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Authors: Lydia Davis

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BOOK: Almost No Memory
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So there is the hurricane that did not strike the city but cast a yellow light over it, and there is this man, and there is the Bible, but no landlady, no President, and no newscasters, though she watched the news several times a day, every day, to see what the hurricane was going to do. The newscasters would tell her to look out the window and she would look. They would tell her that at that very moment, because the sun had just set, rams' horns were being blown all over the city, and she would be excited, even though she could not hear any rams' horns in her neighborhood. But though the newscasters serve to hold the story together from one day to the next, they are not in themselves very interesting and certainly not central to a story that has trouble finding its center.

In those days she also visited churches and synagogues. The last church she visited was a Baptist congregation in the north of the city. There, large black women in white uniforms asked her to sit down but she was too nervous to sit. Then, standing at the back of the crowded hall, she began to feel faint when a procession of women in red robes came toward her at a stately pace, singing. She left, found the ladies' room, and sat in a stall watching a fly, not sure she would be able to stand up again.

In fact, close to the center of the story may be the moment when she realizes that, even though she is not a believer, she has an unusual, religious sort of peace in her, perhaps because she has been visiting churches and synagogues and studying the Bible, and that this peace has allowed her to accept the possibility of the worst sort of disaster, one even worse than a hurricane.

She rides the train up along the river away from the city. The danger of the hurricane is past. The water in the river has not risen to cover the tracks, though it is close to them. As she looks out at the water, she suddenly remembers the devil. She has not made a place for him in what she might believe, or even in the questions she is asking about what she believes. She has asked several friends whether they thought there was a God, but she has not mentioned the devil to anyone. After she remembers this, she realizes something else: the very fact that she has forgotten the devil must mean he has, at this point, no place in her beliefs, though she thinks she believes in the power of evil.

This comes close to the end of the story as it is now, but she can't really end with the devil and a train ride. So the end is a problem, too, though less of a problem than the center. There may be no center. There may be no center because she is afraid to put any one of these elements in the center—the man, the religion, or the hurricane. Or—which is or is not the same thing—there is a center but the center is empty, either because she has not yet found what belongs there or because it is meant to be empty: there, but empty, in the same way that the man was sick but not dying, the hurricane approached but did not strike, and she had a religious calm but no faith.

LOVE

A woman fell in love with a man who had been dead a number of years. It was not enough for her to brush his coats, wipe his inkwell, finger his ivory comb: she had to build her house over his grave and sit with him night after night in the damp cellar.

OUR KINDNESS

We have ideals of being very kind to everyone in the world. But then we are very unkind to our own husband, the person who is closest at hand to us. But then we think he is preventing us from being kind to everyone else in the world. Because he does not want us to know those other people, we think! He would prefer us to stay here in our own house. He says the car is old. We know that really he would prefer us to be acquainted with only a small number of people in the world, as he is. But what he says is that the car would not take us very far. We know he would prefer us to look after our own house and our own family. Our house is not clean, not completely clean. Our family is not completely clean. We think the car would serve us well enough. But he thinks we may want to go out and be kind to other people only because we would prefer not to be at home, because we would prefer not to have to try to be kind only to these three people, of all the people in the world the hardest three for us, though we can easily be kind to so many other people, such as those we meet at the stores, where we go because there our car, he says, may safely take us.

A NATURAL DISASTER

In our home here by the rising sea we will not last much longer. The cold and the damp will certainly get us in the end, because it is no longer possible to leave: the cold has cracked open the only road away from here, the sea has risen and filled the cracks down by the marsh where it is low, has sunk and left salt crystals lining the cracks, has risen again higher and made the road impassable.

The sea washes up through the pipes into our basins, and our drinking water is brackish. Mollusks have appeared in our front yard and our garden and we can't walk without crushing their shells at every step. At every high tide the sea covers our land, leaving pools, when it ebbs, among our rosebushes and in the furrows of our rye field. Our seeds have been washed away; the crows have eaten what few were left.

Now we have moved into the upper rooms of the house and stand at the window watching the fish flash through the branches of our peach tree. An eel looks out from below our wheelbarrow.

What we wash and hang out the upstairs window to dry freezes: our shirts and pants make strange writhing shapes on the line. What we wear is always damp now, and the salt rubs against our skin until we are red and sore. Much of the day, now, we stay in bed under heavy, sour blankets; the wooden walls are wet through; the sea enters the cracks at the windowsills and trickles down to the floor. Three of us have died of pneumonia and bronchitis at different hours of the morning before daybreak. There are three left, and we are all weak, can't sleep but lightly, can't think but with confusion, don't speak, and hardly see light and dark anymore, only dimness and shadow.

ODD BEHAVIOR

You see how circumstances are to blame. I am not really an odd person if I put more and more small pieces of shredded Kleenex in my ears and tie a scarf around my head: when I lived alone I had all the silence I needed.

ST. MARTIN

We were caretakers for most of that year, from early fall until summer. There was a house and grounds to look after, two dogs, and two cats. We fed the cats, one white and one calico, who lived outside and ate their meals on the kitchen windowsill, sparring in the sunlight as they waited for their food, but we did not keep the house very clean, or the weeds cut in the yard, and our employers, kind people though they were, probably never quite forgave us for what happened to one of the dogs.

We hardly knew what a clean house should look like. We would begin to think we were quite tidy, and then we would see the dust and clutter of the rooms, and the two hearths covered with ash. Sometimes we argued about it, sometimes we cleaned it. The oil stove became badly blocked and we did nothing for days because the telephone was out of order. When we needed help, we went to see the former caretakers, an old couple who lived with their cages of breeding canaries in the nearest village. The old man came by sometimes, and when he saw how the grass had grown so tall around the house, he scythed it without comment.

What our employers needed most from us was simply that we stay in the house. We were not supposed to leave it for more than a few hours, because it had been robbed so often. We left it overnight only once, to celebrate New Year's Eve with a friend many miles away. We took the dogs with us on a mattress in the back of the car. We stopped at village fountains along the way and sprinkled water on their backs. We had too little money, anyway, to go anywhere. Our employers sent us a small amount each month, most of which we spent immediately on postage, cigarettes, and groceries. We brought home whole mackerels, which we cleaned, and whole chickens, which we beheaded and cleaned and prepared to roast, tying their legs together. The kitchen often smelled of garlic. We were told many times that year that garlic would give us strength. Sometimes we wrote letters home asking for money, and sometimes a check was sent for a small sum, but the bank took weeks to cash it.

We could not go much farther than the closest town to shop for food and to a village half an hour away over a small mountain covered with scrub oaks. There we left our sheets, towels, table linen, and other laundry to be washed, as our employers had instructed us to do, and when we picked it up a week later, we sometimes stayed to see a movie. Our mail was delivered to the house by a woman on a motorcycle.

But even if we had had the money, we would not have gone far, since we had chosen to live there in that house, in that isolation, in order to do work of our own, and we often sat inside the house trying to work, not always succeeding. We spent a great deal of time sitting inside one room or another looking down at our work and then up and out the window, though there was not much to see, one bit of landscape or another depending on which room we were in—trees, fields, clouds in the sky, a distant road, distant cars on the road, a village that lay on the horizon to the west of us, piled around its square church tower like a mirage, another village on a hilltop to the north of us across the valley, a person walking or working in a field, a bird or a pair of birds walking or flying, the ruined outbuilding not far from the house.

The dogs stayed near us almost all the time, sleeping in tight curls. If we spoke to them, they looked up with the worried eyes of old people. They were pure-bred yellow Labradors, brother and sister. The male was large, muscular, perfectly formed, of a blond color so light he was nearly white, with a fine head and a lovely broad face. His nature was simple and good. He ran, sniffed, came when we called, ate, and slept. Strong, adept, and willing, he retrieved as long as we asked him to, running down a cliff of sand no matter how steep or how long, plunging into a body of water in pursuit of a stick. Only in villages and towns did he turn shy and fearful, trembling and diving toward the shelter of a café table or a car.

His sister was very different, and as we admired her brother for his simple goodness and beauty, we admired her for her peculiar sense of humor, her reluctance, her cunning, her bad moods, her deviousness. She was calm in villages and cities and would not retrieve at all. She was small, with a rusty-brown coat, and not well formed, a barrel of a body on thin legs and a face like a weasel.

Because of the dogs, we went outside the house often in the course of the day. Sometimes one of us would have to leave the warm bed at five in the morning and hurry down the cold stone steps to let them out, and they were so eager that they leaked and left a pattern of drops on the red tiles of the kitchen and the patio. As we waited for them, we would look up at the stars, bright and distinct, the whole sky having shifted from where it was when we last saw it.

In the early fall, as grape-pickers came into the neighboring fields to harvest, snails crept up the outside of the windowpanes, their undersides greenish-gold. Flies infested the rooms. We swatted them in the wide bands of sunlight that came through the glass doors of the music room. They tormented us while alive, then died in piles on the windowsills, covering our notebooks and papers. They were one of our seven plagues, the others being the fighter jets that thundered suddenly over our roof, the army helicopters that batted their more leisurely way over the treetops, the hunters who roamed close to the house, the thunderstorms, the two thieving cats, and, after a time, the cold.

The guns of the hunters boomed from beyond the hills or under our windows, waking us early in the morning. Men walked alone or in pairs, sometimes a woman trailed by a small child, spaniels loping out of sight and smoke rising from the mouths of the rifles. When we were in the woods, we would find a hunter's mess by the ruins of a stone house where he had settled for lunch—a plastic wine bottle, a glass wine bottle, scraps of paper, a crumpled paper bag, and an empty cartridge box. Or we would come upon a hunter squatting so motionless in the bushes, his gun resting in his arms, that we did not see him until we were on top of him, and even then he did not move, his eyes fixed on us.

In the village café, at the end of the day, the owner's young son, in olive-green pants, would slip around the counter and up the stairs with his two aged, slinking, tangerine-colored dogs, at the same time that women would come in with the mushrooms they had gathered just before dusk. Cartridge cases peppered the ground across a flat field near the house, one of the odd waste patches that lay in this valley of cultivated fields. Its dry autumn grass was strewn with boulders, among them two abandoned cars. Here from one direction came the smell of wild thyme, from the other the smell of sewage from a sewage bed.

We visited almost no one, only a farmer, a butcher, and a rather pompous retired businessman from the city. The farmer lived alone with his dog and his two cats in a large stone house a field or two away. The businessman, whose hyphenated name in fact contained the word “pomp,” lived in a new house in the closest village, to the west of us across the fields. The young butcher lived with his childless wife in town, and we would sometimes encounter him there moving meat across the street from his van to his shop. Cradling a beef carcass or a lamb in his arms, he would stop to talk to us in the sunlight, a wary smile on his face. When he was finished working for the day, he often went out to take photographs. He had studied photography through a correspondence course and received a degree. He photographed town festivals and processions, fairs and shooting matches. Sometimes he took us with him. Now and then a stranger came to the house by mistake. Once it was a young girl who entered the kitchen suddenly in a gust of wind, pale, thin, and strange, like a stray thought.

Because we had so little money, our amusements were simple. We would go out into the sun that beat down on the white gravel and shone off the leaves of the olive tree and toss pebbles one by one, overhand, from a distance of ten feet or so into a large clay urn that stood among the rosemary plants. We did this as a contest with each other, but also alone when we were finished working or couldn't work. One would be working and hear the dull click, over and over, of a pebble striking the urn and falling back onto the gravel, and the more resonant pock of the pebble landing inside the urn, and would know the other was outside.

BOOK: Almost No Memory
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