A Different Blue (16 page)

I had practiced on every log, branch, and tree I could get my hands on, but it wasn't like there were vast forests surrounding me. I lived in a desert. Fortunately, Boulder City sat higher up at the base of hills with mesquite growing in enough abundance that I could forage and pretty much take what I wanted. I became pretty good with a chain saw. Nobody cared about the scrubby mesquite anyway. And I have to admit, cutting it down was therapeutic in a very gut-level way. Within a year of getting a job at the cafe, I had sold a few of my pieces and had ten or so pieces lining the shelves of Beverly's little shop at all times. Three years later, I had a nest egg of several thousand dollars.

I was working the Thursday dinner shift one evening when Mr. Wilson came into the cafe with a pretty woman in a big fur coat. Her hair was a mass of blonde curls pinned up on her head, and she wore little diamonds at her ears as well as black stilletos and fishnet stockings. She was either coming from somewhere uber fancy or was one of those women who had never outgrown dress-up. The fur coat was so out of place in the cafe's southwest décor that I found myself trying not to laugh as I approached their table to take their order. She shrugged out of her coat and smiled up at me brightly when I asked them if I could bring them something to drink.

“I am so thirsty! I'll have a whole pitcher full of water, luv, and a massive order of nachos if you have them just for starters!” she chirped in accented supplication. She was British too. I looked from Wilson to the woman and back again.

“Hello, Blue,” Wilson smiled up at me politely. “Blue is one of my students, Tiffa,” he offered, introducing me to the woman across from him.

Tiffa's eyebrows shot up in disbelief as she gave me a quick once over. I had the feeling she didn't think I looked like a student. Her hand shot out, and I took it hesitantly.

“Are you the one who took the gun from that poor boy? Wilson's told me all about you! What a beautiful name! I'm Tiffa Snook, and I'm Darcy's, er, Mr. Wilson's, sister. You'll have to tell me what to order! I could eat a unicorn and pick my teeth with his horn! I'm absolutely famished.” Tiffa rattled all of this off in about two seconds flat, and I found myself liking her, in spite of her fur coat. If she hadn't mentioned the family connection, I would have thought Darcy liked older women.

“Tiffa is always famished,” Wilson added dryly, and Tiffa snorted and threw her napkin at him. But she laughed and shrugged, conceding the point.

“It's true. I am going to have to run for hours to work off those nachos, but I don't care. So tell me, Blue, what shall we order?”

I suggested several things, wondering all the while what Tiffa Snook exercised in if she wore fishnets and a fur coat to eat at the cafe. I could just see her clomping on the treadmill in heels and a baby seal-lined sweat suit. She was as thin as a rail and quite tall, and she exuded energy. She probably needed to eat like a horse – or a unicorn – just to fuel her energy level.

I found myself watching Wilson and his sister throughout their meal, and it wasn't just because I was their waitress. They seemed to enjoy each other's company, and their laughter filled their corner frequently. Tiffa was the one who seemed to do the majority of the talking, her gestures and hands movements accenting everything she said, but Wilson had her giggling uncontrollably more than once. When they finally signaled that they wanted their check, Tiffa reached out and took my hand as if we were old friends. It was all I could do not to yank it back.

“Blue! You have to settle this for us! Darcy here says you know something about carving. There are some fabulous carvings in the shop there, that I saw on the way in. You wouldn't know anything about them, would you?”

I was stricken with sudden self-consciousness, and for a minute I didn't know how to respond.

“Uh, what would you like to know?” I answered cautiously.

“Darcy says it's your last name carved into the base of each one. I told him they couldn't possibly be yours. No offense, luv, but they are seasoned, if that makes any sense.”

“They're mine,” I blurted out. “If that's all you need, here's your check. You can pay at the register. Thank you for coming in.” I rushed away, breathless, and barged into the kitchen like someone was after me. I found myself actually looking for some place to hide, as if Wilson and his sister would actually chase me and tackle me to the ground. After a minute of cowering, I marshalled enough courage to peek through the swinging doors separating the kitchen from the dining room.

They were browsing the gift shop, pausing beside several of my pieces. Tiffa ran her fingers along one of them, commenting to Wilson, though I couldn't hear what she said. I was struck with self-consciousness all over again, horror and elation warring in my chest. I turned away, not wanting to see more. It was close to closing time, and the cafe was almost empty, so I managed to hide out in the kitchen, doing my closing duties, waiting for them to leave.

About half an hour later, Jocelyn, the night manager, came bursting through the double doors into the kitchen, her face wreathed with smiles.

“Oh my gosh! Oh my gosh, Blue! That lady in that sweet fur coat? She just bought all your carvings. Every one of them! She put them on her credit card and said she would send a truck to pick them up in the morning. You just made like $1000 bucks! There were ten of them! She had me walk behind her with a calculator, and we added them all up, plus she added a $200 tip for you because she said they were 'pathetically underpriced!'” She waggled her fingers, indicating quotations.

“She bought all of them?” I squeaked.

“All except one, and that was because the guy she was with insisted that he wanted it!”

“Which one?”

“All of them!”

“No, I mean, which one did the guy want?”

“The one closest to the exit. Come here! I'll show you where it was. He took it with him.”

She squealed like a little girl and turned, racing from the kitchen as I scampered behind her. I was kind of surprised by her obvious excitement for me.

“There! It was right there!” Jocelyn pointed at a large empty space on a shoulder-high shelf. “It had a funny title . . . The Arch? Yeah! I think it was that one.”

Wilson had taken ‘The Arc.’ I felt a thrill that he had recognized it for what it was. I had found a piece of mesquite that hid a curve in its line. Slowly, I had cut away the wood, forming the suggestion of a woman on her knees, back curved like a cat, deeply bowed in worship or subservience. Her body formed an arc, her arms stretching beyond a head which nearly kissed the ground into hands that curled into fists clenched in supplication. As with all my pieces, it was completely abstract, the suggestion of the woman merely that, a hint, a possibility. Some might simply see the highly-glossed wood, shaped into long lines and provocative hollows. But as I had carved, all I could see was Joan. All I could hear were her words. “To live without belief is a fate worse than death.” My Joan of Arc. And that was the one Wilson had purchased.

About a week later I walked into Wilson's classroom and stopped so suddenly the people walking behind me collided like human dominos, creating a little traffic jam in the doorway. I was jostled and complained about as my disgruntled classmates made their way around my inert form. My sculpture was sitting on a table in the center of the room. Wilson stood by his desk, talking with a student. I stared, willing him to look up, to explain what his game was. But he didn't.

I made my way slowly to my desk, front and center, putting me directly in front of the sculpture I had created with my own hands. I didn't have to look at the long lines or gleaming wood to know where I had patched a worm hole or cut more deeply than I had planned. I could close my eyes and remember how it had felt to form the suggestion of womanly curves bowed like Atlas with France on her back.

“Blue?” Wilson called from where he still stood by his desk. I turned my head slowly and looked at him. I didn't think the expression on my face was especially friendly. He didn't react to my glare but calmly asked me to “come here, please.”

I approached carefully and stopped in front of his desk, my arms folded.

“I want you to tell the class about your sculpture.”

“Why?”

“Because it's brilliant.”

“So?” I ignored the pleasure that flooded my chest at his pronouncement.

“You named it ‘The Arc.’ Why?”

“I was hungry . . . thinking about McDonalds, you know?”

“Hmm. I see. As in the golden arches.” A small smile twitched at the corners of Wilson's mouth. “You haven't written more than a paragraph in your personal history. Maybe there are other ways to share who you are. I thought maybe this piece was about Joan of Arc, which would make it especially relevant. Consider it extra credit . . . which frankly, you need.”

I considered retorting with the famous line, 'Frankly, my dear, I don't give a damn.' But that wasn't true. I did. In a very small corner of my heart, the thought of talking about my sculpture filled me with elation. But the rest of my heart was terrified.

“What do you want me to say?” I whispered, the panic oozing out and ruining my tough girl posture.

Wilson's eyes softened, and he leaned toward me across the desk. “How about I just ask you some questions and you answer them. I'll interview you. Then you won't have to think of things to say.”

“You won't ask me anything personal . . . about my name or my dad . . . or anything like that, will you?”

“No, Blue. I won't. The questions will be about the sculpture. About your uncanny gift. Because, Blue, your work is brilliant. Tiffa and I were blown away. She can't stop talking about you. In fact,” Wilson reached into his shirt pocket and pulled out a card. “Tiffa asked that I give you this.”

It was a shiny black card with gold lettering.
Tiffany W. Snook – The Sheffield
was all it said. A phone number and an email account graced the right hand corner. I ran my fingers over the engraved letters and then peered up at him suspiciously.

“The Sheffield is the big hotel on the south end of the strip that looks like an English Estate, right? The one where your girlfriend works?”

“Tiffa is a curator for both the art museum and the gallery. She bought nine of your pieces Friday night. Did you know that? She would have purchased ten, but I begged her to let me have just one.”

“I knew she bought them. I didn't know why, though. I'm still not sure I do.”

“She wants to place a couple of your pieces in the gallery and see how they do. The Sheffield will take a cut if they sell. But she'll give you what's left, minus what she already paid.”

“But she bought them. She can do what she wants with them.”

Wilson shook his head. “Call her, Blue. If you don't, she'll hunt you down. She's very persistent. Now, the class is waiting.”

The kids behind me weren't waiting. They were noisily enjoying the fact that class hadn't started, but I didn't argue with him. I returned to my seat, wondering how long it would be until Wilson embarrassed me. It wasn't long.

“Many of you are most likely wondering about this stunning sculpture.” I wished he would lay off the over-the-top descriptions and cringed a little. He turned toward a boy who sat to my right named Owen Morgan.

“Owen, can you read the word carved down here by the base of the sculpture?”

Owen stood and crouched down so he could see the word Wilson was pointing to.

“Echohawk,” Owen read. “Echohawk?” he repeated with a surprised inflection. Owen whipped his head toward me, his eyebrows raised doubtfully. I really, really didn't like Wilson very much at that moment.

“Yes. Echohawk. This piece is called 'The Arc,' and it was carved by Blue Echohawk. Blue has agreed to answer some questions about her work. I thought you all might find it interesting.”

I stood and moved next to Wilson but kept my eyes trained on the sculpture so that I didn't have to make eye contact with anyone in the room. The class had fallen into stunned silence. Wilson started by asking some basic questions about tools and different kinds of wood. I answered easily, without embellishment and found myself relaxing with each question.

“Why do you carve?”

“My . . . father . . . taught me. I grew up watching him work with wood. He made beautiful things. Carving makes me feel close to him.” I paused, gathering my thoughts. “My father said carving requires looking beyond what is obvious to what is possible.”

Wilson nodded as if he understood, but Chrissy piped up from the front row.

“What do you mean?” she questioned, her face screwed up as she turned her head this way and that, as if trying to figure out what she was looking at.

“Well . . . take this sculpture for example,” I explained. “It was just a huge hunk of mesquite. When I started, it wasn't beautiful at all. In fact, it was ugly and heavy and a pain in the ass to get in my truck.”

Everyone laughed, and I winced and muttered an apology for my language.

“So tell us about this particular sculpture.” Wilson ignored the laughter and continued, refocusing the class. “You called it 'The Arc' – which I found fascinating.”