A Moment in the Sun (122 page)

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Authors: John Sayles

BOOK: A Moment in the Sun
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Harry turns as an electric ambulance pushes its way through the mass of people, siren wailing. Beyond it he sees the denizens of the Midway approaching, cautious, looking stunned and awkward outside of their native habitats. Arabs, Turks, and Armenians, Egyptian dancing girls, Mexican vaqueros, Filipinos of various shades and sizes, Esquimaux, Hawaiians, feathered Indians from the Congress, Japanese in their colorful robes, the Baker’s Chocolate Dutch girl in her wooden shoes, tiny Selenite Moon-Men, tribal chieftans from Darkest Africa and cotton pickers from the Old Plantation. They hang back a ways from the throng of Americans angrily surrounding the Temple of Music, not sure of their place here but knowing something important has occurred.

If there was a way, thinks Harry, to begin with the whole motley gathering of them, wide enough to hold the camel’s head in the frame, then slowly lose all the others so only one face fills the shot, the buckskinned beauty from the Five Nations gift shop perhaps, twisting her braids and crying. And then, turning back as the police raise their clubs to quell a murderous rush on the main entrance, he prays that the assassin is at the least a white man.

TELEGRAPH

They all want to be put wise and expect Shoe to come up with the dope. The rumpus out front has barely settled down when the six o’clock from Syracuse pulls through, factory whistles screaming and the bell gonging at the tractor works. Shoe rolls off his rack, feeling the cold concrete through his socks, steps to the basin and splashes his face with the tiny bit of water left standing, no light yet but everything in the cell within the arm’s reach of an amputee. He wrestles into his pants, shirt, vest and jacket, then jams his feet into the prison-issue gunboats and laces them up. By the time the lights are switched on in the tier, his own bare bulb flickering overhead, he is dressed and combed, ready to peel another day off his sentence. Shoe hooks the rack up flush to the wall, rolls the thin mattress, folds the blanket and lays the sorry excuse for a pillow on top. He does his morning set-up routine, facing the door and pressing hard against the concrete on either side with his arms, straining as if to push the walls apart, then reaching up to touch the ceiling, followed by a dozen squats, knees popping each time he bends them.

“Give him to us!” they shouted. “Hand the filthy bastard over!” That size crowd in the dead of night, police whistles shrilling and every one of the night bulls clomping out to the front gate, it must be some holy terror they’ve brought in, some spitting, unrepentant menace to society hustled past the warden’s desk and flung directly into a punishment cell. Wife-killer maybe, local enough to draw a mob, or maybe a chickenhawk caught with his beak where it shouldn’t be. Whatever the beef, it’s the first flash of novelty at Warden Mead’s hotel for months, and the boys will want to know the particulars.

Time for bolts and bars now, as Grogan, with his heavy tread, clangs up the stairs with Pete Driscoll gimping behind him. The long bar is sprung and Shoe stands with his hands on the grated iron, the levers clunking as the Captain and the trustee approach from the right—
chunk! chank!
and when his door is free Shoe pushes hard to swing it open, then grabs his shitbucket by the handle and steps out onto the wooden gallery walk. He stands at attention, face forward, shooting his eyes to Pete. But the trustee only raises his eyebrows, in the know but unable to pass it on, and follows Grogan unlatching the cells. The faintest light sneaks through the barred windows of the outside wall across from him now as the company forms up con by con, each with bucket in left hand and wearing their joint faces, indifferent to the day, waiting for permission to breathe. Grogan reaches the end of the tier, every man accounted for, and raps his metal-tipped stick once on the floor. The men half-turn left. Grogan raps twice and they begin to still-march in rhythm with each other, till he raps a third time and they short-step forward, single file along the gallery walk, right hand laid flat on the guardrail where it can be seen, and down the narrow iron stairs to the bottom, crossing the stone floor till the lead man reaches the wing door where they stop and wait in silence till all the tiers are in formation and then Grogan double-raps again and they head out past Captain Flynn counting at the door and into the damp, cold shock of the yard.

The line short-steps out from the north wing building then bends sharp to the right at the center walk, forming up double file now and waiting for Grogan, who lets them cool a moment, the breath of two hundred men visible in the yard, leaves just beginning to turn on the birches along the walk, a yellow-tinted canopy for the line of gray men with black stripes. They stand with eyes front, swindlers and pete-men, gashouse pugs and forgers, sneaks and stalls, smash-and-grab artists, pennyweights, till-tappers, boardinghouse thieves and moll-buzzers, each one willing himself invisible, hoping to be passed over by Grogan’s bloodshot eyes. The Captain, satisfied for the moment, raps twice against the stone of the walk and the double line moves, full-stepping the length of the great rectangle back to the brick shithouse.

It is still the Rule of Silence in line and at meals, though they nixed the Lockstep just last year. No more chugging along with your right on the shoulder and your left on the hip of the con in front, no more tripping on the new fish, no more easy slipping of kites into your front man’s waistband. It took Shoe three weeks to remember how to swing his arms.

It is cold in the yard as they march down the center walk, crows flapping down into the birches, the first frost of the season sitting pale on the grass, and cold in the shithouse as each line enters a door, Shoe flipping the bucket lid up, dumping last night’s business into a large stone hopper, scooping water into it at the next basin, shaking it to rinse before dumping it into the final basin and the Owasco River beyond on the way out, then adding it to the pile at the disinfecting station before forming up again. This will be the only exercise most of the cons get all day. Captain Grogan raps and they full-step back, past the punishment cells and the new brick shock shop on the south wing to the mess. Sergeant Kelso, looking more exhausted than usual, stands at the door counting as they enter in single file, shooting a look to Shoe as he passes. Shoe slaps his right hand to his left breast in salute as he marches by the Principal Keeper, the PK peeping each con with equal disinterest till they have filed down into their rows and stand, row after row after row after row, all facing the same direction, waiting at the long chow shelves. The PK turns, ganders that all is in order, raps his skull-cracker on the floor and a thousand men pull their stools from under the shelf, then step back to attention. He raps again and they sit as one, food already laid out in front of them, oatmeal sludge, two slabs of punk and a cup of lukewarm bullpiss which Shoe puts away mechanically, shying one of the bread slices back into the basket when the mess con passes, no food wasted at Auburn, no, anything you leave on the table you finish in the cooler. They are given only minutes to stoke up, though how many is not clear as there are no clocks or watches in the joint, at least none that a con can get a rubber at. The screws own not only your time, good and bad, easy and hard, but Time itself. The PK raps twice and they stand and exit by rows, spoon held out in the left hand and dropped into the washbin as they short-step out, Sergeant Kelso counting and giving Shoe another look, widening his eyes to indicate it is big news.

Daylight then, slanting through the bars of the high windows as Grogan’s company enters the north wing again, and the crows, more crows than cons in the yard some mornings, ganging in the trees outside mocking the Rule of Silence. The men stand in formation till the Captain raps and they climb the iron stairs to their tiers, Shoe facing the cell at attention till the double rap and then stepping into his stone coffin, turning and pulling the grated door just short of closed. He waits till the footsteps come near and then gives the door a shake to prove the hinges are still good, and steps back.
Chank! Chunk!
the levers go down and he is double locked, standing with a checkerboard of light coming through the iron lattice and onto his body, waiting till
whump!
the long-bar falls into its brackets and seals the whole row before turning to check the mail. There is a kite, folded smaller than a dime and left between his pillow and blanket, written in haste with the char of a used matchhead, scrawled by Pete Driscoll and left by the other gallery boy, the Jew kid with the harelip. It is one short, shaky word and only that.

MACK
, it says.

There is time for a coffin nail before First Work, and Shoe lights one from his boodle and stands blowing the smoke out through the grated iron. They say how Sitting Bull’s outfit and the rest of the horse Indians can write a telegram with a woodfire and a wet blanket, and Shoe wishes he could do the same when Grogan’s footsteps have faded and the tapping starts up. Tin cups on iron grating, nothing subtle, and all of them want to know the same thing. He uses his stool against the door to answer,
thump, thump, thump
, yeah, yeah, yeah to let them know he’ll find out what the rumpus was, what it meant, is there going to be a party in the shock shop, and then the bullpen door screeks open and it is Grogan back below them calling up.

“If I have to climb those feckin stairs an extra time,” he warns, “one of yez will pay for sure.”

And then even the crows are quiet.

There is Mack Crawford on the south wing and Mack something or other who works in the basket shop and any number of Irish and Scots cons, MacThis and MacThat, and there is Sergeant McCurran on the graveyard shift and Captain McManus who supervises the laundry. Pete’s message is like most prison dope, one-third bullshit and two-thirds speculation.

Shoe stabs out the cig and saves the butt in his boodle, never know when hard times will hit, and then the screws clomp up into the tiers again to make their music on the metal and it is First Work. Shoe jams his cap on this time and short-steps with the others to the iron stairs and down and out into the yard where the details are separated and marched away to their shops. Sergeant Kelso fingers him.

“Shoemaker.”

“Sir.”

“With me. Carpentry.”

Shoe falls out from his line and begins to full-step, slowly, toward the woodshop. Kelso strolls two steps behind him, waiting till none of the other bulls can see their faces before speaking.

“Opening day.”

It is Saturday, Shoe remembers, and the college boys will be knocking heads.

“They’re not giving anything on Princeton till they reach twenty-four fecking points. Can ye imagine that?”

Kelso smuggles Shoe the sporting pages from the Rochester rag and pumps him for advice on his wagers.

“Against Villanova?” says Shoe, eyes forward as he walks. “Take it.”

“Their first game of the season?”

“First game for Villanova too. They don’t belong on the same grass with the Tigers.”

“Same odds with Pennsylvania and Lehigh.”

“Take it. These are just warmup games for the big squads.”

“Harvard and Williams?”

Shoe considers for a moment. “Harvard takes their time on the field—”

“But Harry Graydon is fullback again.”

“I say they win by two, maybe three touchdowns. Be careful there.”

They pass the punishment cells and Shoe is aching to ask but that’s not how you play it with Kelso.

“I’ve got Cornell over Colgate—”

Kelso is a hopeless gambler, a pigeon born to be plucked. Shoe can only try to steer him away from his worst hunches.

“By a few maybe,” he cautions. “Starbuck is on the sidelines this year.”

“Then Yale, my God, they’ve only got three men coming back—”

“But their scrubs last year could lick most of the teams in the country, and this Chadwicke is the real article. Who’s the victim?”

“Trinity.”

“Trinity, right—they go down by at least three scores.”

They reach the carpentry building and wait at the door for the work detail to pass inside.

“I’ve got Army over Georgetown by four,” says Kelso when the gang has cleared.

“I’d steer clear of that. Georgetown is turning out a real eleven this year.”

“But Army—”

“—can’t bring their artillery onto the field.”

“Yer wrong about that, laddy.”

Shoe shrugs. “It’s your funeral, Sergeant. Personally, I’d run away like it was on fire.”

Lachman, the contractor, has the shop already banging away when they step in, cons at their benches sawing and staining, hammering together crates and coffins. Shoe worked here for a year, after they’d run him through the baskets and the horse collars, and he always loved the smell and having something to pound. Nose DiNucci is waiting by the chair on the keeper’s platform, his metal basin on a stool and his tools in a box on the floor. Kelso eyes the basin as he steps up.

“Is that water hot?”

“Hot as I can get it, Sergeant,” says the Dago, dipping a thin towel into the basin.

Kelso sits and leans back in the chair, sighing with pleasure as DiNucci wraps the hot, wet cloth around his beezer. Shoe stands on the floor next to the platform, by Kelso’s right hand, waiting. Runner duty is the beans—no heavy lifting, a chance to roam around the joint and poke your sniffer into things—but a lot of standing and waiting goes with it. Kelso starts to talk with the towel over his face while DiNucci makes with the brush and cup, working up a lather.

“I’m already under the blankets with the Missus,” he sighs, “when the fecking telephone rings. We’ve got the service now, the Warden insists on it—and they tell me there’s a passenger car been put on the night run from Buffalo and we’ll be getting a special delivery around three o’clock. ‘It’s the middle of the cold dark night,’ says I. ‘What could you possibly need me there for?’ Unawares as I was of the tragic events at the Pan.”

Shoe has been following stories of the great Exposition in the scraps of rag he’s been able to glom on to. Every watchpocket cannon and con artist not wearing stripes must be in Buffalo, working the herd.

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