After Clare

Table of Contents

A Selection of Recent Titles by Marjorie Eccles

Title Page

Copyright

Prologue

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Epilogue

THE SHAPE OF SAND

SHADOWS AND LIES

LAST NOCTURNE

BROKEN MUSIC

THE CUCKOO'S CHILD *

AFTER CLARE *

*available from Severn House

This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author's and publisher's rights and those responsible may be liable in law accordingly.

First published in Great Britain and the USA 2012 by

SEVERN HOUSE PUBLISHERS LTD of

9–15 High Street, Sutton, Surrey, England, SM1 1DF.

This eBook edition first published in 2012 by Severn Digital an imprint of Severn House Publishers Limited

Copyright © 2012 by Marjorie Eccles.

The right of Marjorie Eccles to be identified as the author of this work has been asserted in accordance with the Copyright, Designs & Patents Act 1988.

British Library Cataloguing in Publication Data

Eccles, Marjorie.

After Clare.

1. Detective and mystery stories.

I. Title

823.9'14-dc23

ISBN-13: 978-1-78010-306-8 (epub)

ISBN-13: 978-0-7278-8197-7 (cased)

ISBN-13: 978-1-84751-453-0 (trade paper)

Except where actual historical events and characters are being described for the storyline of this novel, all situations in this publication are fictitious and any resemblance to living persons is purely coincidental.

This ebook produced by

Palimpsest Book Production Limited,

Falkirk, Stirlingshire, Scotland.

The Leysmorton yew still stood by the old wall on the boundary of the estate, its silhouette stark against the skyline, an ancient landmark for travellers, as it had stood for hundreds, maybe thousands of years, centuries before the house and its habitation. It could have arrived there as a seed on the wind, or been dropped by a bird, Anthony said. More likely, the first inhabitants of the village had planted it on one of the prehistoric ley lines, in a spot regarded as holy, in the belief that the properties of this sacred tree would ensure protection.

Do not disrespect the yew, he warned, aroused to unusual talkativeness. It is amazingly long-lived, a magical tree worshipped by the Druids for its mystical properties, for healing and as a means of communicating with the dead. It's a tree of duality – tight-grained and tough, its wood was once highly valued for practical purposes, for wheels and cogs, bowls and spoons; long ago, our nation's famous victory against the overwhelming forces of the French army at Agincourt was due to the use of the longbow, made from springy English yew. Its medicinal qualities are powerful, for those skilled enough to know how to employ its parts, all of which, however, are poisonous if used wrongly. Don't play with the loose, scaly bark, children, or the needles. Never on any account eat its scarlet berries.

Was it all too fanciful then, to believe that the tree, keeping its secrets and its dark magic to itself, was, like the house and its garden, waiting? As they had waited for nigh on fifty years – through occupation by strangers and four devastating years of war, through loss and sorrow. Waiting for everyone to reassemble . . . for secrets to be revealed?

Of course it was fanciful, ridiculous. She would not entertain the notion. All the same, the vibrations were so strong, so inimical, Emily almost turned and marched back the way she had come. It was a mistake, I should not have come home, she found herself thinking, chilled.

That in itself was an extraordinary admission, given that she had yearned for this moment for decades. She was not in the habit of doubting herself or her decisions – although this particular one had taken years to mature, and in the end had only been carried through on the back of her determination to return for the wedding; she alone knew how painfully brave that was. This self-doubt was new, as dismaying as that first glimpse of the beloved old garden.

How her father would have hated this! Anthony, that big, shambling figure in his baggy old pepper-and-salt Norfolk jacket, its pockets full of bits of string, seeds, clippers, notes to himself – though he rarely needed to be reminded of where every plant was situated, what jobs needed to be done.

Where once flagged paths and clipped box hedges had defined its proportions, where fountains had played and roses had flourished so lavishly abundant, where lawns had been kept immaculate by men with scythes or a Ransome mower, where she herself, almost as soon as she was old enough to wield a trowel, had helped her father to weed and dig, and had learnt how to plant out precious seedlings, now there was . . . not desolation, precisely, but rather abandonment to a rampant air of disorder, almost indecent in a way, as if Nature in reclaiming her own had tossed up her skirts, shamelessly taken charge of her own destiny, and put Man firmly in his place.

At that heretical thought Emily drew herself up to her full height, and though it was not very considerable, looked rather magnificent. She was Lady Fitzallan, and had no intention of being put in her place.

‘It's certainly a pity,' Hugh was saying, pacing alongside with his hands clasped behind his back like a royal consort, thin, correct and upright as ever, ‘but the Beresfords didn't take much to gardening. Birds of passage. Liked the thought of a country house garden but hadn't much idea how to go about it.' He, too, looked glumly at the prospect before them. ‘At least they kept the house in some sort of order.'

‘There were clauses in the lease about that,' Emily reminded him, a shade crisply. Sharpness had not always come naturally to her. It was a habit she, like other expatriate women, had fallen into, with servants in India and other faraway places who expected to be spoken to in that way by English memsahibs, and if not, thought them soft and often found subtle ways of not obeying. ‘And for that matter, clauses that the garden should be maintained.'

‘And so it was, after a fashion. Not as it was in your father's day, mind. Petunias in pots, I'm sorry to say. It only got like this when the soldiery came.'

By this he meant the time during the war when the house had been taken over as an army convalescent home. While Emily, longing for damp English summers, lush green grass and soft, clouded, changeable skies, for Leysmorton and its roses, had been far away in places where gardens of the only kind that could legitimately be considered gardens in her view were non-existent. Too much sun, of course. Paddy revelled in the heat, it suited his temperament, but it had wilted her. Yet she had endured without complaint. And now she was here, with the sight of it disconcerting enough to reduce her almost to tears. And there was still the house to face.

When the war came, the four men once employed to help her father in the garden had all joined the army on the same day, pals enlisting together, as men did, to fight the Germans, and they had all four perished together, in the midst of the slaughter that was the Battle of the Somme. Emily had been told there was an old man from the village who came in now, and no doubt did the best he could, but it would be quite unrealistic to expect him to cope alone with a garden of this size.

‘I dare say,' Hugh said, picking up her thoughts and adroitly sidestepping the wicked thorns of an untamed berberis that threatened to clutch at his trousers, ‘I dare say I could get hold of more men for the garden if you wished, Emily. The state the country's in, there's plenty looking for employment, God knows.'

Emily was sure he could. Hugh Markham was a man who got things done while other people were still talking about it. Decisive and sensible, a man one relied on, as he always had been. For all of his working life he had been the lynch-pin of the Peregrine Press, having inherited – and improved upon – a flourishing family publishing business of nearly 200 years' standing. Now he merely sat on the board, advising on occasions, an asset to his son, Gerald. Tall, spare, elegant, well brushed and spruce, his iron-grey hair precisely cut and his fingernails manicured. Urbane and ironic, age suited him.

‘I would take it as a great favour if you could, Hugh.' She laid a brief touch on his sleeve. He nodded and said she could leave it with him.

Waves of scent rolled towards them as a turn of the path brought them to the Rose Walk. Roses had always been the beating heart of Leysmorton, its greatest attraction, and they were everywhere, here on the Walk most of all. Punctuating the neglected herbaceous planting in the long border were great mounds of the old-fashioned roses Anthony Vavasour loved all his life long: the Damasks and Bourbons, the Musks, the Old Velvet Mosses. At the back, exuberant climbers scrambled up the pink brick walls that buttressed the terrace above. Emily saw that since her father's death – it could not conceivably have been before – many treasures had grown lax and undisciplined, some of them perhaps irrecoverable. Yet within their tangled framework, beauty and perfection might still lie. Roses, Anthony had taught her, were incredibly tough, and the lavish display all around provided ample evidence of it. Held in the warmth soaked up by the brick wall behind them, their combined scent had always been brought out by the hot sun. Today it was very nearly intoxicating.

‘I feel so guilty, Hugh. I should have come home before, not left it all to the agency people to manage.'

‘Only if you felt able to.'

Maybe he was right.

Here, at the flight of mossy steps which bisected the terrace wall, were the two recesses built either side of it, narrow domed apses, each with a stone seat roomy enough for three at the most. Sentry boxes, Clare had called them, too narrow in proportion to the wide steps. Emily should have been prepared for them, but was taken aback by a shaft of memory so keen it flashed through her like a knife. Her eyes closed in an involuntary reflex and she reached out for support to the pretty little dolphin fountain, now dry, its basin cracked, ridiculously situated in the centre of the flagged path for what reason no one had ever been able to work out. A piece of the dried, velvety moss encrusting it came off whole, and as she felt it crumble in her tightening hand, she blinked and forced herself back to her senses.

The moment had been too brief for Hugh to have noticed anything, she was sure. Then he said, ‘All right, m'dear?', and the controlled note of concern in his voice told her that of course he had noticed.

‘Yes, thank you.' She let the moss fall and rubbed the fingers of her cream kid gloves together. ‘I nearly missed my step, that's all.'

‘It happens, sometimes.' She was grateful that he did not add,
at our age
.

He, too, must remember that other June night – the heat, the drenching, swooning scent of roses as they sat close together on the stone seat in one of the apses, as she turned her face guiltily away and looked anywhere but at him, while outside the little fountain made its music in time with her thumping heart.