she stood there, out there in the cold, and watched, she felt herself stiffen slowly into the breathlessness of attention: because it seemed to her that she had been given, freely, a vision of something so beautiful that its relevance could not be measured. The hints and arrows that had led her here
took on the mysterious significance of fate itself: she felt that everything was joined and drawn together, that all things were part of some pattern of which she caught by sheer chance a sudden hopeful sense: and that those two women, and their children, and the man on the train, and the bright and radiant uncurtained room, an island in the surrounding darkness, were symbols to her of things too vague to name, of happiness, of hope, of brightness, warmth and celebration. She gazed into that room, where emotion lay, like water unimaginably profound. The red-haired woman was kneeling now, on the green carpet, rubbing with a corner of the tea towel at a buttery mark on the carpet, and at the same time looking up and listening, with an expression upon her face in which vexation with the children, carelessness of her own vexation and a kind of soft rapt delight in the other woman’s company were inextricably confused; and the other woman had turned slightly, so that Helen from the window could see her face, and she was twisting in her hands a length of red-and-silver tinsel, idly pulling shreds from it as she spoke. And Helen thought of all the other dark cold rooms of London and the world, of loneliness, of the blue chilly flickerings of television sets, of sad children, silenced mothers and unmarried girls; and she wondered if so much delight were truly gathered up and concentrated into one place, or whether these windows were not windows through which she viewed the real huge spacious anterior lovely world. And it seemed possible to see them so, because she did not know that house, nor those women, nor their names, nor the name of the man who had led her there: the poetry of inspiration being to a certain extent, as she knew, the poetry of ignorance, and the connections between symbols a destructive folly to draw. She did
not even know which of these women was Mrs Smithson, whom she had come to see, for if one woman had laid the table, the other cleared it, equally at home. She knew nothing, and could therefore believe everything, drawing faith from such a vision, as she had drawn faith from unfamiliar cities: drawing faith from the passionate vision of intimacy, where intimacy itself failed her; as Wordsworth turned from his life to his keener recollections, and Yeats to lions and towers and hawks.

Other books

Hooked (TKO #2) by Ana Layne
Humboldt by Emily Brady
Warhol's Prophecy by Shaun Hutson
Deadly Sin by James Hawkins
Every Second of Night by Glint, Chloe
Night World 1 by L.J. Smith
The Bogleheads' Guide to Retirement Planning by Taylor Larimore, Richard A. Ferri, Mel Lindauer, Laura F. Dogu, John C. Bogle