It may be that at the last minute she hesitated, but with that ruthless combination of passion and logic he conducted a violent assault on her heart and mind. Perhaps he lifted her hand to his face, and she touched the scar by his mouth, and she thought:
âTwice he has flung himself down for me, now when he has climbed up I should go with him.' Whatever she thought, she surrendered. How they got away is a miracle, and yet she found time to scrawl a note to Maysie, though she may have written it as soon as the bridesmaids left. It was this that Uncle Bertie found, when fuming with impatience, he broke open the door:
âDarling Mummy, please forgive me. I've gone with Dominic. It can't be helped. I'm so sorry about all the trouble. Your loving Helena.
âPlease give my apologies to Wentworth.'
The postscript shows the extent of her regard for that unfortunate millionaire. She did not imagine that she had caused him much more than inconvenience, as if she had missed an appointment to lunch with him in Melbourne. His attitude to the wedding did not seem very different, judging from the manner in which he looked at his watch in the church.
Dominic and Helena drove in the hansom to Spencers Street railway station, where they caught the express to Sydney, and they were married as soon as possible. Steven allowed Dominic the amount which he had intended to give him if he married Sylvia, while Aunt Maysie, obstinately opposing Uncle Bertie, who for months declared that he would never again speak to his daughter, gave Helena half the income that she had inherited from Alice. In this way they were able to live in material comfort.
Many of the upholstered ladies spoke of them with malice, not only because of Helena's appalling disrespect to wealth, but also because they thought she must be unduly happy. The more good-natured, when Aunt Maysie returned the wedding presents, said:
âOh, no. Let her keep them. After all she is married.'
For reading group notes visit
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The Commandant
Jessica Anderson
Introduced by Carmen Callil
Homesickness
Murray Bail
Introduced by Peter Conrad
Sydney Bridge Upside Down
David Ballantyne
Introduced by Kate De Goldi
A Difficult Young Man
Martin Boyd
Introduced by Sonya Hartnett
The Australian Ugliness
Robin Boyd
Introduced by Christos Tsiolkas
The Even More Complete
Book of Australian Verse
John Clarke
Introduced by John Clarke
Diary of a Bad Year
JM Coetzee
Introduced by Peter Goldsworthy
Wake in Fright
Kenneth Cook
Introduced by Peter Temple
The Dying Trade
Peter Corris
Introduced by Charles Waterstreet
They're a Weird Mob
Nino Culotta
Introduced by Jacinta Tynan
Careful, He Might Hear You
Sumner Locke Elliot
Introduced by Robyn Nevin
Terra Australis
Matthew Flinders
Introduced by Tim Flannery
My Brilliant Career
Miles Franklin
Introduced by Jennifer Byrne
Cosmo Cosmolino
Helen Garner
Introduced by Ramona Koval
Dark Places
Kate Grenville
Introduced by Louise Adler
The Watch Tower
Elizabeth Harrower
Introduced by Joan London
The Mystery of
a Hansom Cab
Fergus Hume
Introduced by Simon Caterson
The Glass Canoe
David Ireland
Introduced by Nicolas Rothwell
The Jerilderie Letter
Ned Kelly
Introduced by Alex McDermott
Bring Larks and Heroes
Thomas Keneally
Introduced by Geordie Williamson
Strine
Afferbeck Lauder
Introduced by John Clarke
Stiff
Shane Maloney
Introduced by Lindsay Tanner
The Middle Parts of Fortune
Frederic Manning
Introduced by Simon Caterson
The Scarecrow
Ronald Hugh Morrieson
Introduced by Craig Sherborne
The Dig Tree
Sarah Murgatroyd
Introduced by Geoffrey Blainey
The Plains
Gerald Murnane
Introduced by Wayne Macauley
The Fortunes of
Richard Mahony
Henry Handel Richardson
Introduced by Peter Craven
The Women in Black
Madeleine St John
Introduced by Bruce Beresford
An Iron Rose
Peter Temple
Introduced by Les Carlyon
1788
Watkin Tench
Introduced by Tim Flannery