A Game of Spies (7 page)

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Authors: John Altman

BOOK: A Game of Spies
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The Gehl family—wife Ursula, husband Ernst—worked in the import-export business, and thanks to the nature of their transactions they had maintained ties with the British until fairly recently. It was not beyond the realm of possibility, the
Blockwart
suggested in his report, that the Gehl family might be British sympathizers. It was therefore not beyond the realm of possibility that this strange visitor might actually be somebody of considerable interest, a refugee or a spy. The report ended with a proposal that the Gestapo pay a visit to the Gehl family and demand to see the visitor's papers.

Frick read the report twice, then set it aside. Over the past few days, his men had chased down a half-dozen leads concerning Hobbs, and had found nothing except dead ends. But none of the other leads had seemed half so promising.

The desk work was suffocating him. He decided to follow up on this one personally.

He was just preparing to stand when he caught the odor of fresh bread, wafting through the air of the office like a half-remembered melody.

Frick paused. It was his mother's bread, he realized; the kind she had made on Sunday afternoons, the kind that filled the house with hearty good smells promising heavy dinners and early bedtimes. His mother's bread—here in the offices of the Gestapo.

Very strange,
he thought.

As he sat, smelling the ghost scent of his mother's fresh bread, his mind began to wander. It wandered back to the front. The sky was cemetery gray, with twin columns of dun-colored smoke rising from the scarred ground. A young Jewess was touching her heart, almost tenderly, looking him straight in the eye. “Eighteen,” she said. It was her age, he understood. She wanted him to know how old she was before he shot her. “Eighteen,” she said again, with her hand on her chest, as if that might somehow save her life.

Then his finger had tightened on the trigger …

A telephone was ringing.

Frick snapped back to the present, reaching for the phone on his desk. He had it to his ear before he realized that it had been some other telephone ringing, in some other office. He set it down again.

For a moment, his mind was perfectly blank.

Then his thoughts turned slowly, inexorably, back to the girl.

She had been a beautiful girl: dark-eyed, raven-haired. “Eighteen,” she had said. Half-plaintive, half-accusatory. “Eighteen.”

When he came back to reality again, the office was dark. Light from the hallway leaked stealthily under the door.

He sat up straighter. The smell of bread was dissipating now.

What had he been thinking, before his mind had wandered? He couldn't recall.

His eyes ticked over the contents of the desk: the file, the telephone, the framed photograph of his mother, the blotter, the pencil. Ordinary things. Nothing of importance there. But he had the nagging feeling that he had been thinking of something important, before his mind had taken him back to the front. Hadn't he?

He licked his lips, then shook his head. He needed a good night's sleep. That was all.

He would remember in the morning.

He let himself out, leaving the file untouched on the edge of his desk.

4

HOHENZOLLERNDAMM, WILMERSDORF

Once Wilmersdorf had been a bourgeois district.

Then, at the turn of the century, the immigrants had come. The old Junker mansions had been split into apartments to accommodate the influx; the neighborhood had turned plainly residential. Now the few opulent manors in the area were separated by tenements, with a profusion of bulbous blue church domes—the architecture of the Russian Orthodoxy—rising above the rooftops.

William Hobbs looked out at the neighborhood for a moment, then let the curtain fall closed. When he turned from the window, he was surprised to see Ernst Gehl standing by the grandfather clock, watching him.

“Herr Gehl,” he said. “You startled me.”

Gehl gave a listless smile. He was a tall, distinguished-looking man in his late sixties. Something about him reminded Hobbs of Arturo Toscanini, the legendary conductor: a resemblance through the nose and the eyes, in the high forehead and the saturnine demeanor.

Gehl turned to the towering grandfather clock, opened it, and began to adjust the weights inside. “Going out again?” he asked.

“For the last time,” Hobbs said.

Gehl did not turn to face him, but Hobbs could read the man's thoughts as clearly as if he'd spoken them aloud. Every time Hobbs left the modest brick house, he risked bringing attention to the Gehls. In one way, Herr Gehl would have preferred that he stayed locked in the attic, out of sight and out of mind. On the other hand, Herr Gehl knew that Hobbs could not move on—to the extraction site, away from the Gehl house for good—until he had successfully contacted the agent for whom he had come here.

“I won't be coming back,” Hobbs said.

Gehl, still occupied with the clock, gave a negligent wave. Hobbs, of course, had already left the house three times hoping to make contact. Gehl did not have any reason to believe that this time would be different.

Hobbs looked at the man's back for another moment. He felt a slow, rising surge of sympathy. Ernst Gehl and his wife, Ursula, Hobbs knew, were reluctant associates of the British. They had promised their help in the days when it had been easy to promise such help, when noble virtues had seemed most important, when the specter of war had been something on the distant horizon. Now war had come and eyes were everywhere. Gehl and his wife were already guilty of treason, so they could hardly turn back; but they plainly regretted the position in which they found themselves.

After watching Gehl adjust the clock for a few moments, he turned to the staircase and climbed to the house's second floor. Apologies and thanks would be worthless. The best thing he could do for them would be to get on with his mission, and out of their lives.

A heavy chain hung from a trapdoor in the second-story ceiling. When he pulled on it, a ladder folded open like an oversized accordion. He moved up the rungs, into the close confines of the attic. He had spent the past few days living in this attic—but it had come, in that short span of time, to feel something like home.

Which was, he thought now, really rather sad.

He came off the top rung and turned to the small crate that he had been using as a desk. He lit the paraffin lamp atop the crate and then picked up the envelope sitting beside it. He held the envelope for a moment, fighting the temptation to open it, to make certain he had gotten the words right. He had already been over the letter countless times; the words were as right as he could make them.

He replaced the envelope on the crate, then turned to his small collection of supplies and began to organize them for his departure.

The supplies, for the most part, had come from the Gehls. Hobbs fastened the leather holster to his ankle and then slipped the silenced 9mm Beretta inside. He checked his papers—identity card, ration card, work permit—and found them satisfactory. He located the keys to the Talta—the Gehls' car, which they had offered for his use. They must have been desperate to get rid of him indeed, he thought, to give up a car in such difficult times. But what else was new? Everywhere he had ever gone in his life, he had brought unpleasantness along with him. Everywhere he had ever been, they had been anxious for him to leave.

After pocketing the keys, he shrugged on his trench coat. He put the letter in one pocket and then reached into the other, his fingers brushing past his last pack of cigarettes, to the mustache. He had made the mustache himself, from cotton balls in the Gehls' medicine cabinet. He removed it, licked the back—the adhesive had come from an envelope—and then patted it onto his upper lip, over his own slim mustache.

He stood for a moment, in the flickering light of the paraffin lamp, feeling faintly ridiculous.

Too many disguises, he thought. Too many years of playing roles. The lines blurred when one played a role for too many years.

Perhaps, beneath all the various disguises, the real William Hobbs no longer existed. Or perhaps the real William Hobbs had never truly existed at all. Before becoming a patriot, after all, he had played a variety of roles: pacifist, nonconformist, socialist, Fascist; anything that would give him access to a warm meeting hall, a sense of community and purpose. For all his life he had been trying on different masks, one after another. Who was to say if there was any face at all, below the masquerades?

Then he thought of Eva.

When he had been with Eva, he had not been playing a role. When he had been with Eva, he had only been himself.

And he had let her slip through his fingers, like so many grains of sand.

After thinking for a moment, he began to move again. His hands took inventory, checking the letter, the keys, the papers, the gun. They were all in order. He was ready. He had discovered during his excursions that most nights after dinner, Eva went for a walk. He planned to orchestrate a meeting during her evening stroll. He would press the letter into her hands and hope that the men watching her didn't catch on. It was not the most brilliant plan in the world, but then, he was not the most brilliant man in the world. Besides, simplicity was effective.

He paused, cocking his head.
Simplicity is effective.

Had that been Oldfield's?

Or had it come from further back? From childhood? Perhaps from his father?

He couldn't remember.

From Oldfield, he thought. His father had never taught him anything worth remembering. He had been too busy drinking himself to death.

His hat was resting on the bare mattress. He picked it up, put it on his head, and took a moment to say farewell to his temporary home. Then he found the cane leaning against one wall, doused the lamp, and went downstairs again.

He parked the Talta three blocks from Eva's flat.

As he walked, he felt the gun pressing against his ankle. It was a reassuring pressure, giving him a feeling of security. He had not forgotten the sensation of slitting Borg's throat. It was not a sensation he was eager to repeat. The gun, however, was impersonal. He could use it, if he had to, without hesitation. Even better would be a rifle. He had spent many a day during his youth duck hunting in the fens outside of Surrey. With a rifle in his hands, he would feel almost invincible.…

But for now he was satisfied with the Beretta. It was a silenced version of the standard Italian service pistol used by OVRA, the Italian secret police; the holster had been modified to accept both gun and silencer as a single unit.

When he was within a block of Eva's apartment, he leaned against a wall, situating himself so that he was invisible to both watchers. They could not see him, and he could not see them. But he would see Eva, if she followed the route she had followed before—when she reached the corner, before turning to continue around the block.

He waited, smoking. A light drizzle picked up, sprinkled cool rain, and dissipated.

Fifteen minutes passed. He began to feel anxious. Perhaps she would not take her walk at all tonight. Then where would he be? He would need to return to the Gehls' house, to wait for another chance. But he had told the Gehls he was not coming back.

He lit another cigarette, and held his ground.

A few minutes later, he saw a Gestapo agent moving down the street. He reached for his cane and prepared to move. He would take a stroll around the block himself, and would take the chance, therefore, of missing Eva. But if there was a better option, he couldn't see it.

He was just taking his first step when the Gestapo agent found another man to occupy his attention: a short, swarthy fellow weaving drunkenly down the sidewalk. Hobbs checked himself, watching.

The men were out of earshot, but he could guess the conversation easily enough. The Gestapo agent was requesting papers. The swarthy fellow patted himself down, found them, and offered them. They were evidently not enough to satisfy the Gestapo man, who then extended an offer to come into
Schutzhaft,
or protective custody. It was not an invitation that could be refused.

“Macht mit der Hacken,”
the man ordered loudly: Make with the heels.

Hobbs looked away as they moved past.

After another five minutes, he saw Eva, walking quickly with her head down, wearing her snood and her plain winter coat. He licked his lips, tossed the cigarette aside, planted the cane, and began to shuffle toward her.

The mustache felt lopsided. Too late to fiddle with it now; he had come into view of the watchers. He kept walking, trying not to overact his role, using the cane sparingly.

Eva looked distracted. As they drew near to each other, she glanced up. Her eyes landed on his face without a spark of recognition. She looked down again, stepping to one side so they could pass each other. Hobbs waited—and waited—and then misplaced the cane, stumbling into her. At the same time, his free hand dipped into his pocket, withdrawing the letter.

“Oh!” she said. “Pardon me.”

He leaned his full weight against her—an old man who had lost his balance. Her hands moved reflexively to support him.
“Danke,”
he mumbled, and pressed the letter against her side.

She looked down at it, frowning.

“Take it,” he hissed.

She took the letter.

Then Hobbs was moving away, not looking back. He resisted the temptation to sneak a glance at the watchers. He forced himself to move slowly, evenly.

She had not recognized him.

He had thought that she would recognize him, once they were close to each other. But there had been nothing in her eyes except startled irritation. It made him feel disappointed. Was he so far from her mind, these days?

He kept walking. Now he risked a peek over his shoulder. The man in the doorway was still in the doorway—but watching him. He quickly turned his eyes back to the sidewalk. He was drawing near to the newspaper and book stand. The urge to hurry was strong. He bit it down.

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