“Five times.”
“How is it?”
“It's ...” He didn't know how to continue. He looked for a word and didn't find it. Then, smiling, he said: “I'd like to cry out. I'd like to yell.”
“Yell, then.”
He turned his head towards the woods, ran his hand over his throat and hauled up an extended yell: “Uuuuuu ...!” No one replied from the woods, but his yell resounded far away among the fir trees.
“And now,” Nora said, “let's return to more articulate conversation. Tell me, how is it?”
“I don't know how to say it. It's something that surpasses language. It's something intense. It's a vast light ... I think I'm drunk.”
He threw himself down in the snow with his arms spread and rolled over several times, as though he were rolling in the grass.
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A skier came down from the Touring Club chalet and stopped beside them. “Nice weather?”
It was the red-haired Saxon they had met the day before at the SKV chalet.
The man with the eyes of the badger
, Nora recalled.
“So you found a place to stay at the Touring Club? To tell you the truth, I didn't think there was much chance that you'd find anything. I didn't want to make you feel bad, but ...”
“We're not staying at the Touring Club,” Nora said, cutting him off.
“Not at the Touring Club? Then where?”
She made a vague upwards gesture in the direction of the Glade of the Three Maidens. “A cabin up there ...”
“Gunther's cabin?”
Nora didn't reply, but the man asked again, in disbelief: “Gunther's cabin?”
There was amazement in his voice, which failed to register in his small, metallic, inexpressive eyes, but which his dense, grizzled eyebrows articulated with an exaggerated arching. “If Old Grodeck had known ...,” he said pensively. Then he set off on his skis.
Nora did not have time to ask him either who Old Grodeck was, or what would have happened had he known.
What odd things
, she thought.
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Now they had to climb back up the entire slope. Nora showed Paul how to make broad zigzags from right to left with the edge of the ski pushed obliquely into the snow. “Climb with small steps. Make each stride a step that you're cutting for yourself in the snow.”
He moved forward, but when he reached either the right or the left edge of the ski hill and had to change direction he was afraid of being caught by the valley and sliding backwards downhill. He was supposed to turn his skis around with a scissor movement that Nora illustrated for him step by step but which, although in theory it struck him as very simple, he couldn't make. There was a moment when one of the skis had to be lifted into the air, turned quickly and brought alongside the other, everything happening in a single second. Up to this point, things went very well, but in that instant of suspension on a single ski, Paul would lose his balance and fall.
“I give up,” he said, after a few attempts. He hurled himself down into the snow and sat with his arms crossed.
“I, however, am not giving up,” Nora replied. “Please get up and make the turn correctly. We're not leaving here until you do it.”
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They returned to the cabin after one o'clock. Paul was ravenous, exhausted and enthusiastic. “We should have stayed on the ski hill. We would have found something to eat at the Touring Club.”
“You know we can't do that. Gunther is waiting for us.”
Gunther was not waiting for them. Hagen told them that the boy couldn't come down for lunch and had asked them to eat without him. “He's tired. He didn't sleep all night. He needs rest.”
Nora was about to go up to his room in the tower to see him, but Hagen asked her not to. “It's nothing serious. Let's leave him to sleep. If he gets some rest, he'll come down in the evening.”
“Odd things happen in this house,” Nora said over lunch.
“Odd?” Paul asked. “I don't see it like that.”
“Then you don't see anything, my dear.”
“You're right. I'm giddy, I'm drunk.” Before his eyes he saw only the white stretch of the snow and himself flying over it. He closed his eyes and tried to abolish all thought, as he did in the lightning sensation of soaring, flying, falling. What he couldn't imagine, couldn't conjure up, was the deep silence that invaded him in that moment.
“Fortunately, it doesn't last,” he said suddenly in a loud voice.
“What?” Nora asked, surprised.
“I don't know how to express it. The falling. The flying. The impact. All in a single second. If it were two, I might die.”
Nora regarded him with a soothing smile. She, too, knew this delirium of the first day of skiing, and she knew it was going to pass. But it made her happy to see that outbreak of brightness on his tired face. It pleased her to listen childishly to his elation.
“It's dizzying, Nora. Nothing in the world, not wine, not music, not love ... no, not love, nothing, nothing brings me so much light. I wonder whether it's possible, I wonder whether this is me, I wonder whether this miracle is happening to
me
.”
How young he is
, Nora thought. His excessive happiness, his messy delight, frightened her a little. Next to him, she felt too rational, too settled.
Maybe too old
, she thought, with her teacher's smile.
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Paul wanted to leave right after lunch. He could hardly wait to get back to the ski hill.
“Let's hurry while it's still light. It gets dark at four.” He slid forward on his skis with long strides. From behind,
Nora corrected his posture, making the same observations again and again: “Arms closer together ... Head up ... Don't look at the skis ... Look straight ahead ...”
On all sides, the horizon was closed off by a white screen of clouds. Nora stopped short.
“What's the matter?” Paul asked, surprised to no longer hear her teacher's voice.
“Nothing. Listen.”
It was snowing all over the Burzenland, over the whole TimiÅ Valley; tons and tons of snow were falling every minute in the endless silence.
“I've always been terrified by the thought that I could die by drowning,” Nora said. “I think the Flood must have been disgusting. The whole world dying of drowning. I can hear them gurgling, struggling in the muck, in the putrefaction. But I'd like a snow-flood. To die, to fall asleep in the snow, nothing could be more pure and beautiful. That's the death I'd choose.”
“Maybe,” Paul said. “But I'm choosing life. Yesterday I'd gladly have died. I think I even suggested it to you. Today, though, I want to live.”
“Me, too,” Nora laughed.
They looked at each other earnestly, as though making a pledge, or taking a significant joint-decision.
When they got back to the Touring Club, Paul immediately wanted to start over on his route from that morning; but Nora stopped him. “We have to set up an instruction program. I've been toying with you up to now, but now it's time for you to learn.”
Paul's enthusiasm plummeted again. “What do you want me to learn? I can get by with what I know.”
He spoke these words in an almost blustering way. Nora saw in him a kind of lazy pupil's ill will that she knew too well from school to be afraid of it or to get angry. She preferred to ski away, as though she hadn't noticed. “We'll start by practising the snowplow. You use the snowplow to brake. It helps you to reduce your speed, of course, and, if you're not going too fast, to stop. The movement is very simple. Instead of skiing with your skis parallel, you open them up at an angle, meeting at a point in the front.
Watch carefully how I do it, then we'll try it together.”
Nora set off in her downhill posture, which she had shown him in the morning, but, when she began to gather speed, she bent her knees more deeply and separated her skis behind her, bringing them closer together at the front. With the tips together, the skis opened like the blades of a pair of scissors, while her forward progress slowed automatically, halted by her braking movement.
“Is that hard?” Nora asked.
“No. It looks simple to me.”
Yet it turned out to be harder than it had looked when he was watching, for he fell on his first attempt. In the instant in which he tried to separate his skis, he felt an unexpected resistance in his ankle, as though someone had placed a clamp there. He got up out of the snow without a word and set off again. His skis seemed indescribably light, the snow was soft and deep, the sensation of hurtling down the valley was like a delicious soaring â but Nora's voice called him to his obligations: “Snowplow! Snowplow!”
He tried again to open his skis, and again he felt the same resistance, which flung him to the ground.
He was beginning to feel spiteful towards Nora, towards the snow and, above all, towards that damned snowplow that didn't work. “Why did I fall?”
“Because you made a mistake. Things are very simple in skiing: if you make a mistake, you fall.”
She had hoped to extract a smile from him, but he didn't take it as a joke. With the peak of his cap rammed down over his eyes, his jacket covered in snow, his skis crossed, he was like an infuriated pupil.
“Let's start again, Paul. Pay more attention. You have to place all of your weight on both skis. Don't turn your ski on its side when you enter the snowplow: leave it flat with the entire sole on the snow.”
Paul rebelled.
“No, Nora, I don't want to anymore. It's too complicated. I don't want to learn anymore. I know enough to go downhill. I want to fall. Like I did this morning.”
He set off quickly, fearing she might stop him, with his skis parallel,
leaning forward over them, and with his arms spread like two wings. After his initial burst of speed, he felt that he was no longer master of his movements, that he could no longer even turn around, nor stop, and that he was caught in a dizzying flight. Again, the same intense white light overwhelmed him. There was no longer anything beyond that light â neither him nor the world. Random images â a tree, another one, a girl, a red pennant â brushed past him at an insane speed and perished behind him as in a dream. He didn't even realize that he had fallen. For a few seconds it seemed to him that the flight was continuing. There was an enormous light inside him that refused to go out.
Nora was above him, silent, waiting for him to wake up. Laughing, Paul asked her: “Now you're going to scold me, right?”
“No.” She flung herself down in the snow alongside him and took a friendly grip on his arm. “Listen, Paul. There are two great dangers in skiing: believing that it's too hard and believing that it's too easy. Skiing is neither as hard as you thought it was yesterday, nor as easy as you think it is today. What you're doing isn't even an act of courage: it's madness. Skiing doesn't mean skidding blindly down the valley. You have to be in control of your speed. To be able to stop when you want to. To be able to turn when you want to. If you want to commit suicide, just tell me. I know other methods that work better.”
She spoke in her level, teacher's voice. Paul listened to her submissively.
“Tell me what you want me to do and I'll do it.”
“You have to listen to me. It's indispensable that you listen to me. I want to make a good skier of you. It's possible that your whole life from now on will depend on this ...”
It didn't strike him as exaggerated to hear her talking like this. In fact, if skiing was this enormous light which in truth he had experienced for only a few seconds, then maybe his whole life could begin again. “Shall we go back to the snowplow?” he asked, resigned.
“Yes, let's go back. And we're not going to stop until we know it. Once, ten times, a hundred times. Do you promise?”
“I swear.”
They came back to the cabin late, in the dark. Hagen was waiting for them in front of the house with a lamp that he was swinging between the pine trees in order to show them the trail from a distance. Faffner greeted them with friendly growls.
Inside the house it was warm, the fire was burning and tall flames filled the fireplace. A smell of tea and tobacco gave the warmth a sleepy, aromatic air.
“Where's Gunther?” Nora asked.
Hagen did not reply to the question, but he passed Nora a piece of paper. “Gunther sent you this.”
Nora unfolded the sheet and read:
Hagen said that you asked about me. I thank you. I'm sorry I won't be able to come downstairs tonight, either. Please stay here. I'm happy that you're here. I think that tomorrow I'll be able to see you.
Nora, lifting her head, directed an enquiring gaze at Hagen. “Is he ill?”
“He's not ill. He's tired.”
It was obvious that he didn't want to say anything more. Nora regarded him with a certain fear.
Why did I stay here alone with him?
Paul had gone upstairs to change out of his ski clothes, which were damp with melting snow. She heard him moving around in the upstairs room. A stupid but reassuring thought passed through her mind:
If I scream, he'll hear me.
Hagen pulled his cape over his shoulders and remained standing in his heavy black jacket.
He has such blue eyes and yet he's so dark!
Nora thought. She was next to the bookshelf, in front of the same delicate portrait of a woman that she had also looked at last night.
“Is that Gunther's mother?”
“Yes. That's young Mrs. Grodeck.”
She has Gunther's eyes, but not his gaze
, Nora thought to herself, remembering the expression of tenderness with which the boy had looked at this portrait.